Bratcher, James T.
Notes and Queries 208 (1963): 444-45.
Suggests that the "greyn" placed on the clergeon's tongue in PrT 7.662 is, ironically, a "breath sweetener," one of several satiric details observed in the Tale.
Daly, Saralyn R.
Notes and Queries 208 (1963): 442-44.
Maintains that anachronistic details of Criseyde's address to night in TC 3.1429-42 deviate from traditional albas and indicate that she "challenges God" in favor of her own will, indicated by her unorthodox attitude toward Providence.
Moran, Tatyana.
Notes and Queries 208 (1963): 11-12.
Identifies ironic parallels between Troilus's viewings of Criseyde in TC and Cresseid's failure to recognize Troilus in Robert Henryson's "Testament of Cresseid," exploring the latter as a narrative of "punishment and expiation through suffering."
Rowland, Beryl.
Notes and Queries 208 (1963): 210.
Surveys historical comments on the odor of daisies and suggests that Chaucer's praise of its odor in LGWP may be due to botanical accuracy, unusual because he usually follows literary conventions.
Grennen, Joseph E.
American Notes and Queries 1 (1963): 131-32.
Suggests that "esy of dispence" in the GP description of the Physician (1.431) means not only "slow to spend money," but also "moderate in prescribing remedies," or perhaps that he prescribes palatable medicines.
Severs, J. Burke.
Mediaeval Studies 25 (1963): 355-62.
Locates in Old French love poems sources for various aspects of BD, citing previously unnoticed parallels with passages from Guillaume de Machaut and Jean Froissart, and arguing that similar parallels and the "general situation and conduct" of…
Wood, Chauncey Derby.
Dissertation Abstracts International 25.05 (1963): 2970.
Examines the astrological passages in Chaucer's works, not only the technical details but the their mythographic and iconographic implications. Includes discussion of Astr, Mars, GP, WBP, MerT, MLT, and ParsP.
Flinn, John.
Toronto: University of Toronto Press, 1963.
Chapter 15, "Le Roman de Renart en Angleterre" (pp. 672-88), summarizes NPT and treats Pierre de Saint-Cloud's "Roman de Renart" (branch 2) as its major source, focusing on tone and spirit, and attributing differences to Chaucer's art, originality,…
Interprets the GP description of the Prioress as a satire of an institution rather than a critique of an individual, offering the reading as a prolegomenon to a comparative discussion of the challenges of teaching English and teaching foreign…
Varty, Kenneth.
Journal of the Warburg and Courtauld Institutes 26 (1963): 347-54.
Identifies similarities and differences between marginal illustrations in the Smithfield Decretals (British Museum Royal MS. 10 E.iv) and narrative motifs in versions of the "Roman de Renart," commenting briefly on the presence of the distaff in the…
Surveys uses of primary and secondary interjections (i.e., exclamations and oaths) in Anglo-Saxon through modern English, exploring how the "inventive ability is more marked in some centuries than in others." Comments on oaths based in religion (God,…
Includes discussion of the setting of "Eger and Grime" in the "Land of Beame," i.e., Bohemia, and provides background for understanding the popularity and influence of Anne of Bohemia and Bohemian fashion at the English court after her arrival in…
Pręczkowska, Helena, trans.
Wrocław: Zakład Narodowy im. Ossolińskich – Wydawnictwo, 1963.
Item not seen. WorldCat records indicate that Margaret Schlauch wrote an Introduction and that Witold Chwalewik edited the commentary in this Polish translation of selections from CT.
Richardson, Lilla Janette.
Dissertation Abstracts International 24.03 (1963): 1176.
Shows that Chaucer uses "rhetorical figures . . . [to] produce imagery," analyzing the "use of imagery" in FrT, RvT, ShT, MerT, and MilT--in comparison with sources, where available--and focusing on how he uses imagery to create ironic effects not…
Ussery, Huling Eakin, Jr.
Dissertation Abstracts International 24.06 (1963): 2491.
Studies "historical background" to Chaucer's Monk, Clerk, and Physician, comparing their characterizations with historical personages. Argues that the Monk is "probably either Benedictine or Cistercian," and "primarily realistic" rather than satiric.…
Edits portions of CT (KnT, MilT, WBP, MerT, FranT, PardT, NPT, and PrT), selections from TC, and from lyrics (Truth, MercB) in Middle English, with introduction, notes, and glossary.