Browse Items (16382 total)

Kruger Steven F.   James M. Dean and Christian Zacher, eds. The Idea of Medieval Literature: New Essays on Chaucer and Medieval Culture in Honor of Donald R. Howard (Newark: University of Delaware Press, 1992), pp. 301-23.
Considers how the bodies of Jews are related to Christian bodily miracles in Chaucer's PrT and the Croxton "Play of the Sacrament." Kruger clarifies the relation between the positive valuation of the body in late-medieval spirituality and the attack…

Moser, Thomas C., Jr.   James M. Dean and Christian Zacher, eds. The Idea of Medieval Literature: New Essays on Chaucer and Medieval Culture in Honor of Donald R. Howard (Newark: University of Delaware Press, 1992), pp. 243-64.
Analyzes a lyric with the invented title of "Inordinate Love Defined," which appears uniquely on the final leaf of a fifteenth-century manuscript, Copenhagen Thott 110, in the Royal Library. Also discusses briefly a lyric fragment of TC (1.400-406).

Strohm, Paul.   James M. Dean and Christian Zacher, eds. The Idea of Medieval Literature: New Essays on Chaucer and Medieval Culture in Honor of Donald R. Howard (Newark: University of Delaware Press, 1992), pp. 129-48. Also in Paul Strohm. Hochon's Arrow: The Social Imagination of Fourteenth-Century Texts (Princeton University Press, 1992), pp. 57-74.
Sted reflects the same ideology as Richard II's contemporaneous program to disenfranchise the Lords Appellate. Both manipulate the assumption that sworn-oath, liveried affinities threaten social stability. Strohm delineates the political and social…

Strohm, Paul.   Paul Strohm, with an Appendix by A. J. Prescott. Hochon's Arrow: The Social Imagination of Fourteenth-Century Texts (Princeton, N. J.: Princeton University Press, 1992), pp. 121-44.
The statutory redefinition of treason in 1352 and a case of domestic treason in 1387 (Elizabeth Wauton) suggest that Chaucer conceived the Wife of Bath to be a household traitor, one whose insurrections against her husbands are analogous to broader…

Strohm, Paul.   Paul Strohm, with an Appendix by A. J. Prescott. Hochon's Arrow: The Social Imagination of Fourteenth-Century Texts (Princeton, N. J.: Princeton University Press, 1992), pp. 95-119.
Assesses the intercessory roles of Phillippa and Anne in pleading, respectively, for the burghers of Calais and the citizens of London. Analyzes the ideology of intercessory discourse in Chaucer's pleading queens, especially Alceste in LGWP, who…

Strohm, Paul.   Paul Strohm, with an appendix by A.J. Prescott. Hochon's Arrow: The Social Imagination of Fourteenth-Century Texts (Princeton: Princeton University Press, 1992), pp. 75-94. Also in Barbara Hanawalt, ed. Chaucer's England: Literature in Historical Context (Minneapolis: University of Minnesota Press, 1992), p. 21-40.
Discusses the tenuous nature of Henry's early success in usurping Richard's crown and his program of enlisting writers in support of his cause. The last stanza of Purse reflects the political assumptions that underpinned Henry's claims to the…

Hanawalt, Barbara A., ed.   Minneapolis: University of Minnesota Press, 1992.
Ten essays explore the intersection between history and literature in Chaucer's lifetime; issues of class, gender, and politics are recurrent concerns. One essay on literature and Richard II's court, two on Langland, one on medieval hunting, and one…

Bennett, Michael J.   Barbara A. Hanawalt, ed. Chaucer's England: Literature in Historical Context (Minneapolis: University of Minnesota Press, 1992), pp. 3-20.
Richard's court was important as a cultural force in England's first "golden age" of literature. Members of his coterie were the first audience of poets such as Chaucer and Gower, and it seems likely that his travels were related to the production…

Crane, Susan.   Barbara A. Hanawalt, ed. Chaucer's England: Literature in Historical Context (Minneapolis: University of Minnesota Press, 1992), pp. 201-21.
Asserts the importance of assaults on written documents in the so-called Peasants' Revolt of 1381, exploring the hegemony that writing represented to the rebels. Assesses how Langland's revisions of Piers Plowman reflect his concerns with the…

Saul, Nigel.   Barbara A. Hanawalt, ed. Chaucer's England: Literature in Historical Context (Minneapolis: University of Minnesota Press, 1992), pp. 41-55.
Chaucer views gentility as a matter of virtue rather than of birth or economics, reflecting contemporary shifts in aristocratic lifestyles. Italian influences and decreasing military service made it necessary for the aristocracy to redefine…

