Steadman, John M.
Notes and Queries 201 (1956): 374-75.
Offers support for the notion that the whelp episode in BD (387-96)--likely derived from Machaut's "Dit dou Lyon"--serves as a "symbol of fidelity," adducing instances of Renaissance "canine symbolism" and the appearance of dogs "on medieval tombs."…
Waggoner, George R.
Notes and Queries 201 (1956): 462.
Locates three references to Chaucer in Stow's 1570 "Summarye," not found in the 1565 edition and not included in Caroline Spurgeon compendium of Chaucer's allusions. Points out that death dates given for Chaucer vary in two of the reference (1400 and…
John, Lilse C.
Notes and Queries 201 (1956): 97-98.
Seeks advice in understanding the phrase "Chaucer's borrow" which appears Sir Nicholas H. Nicholas's "Memoirs of the Life and Times of Sir Christopher Hatton" (1847), where it is quoted from a letter to Hatton from William Dodington. Clarifies the…
Evans, Robert O.
Notes and Queries 202 (1957): 234-37.
Analyzes the meter of the opening line of CT (GP 1.1), focusing on renderings of "Aprill(e)" in manuscripts and printed editions, comparing it with meter elsewhere in CT, and arguing "that there is a strong possibility, even a probability, that…
Emerson, Katherine T.
Notes and Queries 202 (1957): 277-78.
Argues that Aleyn's "easy conquest" of Malyne in RvT can be attributed to their prior familiarity and to her promiscuity, the latter evident in the "ease" with which she uses the term "lemman."
Revisits Carleton Brown's 1910 suggestion of source relations between the "Alma Redemptoris Mater" in PrT and the "Gaude Maria," offering a liturgical explanation for Chaucer's use of the former.
Galway, Margaret.
Notes and Queries 202 (1957): 371-74
Reconsiders the toponym "Pullesdon" as a location in archival records that pertain to Chaucer, Philippa, and their patrons Lionel and Elizabeth, exploring possibilities for the location and implications concerning Philippa and Elizabeth.
Suggests that "spiced conscience" in GP (1.526) means "peppery" moral indignation; "sweet, spiced conscience" in WBP (3.435), a "bland, gentle disposition."
Kovetz, Gene H.
Notes and Queries 203 (1958): 236-37.
Observes an inconsistency in Emily's address to Diana in KnT 1.2349-52 that results from Chaucer's change in the sequence of the three protagonists' addresses to deities, altering his source in Boccaccio's "Teseida." Suggests that Chaucer was…
Locates an allusion to "Chaucers Bootes" (see Bo 4m5) in line 17 of Nathaniel Ward's "commendatory poem" written for Anne Bradstreet's "Tenth Muse Lately Sprung Up in America . . ." (1650).
Cauthen, I. B., Jr.
Notes and Queries 203 (1958): 248-49.
Locates a previously unnoticed allusion to MilT 1.3638-39 in Samuel Harsnet's "A Declaration of Egregious Popish Impostures" (1603), perhaps recalled from memory.
Renoir, Alain.
Notes and Queries 203 (1958): 248-49.
Identifies three "predominant" characteristics shared in the characterizations of Pandarus in TC and of "the slave Spurius, who plays the part of a pander for a young lover in Guillaume de Blois' Latin farce 'Alda,' written somewhat before 1170:…
Renoir, Alain.
Notes and Queries 203 (1958): 283-84.
Explores similarities of Chaucer's description of women's hair (KnT 1.1048-50, PF 267-68, and TC 5.808-12) and Apuleius's "Metamorphoses" II.10, suggesting a similar aesthetic rather than a source relationship, and noting that all resonate with…
Emerson, Francis Willard.
Notes and Queries 203 (1958): 284-86.
Shows that in his "Cambus Khan" Leigh Hunt is indebted to Edmund Spenser (and others who followed him) in modernizing Part I of SqT "almost as much as he is to Chaucer."
Kellogg, A. L.
Notes and Queries 204 (1959): 190-92.
Disagrees with editorial explanations of FrT 3.1314, arguing that the subject of the sentence, a "composite sinner," is the recipient of "pecunyal peyne." Offers supporting evidence from several contemporary sources.