Grennen, Joseph E.
Studies in Philology 62 (1965): 546-60.
Argues that the two canons of CYPT are functionally identical, that the canon is a consistent character, and that Pars Prima and Secunda of CYT parallel the two parts of medieval alchemical treatises and comprise an "ironic image of the sacrilegious…
Haller, Robert S.
Modern Philology 62 (1965): 285-95.
Argues that SqT is a "rhetorical satire" of the Squire; attributes the excesses of the Tale to the teller's youthful "defective knowledge" of rhetorical arts and argues that it is Chaucer's means of critiquing the "pseudo-genre of romance" and…
Halverson, John.
College English 27 (1965): 50-55.
Parodies patristic criticism by reading Mark Twain's "Tom Sawyer" as an indictment of concupiscent love, drawing recurrent comparisons between the structure and imagery of Twain's novel and BD.
Harrington, David V.
Neuphilologische Mitteilungen 66 (1965): 160-66.
Explores the moral and intellectual "failings" of the priest in CYT, arguing that his greed, his gullibility, and his status as an "annueleer" make him a target of the Tale's satire by way of dramatic irony.
Hench, Atcheson L.
English Language Notes 3.2 (1965): 88-92.
Argues that the phrase "been lyk a cokewold" (MilT 1.3226) means that John fears he is a cuckold, not that he will be a cuckold, observing misconstruals in editions and translations of the Tale.
Henning, Standish.
English Language Notes 3.1 (1965): 1-4.
Attributes the reference to Taurus in NPT 7.3194-95 to the medico-astrological tradition of associating Taurus with necks and throats, part of a pattern of imagery in the Tale that may reflect the influence of Bartholomeus Anglicanus's "De…
Hoffman, Richard L.
Notes and Queries 210 (1965): 129-29.
Reinforces previous arguments that the immediate source of Chaucer's description of "Mercury the slayer of Argus" in KnT is Ovid's "Metamorphoses" 1.671-72, adding that, like Argus, Arcite finds death by listening to the "persuasive and deceitful…
Hoffman, Richard L.
English Language Notes 2.4 (1965): 252-57.
Identifies Ovid as the ultimate source of Chaucer's references to the friendship of Theseus and Piritheus in KnT, perhaps mediated by the "Roman de la Rose 8148-54 or moralizations of Ovid's works.
Hoffman, Richard L.
American Notes and Queries 3.7 (1965): 101.
Identifies Ovid's "Amores" 3.4.41-42 as a possible source for the "incompatibility of beauty and marital fidelity" that underlies the choice offered by the loathly lady to the knight in WBT 3.1219-27.
Hoffman, Richard L.
Notes and Queries 210 (1965): 406-9.
Suggests that although Chaucer generally follows Boethius's "Consolation of Philosophy" in his account of the labors of Hercules, one discrepancy may have been influenced by a scholists' gloss to Ovid's "Ibis" 401-2.
Hoffman, Richard L.
Notes and Queries 210 (1965): 213-16.
Argues that Chaucer's allusions to Argus in WBP, MerT, and TC derive ultimately from Ovid's "Ars Amatoria" and "Amores" and capitalize on the "conventional moral significations" of the moralized commentary tradition, lending resonances to the…
Offers a psychotherapeutic approach to literature, including discussion of Chaucer's "Marriage Group" (pp. 91-120). Praises WBP for its feminine acceptance of the realities of love and the simultaneous pursuit of the desire to transcend them. The…
Traces Chaucer's attention to his own authorial fame, putting it in the context of medieval anonymity, book production, and the "idea of authorship." Compares and contrasts the narrators and attendant "fictive illusion" in his works, especially HF.…
Argues that changes Chaucer made to his source, Boethius's "Consolation of Philosophy," in TC 4.957-1078 "emphasize Troilus' eagerness to shun responsibility by denying the very possibility of human freedom," saving "him from the need to act."…
Hussey, Maurice, ed.
Cambridge; Cambridge University Press, 1965.
Presents CYPT in Middle English (following Robinson's 1957 edition) with end-of-text notes and glossary and a one-page appendix of the spurious link between CYT and PhyT. The Introduction (pp. 1-22) considers the "surprise" of the presence of CY…
Hussey, Maurice, ed.
Cambridge; Cambridge University Press, 1965.
Presents NPPT and NPE in Middle English (following Robinson's 1957 edition) with end-of-text notes and glossary. The Introduction (pp. 1-44) considers the tale-teller relations of NPPT, the "digressions" (dreams, sermons, and rhetoric) of NPT, and…
Hussey, Maurice, A. C. Spearing, and James Winny.
Cambridge: Cambridge University Press, 1965.
Designed as a "not too bulky" introduction to Chaucer and his life for the Cambridge University Press series "Selected Tales of Chaucer," providing fundamental information about Chaucer's life, language, social contexts, and intellectual background,…
Josipovici, G. D.
Critical Quarterly 7 (1965): 185-97.
Explores the strategies and effects of Chaucer's self-aware affirmations in CT of the work's "status as fiction," commenting on the first-person narrator's functions (in contrast with those in Dante) and tracing the ironies generated by tensions…
Rejects "unsupported biographical inference" about the lives and personalities of Chaucer and William Langland, arguing that it is illogical to assume that the personae they project in their poetry are autobiographical. Conflation or confusion of the…
Klinefelter, Ralph A.
Explicator 24.1 (1965): item no. 5.
Argues that the "allegory of the Four Daughters of God" (also known as "The Reconciliation of the Heavenly Virtues" and "The Parliament of Heaven") influenced several details of ABC.
Knight, Stephen.
Balcony: The Sidney Review 2.2 (1965): 37-43.
Argues that Chaucer's sensory detail in his GP descriptions "rings a bell in our mind": we recognize these descriptions as modern for their emphasis on individuation rather than typicality. Attributes this technique to the rise of late-medieval…
Konagaya, Yataka.
Studies in English Literature 42 (1965): 13-18.
Distinguishes between Chaucer the poet and Chaucer the pilgrim, and considers the "singularities" of Mel as clues to the "author's intention," reading the Tale as a self-aware "travesty" of Chaucer's relation with his wife, Philippa.
