Kanno, Masahiko.
Masahiko Kanno and others, eds. Medieval Heritage: Essays in Honour of Tadahiro Ikegami. (Tokyo: Yushodo, 1997): pp. 241-54.
Whereas Boccaccio uses the straightforward word "tradimento" of Criseyde, Chaucer uses the roundabout phrase "hire hertes variaunce." In TC, "in gret penaunce" means both that "Criseyde was in great misery" and "Criseyde was in hell for her sins."
Kelen, Sarah Ann.
Dissertation Abstracts International 57 (1997): 3928A.
Identified by Caxton as "historiographs," Chaucer and Langland write as historians and consider the meaning of writing history. In TC, Chaucer discusses sources and antiquity as marks of authority and hindrances to reading. The English literary…
Kelly, Henry Ansgar.
Cambridge: D. S. Brewer, 1997.
Chaucer was the first to consider Boccaccio's stories tragedies. But unlike Boccaccio, who served a cautionary moralism and wished to stress retributive justice, Chaucer aimed primarily at sympathy and empathy, developing a generic theory that…
Kolve, V. A.
Studies in the Age of Chaucer 19 (1997): 3-59.
Documents the pictorial (24 b&w illus.) and intellectual traditions of the "fool...who says in his heart, There is no God," using the traditions as backdrop for analyzing "Folie de Tristan" and TC. In his love of Criseyde, Troilus is similar to the…
Ross, Valerie A.
Chaucer Review 31 (1997): 339-56.
Both Criseyde's dream in Bk. 2 and Troilus's dream in Bk. 5 of TC are generally understood in terms that debase Criseyde. But Chaucer's intertextual construction of these dreams and his reconstruction of Cassandra and Criseyde from his sources…
Spearing, A. C.
A. J. Minnis, Charlotte C. Morse, and Thorlac Turville-Petre, eds. Essays on Ricardian Literature: In Honour of J. A. Burrow (Oxford: Clarenden, 1997), pp. 1-22.
Surveys critical opinion about the narrator of TC, arguing that the narrator is not best regarded as unreliable, that it is difficult to separate narrator from author, and that is is unwise or impossible to construct a single stable narratorial…
Utz, Richard J.
Hugo Keiper, Richard J. Utz, and Cristoph Bode, eds. Nominalism and Literary Discourse: New Perspectives (Amsterdam and Atlanta: Rodopi, 1997), pp. 123-44.
Surveys the critical history of "Lollius"--Chaucer's putative source for TC--and argues that the invention poses a poetic analogy to the absolute power of the nominalist God. By creating Lollius, Chaucer makes his general audience believe in the…
Chaucer's complaints develop a "poetics of agency" as they explore questions of subjectivity and causation. His most sophisticated complaint, Mars, presents "incompatible forms of causation" but makes them congruent poetically, achieving a…
The attribution of "Testament of Love" and "The Plowman's Tale" to Chaucer seems to have had no unfavourable effect, though the acceptance of his authorship of "The Plowman's Tale" may have fueled the belief that Ret was a monkish forgery.
McCarl, Mary Rhinelander, ed.
New York and London: Garland, 1997.
Prints two versions of "The Plowman's Tale" (ca. 1400)--the 1533 edition originally intended for publication in Francis Thynne's 1532 edition of Chaucer's "Works" but suppressed and the 1606 edition by additional explanatory notes, a glossary and…
Chapter 1 (pp. 15-31) describes Chaucer's 1373 visit to Florence, a great industrial and financial center declining into political factionalism. Italian meters influenced Chaucer's rhyme royal. Boccaccio taught him the potential of romance; Dante…
Andrew, Malcolm, and A. C. Cawley, eds.
London: J. M. Dent, 1997.
Revised edition of Cawley's Everyman text of GP, MilT, RvT, CkT, ShT, and NPT, with a brief descriptive introduction, glosses, and comments on pronunciation, grammar, and versification.
Translations of Chaucer's works, especially CT, into modern English reflect individual translators' valuations of Chaucer's poetic virtues, whether "freshness," modernity, humor, irony, or something else.
Woodward, Daniel,and Martin Stevens, eds.
San Marino, Calif.:
A full-size monochromatic facsimile of the Ellesmere manuscript of CT, from the same transparencies used to produce the full-color version (SAC 19 [1997], no. 30).
Blake, N. F.
Journal of the Early Book Society 1 (1997): 96-122.
Describes uncertainties related to the manuscripts of CT and surveys critical efforts to resolve them--uncertainties about the state of Chaucer's papers at the time of his death and the circulation of tales before his death, the order and…
Machan, Tim William.
Papers of the Bibliographical Society of America 91 (1997): 31-50.
Examines the textual tradition of Bo in light of the twelfth- to fifteenth-century textual tradition of Boethius's "Consolation of Philosophy," suggesting that the best text of Bo is Cambridge University Library ii.iii.21.
Kaylor, Noel Harold, Jr.
Medieval English Studies 5 (1997): 83-105.
The influence of Boethius and Dante "gives shape and universal meaning" to TC. The operation of Fortune and her wheel, the four "Classical cardinal emotions," Dante's three spiritual realms, and the code of knighthood are evident in the deep…
Boitani, Piero.
Studi sul Boccaccio 25 (1997): 311-29
Demonstrates the influence of Dante, Petrarch, and Boccaccio on Chaucer and, in turn, on English literary tradition, employing an extended metaphor that equates Italian tradition with the town of Certaldo and English tradition with Canterbury.
Hanna, Ralph, III, and Traugott Lawler, eds., using materials collected by Karl Young and Robert A. Pratt.
Athens: University of Georgia Press, 1997.
Critical edition of the three Latin antifeminist works that influenced Chaucer most significantly, especially his WBP, MerT, and FranT. Includes a complete version of Map's "Dissuasio Valerii ad Rufinum" and portions of Jerome's "Adversus Jovinianum"…
DeVoto, Marya.
Studies in Medievalism 9 (1997): 148-70.
Lanier in the early 1880s produced versions of Malory, Froissart, the Percy ballads, and other works aimed at exposing boys to the chivalry and simple piety of the Middle Ages. The introduction to "The Boy's Froissart" cites Chaucer as a "large and…
Kim, Chong-Ai.
Medieval English Studies 5 (1997): 59-82.
Compares the treatment of women in "Confessio Amantis" and LGW. In each case, the frame of the poem and the male-authored perspective disallow true praise of women.
Johnson, Ian.
Maarten J. F. M. Hoenen and Lodi Nauta, eds. Boethius in the Middle Ages: Latin and Vernacular Tradition of the 'Consolatio Philosophiae' (Leiden, New York, and Koln: Brill, 1997), pp. 217-42.
Helps clarify the place and meaning of John Walton's translation of Boethius's "Consolatio Philosophiae" (1410) by contrasting it with Chaucer's Bo.
