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An Old French Analogue to General Prologue 1-18.
Rea, John A.
Philological Quarterly 46 (1967): 128-30.
Offers the "tempting hypothesis" that Adenet le Roi's "Berte aud Grans Pies" is a source of the "coincidence of . . . three motifs" in GP ("pilgrimage, spring, framing device"); also observes several "interesting verbal similarities" between the two.
The Apotheosis of Blanche in "The Book of the Duchess."
Wimsatt, James I.
Journal of English and Germanic Philology 66 (1967): 26-44.
Argues that in BD Chaucer "heavily inlays the Black Knight's long description of his lady with imagery of the Blessed Virgin" and "that the effect produced by such imagery is an apotheosis not inconsonant with the traditional apotheosis of the…
The Sources of Chaucer's "Seys and Alcyone."
Wimsatt, James I.
Medium Aevum 36.3 (1967): 231-41.
Focusing on the exemplum of Ceyx and Alcyone in BD, illustrates Chaucer's "early use of multiple sources in close alternating sequence," discussing source relations with Machaut, Froissart, Virgil, Ovid, Statius, the "Ovide Moralise," and the "Roman…
Caxton and Chaucer
Blake, N. F.
Leeds Studies in English 1 (1967): 19-36.
Gauges William Caxton's appreciation of Chaucer's literature by exploring why Caxton printed the works of Chaucer that he did, how he treated the texts, and to what extent his decisions reflect his own tastes or those of patrons, poets, and the likes…
Style and Stereotype in Early English Letters.
Davis, Norman.
Leeds Studies in English 1 (1967): 7-17.
Demonstrates the "conventional and unspontaneous elements in the language" of early English letter-writing, citing examples from the Paston letters, Cely letters, Stonor letters, etc., and discussing how phrasing reflects earlier literary usage,…
Chaucer in Spain, 1366: Soldier of Fortune or Agent of the Crown?
Garbaty, Thomas Jay
English Language Notes 5.2 (1967): 81-87.
Argues that Chaucer's role in Spain in 1366 was as a "confidential messenger" of the Black Prince, adducing historical and biographical evidence as well as the attitude expressed about Pedro of Spain in MkT 7.2375ff.
Two Notes on the Summoner's Tale: Hosts and Swans.
Hartung, Albert E.
English Language Notes 4.3 (1967): 175-80.
Reads "hostes man" in SumT 3.1755 as referring to the "servant of the innkeeper at whose inn the two friars are staying," and adduces paleographical evidence for retaining unemended "swan" as a suggestive detail in SumT 3.1930.
Two Notes on Chaucer's Arcite.
Hoffman, Richard L.
English Language Notes 4.3 (1967): 172-75.
Explicates the allusion to Joshua 9.21 in KnT 1.1422, and hypothesizes that KnT 1.2415-17 may allude to Samson.
Appearance, Reality, and the Ideal in Chaucer's "Franklin's Tale."
Howard, Ronnalie Roper.
Ball State University Forum 8.3 (1967): 40-44.
Argues that each of the major characters in FranT falls "short of an ideal standard," and that, although the Franklin "recognizes excellence," his Tale expresses an "amused recognition of human inability to live up to ideal standards."
Game, Play, and High Seriousness in Chaucer's Poetry.
Lanham, Richard A.
English Studies 48 (1967): 1-24.
Challenges Matthew Arnold's assertion that Chaucer's poetry lacks "high seriousness," considering the issue in light of game theory and Chaucer's attitude toward characterization. Because Chaucer's viewed character as performative role-playing…
Clerks and Quiting in the "Reeve's Tale."
Delany, Sheila
Mediaeval Studies 29 (1967): 351-56.
Explores the "ambivalent status" of clerks in the Middle Ages and the significance of clerkly success in "quiting" (defeating, taking vengeance on) carpenters and millers in MilT and RvT. In the latter, Chaucer avoids "quiting" the Reeve and thereby…
The Non-Comic "Merchant's Tale," Maximianus, and the Sources.
Hartung, Albert E.
Mediaeval Studies 29 (1967): 1-25.
Evaluates MerT in light of its sources and analogues, including the "Miroir de Mariage," Boccaccio's "Ameto," and the "Elegies of Maximianus," the latter identified here as an analogue for the first time, with its presentation of "amorous senility…
Chaucer.
Grose, M. W.
London: Evans Brothers, 1967.
