Reconstructs the narrative progress of TC in a sequence of some 200 seven-line poems, approximating rhyme royal, keyed by line numbers to Chaucer's work, and arranged in five books; running footers link the verse with the plot. Individual poems give…
Gingell, Susan, and Tara Chambers.
English Studies in Canada 40.04 (2014): 79-106.
Analyzes "womanist dubbing" of male-authored texts, including WBP, that represents Afrasporic women's sexuality. Breeze's "sexually frank" poems, "The Wife of Bath Speaks in Brixton Market," and "Slam Poems," are set in the Caribbean, but share…
Chapter 2, "Scraping the Rust from the Joking Bard: Chaucer in the Age of Wit," explores the long eighteenth century's conflicted reception of Chaucerian wit. While Chaucer was perceived as an "originary figure" of the English language as well as an…
Cooper, Helen.
Review of English Studies 65, no. 269 (2014): 252-65
Briefly mentions Chaucer in a discussion about the literary influences on Milton. John Lane--who continued Chaucer's SqT--may have helped to incite Milton's interest in chivalry and tournaments. Malory is also a likely influence, although never…
D'Attavi, Stefania D'Agata.
Guillemette Bolens and Lukas Erne, eds. Medieval and Early Modern Authorship (Tübingen: Narr Verlag, 2011), pp. 251-64
Analyzes the role of the first-person pronoun, "supponit pro," and narrating voice in TC through the lens of "medieval sign theory." Argues that through translation, authorship is transformed because authorship becomes "a matter of re-elaboration…
Cooper Helen.
Guillemette Bolens and Lukas Erne, eds. Medieval and Early Modern Authorship (Tübingen: Narr Verlag, 2011), pp. 29-50.
Addresses the "literal paternity" of Chaucer as the "father of English poetry" for fifteenth- and sixteenth-century writers, including Shakespeare and Jonson. Discusses how Chaucer established himself as a "poet within the classical poetic line." …
Bolens, Guillemette, and Lukas Erne, eds.
Tübingen: Narr Verlag, 2011.
Reviews notions and constructions of authorship in medieval and early modern texts, including works by Chaucer, Gower, Shakespeare, Jonson, Milton, and Marvell. For two essays that pertain to Chaucer, search for Medieval and Early Modern Authorship…
Suggests that Chaucer's LGW is part of a "counter-tradition" (also including Shakespeare, Milton, and Lucy Hutchinson) that develops against the epic's "images of sexual violence against marginalized females," and that this counter-tradition provides…
Walsh, Brian.
Religion and Literature 45.3 (2013): 81-113.
Takes an in-depth look at the influence of John Gower's "Confessio Amantis" on Shakespeare's "Pericles," focusing on cultural spirituality and the portrayal of death. Briefly contrasts the editorial process through which Chaucer's works evolved with…
Steiner, Emily.
Cambridge: Cambridge University Press, 2013.
Discusses the literary and historical contexts of Langland's poetics, and argues that the poem's "multilingualism makes it an exemplary English poem." Chapter 2, "Learning (B.8-12)," refers to WBT, MilT, and ClT.
Argues that Chaucer's "occlusion" of Boccaccio as a source for TC and KnT is a complex affirmation of literary authority that asserts independence within a "genealogy of erasure." Statius, Boccaccio, Petrarch, Chaucer, and in turn Lydgate,…
Discusses Christine de Pizan's "isopathic mode of treatment (cure by similarities)" to deal with the melancholy expressed in "Chemin de long estude." Compares Pizan's treatment to the "allopathic mode of treatment (cure by contraries)" Chaucer…
Rushton, Cory James.
Amanda Hopkins, Robert Allen Rouse, and Cory James Rushton, eds. Sexual Culture in the Literature of Medieval Britain (Rochester, N.Y.: D. S. Brewer, 2014), pp. 147-60.
Reviews scholarly criticism of TC. Argues that the effectiveness of the work is in part the result of Chaucer shaping the reader's complicity with Pandarus. Also discusses Criseyde's desirability, and the theme of sexuality in TC and LGW.
Kaufman, Amy S.
Amanda Hopkins, Robert Allen Rouse, and Cory James Rushton, eds. Sexual Culture in the Literature of Medieval Britain (Rochester, N.Y.: D. S. Brewer, 2014), pp. 27-37.
Discusses scholarly interpretations of May and Damyan's sexual encounter in MerT, comparing the ideas that it could be categorized as rape/"rough love," an erotic tryst, or an act of female empowerment.
