Iyeiri investigates negative constructions in five versions of Bo, discussing the relative chronology of the witnesses to the text and, more generally, the editing of Middle English texts.
Iyeiri, Yoko.
Merja Kytö, John Scahill, and Harumi Tanabe, eds. Language Change and Variation from Old English to Late Modern English: A Festschrift for Minoji Akimoto (New York: Peter Lang, 2010), pp. 79-101.
Iyeiri analyzes the "various forms of negation" in the fragments of Rom, commenting on their implications for attribution. Fragment C is more like B than like the Chaucerian A in many of its forms of negation; hence, it is unlikely to be by Chaucer.
Iyeiri, Yoko.
Notes and Queries 257 (2012): 332-35.
Adds to the group of manuscripts identified by Carl Grindley in 1995 (one of which was a concordance to the works of Chaucer), two more written in the same hand: MSS 621 and 622. The former is on the grammar of Robert of Gloucester, the latter on…
Iyeiri, Yoko.
Yoshiyuki Nakao and Yoko Iyeiri, eds. Chaucer's Language: Cognitive Perspectives (Suita: Osaka, 2013), pp. 5-25.
Pointing out the coexistence of various forms of negation in the Middle English period, the author analyzes choices of negative forms in Mel, ParsT, and Astr from cognitive viewpoints. The analysis particularly focuses on elaboration of styles (in…
Jack, R. D. S.
Marco Fazzini, ed. Alba Literaria: A History of Scottish Literature )Venice: Amos Edizioni, 2005), pp. 33-44.
Comments on Henryson's biography, relations with medieval tradition, and stylistic range. Though he admired Chaucer, Henryson criticizes TC in the "Testament of Cresseid" because at the end of Chaucer's poem nothing more is known about Criseyde.
Jackson, Gabriel, composer.
Oxford: Oxford University Press, 2012.
Item not seen. WorldCat records indicate that this vocal score for unaccompanied mixed voices is printed with the text of the Antiphon to the Virgin Mary, "Salve Regina," in Latin by Herman Contractus (attributed), "interspersed with English words by…
Jackson, Kate.
Leeds Studies in English 43 (2012): 93-115.
Discusses the "framing elements" of Mel, its glosses in the Hengwrt and Ellesmere manuscripts (comparing them with those in ParsT), and the codicological contexts of the five fifteenth-century manuscripts of the Tale that exist "outside the story…
Jackson, Kevin, ed.
Oxford: Oxford University Press, 1995.
An anthology of excerpts and selections from poetry, fiction, drama, and essays on the topic of money, arranged by sub-topics. Includes the following pieces by Chaucer: Purse and the apostrophe to poverty from MLP, in the section called "Riches and…
Thirty vignettes of London and its citizens arranged chronologically, with nine recommended walking tours and an Index. Chapter 7, "Geoffrey Chaucer is Appointed Comptroller of the Port of London: 8 June, 1374" (pp. 46-51; 4 figs.), briefly describes…
Jackson, Shirley.
New York: Farrar, Straus and Cudahy, 1958.
A novel of family tensions, centering on death, possessiveness, and the legacy of a household estate. A central image is the sundial of the title, on display in the family library. Inscribed on the sundial is a half-line quotation of KnT 1.2777:…
Jackson, W. T. H.
New York: Columbia University Press, 1985.
Fifteen essays by Jackson on classical and medieval subjects, focusing on courtly love, lyric, epic and drama, allegory and romance and covering literary works from Continental Europe. Edited by Joan M. Ferrante and Robert W. Hanning.
Jacobs, Edward Craney.
Chaucer Review 15 (1981): 151-54.
Madame Eglentyne's "Amor vincit omnia," where we would expect "Caritas vincit omnia," is used for ironic effect. Since Paul defines "caritas" as the "bond of perfection," Chaucer's use of the motto to bind together the Prioress' rich beads is…
Jacobs, Joseph.
Alan Dundes, ed. The Blood Libel Legend (Madison: University of Wisconsin Press, 1991), pp. 41-71.
Focuses on the story of the martyred child, Hugh of Lincoln, said to have been murdered by Jews for religious purposes. Jacobs traces the story through history, songs, and legend. Considers the prayer at the end of PrT.
Though some readers have seen the contract in this tale as evidence of Chaucer's acceptance of the male's dominance in marriage, the relationship of Dorigen and Arveragus is actually an ideal society in miniature.
Analyzes MerT, MilT, ShT, and FranT in light of the two-fold nature of the English medieval marriage contract: personal duties and business responsibilities.
Jacobs, Kathryn.
Publications of the Medieval Association of the Midwest 6: 25-33, 1999.
Identifies the legal features of the lovers' pacts in CT. Legal diction (e.g., "accord"), careful preparation, and various kinds of delay connect the illicit relations in MilT, WBPT, ShT, MerT, RvT, and others with the legal contract of marriage.
Chaucer evinces awareness of marriage law, in particular the necessity of a church ceremony to secure property rights. Wives with a legally unassailable right to property (May in MerT, the Wife of Bath, Alisoun in MilT, Cecilie in SNT) are in a much…
Jacobs, Kathryn.
Gainesville : University Press of Florida, 2001.
Four chapters explore the influence of contemporary marriage law on Chaucer's imagination, and three investigate similar influences on religious and Renaissance drama. Chaucer did not merely reflect his society's concerns with marriage and its…
Jacobs, Kathryn.
Cindy L. Vitto and Marcia Smith Marzec, eds. New Perspectives on Criseyde (Fairview, N.C.: Pegasus Press, 2004), pp. 59-74.
Chaucer resists the prevailing "lusty widow" stereotype in his depictions of the Wife of Bath and Criseyde, paving the way for more positive images of widows on the Renaissance stage.
In the fourteenth century, rape was perceived as "natural," a relatively minor social infraction. In WBT, the ladies of the court do not dispute the verdict assigned the rapist-knight; they dispute only the penalty. The knight is socially…
Jacobs, Nicholas.
A. J. Minnis, Charlotte C. Morse, and Thorlac Turville-Petre, eds. Essays on Ricardian Literature: In Honour of J. A. Burrow (Oxford: Clarenden, 1997), pp. 203-21.
The romances of Chaucer and of the "Gawain" poet are similar in treating the genre as a decaying or decadent form. Chaucer treats the genre and its traditional themes lightly, at times parodically, while the "Gawain" poet seeks to redeem the genre…