Wallace, David.   Barbara A. Hanawalt, ed. Chaucer's England: Literature in Historical Context (Minneapolis: University of Minnesota Press, 1992), pp. 59-90.
Contrasts Chaucer's depiction of London's social tensions in CT with Boccaccio's depiction of Florence's unity in Decameron 6.2, Pampinea's story of Cisti. The duplicities and deceptions of CkT and CYT (at odds with the Host's governance) are like…

Strohm, Paul. With an appendix by A. J. Prescott.   Princeton, N.J.: Princeton University Press, 1992.
An introduction and seven essays explore the mutual contingency of history and literature in late-medieval England. The collection interprets historical texts for contemporary attitudes and ideologies, discovering, for example, the "carnivalesque"…

Richmond, Velma Bourgeois.   New York: Continuum, 1992.
Biographical review; consideration of the fourteenth-century cultural context; and critical discussion of all of Chaucer's works. Half of the chapters are devoted to the CT, divided by subject and tone into secular romances, fabliaux, religious…

Sinnreich-Levi, Deborah M., and Gale Sigal, eds.   New York: AMS, 1992.
This collection of fourteen essays honors Helaine Newstead and focuses on the sources--primarily Celtic--of Arthurian literature. For two essays that pertain to Chaucer, search for Voices in Translation under Alternative Title. …

Martin, Ellen E.   Deborah M. Sinnreich-Levi and Gale Sigal, eds. Voices in Translation: The Authority of "Olde Bookes" in Medieval Literature (New York: AMS, 1992), pp. 117-36.
Capitalizing on foregoing treatment of fidelity and intention, the ending of FranT poses a hypothetical and interminable debate over reading the characters. In this concluding turn, Chaucer points up an essential link between the characters' selves…

Sigal, Gale.   Deborah M. Sinnreich-Levi and Gale Sigal, eds. Voices in Translation: The Authority of "Olde Bookes" in Medieval Literature (New York: AMS, 1992), pp. 191-205.
Through their dramatic rendering of the lovers' discrepant responses to the coming of dawn, the aubades in TC highlight the tempermental differences of the characters and prefigure their separate, though intertwined, fates.

Wack, Mary.   Chaucer Newsletter 14:2 (1992): 6-7.
With the aid of new electronic tools, Chaucer courses are making an evolutionary leap. These media foster interactive learning and provide access to materials from archives around the world.

Walker, Faye.   Style 26 (1992): 577-92.
Recent work on Chaucer influenced by poststructuralism can be roughly divided into two types: that which finds postmodern concerns already in medieval poetics and language theory, and that which approaches Chaucerian texts through postmodern…

Wright, Sylvia.   British Library Journal 18 (1992): 190-201.
Identifies and describes portraits of authors in initials of British Museum MS. Add. 42131. Two of the three depictions of Chaucer are by the same hand as the miniature accompanying Hoccleve's Regement of Princes (Arundel MS. 38).

Yager, Susan.   Dissertation Abstracts International 52 (1992): 3922A.
Bo states that seeing should be deliberate action. Chaucer, who uses many words relating to seeing (and apparently introduced some into English), treats failure to perceive (Argus, January, Walter, Troilus) and illusion (HF, MLT, FranT, CYP, and…

Astell, Ann W.   ELH 59 (1992): 269-87.
CT Fragment VII illustrates and undercuts the Aristotelian causes of literature. Thus, ShT demonstrates the near efficient cause, the teller; PrT, the remote cause, God. Chaucer-the-Pilgrim, the final cause, separates delight and instruction in Th…

Bisson, Lillian M.   Medieval Perspectives 7 (1992): 19-33.
Chaucer's and Eco's works appear to be structured as "unicursal labyrinths" but are really based on "multicursal labyrinths" in which no center can be found. Chaucer's aesthetic demonstrates the open quality that Eco finds specific to contemporary…

Dauby, Helene.   Danielle Buschinger and Wolfgang Spiewok, eds. Heldensage--Heldenlied--Heldenepos. Ergebnisee der II. Jahrestagung der Reineke--Gesellschaft, Gotha 16-20 Mai 1991. Wodan 12.4.2 (1992): 115-22.
Warlike heroism is never clearly praised in CT. It is always connected with "feeble" characters, such as women and children, whose weapons are their voices (prayers, songs).

Keenan, Hugh T., ed.   New York: AMS, 1992.
A series of essays by various authors, some with continental applications, with an annotated bibliography of medieval English literature through 1987.
For essays that pertain to Chaucer. search for Typology and English Medieval Literature under…

Delasanta, Rodney (K.)   Hugh T. Keenan, ed. Typology and English Medieval Literature (New York: AMS, 1992), pp. 121-39.
The pilgrim narrator of CT represents the views of nominalist epistemology, creating a tension in the text as Chaucer the poet continues to uphold a more traditional epistemology based on "ante-rem," "in-rem," and "post-rem" universals.
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