Benson L[arry] D.
English Studies 42 (1961): 65-77.
Explores the "stylistic rationale" for Chaucer's uses of the historical present tense, identifying the fundamental "connotation of continuing action" of the grammatical form, and assessing its rhetorical, semantic, and tonal effects in various…
Benson, C. David
Philological Quarterly 58 (1979): 16-25.
The letter read by Helen and Deiphobus is an example of "special foreshadowing"; it pertains to King Thoas of Greece (derived by Chaucer from Guido delle Colonne), who later (4.138) will be part of the prisoner exchange that sends Criseyde to the…
Benson, C. David, ed.
Toronto: University of Toronto Press, 1991; Milton Keynes: Open University Press, 1991.
Anthologizes previously published essays and extracts from longer discussions of TC, BD, HF, and PF. Originally published between 1915 and 1986, the essays are arranged chronologically by work, with the majority (twelve of nineteen) dedicated to TC.
Benson, C. David,and David Rollman.
Modern Philology 78 (1981): 275-77.
The three anonymous stanzas that Wynkyn printed at the end of his 1517 edition of the poem suggest that neither the sympathy for Criseyde felt by moderns nor the poet's view of TC as a religious work would have been found in an early reader. Wynkyn…
Benson, C. David.
Susanna Freer Fein, David Raybin, and Peter C. Braeger, eds. Rebels and Rivals: The Contestive Spirit in The Canterbury Tales. Studies in Medieval Culture, no. 29 (Kalamazoo, Mich.: Medieval Institute Publications, 1991), pp. 213-21.
In 1987, an NEH-supported institute titled "Chaucer's Canterbury Tales: Medieval Contexts and Modern Responses" addressed concerns that Chaucer's poetry was disappearing from the "standard undergraduate curriculum" and discussed ways to "revivify"…
Chaucer's transformations of his sources produced a work that invites multiple and open-ended responses. Benson contrasts TC and its source, Boccaccio's Filostrato; he assesses medieval and modern readership of TC; and he considers the story of Troy…
Benson, C. David.
Modern Language Quarterly 53 (1992): 23-40.
Describes the writers' approaches to their source in Chaucer: Lydgate as a "scholarly commentator" and Henryson as a poet who exploits "Chaucer's innovative literary devices" in an original way. …
Benson, C. David.
John Michael Crafton, ed. Selected Essays: International Conference on Representing Revolution, 1989. (Carrollton): West Georgia College International Conference, 1991, pp. 9-20.
Compares Chaucer's poetry and the so-called Peasants' Revolt of 1381, demonstrating their common unexpectedness, extremism, touches of conservatism, and uniqueness. As is clear from his treatment of the Revolt in NPT, Chaucer was not a political…
Benson, C. David.
C. David Benson and Elizabeth Robertson, eds. Chaucer's Religious Tales (Cambridge: D. S. Brewer, 1990), pp. 137-44.
Not all of Chaucer's religious tales are alike. In MLT and ClT, Chaucer "transforms the same basic material into two radically different, though equally valid, varieties of religious poetry." A religious romance, MLT "employs great rhetorical…
Benson, C. David.
C. David Benson and Elizabeth Robertson, eds. Chaucer's Religious Tales (Cambridge: D. S. Brewer, 1990), pp. 1-7.
Darwinian, Freudian, and Marxist approaches to CT have "obscure(d) the historical and intellectual context of the religious tales" (Mel, ParsT, ClT, MLT, PrT, SNT), making them the "most marginalized" of Chaucer's works. Articles in the…
Benson, C. David.
Piero Boitani and Anna Torti, eds. Religion in the Poetry and Drama of the Late Middle Ages in England (Cambridge: D. S. Brewer, 1990), pp. 101-17.
Argues that "Chaucer is as much a religious artist as a comic artist" and that to exclude either fabliaux or religious tales is to reduce the achievement of CT. Examines the common aesthetic of PrT, SNT, MLT, and ClT, which despite their stylistic…
Benson, C. David.
Piero Boitani, ed. The European Tragedy of Troilus (Oxford: Clarendon Press, 1989), pp. 153-70.
After Chaucer's TC, minor writers of the fifteenth, sixteenth,and early seventeenth centuries generally ignore "both the high passion and the tragedy of the lovers." The two type characters appear chiefly in brief allusions, "with none of Chaucer's…
Benson, C. David.
Christianity & Literature 37 (1988): 7-22.
Benson urges that Chaucer be returned from merely professional scholarship to the mainstream of English literature and finds that structuralist, poststructuralist, Marxist, and feminist theories give new perspectives on Chaucer's work. Equally,…
Benson, C. David.
John V. Fleming and Thomas J. Heffernan, eds. Studies in the Age of Chaucer, Proceedings, No. 2, 1986. (Knoxville, Tenn.: New Chaucer Society, 1987): pp. 159-67.
Chaucer experiments with "different aesthetic and doctrinal possibilities" in his religious tales, which, "far from being dull and dutiful," demonstrate his literary virtuosity. Though MLT and ClT tell similar stories, MLT is a religious romance…
Benson, C. David.
Piero Boitani and Jill Mann, eds. The Cambridge Chaucer Companion (Cambridge: Cambridge University Press, 1986), pp. 93-108.
The characters in CT are neither fully developed nor consistent; tellers and their tales are loosely connected. Thus, Kittredge's "dramatic theory" is limited: it leads readers to focus on personalities of the pilgrims rather than on Chaucer's…
Benson, C. David.
Chapel Hill: University of North Carolina Press, 1986.
Despite the tenets of "dramatic theory" from Kittredge to modern times, the links between the pilgrims and their tales are not reliable bases on which to build valid literary criticism. Not the psyches of the pilgrims but the different styles of the…
Benson, C. David.
Chaucer Review 19 (1985): 100-09.
Chaucer's Man of Law attacks Gower for stories of Canacee and Apollonius, while defending Chaucer for omission of "swich unkynde abhomynacions" (MLP 77-89). Gower sympathizes with but condemns the characters. In Chaucer we have "a less rigidly…
Benson, C. David.
American Notes and Queries 22 (1984): 62-66.
The Physician's being "grounded in astronomye," i.e., astrology, is not a slighting gibe at his abilities. The publication of Nicholas of Lynn's "Kalendarium" (ed. Sigmund Eisner, Chaucer Library) offers "convincing evidence that Chaucer intended no…
Benson, C. David.
Chaucer Review 13 (1979): 308-15.
Guido's "Historia Destructionis Troiae" uses an objective historical tone, mixed with outbursts of personal lamentation. From this Chaucer developed his narrator, a philosophical historian who is affected as a man by his own story, to accent in TC…
Benson, C. David.
Wendy Harding, ed. Drama, Narrative and Poetry in The Canterbury Tales (Toulouse: Presses Universitaires du Mirail, 2003), pp. 22-33.
Benson argues against interpreting CT in terms of dramatic theory: the pilgrims are not fully developed human characters, nor are their tales expressions of their individual psychologies. The most developed pilgrims-the Pardoner and the Wife of…
