Clogan, Paul M.
Medievalia et Humanistica 12 (1984): 167-84.
In TC 2.78ff., Chaucer distinguishes between Statius's "Thebiad" and the "Roman de Thebes" to characterize Pandarus and Criseyde, to emphasize the uncle-niece relationship, and to affect tone and atmosphere. In 5.145ff., he uses Statius to develop…
Robertson, D. W. (Jr.)
Medievalia et Humanistica 13 (1985): 143-71.
Treats the "relevant historical events, some basic attitudes (of the era), literary stragtagems," and TC itself, which is a "vivid example of the degrading and disastrous consequences" when a noble, valorous man places his seduced private will above…
Sheehan, Michael M.
Medievalia et Humanistica 13 (1985): 23-42.
Discusses the legal status of homogenous groups of medieval women--the landed class under common law, free townswomen, peasants under manorial custom, townswomen of lowly estate, and the religious--under headings birth, childhood, girlhood, majority,…
Grennen, Joseph E.
Medievalia et Humanistica 14 (1986): 125-38.
Chaucer's concept of "fyn," or end, is illuminated by the "Nicomachean Ethics" of Aristotle, which is more important as a source for Chaucer than has been recognized.
Cadden, Joan.
Medievalia et Humanistica 14 (1986): 157-71.
Medical and scientific authors discussed sexual matters with clinical frankness. Chaucer's Merchant sees Constantinus Africanus as "a pander, a peddler of love potions."
Braswell, Mary Flowers.
Medievalia et Humanistica 14 (1986): 81-101.
In the contexts of medieval misogyny and penitential manuals, Braswell examines Chaucer's treatment of the sins of women in ParsT. The Parson denounces excess in dress among lords more severely than among ladies.
Clopper, Lawrence M.
Medievalia et Humanistica 15 (1987): 119-46.
Considers romance as a vehicle for the resolution of philosophical and theological problems, the relation of history to romance, and the rhetorical systems of each genre. KnT, TC, and "Sir Gawain and the Green Knight" illustrate how Chaucer and the…
Gleason, Mark J.
Medievalia et Humanistica 15 (1987): 161-87.
Treats the previously ignored commentary of Trevet on "The Consolation of Philosophy," which served Chaucer as the primary or sole commentary in his translation of Bo and which he drew for TC 3.
Seaman, David M.
Medievalia et Humanistica 17 (1991): 41-58.
No single answer to the concluding question of FranT is satisfactory because the tale's real concern is the interpretive process itself. FranT emphasizes different kinds of "trouthe" and poses ambiguous promises and statements.
Canitz, A. E. C.
Medievalia et Humanistica 17 (1991): 81-99.
Documents Douglas's theory of literal translation, "with its stress on the integrity and inviolability of the text," and gauges his success in achieving his goal. Douglas's theory is evident in his critiques of Caxton's translation of the "Aeneid"…
Clogan, Paul M.
Medievalia et Humanistica 18 (1992): 129-55.
KnT participates in the Roman Antique tradition by expressing a political ideology found in other medieval retellings of classical stories. The Tale argues for harmonizing passion and wisdom through marriage and rewrites Theban history to conceal…
Nicholson, Peter.
Medievalia et Humanistica 19 (1993): 159-68.
Reviews Priscilla Martin's "Chaucer's Women: Nuns, Wives, and Amazons" and Helen Cooper's "The Canterbury Tales," arguing that they "provide a good indication of some of the newest orthodoxies in Chaucer studies."
Watts, William H.,and Richard J. Utz.
Medievalia et Humanistica 20 (1994): 147-73.
Surveys and evaluates scholarly work on Chaucer and nominalist--especially Ockhamist--philosophy, using four categories: epistemology, universals versus particulars, poetic structure, and relation of human to divine. Chaucer's awareness of and…
Clogan, Paul (M.)
Medievalia et Humanistica 3 (1972): 213-40.
Surveys criticism of SNPT, describes the genre of hagiography, and summarizes the popularity of the St. Cecilia legend. Then argues that SNP heralds SNT in "theme, pattern, and imagery," effectively functioning "to focus and epitomize" its "figural…
Howard, Donald R.
Medievalia et Humanistica 3 (1972): 99-115.
Gauges the value of historicist approaches to medieval literary study, compared with other approaches, suggesting that a phenomenological approach aligned with humanistic awareness of individual consciousness is desirable. Recurrent references to…
Bugbee, John.
Medievalia et Humanistica 36 (2010) 49-76.
Dorigen in FranT has more than the two options of shame or death: she can also choose to break a bad law, even though the decision to let bad law stand "seems somehow, tragically, to have been taken long before the characters became conscious of…
Garrison, John.
Medievalia et Humanistica 36 (2010): 25-47.
The friendship between Troilus and Pandarus synthesizes Cicero's "pure friendship" with "potential for mutual gain," emblematized in Troilus's offer to procure any woman Pandarus wants. Portraying friendship in economic terms, TC reveals more…
Stone, Russell.
Medievalia et Humanistica 42 (2017): 23-42.
Observes that Chaucer's treatment of Alexander in MkT is largely consistent with how Alexander is depicted in fourteenth-century romances and monastic allusions. Suggests that Chaucer declines to condemn Alexander as an unworthy pagan, despite being…
Kertz, Lydia Yaitsky.
Medievalia et Humanistica 45 (2020): 75-99.
Clarifies "two distinct modes of ekphrasis, the literal and the literary," exploring how and where they are deployed in HF (storm at sea and wall paintings of Dido and Aeneas) and in "Sir Gawain and the Green Knight" (castle description and Gawain's…
Clogan, Paul (M.)
Medievalia et Humanistica 5 (1974): 183-89.
The exensive emendations in the text of "Lady" are unjustified. The poem is a series of unfinished metrical innovations, showing Chaucer experimenting and practicing his art. The search for metrical regularity has in this lyric deprived the poem of…
Clogan, Paul M.
Medievalia et Humanistica 6 (1975): 189-98.
Godwin's literary criticism of Chaucer's poetry contributed to the Romantic conception of Chaucer the man. His "Life" gives insight into the idea of the Middle Ages in early-nineteenth-century England.
Clogan, Paul M.
Medievalia et Humanistica 7 (1976): 147-52
Of the six additional new manuscripts of Boccaccio's "Filostrato," three contain verse commentaries on the ending of Boccaccio's poem. The two texts of the verse commentaries, edited here for the first time, may shed new light on the ending of…
Patterson, Lee.
Medievalia et Humanistica 7 (1976): 153-73.
Confessional literature illumines the Pardoner's performance by explaining the motives which lie behind it. Parallels with the "false confession" and an analysis of the pitfalls of despair and presumption suggest that the Pardoner is suffering from…
Clogan, Paul M.
Medievalia et Humanistica 8 (1977): 217-33.
The narrative of MLT depends less on organic structure to develop the story than on exemplary episodic narrative sequence. Lack of descriptive detail is an effect of the narrator's interest in action, and the mode of presentation and the style of…