Describes the history of digitizing the journal SAC, commenting on the future of print journals and "the overall impact of digitization on scholarly societies."
Pidd, Michael, Peter Robinson, Estelle Stubbs, and Clare E. Thomson.
Literary and Linguistic Computing 12 (1997): 197-201
Argues that digital imaging of all available reproductions of CT manuscripts is necessary to make a pictorial history of the manuscripts. Reproductions of Hengwrt show changes over time.
Situates the digital humanities (DH) within media history by arguing that DH depends upon collocation of visual, perspectivistic technology and artistic pursuit, as does anamorphosis. Exemplifies anamorphosis by means of Hans Holbein's "The…
Jones, Chris.
Bettina Bildhauer and Chris Jones, eds. The Middle Ages in the Modern World: Twenty-First Century Perspectives (Oxford: Oxford University Press, 2017), pp. 168-85.
Attends to histories of reinterpretation and translation of medieval poetry of Chaucer and of "Sir Gawain and the Green Knight." Focuses on the return to medievalism
by British poets of the twenty-first century, including Seamus Heaney. Also notes…
Ensley, Mimi.
Manchester: Manchester University Press, 2023.
Studies post-Reformation understandings and treatments of romance--a "fluid" genre--for the ways they disclose "subtle continuity" across the traditional divide between medieval and Renaissance. Focuses on resistance to erasure of the genre,…
Reimer, Stephen R.
Ian Lancashire, ed. Computer-Based Chaucer Studies (Toronto: Centre for Computing in the Humanities, University of Toronto, 1993), pp. 161-76.
Summarizes questions of Lydgate's canon and its relation to Chaucerian apocrypha. Describes a series of computer-assisted stylistic analyses used to clarify the canon, showing that Lydgate tends to use "large and complex syntactic structures" and…
Delany, Sheila.
Florilegium 10 (1991, for 1988): 83-92.
Deeply rooted in late-medieval social and religious ambivalence toward women, Chaucer's poetry both subverts and asserts traditional gender differences, as seen in LGWP, FranT, and WBP.
Schelp, Hanspeter.
Germanisch-Romanische Monatsschrift, New Series, 15 (1965): 251-61.
Assesses the morning-scene in TC 3.1415ff. in light of source-and analogue materials in Ovid's "Amores," Boccaccio's "Filostrato," and elsewhere, arguing that Chaucer combines elements from various genres and forms ingeniously to produce something…
Obst, Wolfgang, and Florian Schleburg.
Heidelberg : C. Winter, 1999.
Includes twelve chapters, organized as follows: a passage from TC (usually 100 lines each from MS Cambridge Corpus Christi 61) is followed by a discussion of specific grammatical or phonological features. Thus, chapter one contains the first night…
Studies the interconnected development of fabliaux, tales, and novellas in the European Middle Ages, with emphasis on the German tradition and the impact of Boccaccio. Includes discussion of CT (pp. 292-97) as an early ("früher") response to…
The lament for the dead is a literary form that critics have found difficult to appreciate, even in Chaucer. The book sketches the sociocultural background in medieval England in connection with older traditions, native, biblical, Greco-Roman,…
Haug, Walter.
Dorothee Lindemann, Berndt Volkmann, and Klaus-Peter Wegera, eds. "Bickelwort" und "wildiu maere": Festschrift fur Eberhard Nellmann zum 65. Geburstag (Goppingen: Kummerle, 1995), pp. 354-65.
Compares RvT with its analogue in Boccaccio's "Decameron" and with the Middle High German "Studentenabenteuer," exploring their concerns with disorder and its effects.
Kleinstück, Johannes.
In Johannes Kleinstück, Mythos und Symbol in Englischer Dichtung (Stuttgart: Kohlhammer, 1964), pp. 25-55.
Argues that Chaucer's depiction of fame in HF is skeptical, emphasizing its dependence upon fortune, and arguing that it is more similar to Montaigne's notion of glory than to those of Dante or Petrarch.
Examines the narrative devices of WBP, classifying the Wife's oaths, metaphors, logic, euphemisms, and proverbs and suggesting that her appropriations of these traditional devices underpin her broader challenge to male authority.
Facing-page translation (Middle English verse/German prose) of selections from the CT, with introductions, commentaries, and bibliographies. Includes GP, KnT, MilT, WBPT, FranT, PardPT, and NPT. Translations by Bergner, Waltraud Böttcher, Günter…
German translation of CT, with notes and glosses,originally produced by Adolf von Düring as part of his three-volume "Geoffrey Chaucers Werke" (Strassburg, 1883-86). Hoevel's edition was reissued in 1974.
Sauer, Walter.
Heidelberg : Universittsverlag C. Winter, 1998.
An introduction to the phonetics and phonology of Chaucer's language in two parts: first, the reconstruction of the phonetic and phonemic system of Chaucer's English and its diachronic development; second, the text of GP with a phonetic…
Erzgräber, Willi.
Bernd Engler and Kurt Muller, eds. Exempla: Studien zur Bedeutung und Funktion exemplarischen Erzahlens (Berlin: Duncker & Humblot, 1995), pp. 55-77.
Examines structural and thematic roles of the Ceyx and Alcyone episode in BD, the Dido episode in HF, and the Dream of Scipio in PF.
An examination of the source, Machaut's "Jugement dou Roy de Behaingne," proves that the Knight's and the Dreamer's mutual lack of understanding--which serves a powerful dramatic purpose--stems from differences in social background and rank.
Contzen, Eva von.
Jan Alber and Greta Olson, eds. How to Do Things with Narrative: Cognitive and Diachronic Perspectives (Boston, Mass.: De Gruyter, 2018), pp. 79-92.
Assesses the characterizations of Dido in HF, LGW, and William Caxton's "Eneydos," analyzing their direct discourse and representations of mental state as examples of how premodern authors present well-known figures from the literary past. Chaucer's…
Russell, J. Stephen.
Medieval Perspectives 1 (1988, for 1986): 65-74.
Chaucer's Dido, Emelye, and Custance differ from their respective literary ancestors. In each case, Chaucer gives to his heroine a significant speech or set of speeches that subverts the narrative in which she appears, counterpointing the dominant…
