Minnis, Alastair.
Andrew Galloway and R. F. Yeager, eds. Through a Classical Eye: Transcultural and Transhistorical Visions in Medieval English, Italian, and Latin Literature in Honour of Winthrop Wetherbee (Toronto: University of Toronto Press, 2009), pp. 287-315.
Exploring the "cultural sources and significance of the humor which Chaucer brings into play" in PardT (288), Minnis examines medieval relics, shrines, and cures and suggests that if we understand more about these practices, "we may gain a better…
Gambera, Disa.
Andrew Galloway and R. F. Yeager, eds. Through a Classical Eye: Transcultural and Transhistorical Visions in Medieval English, Italian, and Latin Literature in Honour of Winthrop Wetherbee (Toronto: University of Toronto Press, 2009), pp. 316-38.
Connections among figurative wounds, literal wounds, and architectural "apertures" in Fragment 1 teach "us to notice the narrative dissonance of bodies and spaces" in CT (334).
Watson, Nicholas.
Andrew Hass, David Jasper, and Elisabeth Jay, eds. The Oxford Handbook of English Literature and Theology (Oxford and New York: Oxford University Press, 2007), pp. 363-81.
Watson summarizes the theocentrism of the late Middle Ages, examines Langland's critique of formal theology in "Piers Plowman," and discusses how CT disclaims theological authority in exploring truth and moral utility. Argues that Mel may be the…
Borges, Jorge Luis.
Andrew Hurley, trans. Collected Fictions: Jorge Luis Borges (New York: Viking, 1998), pp. 508-15.
Fantasy story about the transmission of Shakespeare's memory from one man to another; includes several references and allusions to Chaucer. The story was first published in Spanish in a limited edition. "La Memoria de Shakespeare" (Buenos Aires:…
Galloway, Andrew.
Andrew J. Power, ed. The Birth and Death of the Author: A Multi-Authored History of Authorship in Print (New York: Routledge, 2020), pp. 32–53; 2 illus.
Explores nuances in the tradition of attributing paternal authority to Chaucer as a poet, focusing on Thoreau, Hoccleve, and Lydgate, and disclosing differing ways in which they represent his authority and appropriate it to assert their own…
Johnston, Andrew James.
Andrew James Johnston. Performing the Middle Ages from "Beowulf" to "Othello." Late Medieval and Early Modern Studies, no. 15. (Turnhout, Belgium: Brepols, 2008), pp. 94-123.
Revises the author's earlier study "The Keyhole Politics of Chaucerian Theatricality: Voyeurism in the Knight's Tale" (SAC 27 [2005], no. 183), placing it in the context of a parallel discussion of "Sir Gawain and the Green Knight."
Knapp, Ethan.
Andrew James Johnston, Ethan Knapp, and Margitta Rouse, eds. The Art of Vision: Ekphrasis in Medieval Literature and Culture (Columbus: Ohio State University Press, 2015), pp. 209-23.
Explores the "function of faciality" in medieval poetry of Chaucer, Gower, and Hoccleve. Examines Chaucer's portraits of faces in GP, MLT, and TC.
Schuerer, Hans Jurgen.
Andrew James Johnston, Ethan Knapp, and Margitta Rouse, eds. The Art of Vision: Ekphrasis in Medieval Literature and Culture (Columbus: Ohio State University Press, 2015), pp. 224-42.
Argues that ekphrasis in MerT is an "engagement with the union of language and the inner senses." In particular, examines "ekphrastic moments . . . between physical expression and the psyche" in Chaucer's treatment of marriage in MerT.
Stanbury, Sarah.
Andrew James Johnston, Ethan Knapp, and Margitta Rouse, eds. The Art of Vision: Ekphrasis in Medieval Literature and Culture (Columbus: Ohio State University Press, 2015), pp. 36-54.
Examines relations between ekphrasis and inventory lists in Form Age. Reflects on "relationship between material things and the categories that classify them in multilingual England."
Bowers, John M.
Andrew James Johnston, Ethan Knapp, and Margitta Rouse, eds. The Art of Vision: Ekphrasis in Medieval Literature and Culture (Columbus: Ohio State University Press, 2015), pp. 55–76.
Explores Chaucer's uses of ekphrasis as "expressions of an increasingly anxious desire to allow literary images to speak for themselves" in KnT, BD, and HF.
Schaefer, Ursula.
Andrew James Johnston, Ferdinand von Mengden, and Stefan Thim, eds. Language and Text: Current Perspectives on English and Germanic Historical Linguistics and Philology (Heidelberg: Winter, 2006), pp. 269-90.
Schaefer considers the process of vernacularization in late medieval English in comparison with other European languages, suggesting that quotations from the period about English are commonplaces rather than reflections of contemporary attitudes and…
Houwen, Luuk.
Andrew James Johnston, Ferdinand von Mengden, and Stefan Thim, eds. Language and Text: Current Perspectives on English and Germanic Historical Linguistics and Philology (Heidelberg: Winter, 2006), pp. 97-111.
Exemplifies text/image relationships by examining a number of misericords depicting scenes from the beast fable tradition of Reynard and other sly foxes. Considers the role of NPT in the development of this visual tradition.
Rouse, Margitta.
Andrew James Johnston, Margitta Rouse, and Wilhelm Schmidt-Biggemann, eds. Transforming Topoi: The Exigencies and Impositions of Tradition (Göttingen: V&R, 2018), pp. 59-88.
