Justice, Steven.
Susanna Fein and David Raybin, eds. Chaucer: Contemporary Approaches (University Park: Pennsylvania State University Press, 2010), pp. 199-214.
Justice explores "historicism's liabilities" and their consequences for the prospects of an aesthetic "turn." Traces the interactions between historicism and "theory" in debunking formalism and comments on this process in medieval studies,…
Justice, Steven.
Frank Grady and Andrew Galloway, eds. Answerable Style: The Idea of the Literary in Medieval England (Columbus: Ohio State University Press, 2013), pp. 169-94.
Examines how Chaucer uses "ordinary structures of narrative inference to create the mirage of subjective depth" in his development of characters in TC. Refers to Chaucer's unique "experiment" with characterization in TC as the "subjectivity-effect."
Justice, Steven.
Frank Grady, ed. The Cambridge Companion to "The Canterbury Tales" (Cambridge: Cambridge University Press, 2020), pp. 45-58.
Surveys approaches to reception and interpretation of GP. Reappraises GP's incompleteness as a symbol for the incompleteness of memory, establishing the beginning of CT as a kind of machinery that "set[s] the roadside drama in motion once again."
Justman, Stewart Martin.
Dissertation Abstracts International 37 (1976): 3607A.
Theoretical "auctoritee" and "auctoritee" as misunderstood by characters in Chaucer are worlds apart. Chaucer was more interested in the violability than in the inviolability of "auctoritee." Many of the Canterbury Tales depend on cases which…
There are in CT examples of the late medieval attack on the symbolic attitude. The literal use of the Song of Songs in MerT, and the Wife of Bath's scriptural interpretation, are respectively examples of the mockery and parody of analogical thought.
Chaucer abuses authority throughout CT. He refers to so many authorities that they cannot be reduced to anything like unity. Such abuse reflects the farcical potential of the academic procedure of disputation as well as the dilemma of the…
Justman, Stewart.
Modern Language Quarterly 39 (1978): 3-14.
The workings of "auctoritee" in KnT are at odds with established--especially Boethian--norms. All authority in KnT is overthrown. Habitually in Chaucer's works, authority is subjected to uncongenial contexts and the presumption of irony. As a…
Although Chaucer does not satirize the three estates in CT (there is no high nobility; clerical offenders do not reflect on the church; the peasantry does not speak), he does attack the middle class and its values through the Wife of Bath, who…
Justman, Stewart.
Studies in Short Fiction 32 (1995): 21-27.
Explores relations among cuckoldry, charivari, and notions of masculine honor in MilT and RvT to argue that the pretensions to honor in RvT are debunked and that traditional notions of honor are themselves questioned.
Justman considers the transmission of Eastern narratives (especially Petrus Alphonsi's "Disciplina Clerica," but also "Thousand and One Nights" narratives) to Western Europe--particularly to Boccaccio and Chaucer--exploring how the "category of…
Justman, Stewart.
Stewart Justman. The Springs of Liberty: The Satiric Tradition and Freedom of Speech (Evanston, Ill.: Northwestern University Press, 1999), pp. 22-33.
Bakhtinian analysis of Chaucer's polyphonic satiric techniques in CT, especially GP and MilT, emphasizing their place in the development of English satire and the rise of realism and journalistic claims of accurate reportage. Treats Chaucer's…
Traces the history of the motif of infernal punishment in the devil's anus, suggesting that the earliest evidence of the motif is found in the "Seven Heavens Apocryphon" of Irish visionary tradition and that Chaucer's use of the motif in SumP derives…
Kader, David, and Michael Stanford, eds.
Iowa City: University of Iowa Press, 2010.
Includes the GP description of the Sergeant of the Law (ll. 309-30) in an anthology of 100 lyrics and poetic excerpts that pertain to lawyers and legal practice. Brief notes at the end of the work.
Kaempfer, Lucie.
Open Library of Humanities 4.1 (2018): 1-24.
Associates the liquidity of emotions in medieval literature with the Galenic theory of humours, exploring "the different uses of liquidity to represent emotions in Chaucer's work," especially TC, where emotions such as sorrow and joy can be variously…
Kaempfer, Lucie.
Dissertation Abstracts International C81.04 (2019): n.p.
Considers joy to be the "climactic centre" of TC, addressing the presence and forms of joy "in the poem's construction of language, themes, and characters" and assessing "whether joy, in medieval culture, is a physical emotion, an affective state, a…
Kaempfer, Lucis.
Roman Bleier, Brian Coleman, and Clare Fletcher, eds. Memory and Identity in the Medieval and Early Modern World (New York: Peter Lang, 2022), pp. 105-19.
Examines joy in TC--looking forward to it in Books 1 and 2, experiencing it in Book 3, and remembering it in Books 4 and --as aspects of Troilus's identity and of the poem itself. Anticipated joy shapes the characterization of Troilus as a courtly…
Kahlert, Shirley Ann.
Dissertation Abstracts International 42 (1981): 1629A.
The Breton lay evolved from Celtic tradition to generic identity with Marie de France to art form in Chaucer's WBT and FranT. Most clearly characterized by the "merveilleux," it has crossed cultural boundaries in such a way as to lose its motives…
Both Spearing and Leicester focus on the question of authorial intention as an interpretive norm. By acknowledging that Chaucer may intend private allusions, Spearing opens the possibility that one audience's "use" is another audience's "allusion,"…
Kahrl, Stanley J.
Chaucer Review 7.3 (1973): 194-209.
Argues that SqT "presents the growing impulse toward exoticism and disorder at work in the courts of late medieval Europe," the antithesis of classical order depicted in KnT. Also comments on notions of "gentilesse" and the uses of rhetorical colors…
An examination of the source, Machaut's "Jugement dou Roy de Behaingne," proves that the Knight's and the Dreamer's mutual lack of understanding--which serves a powerful dramatic purpose--stems from differences in social background and rank.
