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To Seek to Distant Shrines: A Syntactical Problem in Chaucer's 'General Prologue,' Lines 12-16
Klassen, Norman.
Modern Philology 111 (2014): 585-92.
Placement of a semicolon at the end of GP 1.13, rather than at the end of 1.14 is syntactically correct. The meaning is that both "folk" and "palmeres" wish to go "to ferne halwes."
A Further Note on Editorial Punctuation of the 'General Prologue,' ll. 12-16
Klassen, Norman.
New Chaucer Society Newsletter 36.01 (2014): 4-5.
Notes that Liddell's 1901 and Pollard's 1903 editions of GP end line 13 with a full stop. This "aligns with the conclusions of Bernhard ten Brink and Otto Jespersen and solves a difficulty with the syntax that Julius Zupitza noted after 'serve' was…
The Coherence of Creation in the Word: The Rhetoric of Lines 1-34 of Chaucer's 'General Prologue'
Klassen, Norman.
Christianity & Literature 64.01 (2014): 3-20.
Analyzes the rhetorical structure, themes, and wordplay of the first thirty-four lines of GP, arguing that in CT Chaucer maintains "his commitment to the coherence of creation within the narrative framework of Christianity."
Between Ernest and Game: The Aesthetics of Knowing and Poetics of 'Witte' in William Langland's 'Piers Plowman' and Geoffrey Chaucer's 'Canterbury Tales'
Nelson, Sharity D.
DAI A75.02 (2014): n.p.
Argues that CT provides an aesthetic of irony and parody, where part of the pleasure of the experience entails ironic interpretation on the reader's part, thereby both entertaining and instructing.
Irony, Humor, and Ontological Relationality in Literature
Kim, Soon Bae.
DAI A74.07 (2014): n.p.
In the course of examining relational aspects of author and audience, discusses humor in CT, particularly in MilT.
Chaucer et Shéhérasade: Macro- et Micro- structures
Dauby, Hélène.
Waël Rabadi and Isabelle Bernard, eds. Médiévales 51 (Amiens: Presses du Centre d'Etudes Médiévales, Université de Picardie--Jules Verne, 2012), pp. 151-62.
Focuses on the narrative systems in The Arabian Nights and CT.
The Parson
Lepine, David.
Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 334-51.
Provides historical background about the English Church in the late fourteenth century, and on several religious controversies, including the "culture of anticlerical complaint and the challenge of Wyclif and the Lollards," that contributed to…
The Manciple
Ramsey, Nigel.
Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 386-98.
Reviews the history of medieval manciples, lawyers, and stewards. Reads Chaucer's Manciple as "ironic and allusive" and an "indispensable middleman" in ManT.
The Nun's Priest
Oliva, Marilyn.
Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 114-36.
Presents case studies and historical background of the nuns' priests in medieval society, and interprets literary tradition of Chaucer's Nun's Priest. Includes an appendix on the Diocese of Norwich Nuns' Priests.
The Monk
Heale, Martin.
Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 137-55.
Explores how recent scholarship of late medieval monastic practices informs a deeper understanding of the characterization of Chaucer's Monk. Contends that the Monk can be viewed as a "target of Chaucer's satire."
The Prioress and the Second Nun
Lewis, Katherine J.
Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 94-113.
Places the Prioress and the Second Nun in the context of late medieval female monasticism, contrasting the roles of female agency and the "representations of female holiness" of the Prioress and the Second Nun.
The Shipman
Childs, Wendy R.
Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 277-96.
Discusses the ambiguity of Chaucer's Shipman, connecting ShT to estates satire and contending that Chaucer combined an "ideal craftsman and the flawed individual" in the character of the Shipman.
The Pardoner
Horrox, Rosemary.
Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 443-59.
Surveys current and past scholarship on Chaucer's Pardoner. Provides historical background on the office and practices of pardoners in the late medieval Church and reviews debate over Pardoner's "sexual ambiguity."
The Doctor of Physic
Rawcliffe, Carole.
Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 297-318.
Analyzes the historical background of late fourteenth-century medical practice in order to understand better Chaucer's portrait of the Physician in GP. Emphasizes how Chaucer reveals his opinions on morality, as well as the medical profession,…
The Franklin
Coss, Peter.
Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 227-46.
Examines current scholarship to illuminate the portrait of the Franklin in GP, arguing that it reflects Chaucer's various opinions about "the social position of franklins in real life" and "the roles Chaucer has its Franklin perform" in FranT.
The Squire
Taylor, Craig.
Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 63-76.
Details the history of the chivalric relationship between the Squire and the Knight, concluding that the Squire "offers a complete portrait of aristocratic masculinity."
The Merchant
Goddard, Richard.
Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 170-86.
Examines how Chaucer's understanding of medieval trade, finance, and commerce is reflected in the Merchant's portrait in GP. Connects historical fluctutions in the English and Italian wool trade to the Merchant's business acumen in MerT.
The Clerk
Briggs, Charles F.
Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 187-205.
Presents a variety of historical contexts for Chaucer's characterization of the Clerk, discussing medieval universities, manuscripts from fourteenth-century Oxford, and the role of clerks in medieval society. Includes appendices of "Manuscripts…
The Summoner
Forrest, Ian.
Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 421-42.
Reveals the Summonor to be an "unattractive caricature" and posits reasons for Chaucer's description and portrayal in GP and SumT. Provides historical background on medieval summoners, and claims that the Summoner is "part of a Chaucerian critique"…
The Friar
Geltner, G.
Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 156-69.
Views Chaucer as a "social satirist and master of ambiguity" for his portrayal of the Friar within the anti-fraternal literary tradition.
The Wife of Bath
Karras, Ruth Mazo.
Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 319-33.
Compares the characterization of the Wife of Bath in GP with that found the WBP, claiming that Chaucer "is satirizing both the extremes of antifeminism and feminine self-authority." Focuses on sociohistorical challenges for medieval women, and…
The Sergeant of Law
Musson, Anthony.
Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 206-26.
Portrays the "moral, social, political, and professional" worlds of medieval lawyers, often found in estates satires, enriching understanding of Chaucer's Sergeant of Law in GP.
The Reeve
Stone, David.
Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 399-420.
Considers the reality, ideology, meaning, and historical context of Chaucer's Reeve, assessing how in RvT Chaucer comments on "contemporary and social trends in a reactionary way."
The Cook
Woolgar, Christopher M.
Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 262-76.
Reviews medieval cooks who could possibly have been models for Chaucer's Cook and suggests that Chaucer uses the Cook to reflect the social and moral issues of estates literature. Also, discusses the Cook's dislikes in CT and his connections with…
The Miller
Rigby, Stephen H.
Stephen H. Rigby, ed., with the assistance of Alastair J. Minnis. Historians on Chaucer: The "General Prologue" to the "Canterbury Tales" (Oxford: Oxford University Press, 2014), pp. 368-85.
Offers a history of late-medieval English milling and the social and economic effects of the Black Death in an analysis of Chaucer's Miller. Claims that MilT is both a "comical fabliau" and "an Augustinian moral performance."
