Browse Items (16470 total)

Lee, B. S.   UNISA English Studies 24:1 (1986): 1-6.
Augustine and Jerome influenced the medieval Church's use of hierarchy to evaluate a woman's spiritual standing. Chaucer, however, refuses to be bound by the limitations of theological stereotypes. He shows that women often neither choose nor get…

Lee, B. S.   Journal of Medieval Religious Cultures 36 (2010): 47-67.
Lee assesses FranT as a "sequel" to SqT that repudiates its magic, replaces its stasis with moral development in the idea of "gentilesse," and provides a missing Christian subtext--a "Christmas miniature" that precedes the apparent disappearance of…

Lee, Brian S.   Yearbook of English Studies 22 (1992): 190-200.
FranT is a rhetorical . . . completion" of SqT, which should itself be read with "rhetorical and lyrical" rather than narrative models in mind. The literate mode of Dorigen's complaint and Aurelius's two speeches to her contrasts with the oral mode…

Lee, Brian S.   Chaucer Review 22 (1987): 140-60.
PhyT has been undervalued; it is meant to be read in conjunction with the two that precede and follow it. A comparison with Gower's version and with Chaucer's similar story of Lucrece elucidates the tale. Virginia's character is brought into focus…

Lee, Brian S.   Philological Quarterly 74 (1995): 17-35.
The rape victim in WBT quickly vanishes from the text because she is "excommunicated," or denied access to the privileges of the knight who exploits her.

Lee, Brian S.   Chaucer Yearbook 4 (1997): 21-32.
A Bakhtinian approach to the juxtaposition of PhyT and PardT. In its aloof style and its paralleling of Apius and Virginius, PhyT is marked by a "tendency to monologue." PardT is dialogic in its comic replacement of justice with mercy.

Lee, Brian S.   Children's Literature Association Quarterly 23 (1998): 40-48.
Examines the diverse portrayals of children in medieval literature, commenting on how Chaucer questions the innocence of the "clergeoun" in PrT and how in LGW and MkT his pathos is more restrained than in his sources.

Lee, Brian S.   Publications of the Medieval Association of the Midwest 10 : 31-48., 2003.
The absence of details of physical dress or adornment applied to Custance in MLT coincides with the presentation of her as a virtuous, Christian heroine. Though descriptive details are conventional in romances, their relative absence here is…

Lee, Brian S.   Southern African Journal of Medieval and Renaissance Studies 14 (2004): 23-38
Discusses three topics - Ford Madox Brown's painting of Chaucer reading from MLT to a decadent court at a time of dynastic crisis, the current Middle Eastern situation, and the story of Noah's Flood - in relation to Chaucer's portrayal of Custance's…

Lee, Brian S.   South African Journal of Medieval and Renaissance Studies 15 (2005): 55-68.
Comments on the upbringing of young people in CT. Mentioned in only three lines, the "mayde child" in ShT exemplifies the late medieval practice of wardship. The words signify the callous immorality of the guardian who, like the governesses…

Lee, Brian S.   Susan Yager and Elise E. Morse-Gagné, eds. Interpretation and Performance: Essays for Alan Gaylord (Provo, UT: Chaucer Studio Press, 2013), pp. 199-210.
A comic completion, in mock Middle English, of CkT as a version of both Little Red Riding Hood and the parable of the Prodigal Son, with allusions to TC, GP and several stories from CT.

Lee, Bud, director.   Cabellero Control Corporation, 1985.
Erotic film adaptation of CT; loosely adapted. Screenplay by Hyapatia Lee.

Lee, Dong Choon.   Medieval and Early Modern English Studies 24.2 (2016): 83-105.
Discusses medieval concepts of aging and Chaucer's depictions of old men in CT. Claims that Chaucer displays a balanced attitude in his depictions of old men, which differs from how medieval society tended to view the elderly in a negative light.

Lee, Dong Choon.   Medieval and Early Modern English Studies 25.1 (2017): 49-66.
Analyzes the architectural constructions (especially walls) in KnT and TC. Claims that the "effect of a wall in Chaucerian narratives is the double-sidedness," because walls can invite and discourage connections between inside and outside spaces.

Lee, Dongchoon.   Dissertation Abstracts International 58 (1997): 858A.
Contrasts Chaucer's storytelling techniques in KnT, MilT, PardT, WBT, MLT, and MerT with those of their sources, contemporary writings, and folk traditions. Uses the approaches of Propp, Bal, Bakhtin, and Frye.

Lee, Dongchoon.   Journal of English Language and Literature (Korea) 48 (2002): 263-87.
Contrasts WBT with its English analogues and assesses the role of rhetorical dilation, which Chaucer derived from Roman and French traditions. The digressions compel readers to engage WBT dialogically.

Lee, Dongchoon.   Medieval and Early Modern English Studies 14 (2006): 265-300.
Reads FranT as Chaucer's satiric portrayal of the narrator, focusing on the character of the Franklin, contradictions within his narrative, his characters' concern with public show, and legal aspects of Arveragus and Dorigen's clandestine marriage.

Lee, Dongchoon.   Medieval and Early Modern English Studies 16 (2008): 43-76.
Through various devices of style and narrative technique, Chaucer undermines the Knight's (and Theseus's) efforts to find or impose order on human and cosmic disruption and violence.

Lee, Dongchoon.   Yongo Yongmunhak / Journal of English Language and Literature 56.4 (2010): 691-717.
Item not seen; reported in MLA International Bibliography, where it is described as written in Korean with English summary.

Lee, Dongchoon.   Medieval and Early Modern English Studies 22.01 (2014): 21-47.
Applies Mikhail Bakhtin's notion of the "carnivalesque," which provides a "context for understanding the importance of laughter" in CT. The Miller focuses on physical pleasure and natural instinct in MilT; his disregard for rules of social hierarchy…

Lee, Dongill, and Dong-Ch'un Lee, trans.   Seoul, Korea : Hanwool, 2001.
Korean translation of GP, KnT, MilT, WBPT, ClT, FranT, and PardPT. Includes an introduction.

Lee, Dongill, and Dong-Ch'un Lee, trans.   Seoul, South Korea: Hangook University of Foreign Studies Press, 2007.
Korean translation of the complete CT, with poetry translated as poetry and prose as prose.

Lee, J. Seth.   In The Discourse of Exile in Early Modern English Literature (New York: Routledge, 2017), pp. 15-33.
Treats Nicholas Trevet's, John Gower's, and Chaucer's tales of Constance as seriatim clarifications of "mens exili" (the mind of exile) in preparation for discussing relations between "exilic experience" and "national formation and nationalistic…

Lee, Jenny Veronica.   Dissertation Abstracts International A74.02 (2013): n.p.
Investigates how Chaucer, Gower, Langland, Usk, and Hoccleve use confessional discourse to challenge Latinity and "authorize their own literary productions." Includes discussion of the "self-abasing literary self-portrayals as penitents" found in…

Lee, Jenny Victoria.   DAI A74.02 (2013): n.p.
Looks at confessional elements in works by Chaucer, Langland, Gower, Usk, and Hoccleve, ultimately arguing that such practice is central to an understanding of early English vernacular literature.
Output Formats

atom, dc-rdf, dcmes-xml, json, omeka-xml, rss2

Not finding what you expect? Click here for advice!