Introduces to a non-scholarly audience Chaucer's life and works, cast against a background of social, scientific, and intellectual history, with frequent comparisons and contrasts with the modern world. Includes sections on Chaucer's Life, his…
Chauntecleer's Paradise Lost and Regained.
Levy, Bernard S., and George R. Adams.
Mediaeval Studies 29 (1967): 178-92.
Identifies patterns, details, images, and wording in NPT that direct the "reader's attention not only to basic biblical narrative of Adam and Eve, but also to the theological commentary on the Fall." The overall moral of the Tale is the universality…
A Mode of Word-Meaning in Chaucer's Language of Love.
Masui, Michio.
Studies in English Literature, English Number (1967): 113-26.
Explores the semantic operation of words drawn from the language of courtly love, following J. R. Frith's theory of linguistic context and collocation, and discussing examples from TC.
Number Symbolism in the Prologue to Chaucer's "Parson's Tale."
Peck, Russell A.
English Studies 48 (1967): 205-15.
Analyzes the symbolic import of the numbers used in lines 1-12 of ParsP (29, 4, 11, and 6), considering them in light of medieval number theory, time-telling, and the astrological sign of Libra. Together, the numbers "suggest the approaching…
The Merchant's Tale.
Pittock, Malcolm.
Essays in Criticism 17 (1967): 26-40.
Reads MerT as a "striking example" of the "tension between the tale and its teller" insofar as the Merchant fails to understand the "true significance" of the Tale. His "moral perception has been disturbed by anger and by a ludicrous…
A New Chaucer Analogue: The Legend of Ugolino.
Robbins, Rossell Hope.
Trivium 2 (1967): 1-15.
Presents a late-fifteenth-century analogue to Chaucer's account of Ugolino, titling it "The Legend of Ugolino," found in MS. 6 of the Corning Museum of Glass, Corning, New York. Comments on the relation of the "Legend" to Chaucer's version,…
Chaucer and the Satirical Tradition.
Sarno, Ronald A.
.Classical Folia 21 (1967): 41-61.
Argues that Chaucer's "main contribution to English satire" is the "reunification" of "Horace's gentleness, Juvenal's verve, and St. Jerome's moral vision," augmented by his "facile use of the double-entendre" and "his own special combination of…
Chaucer's Pardoner and the Hare.
Schweitzer, Edward C., Jr.
English Language Notes 4.4 (1967): 247-50.
Describes the commonplace "medieval notion of the hare's sexual peculiarities," locating it in several sources, and explicating its implications when applied to the Pardoner and his staring eyes in GP 1.684.
Geoffrey Chaucer on the Subject of Men, Women, Marriage, and "Gentilesse."
Silvia, D. S.
Revue des Langues Vivantes 33 (1967): 228-36.
Considers "gentilesse" (the "quality that makes human relationships most proper and ennobling") to be the main theme of the "Marriage Group" in CT, commenting on the virtue as it is presented in Mel, NPT, WBPT, ClT, MerT, and FranT, and exploring its…
Malkyn in the Man of Law's Headlink.
Stevens, Martin.
Leeds Studies in English 1 (1967): 1-5.
Argues that "Malkyn" in MLP (2.30) refers not to a generic "lewd woman" as suggested by W. W. Skeat but to the character Malyne in RvT, Symkyn's daughter, hypothesizing that Chaucer intended to cancel CkPT and follow RvT with MLPT.
How Old is Chaucer's Clerk?
Ussery, Huling E.
Tulane Studies in English 15 (1967): 1-18.
Argues that the Clerk is characterized as a "middle-aged scholar and professional logician," distinct among the other clerks of CT for his age (probably "more than thirty and less than fifty years of age") and wisdom, and unique in the GP as a…
Chaucer's Clerk and Chalcidius.
Wood, Chauncey.
English Language Notes 4.3 (1967): 166-72.
Traces the legacy of gladly learning and gladly teaching, from Plato's "Timaeus" in Chalcidius's translation through Jean de Meun's "Roman de la Rose" to the GP description of the Clerk (1.308), also noting the presence of the legacy in the…
The Detached and Judging Narrator in Chaucer's "House of Fame."
Zucker, David H.
Thoth 8 (1967): 3-22.
Investigates the combination of serious message (the nature of "love-in-the world") and comic method in HF, exploring Chaucer's shifts in narrative stance, his adaptations of Dante, his uses of irony, and the similarities between his methods and…
