Browse Items (16470 total)

Argues that the Franklin's gentility is a "watered-down version" of traditional gentility, aligning FranT with eighteenth-century bourgeois "sentimental comedy." Contrasts KnT and FranT, maintaining that "virtue releases man from the bonds of…

Explores how female sovereignty in WBPT results in "the subservience of the class function to the bourgeois ethic which the Wife represents," indicating parallels in FranT and Genesis. Alison controls the merchant class in her first three marriages;…

Challenges the putative "simple and even balance" of the Marriage Group in CT, discussing several factors that highlight Chaucer's "purposeful inconclusiveness" in the dramatic interplay among the Tales: 1) MerT and FranT are each an "attack" on the…

Describes medieval dream psychology, both medical and Macrobian, and summarizes the realism of dreams as narrative frame in Chaucer's dream visions (BD, HF, PF, and LGWP) and as device of characterization and dramatic irony when dreams are otherwise…

Aligns Chaucer's juxtaposition of owls and apes in NPT 7.3092 with the "moral obliquity" of the two animals in medieval art and sculpture, identifying origins in patristic commentary.

Investigates the "Great Mother" archetype in PardT 6.729-31, helping to explain the "primal force" of the Old Man in the Tale, his womb / tomb affiliations with the young tavern boy, and the "Tale's central image of the tree" as "ambivalent mother."

Shows that lexical and stylistic evidence supports reading "the May" in KnT 1.1037 as "hawthorn blossom," rendering Emelye lovelier than lily, rose or hawthorn in bloom.

Uses ParsT as a standard by which to assess the morality of CT, discussing the "ubiquity of sin in the Canterbury pilgrims," the "prominence of Pride" in especially the Wife of Bath and Pardoner materials, and the balancing virtues found elsewhere in…

Studies "Christian phraseology" in troubadour verse, the poetry of Chrétien, the "Roman de la Rose," and TC, focusing on uses by the narrator, Pandarus, and Troilus in Chaucer's poem.

Derives a composite "Chaucerian narrator" from the poet's various works, characterized by "naiveté or dull-mindedness," the traditional pose of a "slyly comic writer." Then explores how this nuances of this figure are used to effects in individual…

Examines the "nature and extent" of Ovid's influence on CT, identifying wide-ranging allusions to various Ovidian works and providing parallel passages, assessing Chaucer's emulation of Ovidian techniques and considering Chaucer's uses of…

Establishes the "intellectual background" to Chaucer's translation of Innocent's "De Miseria Humane Conditionis" as his "Wreched Engendrynge of Mankynde," explores Chaucer's uses of the treatise in MLPT and PardT and their manuscripts glosses, and…

Investigates the uses and functions of allegory, dialogue, and symbolism in Boethius's "Consolation," Alan of Lille's "De Planctu Naturae," landscapes in twelfth-century literature, and PF, arguing that the latter is a "triumph of allegorical…

Interprets the Canon of CYP as "one of the men of Antichrist," and examines the sustained opposition of CYPT and SNPT, emphasizing their contrasting depictions of reason and revelation as ways of knowing.

Treats TC as an "exemplum of" Bo, focusing on the extent of Boethian influence, the character of Criseyde, the ironic narrator, and the "appropriateness of the epilogue."

Edits the early modern Welsh play, "Troelius a Chresyd," with commentary on its relations with TC, Robert Henryson's "Testament," and early modern drama, treating the Welsh drama as a "secular mystery play."

Maintains that the PhyT was "specifically adapted especially to the Physician as teller," arguing that the opening of the Tale and its rhetoric reflect the arts training common to late-medieval physicians, that various details reflect the teller's…

Examines the characters of Griselda and Walter in ClT, with particular attention to the diction associated with them: "bountee" and "sadnesse" for Griselda and "shapen" for Walter. Also examines the words the characters do and do not use.

Argues that Dante's siren of "Purgatorio" XIX is analogous to the Wife of Bath and the transformation of the loathly lady of WBT, helping to undercut the Wife's views on female sovereignty and ironically "reasserting the medieval Christian idea of…

Offers a "new look at Chaucer's folktales," distinguishing between written and oral analogues to portions of CT, focusing on oral motifs, and categorizing the tales in accord with the numbering system in the 1961 revised version of Stith Thompson's…

Surveys and comments on English poetic translations of Dante's "Commedia" from Chaucer to Laurence Binyon, opening with mention of the Ugolino episode from MkT (based on "Inferno" XXXIII 1-90), followed by quotation of SNP 8.36-56, calling it a…

Surveys and comments on English poetic translations of Dante's "Commedia" from Chaucer to Laurence Binyon, opening with mention of the Ugolino episode from MkT (based on "Inferno" XXXIII 1-90), followed by quotation of SNP 8.36-56, calling it a…

Suggests that the "greyn" placed on the clergeon's tongue by the Virgin in PrT 7.662 may represent that his "disembodied spirit [was] restored for a time," offering contextualizing background from biblical, classical, and medieval scientific sources…

Summarizes the transmission of the "Liber Scalae" (ultimately Arabic), and identifies similarities between its eschatological and cosmological details and those found in late-medieval English works, including "Pearl," "The Land of Cockayne," and HF,…

Describes the medieval tradition of representing the scorpion as a figure of female sexuality and explains how this underlies the depiction of Fortune as a harlot and a treacherous "woman-visaged scorpion" in MerT 4.2057-62.