Moore, Stephen Gerard.
Dissertation Abstracts International 59 (1998): 2014A.
Readers of medieval allegory look for meaning but find themselves obliged by many factors to revise their interpretations. Even the literal sense proves highly complex, seeming to shift as it develops, so that readers must reconsider. Moore analyzes…
Hartman, Ronald.
English Studies 79 (1998): 166-70.
Suggests a clear parallel between Boethius and Melibee: both have suffered an injustice, which is seen as a symptom of an illness that has to be cured and that has moved them away from God to where Fortune rules. They are thus subjected to punishment…
Cohen, Jeffrey Jerome.
Peter G. Beidler, ed. Masculinities in Chaucer: Approaches to Maleness in the Canterbury Tales and Troilus and Criseyde (Cambridge; and Rochester, N.Y.: D. S. Brewer, 1998), pp. 143-55.
One of the dominant themes of fragment 7 of CT is the "gendering of male bodies." The theme plays out through the shrinking masculinity ofThopas and the absence of menacing sexuality in his encounter with Olifaunt. It parallels the diminution of…
Russell, J. Stephen.
Chaucer Review 33 (1998): 176-89.
By electing not to include the exact text of "O Alma Redemptoris Mater" (of which there were several versions) in PrT, Chaucer forces the audience to think through issues of verbal prayer vs. prayers of the heart that express the intent behind the…
Maleski, Mary A.
Chaucer Yearbook 05 (1998): 41-60.
Debates whether Chaucer's Prioress is childlike or simply childish, and questions why she is on a pilgrimage. Also discusses the extent of Chaucer's understanding of medieval religious women.
Johnson, Willis Harrison.
Dissertation Abstracts International 59 (1998): 917A.
Anatomizes the development of anti-Jewish sentiments in medieval England, arguing that the prejudices of Chaucer and his late-medieval contemporaries, which returned to traditional, exegetical stereotypes, were less malicious than those of the…
Hanawalt, Barbara A.
Essays in Medieval Studies 12 (1995): 1-21.
Examines various fourteenth- and fifteenth-century historical and literary texts to demonstrate that law and tradition encouraged parental and communal responsibility for the proper raising of children. Mentions PrT and the hagiography of Hugh of…
Caspi, Mishael M.,with Debra Synder.
Mishael M. Caspi, ed. Oral Tradition and Hispanic Literature: Essays in Honor of Samuel G. Armistead (New York and London: Garland, 1995), pp. 81-109.
Because of oral anti-Jewish tales of blood libel, PrT, in attitude and some details, was for Chaucer's audience a familiar account. PrT and the ballad "The Jew's Daughter" (first recorded in the eighteenth century) indicate how literary and oral…
Beidler, Peter G.
Peter G. Beidler, ed. Masculinities in Chaucer: Approaches to Maleness in the Canterbury Tales and Troilus and Criseyde (Cambridge; and Rochester, N.Y.: D. S. Brewer, 1998), pp. 131-42.
Compares ShT with "Decameron" 8.1 to assess the negative and positive characteristics of masculinity portrayed in the monk and merchant of the Tale. The wife is given traits identified with men in the Middle Ages, perhaps because of the Tale's…
Pedrosa, Jose.
Revista de Poetica Medieval 2 (1998): 195-223.
Explores analogues to PardT, including sixteenth- and seventeenth-century Spanish versions. Focuses on a modern Andalusian legend from Priego de Cordoba.
Burger, Glenn.
Peter G. Beidler, ed. Masculinities in Chaucer: Approaches to Maleness in the Canterbury Tales and Troilus and Criseyde (Cambridge; and Rochester, N.Y.: D. S. Brewer, 1998), pp. 117-30.
The actions of the Host and the Pardoner in fragment 6 connect PhyT and PardT and their respective tellers, bringing "the male body into view to an extent not seen elsewhere" in CT.
Boyd, David Lorenzo.
Peter S. Baker and Nicholas Howe, eds. Words and Works: Studies in Medieval English Language and Literature in Honour of Fred C. Robinson (Toronto, Buffalo, and New York: University of Toronto Press, 1998), pp. 243-60.