Vines, Amy N.
Amanda Hopkins, Robert Allen Rouse, and Cory James Rushton, eds. Sexual Culture in the Literature of Medieval Britain (Rochester, N.Y.: D. S. Brewer, 2014), pp. 161-80.
Discusses the perception of sexual violence in medieval literature, using WBT and "Perceval" by Purcelle de Lis as primary case studies, and describes the medieval misconception that equates sexual assault with heroism.
Leitch, Megan G.
Amanda Hopkins, Robert Allen Rouse, and Cory James Rushton, eds. Sexual Culture in the Literature of Medieval Britain (Rochester, N.Y.: D. S. Brewer, 2014), pp. 39-53.
Includes brief consideration of sexuality in Chaucer's work, with specific mention of MilT, RvT, and TC.
Rayner, Samantha J.
Amanda Hopkins, Robert Allen Rouse, and Cory James Rushton, eds. Sexual Culture in the Literature of Medieval Britain (Rochester, N.Y.: D. S. Brewer, 2014), pp. 69-83.
Focuses primarily on John Gower's "Confessio Amantis," but does compare Gower's use of spiritual love with Chaucer's subversive lust.
Hopkins, Amanda, Robert Allen Rouse, and Cory James Rushton, eds.
Rochester, N.Y.: D. S. Brewer, 2014.
Collection of essays explores British medieval sexuality and sexual expression in literature. Examines fabliaux and romances of Chaucer, Gower, and Malory; alchemical texts; and satirical poetry of William Dunbar. The Introduction (pp. 1-11)…
Justice, Steven.
Frank Grady and Andrew Galloway, eds. Answerable Style: The Idea of the Literary in Medieval England (Columbus: Ohio State University Press, 2013), pp. 169-94.
Examines how Chaucer uses "ordinary structures of narrative inference to create the mirage of subjective depth" in his development of characters in TC. Refers to Chaucer's unique "experiment" with characterization in TC as the "subjectivity-effect."
Galloway, Andrew.
Frank Grady and Andrew Galloway, eds. Answerable Style: The Idea of the Literary in Medieval England (Columbus: Ohio State University Press, 2013), pp. 140-68.
Explores a relationship between "late-medieval aesthetics and renunciation" in ClT and establishes differences between Petrarch's and Chaucer's treatments of the Griselda story. Points out that Chaucer's Clerk challenges both Petrarch's "absolutist"…
Zieman, Katherine.
Frank Grady and Andrew Galloway, eds. Answerable Style: The Idea of the Literary in Medieval England (Columbus: Ohio State University Press, 2013), pp. 75-94.
Addresses "excesses of Chaucerian literary language" to reveal Chaucer's narrative voice within a literary and historical construct. Discusses the "complex range of intention and desire" in MLT. Also refers to HF.
Lawton, David.
Frank Grady and Andrew Galloway, eds. Answerable Style: The Idea of the Literary in Medieval England (Columbus: Ohio State University Press, 2013), pp. 284-306.
Studies the importance of "voice" within medieval studies; develops an "interrelation between voice and public"; and positions Chaucer as "a public poet" who is concerned with voice throughout his works. Considers voice in Ovid's "Metamorphoses" and…
Grady, Frank, and Andrew Galloway, eds.
Columbus: Ohio State University Press, 2013.
Essays focus on the medieval idea of the "literary," with particular emphasis on the poetry of Chaucer, Langland, and Gower. For five essays that pertain to Chaucer, search for Answerable Style under Alternative Title.
Denery, Dallas D. II, Kantik Ghosh, and Nicolette Zeeman, eds.
Turnhout: Brepols, 2014.
Interdisciplinary collection examines "disciplinary and methodological forms" of medieval Scholasticism and questions of knowledge in the Middle Ages. For two essays that pertain to Chaucer, search for Uncertain Knowledge under Alternative Title.
Zeeman, Nicolette.
Dallas D. Denery II, Kantik Ghosh, and Nicolette Zeeman, eds. Uncertain Knowledge: Scepticism, Relativism, and Doubt in the Middle Ages (Turnhout: Brepols, 2014), pp. 213-38.
Examines how writings of Jean de Meun and Chaucer focus on issues of scholastic philosophy and skeptical tradition. Refers specifically to Chaucer's uses of "systematic philosophy" as a narrative tool in WBT, PF, KnT, and TC.