Eliason, Norman E.
In O. B. Hardison, Jr., ed. Medieval and Renaissance Studies: Proceedings of the Southeastern Institute of Medieval and Renaissance Studies, Summer, 1969 (Chapel Hill: University of North Caroline Press, 1971), pp. 103-21
Explores the emphases and nuances of early critical praise and imitation of Chaucer's poetry among writers such as John Lydgate, Stephen Hawes, the author of "The Book of Curtysye," and others. Focuses on their assessments of the "craftsmanship" of…
Spicer, Paul.
In Paul Spicer. Sir George Dyson: His Life and Music (Woodbridge: Boydell, 2014), pp. 160-87.
Includes appreciative summary-description of Dyson's 1931 choral arrangement, "The Canterbury Pilgrims," with comments on its reception and relationship with GP.
Stadnik, Katarzyna.
In Przemysław Łozowski and Katarzyna Stadnik, eds. Visions and Revisions: Studies in Theoretical and Applied Linguistics (Frankfurt am Main: Lang, 2016), pp. 179-86.
Uses the Boethian imagery of Fortune and her wheel in For and Truth to clarify "situated cognition," exemplifying how visual images can enable cultural transmission across time.
Strakhov, Elizaveta.
In R. Barton Palmer and Burt Kimmelman, eds. Machaut's Legacy: The Judgment Poetry Tradition in the Later Middle Ages and Beyond (Gainesville: University Press of Florida, 2017), pp. 139-64.
Considers Machaut's and Chaucer's uses of blue and green symbolism in relation to late medieval "armorial bearings disputes" to investigate the poets' concern with "issues surrounding the legibility of identity." Comments on color symbolism in SqT,…
Burke, Linda.
In R. Barton Palmer and Burt Kimmelman, eds. Machaut's Legacy: The Judgment Poetry Tradition in the Later Middle Ages and Beyond (Gainesville: University Press of Florida, 2017), pp. 192-216.
Reiterates traditional discussions of similarities between LGW and John Gower's "Confessio Amantis," develops recent arguments of the importance of Anne of Bohemia to both poems (emphasizing Gower's), and uses these connections and others to argue…
Palmer, R. Burton.
In R. Barton Palmer and Burt Kimmelman, eds. Machaut's Legacy: The Judgment Poetry Tradition in the Later Middle Ages and Beyond (Gainesville: University Press of Florida, 2017), pp. 271-96.
Reviews and extends arguments for recognizing the intertextual relations of Chaucer's LGW and the works of Guillaume de Machaut, emphasizing their explorations of the "poetics of authorship." Extends this notion to the fiction of Philip Roth and…
Kimmelman, Burt.
In R. Barton Palmer and Burt Kimmelman, eds. Machaut's Legacy: The Judgment Poetry Tradition in the Later Middle Ages and Beyond (Gainesville: University Press of Florida, 2017), pp. 89-138.
Studies the development of "poetic self-assertions" and "authorship poetics" in late medieval poetry, concentrating on Guillaume de Machaut's influence on Chaucer in LGWP and on Christine de Pizan. Comments on the legacies of Dante, Petrarch, and…
Mack, Peter.
In Rhetoric's Questions: Reading and Interpretation (Cham: Palgrave Macmillan, 2017), pp. 7-18.
Explores questions of audience, occasion, and a writer's control in classical and early modern western rhetoric, and applies these questions in a "sample reading," examining TC, 3.1324–36 for the ways that it encourages readers "to re-experience…
Galloway, Andrew.
In Richard W. Kaeuper, Paul Dingman, and Peter Sposato, eds. Law, Governance, and Justice: New Views on Medieval Constitutionalism (Leiden: Brill, 2013), pp. 243-86.
Explores analogues to literary voice in late-medieval English political, legal, and Wycliffite discourses, and analyzes the "common voice" found in John's Gower's "Vox Clamantis" ("aged wisdom") and in PF ("self-making" individual sovereignty). Also,…
Chism, Christine.
In Robert DeMaria Jr., Heesok Chang, and Samantha Zacher, eds. A Companion to British Literature. Vol. I, Medieval Literature 700–1450 (Chichester: Wiley, 2014), pp. 130-45.
Surveys the meanings, origins, and theories of courtly love, asking how it "works" in medieval texts, what light it can "cast upon medieval cultural practices, and why it comes to matter." Includes discussion of secrecy in TC, a text that animates…
Turner, Marion.
In Robert DeMaria Jr., Heesok Chang, and Samantha Zacher, eds. A Companion to British Literature. Vol. I, Medieval Literature 700–1450 (Chichester: Wiley, 2014), pp. 146-60.
Argues that Chaucer's works are "far more ambivalent and less polemical about revolt" than earlier texts or contemporary ones. Identifies changes in historical understanding of "revolution" as a concept, and examines MkT, where revolt is part of an…
Ganim, John C.
In Robert DeMaria Jr., Heesok Chang, and Samantha Zacher, eds. A Companion to British Literature. Vol. I, Medieval Literature 700–1450 (Chichester: Wiley, 2014), pp. 202-14.
Explores how aspects of Chaucer's works reflect Britishness, Englishness, internationalism, and cosmopolitanism--a "potentially conflicted and unresolved matrix of possibilities" (p. 213). Identifies links and resonances between Chaucer's narratives…
Fesko, J. V.
In Ronald S. Baines, ed. By Common Confession: Essays in Honor of James M. Renihan (Palmdale, Calif.: Reformed Baptist Academic Press, 2015), pp. 17-37.
