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Chaucer's Poetry and Its Modern Commentators: The Necessity of History
Pearsall, Derek.
David Aers, ed. Medieval Literature (New York: St. Martin's Press, 1986), pp. 123-47.
Studies the hermeneutical "reflection of contemporary historical actuality" in Chaucer criticism. Although various critical schools--epistemologists, phenomenologists,Marxists and Russian Formalists (Medvedev, Bakhtin), etc.--recognize the…
Chaucer's Fiction and Linguistic Self-Consciousness in the Late Middle Ages
Reiss, Edmund.
Leigh A. Arrathoon, ed. Chaucer and the Craft of Fiction (Rochester, Mich.: Solaris Press, 1986), pp. 97-119.
Chaucer's ludic use of language reflects the contemporary attitude toward "translatio" (the transformation of meaning and content and the creation of ambiguity) and the emphasis in logic and grammar on the limitations and inadequacy of language and…
Taking the Gold out of Egypt: The Art of Reading as a Woman
Schibanoff, Susan.
Elizabeth A. Flynn and Patrocinio P. Schweickart, eds. Gender and Reading: Essays on Readers, Texts, and Contexts (Baltimore and London: Johns Hopkins University Press, 1986), pp. 83-106. Reprinted in Ruth Evans and Lesley Johnson, eds. Feminist Readings in Middle English Literature (Routledge, 1994), pp. 221-45.
Discusses the "well-established 'topos' of manuscript literature that women readers alone are offended by antifeminist texts" and examines Chaucer's defense of himself in portraying Criseyde's guilt. Asserts that Chaucer's Wife of Bath, being…
'Logos' and 'Physis'--The Word in the World: Poetic Uses of the Stars during the Middle Ages and the Renaissance
Shutt, Timothy Baker.
Dissertation Abstracts International 46 (1986): 1937A.
To Chaucer, Dante, Henryson, and Milton, the heavens were a celestial text, and movers of the spheres governed earthly affairs. Astral configurations allegorized to serve theological ends show the poets using accepted interpretations.
The Social and Literary Scene in England
Strohm, Paul.
Piero Boitani and Jill Mann, eds. The Cambridge Chaucer Companion (Cambridge: Cambridge University Press, 1986), pp. 1-18.
Discusses the hierarchical but interdependent social structure of fourteenth-century England, Chaucer's social position and civil career, fourteenth-century literacy, and the "immediate circle" to whom Chaucer's works may be addressed.
The Antifraternal Tradition in Medieval Literature
Szittya, Penn R.
Princeton, N.J.: Princeton University Press, 1986.
Hostile propositions about the friars ("antifraternalism") in polemical tracts, works of theology, and literary fictions belong to a common literary tradition that began with the polemics against the friars of William of Saint Amour, with arguments…
Mervelous Signals: Poetics and Sign Theory in the Middle Ages
Vance, Eugene.
Lincoln: University of Nebraska Press, 1986.
That "the major thread of coherence in medieval culture was its sustained reflection...upon language as a semiotic system--more broadly, upon the nature, the functions and the limitations of the verbal sign as a mediator of human understanding" is…
Recent Theories of Narrative
Wallace, Martin.
Ithaca, N.Y.: Cornell University Press, 1986.
Contains a section on the folk motif of "the lover's gift regained."
Chaucer in the Eighties
Wasserman, Julian N., and Robert J. Blanch, eds.
Syracuse, N.Y.: Syracuse University Press, 1986.
A collection of essays from the conference "Chaucer at Albany II" places Chaucer's works in both medieval and modern contexts. Some essays apply contemporary critical theories, e.g., Harold Bloom on the anxiety of influence, while others reinterpret…
New Corn, New Science: Some Recent Chaucer Studies
Watkin, C. J.
Critical Quarterly 28 (1986): 96-104.
Review article.
Artful Indirections
Wawn, Andrew.
Times Literary Supplement (London), Nov. 28, 1986, p. 1356.
Review article.
Preachers, Poets, and the Early English Lyric
Wenzel, Siegfried.
Princeton, N.J.: Princeton University Press, 1986.
Explores the relationship between the lyric and late-medieval preaching, the sermon context, Latin manuscripts of sermons,the Latin hymn tradition, Friar John de Grimestone, preaching verse styles, oral traditions, and homiletic use of verse, with…
Literary Structures in Chaucer
Windeatt, Barry.
Piero Boitani and Jill Mann, eds. The Cambridge Chaucer Companion (Cambridge: Cambridge University Press, 1986), pp. 195-212.
Treats prologues, frames, links, interruptions, pairing, and endings in BD, PF, HF, CT, Anel, Th, and Mel, with emphasis on CT.
Art and Doctrine: Essays on Medieval Literature
Woolf, Rosemary.