Argues that Shakespeare's exploration of the "nature of literary adaptation-as-innovation" in "The Rape of Lucrece"--conducted by means of "competing versions of the Troy story"--engages with the "Chaucerian poetics" of HF and TC, particularly…
Mahler, Andreas.
Andrew James Johnston, Russell West- Pavlov, and Elisabeth Kempf, eds. Love, History and Emotion in Chaucer and Shakespeare: "Troilus and Criseyde" and "Troilus and Cressida" (Manchester: Manchester University Press, 2016), pp. 32-45.
Maintains that Chaucer in TC and Shakespeare in "Troilus and Cressida" present love as detached from history or topicality, depicting it through irresolvable plural discourses--Platonic, Petrarchan, courtly love-sickness, and more--and thereby…
Drakakis, John.
Andrew James Johnston, Russell West-Pavlov, and Elisabeth Kempf, eds. Love, History and Emotion in Chaucer and Shakespeare: "Troilus and Criseyde" and "Troilus and Cressida" (Manchester: Manchester University Press, 2016), pp. 109-24.
Contrasts the presentations of interiority in TC and in Shakespeare's "Troilus and Cressida" as a basis for analyzing Shakespeare's vacating his play of chivalric principles.
Keller, Wolfram R.
Andrew James Johnston, Russell West-Pavlov, and Elisabeth Kempf, eds. Love, History and Emotion in Chaucer and Shakespeare: "Troilus and Criseyde" and "Troilus and Cressida" (Manchester: Manchester University Press, 2016), pp. 141-56.
Argues that in TC Criseyde is the "embodiment of literary invention," enacting a "poetological" claim to fame, both humble and arrogant. Through his Cressida, Shakespeare presents a similar "counter-authorship," one that reflects the playwright's…
Wallace, David.
Andrew James Johnston, Russell West-Pavlov, and Elisabeth Kempf, eds. Love, History and Emotion in Chaucer and Shakespeare: "Troilus and Criseyde" and "Troilus and Cressida" (Manchester: Manchester University Press, 2016), pp. 157-70.
Comments on Chaucer's expansion in TC of the emotional range of Boccaccio's "Il filostrato" and focuses on Shakespeare's expansion and narrowing of Chaucer's poem in "Troilus and Cressida": Shakespeare develops a "generic range" in the play that is…
Johnston, Andrew James.
Andrew James Johnston, Russell West-Pavlov, and Elisabeth Kempf, eds. Love, History and Emotion in Chaucer and Shakespeare: "Troilus and Criseyde" and "Troilus and Cressida" (Manchester: Manchester University Press, 2016), pp. 171-88.
Investigates two crucial scenes of reading in TC--Criseyde's reading with her attendants in Book 2 and Pandarus's voyeuristic reading of a romance in the consummation scene--finding in their contrasts two opposed models of reading: one that…
Simpson, James.
Andrew James Johnston, Russell West-Pavlov, and Elisabeth Kempf, eds. Love, History and Emotion in Chaucer and Shakespeare: "Troilus and Criseyde" and "Troilus and Cressida" (Manchester: Manchester University Press, 2016), pp. 189-206.
Treats the literary tradition of Troy as a war in which different versions of the story struggle to claim validity. Focuses on how Shakespeare seeks to "deface and disable the entire tradition," rendering it "unfit for any but the lowest human…
Strohm, Paul.
Andrew James Johnston, Russell West-Pavlov, and Elisabeth Kempf, eds. Love, History and Emotion in Chaucer and Shakespeare: "Troilus and Criseyde" and "Troilus and Cressida" (Manchester: Manchester University Press, 2016), pp. 46-60.
Identifies parallel concerns with privacy and erotic tension in TC and Shakespeare's "Troilus and Cressida," both of which pose the closed space of the bedchamber against the pressures of crowdedness in Troy/London, gossip, and public observation.…
Lees-Jeffries, Hester.
Andrew James Johnston, Russell West-Pavlov, and Elisabeth Kempf, eds. Love, History and Emotion in Chaucer and Shakespeare: "Troilus and Criseyde" and "Troilus and Cressida" (Manchester: Manchester University Press, 2016), pp. 61-75.
Assesses Hecuba as a "potent absent presence" in Shakespeare's :"Troilus and Cressida," and comments on the possible influence of LGW and TC on Shakespeare's "Rape of Lucrece" as well as his Trojan play. Includes attention to Dido and Penelope.
Trigg, Stephanie.
Andrew James Johnston, Russell West-Pavlov, and Elisabeth Kempf, eds. Love, History and Emotion in Chaucer and Shakespeare: "Troilus and Criseyde" and "Troilus and Cressida" (Manchester: Manchester University Press, 2016), pp. 94-108.
Analyzes Criseyde's "speaking face" in TC, along with similar depictions of suggestive facial beauty in BD, PhyT, and Shakespeare's "Troilus and Cressida." Attends most closely to Criseyde's "ascaunce" look in TC 1.288-94.
Gillespie, Alexandra.
Andrew King and Matthew Woodcock, eds. Medieval into Renaissance: Essays for Helen Cooper (Cambridge: D. S. Brewer, 2016), pp. 15-30.
Poses questions about the "realities and complexities of authorship and literary tradition" in Gower, the "pseudo-Chaucerian" "Plowman's Tale," Spenser's "Shepheardes Calender,: and Milton's poetry. Addresses Chaucer's reception in the sixteenth…
