Browse Items (16476 total)

Item not seen. WorldCat record includes an abstract: "This book examines cases of [question-begging] reasoning in Chaucer studies, book history, and in other humanistic fields." In it, Joseph Dane critiques "himself and his own formulation of…

Advocates "a book historical approach to digitized texts," seeking "to promote a codicology of the 'digital' medieval book," exposing various problems and inconsistencies in the uses of metadata in digital medieval studies. Refers to Adam and to TC…

Describes two projects that use digital research tools: one using Lexomics to compare passages in "Beowulf" and "Blickling Homily XVII" and another using Lexomics and Voyant to 1) examine verbal clusters in GP to "see if Chaucer wrote differently"…

Ten essays by various authors on topics related to digital research and analysis in medieval studies, with an Introduction by the editors and a comprehensive index. For two essays that pertain to Chaucer, search for Meeting the Medieval in a Digital…

Articulates Chaucer's Catholic orthodoxy in CT, contrasting it with Wycliffite heterodoxy, and arguing that, in Chaucer, a robust poetics of pious hope is evident, despite his satire of several ecclesiastical characters. Focuses on the…

Identifies the rhetorical question in MilT 1.3747-49--unusual in low style--as a parody of those found in KnT 1.1414-16, 1970-71, and 2652-53.

A facsimile reprint of the 1896 Kelmscott Chaucer, with Winterich's Introduction that summarizes the lives of Chaucer and of William Morris, the production of the original book, and its place in the history of Kelmscott publications. Includes a…

Considers Mars "as an exercise in describing human action and emotion in terms of a supposed astronomical event," with the planet/pagan god representing John of Gaunt in his affair with Katharine Swynford (Venus), Mercury representing Chaucer…

Describes an "experiment in the use of oral reading as a means of teaching" TC that increased students' "critical appreciation" of the poem and Chaucer's art.

Examines the syntax, rhetoric, and emphases of GP 1.280 in comparison with similar locutions elsewhere in Chaucer (especially ShT) to argue that it means, emphatically, " If he [the Merchant] was in debt, the spectator would certainly never know it!"

Suggests that the "gate-metaphor" of PardT 6.729 derives from a Spanish proverb fused with Maximianus's "Elegy" I.

Anthologizes a wide range of selections from British and American literature--poetry, fiction, drama, and translations, with brief, appreciative introductions to individual authors and their works. Includes description of Chaucer as a "poet of…

Responds to criticism of TC, especially that of C. S. Lewis on courtly love, and examines the poem's emphases on human vulnerability and limitations, reinforced by recurrent colloquialisms, juxtapositions of the sublime and the risible, and concern…

Explores similarities of Chaucer's description of women's hair (KnT 1.1048-50, PF 267-68, and TC 5.808-12) and Apuleius's "Metamorphoses" II.10, suggesting a similar aesthetic rather than a source relationship, and noting that all resonate with…

Identifies three "predominant" characteristics shared in the characterizations of Pandarus in TC and of "the slave Spurius, who plays the part of a pander for a young lover in Guillaume de Blois' Latin farce 'Alda,' written somewhat before 1170:…

Traces the unifying theme of joy after woe in KnT, "brought about both by the plot and by Boethian Destiny," focusing on Arcite's achievement of "welfare" and Palamon's "wele" after both start in sorrow. Theseus similarly replaces Egeus's saturnine…

Posits a "chronology of growth" for the CT, seeking "to follow the imagination of the poet and to recapture the dynamics of creation" evident in Chaucer's apparent changes in plan. Comments on earlier scholarly efforts to explain or understand…

Describes Chaucer's "power and limitations as a stylist," offering examples, and tabulating more extensively examples of oaths and swearing in Chaucer's works, including strong and weak oaths, wishes, and imprecations.

Sketches the development of "Gothic humanism," Platonism, and naturalism in medieval "plastic arts" and theory, locating similar principles and practices in CT--the principles expressed at the opening of PhyT and the practices found in a variety of…

Describes the "intellectual milieu" of the Clerk in order to characterize him as "man of essentially humanistic temper, aware of so many complexities . . . that he found it difficult to rest in dogmatic assurance of anything." Traces the "movement…

Contrasts the sorrows of the Dreamer and of Alcyone with that of the Man in Black in BD, arguing that the first two serve to elevate the intensity of the latter. Then examines the epideitic praise of Blanche/White as a form of personification that…

Identifies allusions to Chaucer from the "Periamma Epidemion" of 1659: to the description of the Physician in GP 1.437-38 and to WBP 3.227-28

Argues that TC, in its "integration of style, structure, and theme with meaning," is best regarded as "transitionally Renaissance in its entire import." Articulates differences between medieval and Renaissance cultures, and argues that TC better…

Identifies the "tregetoures" of FranT 4.1141, not as jugglers or magicians, but as the "actors, craftsmen, 'artisans mécaniques'" who produced spectacular entertainments such as the ones recorded by chroniclers to have taken place at the Royal…

Describes the fabliau features of ShT, comments on its likely (though unknown) source, observes that its "personal generalizations" are unusual in the genre, and assesses its treatment of women and its stylistic features as evidence that its original…