In medieval tradition, sodomy was associated with misinterpretation. When seen in this light, Absolon's sodomizing of Nicholas in MilT both reinforces heteronormativity and decries the system upon which it is based. The Miller's reference to "Goddes…
Oizumi, Akio.
Jacek Fisiak and Akio Oizumi, eds. English Historical Linguistics and Philology in Japan (Berlin and New York: Mouton de Gruyter, 1998), pp. 287-95
Describes the technology and principles of concordancing that underlie The Rhyme Concordance of the Poetical Works of Geoffrey Chaucer (SAC 19 [1997], no. 6).
Fisiak, Jacek, and Akio Oizumi, eds.
Berlin and New York : Mouton de Gruyter, 1998.
Twenty-five essays by various authors and a select, annotated bibliography of Japanese studies of English historical linguistics from 1950-95. For four essays that pertain to Chaucer, search for English Historical Linguistics and Philology in Japan…
Jimura, Akiyuki.
Jacek Fisiak and Akio Oizumi, eds. English Historical Linguistics and Philology in Japan (Berlin and New York: Mouton de Gruyter, 1998), pp. 91-110
A revised, abridged version of three previous essays: see SAC 17 (1995), no. 257 (Parts I and II), and SAC 19 (1997), no. 306 (Part III).
O'Callaghan, Tamara Faith.
Dissertation Abstracts International 59: 2014A, 1998.
These works use the language and motifs of love to distinguish gendered passion. In particular, the diction and imagery of love associated with Criseyde in TC show her, unlike the male characters, to be motivated more by fear and a sense of honor…
Goldberg, Catherine L.
WVUPP 44: 34-41, 1998, 1999.
In TC, the layering of sources, authors, characters, and language produces a text that "seeks consciously to exist in the present each time it is read." The complex acts of memory among the characters suggest that time is chaotic, yet a "kind of…
Criseyde's statement that she lacks Prudence's third eye should be understood in the context of Augustine's theories of time and intentionality and the philosophical realism on which they draw. Her observation points up her failure to see…
Assesses the Proem to Boccaccio's Il Filostrato as a source for TC: the artist's "dual-self of helpless lover and ingenious artist" is split between Troilus and Pandarus, and Boccaccio's two ladies, Filomena and Criseis, "are first merged and later…
Gorlach, Manfred.
Heidelberg : Universitatsverlag C. Winter, 1998.
Bibliographical, linguistic, and aesthetic description of saints' legends in Middle English, with focus on the South England Legendary and the Additional Legends in the Gilte Legend (1438).
The Pardoner masks his questionable oral and sexual potency by conspicuously exhibiting his "bulles" and using them to assert power. These documents remain valid despite their dissonance with the spiritual nature of the Pardoner. PardT demonstrates…
Rose, Christine M.
Maud Burnett McInerney, ed. Hildegard of Bingen: A Book of Essays. Garland Medieval Casebooks, no. 20; Garland Reference Library of the Humanities, no. 2037. (New York and London: Garland, 1998), pp. 191-226.
Explores representations of the mother-in-law as a figure of Jewry and the synagogue in Western literary tradition. Although MLT overtly poses the Orient as the malevolent Other through the Sultaness, it also suggests in veiled ways that Jews…
Giaccherini, Enrico.
European Medieval Drama 2: 85-98, 1998.
Argues that oral/aural and visual aspects of MilT mark it as particularly theatrical, especially in its division of action into upper (John in the tub) and lower (bedroom scene) stages. Similarly, other fabliaux such as RvT and Dame Sirith share…
Commentary on and recording of the extant music mentioned in Chaucer, arranged for harp and voice and embellished with other instruments; also includes other medieval songs. The commentary describes fourteenth-century harps and harping. The recording…
Medieval encyclopedism, although typically treated as a manifestation of "closed-systems" thinking, has many dimensions that suggest a wider, unresolved view of the universe. Chaucer's works, with other encyclopedic texts, offer examples of open…
