Browse Items (16360 total)

Roland, Meg.   Arthuriana 29 (2019): 34-49.
Argues that the two instances of Malory's refutation of his sources in "Morte" are "a form of retraction," and that combined with the work's final explicit they "lie in the literary shadow Ret," comparing and contrasting Ret with Malory's…

Anderson, Sarah M.   Arthuriana 30.3 (2020): 8-49.
Contemplates star-gazing, constellation-making, manuscript compilations as constellations, and other forms of pattern-making in various medieval visual and verbal texts, including Bo, Astro, HF, and WBP, describing Chaucer as someone "interested in…

Steinberg, Glenn A.   Arthuriana 31 (2021): 3-28.
Explores "the socioeconomic significance of the ugly, monstrous figures in the Gawain romances" and in WBT, arguing that Chaucer "bifurcates" the "ugly antagonist" of the romances into the "crude, social-climbing Wife . . . and the loathly lady of…

Matthews, William.   Arthuriana 7: 31-62, 1997.
Contests N. F. Blake's views of Caxton, Caxton's publishing plans, and his motives and quality as an editor, discussing at length the Canterbury Tales editions of 1478 and 1484 and other works of Chaucer. Matthews defends Caxton as a careful editor,…

Jameson, Thomas H.   Arts and Sciences n.v. (1964): 10-13.
Summarizes ClT, describing it as a successful riposte to WBT and a victory for "book-learning."

Pearcy, Roy J.   Arts: The Journal of the Sydney University Arts Association 12 (1984): 35-39.
The line "Aux ignorans de la langue pandras" in Deschamps' ballade to Chaucer refers to the Saxon element in English culture, as opposed to the British or Anglo-Norman elements with which Chaucer is associated. Deschamps dissociates a poet he…

İplіkçі Özden, Ayşenur.
[Iplikci Ozden, Aysenur].  
Artuklu Human and Social Science Journal 4.1 (2019): 26-33.
Analyzes the songs and letters embedded in TC as lyric forms that function "in several senses such as means of self-expression of characters--their bliss or afflictions, fundamental communication tools of characters, mediums that assure secrecy in…

Strohm, Paul.   Asa Briggs and Daniel Snowman, eds. Fins de Sicle: How Centuries End, 1400-2000. (New Haven and London: Yale University Press, 1996), pp. 7-37.
Explores how late-medieval English people regarded their age: as a time growing old and verging on cataclysm, especially as reflected in social unrest and the deposition of Richard II. Includes a number of references to and quotations from Chaucer…

McTurk, Rory.   Ásdís Egilsdottir and Rudolf Simek, eds. Sagnaheimur: Studies in Honour of Hermann Pálsson on His 80th Birthday, 26th May 2001 (Wien: Fassbaender, 2001), pp. 175-94.
McTurk argues that "Laxdaela Saga" is an analogue to WBPT, although the two derive independently from the Irish tale of the Loathly Lady.

DuVal, John, trans. Introd. and notes by Raymond Eichmann.   Asheville : N.C.: Pegasus, 1999.
Reprint of 1992 edition.

Yeager, R. F., and Charlotte C. Morse, eds.   Asheville, N.C. : Pegasus Press, 2001.
Twenty-six essays on topics from Marie de France's "Guigemar" to Edward Burne-Jones's "Miracle of the Merciful Knight," with recurrent emphasis on the intersection between visual and verbal traditions. Includes a bibliography of Kolve's publications…

Yeager, R. F., ed.   Asheville, N.C.: Pegasus Press, 1998.
Fifteen essays by various authors, each essay originally presented at the annual meeting of the John Gower Society between 1992 and 1997. Revised for publication, the essays explore issues of Gower's poetics and methods, his political concerns, and…

Williams, Fred, reader.   Ashland, Ore.: Blackstone Audiobooks, 2002.
Fred Williams reads the unabridged CT in modern English; translated by J. U. Nicolson.