Argues that ClT allegorically "reveals key elements of a medieval doctrine of justification," reading Walter as God and Griselda as a "reformed sinner." The tale also "provides a window into how a number of key scriptural texts figured into this…
Megna, Paul.
In Russell Sbriglia, ed. Everything You Always Wanted to Know about Literature but Were Afraid to Ask Žižek (Durham, N.C.: Duke University Press, 2017), pp. 267-89.
Uses Slavoj Žižek's analysis of privilege and courtly love to assess the major characters of TC: the "servile aggression" of the narrator; Pandarus's "patriarchal privilege"; Crisyede's "ethically heroic" decisions about loving her husband,…
Lanzarini, Ilaria.
In Ryan Calabretta-Sajder, ed. Pasolini's Lasting Impressions: Death, Eros, and Literary Enterprise in the Opus of Pier Paolo Pasolini (Madison, N.J.: Fairleigh Dickinson University Press, 2018), pp. 177-90.
Argues that, for Pasolini, "Chaucer presages the spiritual corruption of the nascent bourgeoisie" in the style and content of CT; yet, to "represent [the] spoiled fruits" of bourgeois corruption visually in "I racconti di Canterbury," the filmmaker…
Ramírez-Arlandi, Juan.
In Salvador Peña and Juan Jesús Zaro, eds. Traducir a los clásicos: Entornos y transformaciones (Granada: Comares, 2018), pp. 187-204.
Analyzes the Spanish translation of PardT by Patricio Gannon published in 1944 in Argentina, a version that used as a source text John S. P. Tatlock's and Percy MacKaye's modernized version (1912). Studies the degree of rewriting in Gannon's version…
Niebrzydowski, Sue.
In Sarah Carpenter, Pamela M. King, Meg Twycross, and Greg Walker, eds. "The best pairt of our play": Essays Presented to John J. McGavin, Part II (Cambridge: D. S. Brewer, 2017), pp. 38-56.
Describes the "the provenance, codicology, sources, and performance possibilities" of the early modern Welsh play "Troelus a Chresyd," exploring its relations with TC, Robert Henryson's "Testament of Cresseid," and Renaissance dramatic versions of…
Lamb, Jonathan P.
In Shakespeare in the Marketplace of Words (New York: Cambridge University Press, 2017), pp. 175-208.
Argues that the glossary and other "editorial apparatus" of Speght's 1598 edition of Chaucer's "Workes" "yokes" Chaucer's language and lexicon "with his position as an English author," and that in his use of Speght's TC as source for "Troilus and…
Kern-Stähler, Annette.
In Sibylle Baumbach, Birgit Neumann, and Ansgar Nünning, eds. A History of British Poetry: Genre--Developments--Interpretations (Trier: WVT, 2015), pp. 29–40.
Introduces Chaucer as a poet and explores reasons for his canonical status, describing his use of English, his lexicon, and his verse forms. Focuses on CT as "arguably one of the most innovative narrative poems in English," commenting on the opening…
Donaldson, E. Talbot.
In Speaking of Chaucer (London: Athlone, 1970), pp. 102-18. Published originally in Ilva Cellini and Giorgio Melchiori, eds. Lectures and Papers Read at the Sixth Conference of the International Association of University Professors of English Held at Venice, August 1965 (Rome: Edizioni di Storia e Letteratura, 1966).
Describes illusions of objectivity in recension, the genetic method of textual editing, cleverly though earnestly articulating that subjectivity--or "common sense"--is needed in the process of editing. Challenges the principle of grouping manuscript…
Saunders, Corrine.
In Stephanie M. Hilger, ed. New Directions in Literature and Medicine Studies (London: Palgrave Macmillan, 2017), pp. 119-41.
Identifies where "[a]cross his writings . . . Chaucer treats mind, body, and affect in sophisticated ways that go far beyond convention," focusing particularly on lovelorn knights in BD, KnT, and TC, and swooning women in ClT, MLT, and LGW. Argues…
Hannis, Grant.
In Sue Joseph and Richard Keeble, eds. Profile Pieces: Journalism and the "Human Interest" Bias (New York: Routledge, 2016), pp. 17-29.
Opens a volume of essays on the journalistic practice of "painting a picture [of a person] in words," including discussion of the depiction of a "cross-section of Chaucer's contemporary English society" in CT--in GP and elsewhere--with particular…
Clark, Roy Peter.
In The Art of X-Ray Reading: How the Secrets of 25 Great Works of Literature Will Improve Your Writing (New York: Little, Brown, 2016), pp. 149-59.
Reads the opening of GP (lines 1–18) as a periodic sentence that "builds to a main clause near its end," describes its thematic concern with rebirth and regeneration, and explores the possibility of regarding weather as character or as a metaphor…
Lee, J. Seth.
In The Discourse of Exile in Early Modern English Literature (New York: Routledge, 2017), pp. 15-33.
Treats Nicholas Trevet's, John Gower's, and Chaucer's tales of Constance as seriatim clarifications of "mens exili" (the mind of exile) in preparation for discussing relations between "exilic experience" and "national formation and nationalistic…
Zarins, Kim.
In The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu, 2017. Relocated 2025 at https://opencanterburytales.lsusites.org/
Cautions that what we say about the Pardoner's body "might say something about ourselves"; summarizes critical discussion of the Pardoner's sex, sexuality, and rhetoric; and comments on the Old Man, Death (compared to Terry Pratchett's Mort), the…
