Kowaleski, Maryanne, and P. J. P. Goldberg, eds.
Cambridge: Cambridge University Press, 2008.
Eleven essays by various authors (and an introduction by the editors) address a range of topics: domestic and monastic spaces, attitudes toward living alone, various literary and historical depictions of homes and households, etc. The collection…
Kowalik, Barbara Janina.
Chaucer Review 57 (2022): 162-89.
Considers FranT as a Breton lay that recalls, not ancient history, but Chaucer's recent memories of his own stays in France, tying the tale to the marital situation of Joan of Kent.
Kowalik, Barbara.
Maria Edelson, ed. Studies in Literature and Culture in Honour of Professor Irena Janicka-Świderska Łódź: Wydawnictwo Uniwersytetu Łódzkiego, 2002), pp. 100-110.
Increased concern with female characters in KnT distinguishes it from traditional epics, and its presentation of women and gender relationships embodies "evolutionary changes" in the romance genre. Nonetheless, Emily is imprisoned at the end "in yet…
Kowalik, Barbara.
Rafal Boryslawski, Anna Czarnowus, and Lukasz Neubauer, eds. Marvels of Reading: Essays in Honour of Professor Andrzej Wicher (Katowice: Wydawnictwo Uniwersytetu Slaskiego, 2015), pp. 159–74.
Discusses the idea of the marvelous in the "Gawain"-poet's Arthurian romance and in FranT. Argues that the marvels in FranT are indispensable to the genre, producing the effect described by J. R. R. Tolkien as "eucatastrophe."
Kowalik, Barbara.
Text Matters: A Journal of Literature, Theory and Culture 3 (2013): 27-41.
Discusses "erotic desire and the motif of going on pilgrimage" in the opening of GP and in Shakespeare's Sonnets, reading Chaucer's lines 1–18 closely as a kind of sonnet and observing numerological patterns that reinforce a transition from erotic…
Compares elements of privacy (e.g., "access, intimacy, and withdrawal") in official documents and records to canonical literary works including TC, "Sir Gawain and the Green Knight," and Malory.
Kraebel, A. B.
Journal of Medieval and Early Modern Studies 47.3 (2017): 437-60.
Focuses on how manuscript compilations, especially biblical materials, are evoked in CT. Argues that a strictly historical arpproach to this material is inadequate and examines how an author can use the material form of books for specific literary…
Explores connections between authority and production/distribution in Bodley 861. Briefly compares the Bodley scribe and scribe B in the Hengwrt CT, discusses Chaucer's shorter poems and their dependence on external evidence, and discusses John…
Kraft, Damon.
Ph.D. Dissertation. University of Missouri-Columbia, 2010.
Item not seen; reported by WorldCat, with abstract: argues that in MerT, Hoccleve's "Regiment of Princes," and Lydgate's "Fall of Princes" merchants are "used to model kingly virtues. By mapping monarchical characteristics onto merchants, these late…
Kraishan, Majed R.
Dissertation Abstracts International C81.04 (2014): n.p.
Argues that "by subverting traditional literary genres, and inventing new ones, Chaucer provided alternative life-views," reframing traditional views of eroticism in CT (KnT, MilT, RvT, WBPT, PhyT, ShT) and TC.
Krajník, Filip.
Paul Poplawski, ed. Studying English Literature in Context: Critical Readings (Cambridge: Cambridge University Press, 2022), pp. 27-43.
Contrasts medieval and modern ideas of authorship, focusing on how Chaucer "treated old authorities in developing his own reputation and what strategies he employed to establish a harmony among the multiple authorial voices" in PF. Proposes that, for…
Kraman, Cynthia.
Diane Watt, ed. Medieval Women in Communities (Toronto and Buffalo, N.Y.: University of Toronto Press, 1997), pp. 138-54.
In MerT, the marginal communities of females and Jews maintain ambiguous statuses, serve as subtext to the "Tale," and assert the seductiveness of the suppressed. The ambiguity of the garden--exciting but exclusionary--is associated with female…
Highlights the utility of proverbs and offers them as a solution to the problem of knowledge in SqT. Emphasizes that proverbs provide new insights for late medieval textual cultures as a microgenre that transcends social and economic boundaries in…
Kratzmann, G. C.
Scottish Literary Journal 5.1 (1978): 17-22.
Assesses Chaucer's influence on "The Unicorn's Tale," found in the early-sixteenth-century Asloan MS and adapted from Nigel of Longchamp's "Speculum Stultorum" which Chaucer alludes to in NPT 7.3312-16. Focuses on verbal echoes from Chaucer's NPT…
Kratzmann, Gregory,and James Simpson,eds.
Cambridg : D. S. Brewer, 1986.
Nineteen essays by various hands emphasizing religious and ethical change and focusing on Chaucer's religious poetry and "Piers Plowman" but including religious writings in the Old English period and the sixteenth century.
Kretzschmar, William A., and Rodney Delasanta.
PMLA 93 (1978): 1007-08.
An exchange of letters in the PMLA Forum section, discussing the tone and details of Delasanta's essay, "Penance and Poetry in 'The Canterbury Tales," published earlier in 1978 in PMLA.
Kreuzer, James R.
Modern Language Notes 73.2 (1958): 81.
Shows that evidence from a twelfth-century bestiary may indicate that the comparison of Alison to a swallow in MilT 1.3257-58 ironically anticipates later events of the plot--her "departure" from John and his fall from the roof beam.
Chaucer used allegory to create a teleological statement of ideal behavior as an apologia for the most repressive aspects of ruling-class dominance and male chauvinism of the world in which he lived, and which he depicted on the literal level of ClT.
Krier, Theresa M.
Theresa M. Krier, ed. Refiguring Chaucer in the Renaissance (Gainesville: University Press of Florida, 1998), pp. 165-88.
PF and "Love's Labours Lost" develop similar relations between lyrics and poetic or dramatic narratives. Shakespeare emulated Chaucer's movement from narrative to song--a psychoanalytic release from courtly or social constraint into "cosmic,…
Krier, Theresa M.
Gainesville: University Press of Florida, 1998.
Ten essays by various authors on the sixteenth- and seventeenth-century reception of Chaucer, as reflected in editing practice, growth of the canon, and poetic imitation and emulation. In "Introduction: Receiving Chaucer in Renaissance England,"…
Krier, Theresa M.
Ithaca: Cornell University Press, 2001.
Treats Chaucer's topoi of bird song, maternal goddess Nature, voice, mother tongue, and biblical gardens in PF. Argues that the movement from aggressive plot to lyric in the poem and its male protagonist's oblique approach to the maternal draw the…