Hartman, Ronald.
English Studies 79 (1998): 166-70.
Suggests a clear parallel between Boethius and Melibee: both have suffered an injustice, which is seen as a symptom of an illness that has to be cured and that has moved them away from God to where Fortune rules. They are thus subjected to punishment…
Hartung, Albert E.
Chaucer Review 12 (1977): 111-28.
The argument by John M. Manly (1926) that "Pars Secunda" of CYT was not originally part of CTY at all but was an earlier tale intended for a separate occasion and a special audience is plausible in view of internal, textual, and historical evidence.
Hartung, Albert E.
Richard G. Newhauser and John A. Alford, eds. Literature and Religion in the Later Middle Ages: Philological Studies in Honor of Siegfried Wenzel (Binghamton, N.Y.: Medieval & Renaissance Texts & Studies, 1995), pp. 61-80
A psychoanalytic reading shows that ParsT and Ret belonged originally to a separate document that was later added to CT through ParsP.
Hartung, Albert E.
English Language Notes 4.3 (1967): 175-80.
Reads "hostes man" in SumT 3.1755 as referring to the "servant of the innkeeper at whose inn the two friars are staying," and adduces paleographical evidence for retaining unemended "swan" as a suggestive detail in SumT 3.1930.
Hartung, Albert E.
Mediaeval Studies 29 (1967): 1-25.
Evaluates MerT in light of its sources and analogues, including the "Miroir de Mariage," Boccaccio's "Ameto," and the "Elegies of Maximianus," the latter identified here as an analogue for the first time, with its presentation of "amorous senility…
Emends the punctuation of CYT 8.1236-39 found in the editions of W. W. Skeat and F. N. Robinson, assigning the enjoinder in the first half of the quotation to the Yeoman's canon and the second half to the Yeoman as narrator.
Hartung, Albert E.
Ph.D. Dissertation. Lehigh University, 1957. Fully accessible via ProQuest Dissertations & Theses Global and at https://preserve.lehigh.edu/lehigh-scholarship/graduate-publications-theses-dissertations/theses-dissertations/study-textual.
Compares "the accepted and variant readings of 'Melibeus' with the corresponding passages in the French source, 'Le Livre de Melibee et Prudence'," assessing variants from fifty-seven manuscriptsof Mel and arguing that there was "an earlier version…
Hartwell, Michael J.
Jennifer York Stock, ed. Literature Criticism from 1400 to 1800, Vol. 283 (Farmington, Mich.: Gale, 2019), pp. 85-304.
Reprints seventeen critical studies of LGW published between 1904 and 2003, several excerpted from larger works. The introduction by Hartwell summarizes the plot of LGW, with little commentary on LGWP, and comments on the plots and sources of the…
Harty, Kevin J.
American Benedictine Review 34 (1983): 361-71.
From KnT to CkT, tales degenerate from magnificence to grossness. MLT attempts to establish decorum but backfires on the teller, who "courts the sin of presumption."
Harty, Kevin J.
Studies in Short Fiction 18 (1981): 75-77.
The Man of Law's allusion to the story of the nine daughters of Pierus, as presented in Ovid's "Metamorphoses" 5, is viewed as literary criticism that emphasizes the fact that the Man of Law is reluctant to be compared to the daughters--who lost…
Harty, Kevin J.
Ball State University Forum 19.2 (1978): 65-68.
In medieval tradition Esther is admirable and virtuous. She is invoked twice in MerT for the ironic comparison she offers to May, not as an undoer of men.
Harty, Kevin J.
Studies in Short Fiction 31 (1994): 489-90.
Although other allusions to the liturgy of Holy Week have been found in MLT, an allusion previously unnoted occurs when Constance is set adrift with her infant son, another instance of Chaucer's adding to the pathos of Constance's situation.
Harty, Kevin J.
Jefferson, N.C., and London : McFarland, 1999.
Alphabetical list by title of 564 movies about medieval Europe, providing details of date, director, cast, and, where possible, critical bibliography. The index lists seven films based on Chaucer's works or Chaucerian material.
Harty, Kevin J.
David W. Marshall, ed. Mass Market Medieval: Essays on the Middle Ages in Popular Culture (Jefferson, N.C.: McFarland, 2007), pp. 13-27.
Compares the six tales of The BBC Canterbury Tales (MilT, WBP, KnT, ShT, PardT, and MLT) with their Chaucerian originals. Emphasizes plot parallels, modern themes, and the lack of interconnection among the "six stand-alone telefilms."
Haruta, Setsuko.
Masachiyo Amano and others, eds. Kotoba to Bungaku to Bunka to: Ando Sadao Hakushi Taikan Kinen Ronbunshu (Language, Literature, and Culture: Essays to Honor Sadao Ando). Tokyo: Eicho-sha Shiusha, 1992), pp. 305-14.
In KnT, neither the narrator nor the characters comprehend the ideal of courtly love. In BD, Chaucer depicts it fully; in TC, he reveal its weakness when confronted with reality. FranT reflects a bourgeois distortion of courtly love.
Haruta, Setsuko.
Donald Maddox and Sara Sturm-Maddox, eds. Literary Aspects of Courtly Culture: Selected Papers from the Seventh Triennial Congress of the International Courtly Literature Society (Cambridge: D. S. Brewer, 1994), pp. 353-60.
Chaucer, in TC, and the Gawain poet "understate" the prowess of their heroes and emphasize the negative aspects of courtly love. The heroes fail to realize their chivalric ideals--Troilus, because he is vulnerable to Criseyde's inconstancy; and…
Haruta, Setsuko.
Hisao Tsuru, ed. Fiction and Truth: Essays on Fourteenth-Century English Literature (Tokyo: Kirihara Shoten, 2000), pp. 213-21.
Examines the historical situation of John of Gaunt and Blanche of Castile, challenging the traditional interpretation that The Book of the Duchess is an elegy for Blanche.
Examines Theseus as political hero in light of the literary history of KnT. The character combines wisdom and chivalry and reflects the Tale's narrator, including his attitude toward women.
Haruta, Setsuko.
Josef Fürnkäs, Masato Izumi, and Ralf Schnell, eds. Zwischenzeiten--Zwischenwelten: Festschrift für Kozo Hirao. Frankfurt am Main: Peter Lang, 2001, pp. 259-65.
Introduction to WBT and its primary motifs, focusing on the raped maiden, the loathly lady, and Arthur's queen. Suggests that the Wife of Bath's "feminism is essentially phallocentricism [sic] in reverse."
Haruta, Setsuko.
Koichi Kano, ed. Through the Eyes of Chaucer: Essays in Celebration of the 20th Anniversary of Society for Chaucer Studies (Kawasaki: Asao Press, 2014), pp. 71-80.
Compares Criseyde with Dido and Aeneas in the works of Ovid and Virgil to shed light on the unique characterization of Chaucer's heroine in the context of classical Trojan literature.
Haruta, Setsuko.
The Society for Chaucer Studies and Koichi Kano, eds. To the Days of Studying Medieval English Literature: Essays in Memory of Professor Tadahiro Ikegami (Tokyo: Eihosha, 2021), pp. 18-39.
Considers the characterizations of Helen and Criseyde in TC through multiple contexts, including estates of medieval women and the ways Helen is depicted in Greek literature.
Harvey, E. Ruth.
Suzanne Conklin Akbari and James Simpson, eds. The Oxford Handbook of Chaucer (Oxford: Oxford University Press), pp. 440-55.
Examines the influence of Dominican friar Henry Daniel, and his efforts, along with other English scientists, "to appropriate into their language the scientific learning available in Latin, and to lay the foundations for future development."…