Herzog, Michael   Ashland, Oregon: Will Dreamly Arts, 2019.
Also available as ebook and audio book. Alternative title: This Passing World: The Journal of Geoffrey Chaucer.
Item not seen. WorldCat records indicate that this is an historical novel, set in 1398, when in response to an upcoming duel between Henry Bolingbroke and Thomas Mowbray, Chaucer decides to keep a journal of events.

Long, Lynne.   Ashley Chantler and Carla Dente, eds. Translation Practices: Through Language to Culture (New York and Amsterdam: Rodopi, 2009), pp. 17-29.
Long assesses medieval translation practice through modern translation theory, exploring techniques of translation and the impact of translation on vernacular literatures. Includes sustained, comparative attention to Jean de Mean and Chaucer, with…

Obeso, Kimberth D., Mary Joy J. Tumada, Shelley Mai M. Chua, and Niña Jen Ruta-Canayong.   Asia Pacific Journal of Education, Arts and Sciences 6, no. 2 (2019): 58-63.
Briefly describes differences between TC and Shakespeare's "Troilus and Cressida," focusing on genre and style, characterization, and attitudes toward women.

Dhar, Tej N., ed.   Asmara, Eritrea: Hdri, 2009.
An anthology compiled to promote reading among young readers in Eritrea. Includes international tales, ancient to modern, in modern English adaptation, including ClT (here titled "The Scholar's Tale: The Test of a Good Wife."

Banks, David.   ASp [Anglais de spécialité]: La revue du GERAS 15-18 (1997): 451-60.
Banks gauges the place of Astr in the development of English scientific prose, tabulating grammatical metaphors, verbal nouns (ending with -ing), passive voice, personal pronouns, and instructional syntax (an infinitive clause followed by an…

Bradbrook, M. C.   Aspects of Dramatic Form in the English and the Irish Renaissance: The Collected Papers of Muriel Bradbrook (Sussex: Harvester Press, 1983): 3:156-79.
Traces parallels between Marlowe's 'Hero and Leander' and TC 3.

Bauschatz, Paul C.   Assays 2 (1983): 19-43.
Matches Augustine's "("De mendacio") moral distinctions among kinds of utterance with Anselm's logical distinctions among kinds of predication; discovers that Augustine refuses to recognize the possibility of "beneficent lying." Argues that Chaucer…

Magnus, Laury.   Assays 2 (1983): 3-18.
Why the digressions in FranT? Formalist criticism identifies Dorigen's digression on the black rocks as a free (abstract) motif and, paradoxically, as an agent of the plot (normally a material motif). Thus Chaucer makes abstraction the cause of…

Knapp, Robert S.   Assays 2 (1983): 45-67.
Ret, an "authorial form of self-elimination," is formally like irony; it is also a penance, which, also like irony, protects the author from adverse judgment. Thus CT irony can be neatly exchanged for Ret penance. Penance, however, a sacrament and…

Ganim, John M.   Assays 4 (1986): 51-66.
Popular understanding of their works is a central issue in both Boccaccio and Chaucer. Boccaccio's urbanity and sophistication reflect the qualities of his cultured, mercantile audience. Chaucer (e.g., PardT) is only apparently more naive, working…

Amsler, Mark.   Assays 4 (1986): 67-83.
The Wife of Bath's performance constitutes a bourgeois, female countercommentary by a literate property owner to the dominant male aristocratic and ecclesiastical conceptions of marriage, sex, learning, and economic power in the later Middle Ages.

Charles, Casey.   Assays 6 (1991): 55-71.
WBP, belonging to the genre of the French sermon joyeux, "a parodic homily by a woman that uses biblical exegesis to endorse worldly pleasure," had a "topical resonance" for Lollards, who, "championing female literacy and lay biblical exegesis,…
Output Formats

atom, dc-rdf, dcmes-xml, json, omeka-xml, rss2

Not finding what you expect? Click here for advice!