London : Hambledon Press, 1986.
Collects essays by Woolf published over a period of thirty years. For two essays that pertain to Chaucer, search for Art and Doctrine under Alternative Title.
The 'Canterbury Tales': Personal Drama or Experiments in Poetic Variety?
Benson, C. David.
Piero Boitani and Jill Mann, eds. The Cambridge Chaucer Companion (Cambridge: Cambridge University Press, 1986), pp. 93-108.
The characters in CT are neither fully developed nor consistent; tellers and their tales are loosely connected. Thus, Kittredge's "dramatic theory" is limited: it leads readers to focus on personalities of the pilgrims rather than on Chaucer's…
Chaucer's Drama of Style: Poetic Variety and Contrast in the 'Canterbury Tales'
Benson, C. David.
Chapel Hill: University of North Carolina Press, 1986.
Despite the tenets of "dramatic theory" from Kittredge to modern times, the links between the pilgrims and their tales are not reliable bases on which to build valid literary criticism. Not the psyches of the pilgrims but the different styles of the…
Chaucer and the Art of Hagiography
Braswell, Laurel.
Julian N. Wasserman and Robert J. Blanch, eds. Chaucer in the Eighties (Syracuse, N.Y.: Syracuse University Press, 1986), pp. 209-21.
In SNT and PrT, hagiography is used in an orthodox form, while in MLT and ClT, the devices of hagiography are used to amplify the moral character of secular tales. Hagiographic devices indicate that these tales are serious, not satire.
Chaucer's Host and Harry Bailly
Burnley, J. D.
Leigh A. Arrathoon, ed. Chaucer and the Craft of Fiction (Rochester, Mich.: Solaris Press, 1986), pp. 195-218.
Chaucer's characters are not psychologically consistent but (like the Host, or Pardoner) are illusions based on familiar voices and attitudes to engage the audience in moral concerns, as in MerT, PardT.
The 'Canterbury Tales' I: Romance
Burrow, J. A.
Piero Boitani and Jill Mann, eds. The Cambridge Chaucer Companion (Cambridge: Cambridge University Press, 1986), pp. 109-24.
Discusses the five "romances" in CT. WBT, ostensibly an Arthurian romance, is actually a "fairy tale, told by a woman and dominated by women"; Th is an "outright burlesque" of contemporary English roamnces; SqT, unfinished, does not offer the…
Carnival and 'The Canterbury Tales': 'Only Equals May Laugh'
Cook, Jon.
David Aers, ed. Medieval Literature (New York: St. Martin's Press, 1986), pp. 169-91.
CT shows extensive evidence of "Carnival" (Bakhtin) influence. GP, Miller, and Host show evidence of the carnivalesque approach to life. The clerk, on the other hand, reasserts "official values." CT offers the first English model of secular and…
Chaucer and Joyce
Cooper, Helen.
Chaucer Review 21 (1986): 142-54.
A comparison, not a source study, which discovers parallel attitudes toward style, character, and tradition, especially on the role of humor in "Ulysess" and CT.
Some Discarnational Impulses in the 'Canterbury Tales'
Curtis, Penelope.
Gregory Kratzmann and James Simpson, eds. Medieval English Religious and Ethical Literature (Cambridge: D. S. Brewer, 1986), pp. 128-45.
An "earthscape of renewals and pilgrimages," CT is chiefly incarnational and pluralistic, with four exceptions. As pious tales with separate value structures and terms of reference differing from the GP principle of "purifying, abstracting and…
Chaucer's Clerical Voices
Elliott, Ralph W. V.
Gregory Kratzmann and James Simpson, eds. Medieval English Religious and Ethical Literature (Cambridge: D. S. Brewer, 1986), pp. 146-55.
Analyzes clerical speech habits in Chaucer's GP "ars descriptionis personae"; affective tone in PrT, SNP, SNT, MkT, and ClT; and, where appropriate, the connection with the stately rhyme-royal stanza--with contrasts to language, verse styles, and…
Patterns of Religious Narrative in the "Canterbury Tales"
Ellis, Roger.
London:
Treats problems of authority and artistic originality encountered by the medieval narrator of a religious story, and the solutions in CT. Parallels between translating and producing the narrative appear in ClT, SNT, PrT, and Mel; subversion of the…
The 'Canterbury Tales' III: Pathos
Frank, Robert Worth,Jr.
Piero Boitani and Jill Mann, eds. The Cambridge Chaucer Companion (Cambridge: Cambridge University Press, 1986), pp. 143-58.
Although Chaucer's "tales of pathos"--MLT, ClT, PhyT, PrT, and MkT--do not constitute a genre, they share characteristics: lack of comedy, absence of irony, little complexity, abstract settings, and characters "motivated by a single virtue." Each…
