Historical gothic detective fiction set in the frame of the CT, in which a student, modeled on Chaucer's Clerk, tells a story to the rest of the pilgrims about murder, exorcism, star-crossed love, and returns from the dead. Published in the U.S. as…
Historical detective fiction set in the frame of CT, in which a doctor, modeled on Chaucer's Physician, tells a story to the rest of the pilgrims about sorcery, exorcism, and deaths involved with the mysterious figure of the Midnight Man.
Dolan, Michael James
Dissertation Abstracts International 35 (1975): 4511A-12A.
Chaucer's poetry must be read as "in dialogue" with his neoplatonic sources such as Boethius, Macrobius, etc. BD is a study of the root cause of "letargye"--the lack of harmony between the real and the ideal. PF is an analysis of man's…
Dolan, T. P.
Geoffrey Lester, ed. Chaucer in Perspective: Middle English Essays in Honour of Norman Blake (Sheffield: Sheffield Academic Press, 1999), pp. 61-72.
Examines details from GP (in particular the description of the Friar) and ParsT, arguing that Chaucer held the "orthodox view" that the poor should be protected because they were precious to God. Yet Chaucer also indicates that "there is nothing…
Doltas, Dilek.
Hacettepe Bulletin of Social Sciences and Humanities 3 (1971): 157-75.
While depicting love and marriage in the Marriage Group, Chaucer presents the "delights of both the flesh and the soul." The group opens with Mel; WBPT, ClT, and MerT offer extreme but lively views. FranT presents an ideal secular solution, while…
Discusses kitsch as a "counter aesthetic" that results from a "failed dialectic of beauty and ugliness," and explores the Nazis' "Anti-Kitsch Law," Theodor Adorno's aesthetic theory, the Prioress's "countrefete cheere" and sentimentality, the gore…
Dominick, Gina A.
Ph.D. dissertation (New York University, 2022), Dissertation Abstracts International A 84.01(E).
Explores how texts such as Julian of Norwich's "A Revelation of Divine Love," CT, and Thomas Malory's "Morte Darthur" "unsettle the medieval aesthetic-ethical form of "formosa deformitas," or, the 'beautiful ugly,' " and "bring attention to the…
Donabeita Fernandez, Maria Louisa.
Teresa Fanego Lema, ed. Papers from the IVth International Conference of the Spanish Society for Medieval Language and Literature (Santiago de Compostela: Universidad de Santiago de Compostela, 1993), pp. 43-53.
A deconstructive-psychoanalytical reading of WBP that examines the gaps left in the Wife's discourse, exploring implications of rape, sexual economics, and prostitution.
Donaghey, Brian, Noel Harold Kaylor, Jr., Philip Edward Phillips, and Paul E. Szarmach, eds., with assistance from Kenneth C. Hawley.
Tempe: Arizona Center for Medieval & Renaissance Studies, 2019.
Compiles extensive, authoritative information about each of the English translations of Boethius's "Consolation of Philosophy" from Alfred the Great to H. R. James (1897)--complete translations (including Bo), partial versions, abridgments,…
Donaghey, Brian.
John Scattergood and Julia Boffey, eds. Texts and Their Contexts: Papers from the Early Book Society, pp. 150-64.
Considers Thynne's 1532 collected edition of Chaucer's work, assessing the planning of the work, its physical make-up, and the technical processes of producing it.
Donaghey, Brian.
Geoffrey Lester, ed. Chaucer in Perspective: Middle English Essays in Honour of Norman Blake (Sheffield: Sheffield Academic Press, 1999), pp. 73-99
A bibliographical description and analysis of Caxton's edition of Bo. Variants from extant manuscripts of the work indicate errors that can be attributed to expediencies of book production and to reliance on knowledge of the Latin original.
Argues for choosing "wrighte" over "wight" among the manuscript variants of WBP 3.117, justifying the choice on the grounds of source material and consideration of scribal choices and practices.
Donaldson, E. T[albot], ed.
New York: Ronald, 1958.
Edits the majority of Chaucer's verse (no prose included) in normalized spelling and modern punctuation, with bottom-of-page glosses and occasional brief notes. Omits Book 3 of HF, the legends of LGW (but LGWP-G included), several lyrics, and…
Donaldson, E. T[albot].
Derek Brewer, ed. Geoffrey Chaucer. Writers and their Background (London: G. Bell, 1974), pp. 85-108.
Describes the editorial practices necessary to produce a modern edition of Chaucer's works, commenting on spelling, punctuation (especially virgules), meter (especially final -e), and distinguishing scribal and authorial forms. Summarizes the number…
Donaldson, E. Talbot
Jerome Mandel and Bruce A. Rosenberg, eds. Medieval Literature and Folklore Studies: Essays in Honor of Francis Lee Utley (New Brunswick, N.J.: Rutgers University Press, 1970), pp. 193-204.
Comments on the "impediments" to determining the order of CT with certainly, focusing on manuscript evidence, especially the problems evident in MLE and the "Rochester-Sittingbourne contradiction" in the Ellesmere order of the Tales. Suggests…
Donaldson, E. Talbot
T. S. Dorsch, ed. Essays and Studies 1972: In Honour of Beatrice White. Being Volume Twenty-Five of the New Series Essays and Studies Collected for the English Association (London: John Murray; New York: Humanities, 1972), pp. 23-44.
Explores "two related but distinct aspects of Chaucer's celebrated stylistic clarity": 1) while "self-evident," it is "often more apparent than real," and 2) a "means by which" Chaucer "escapes dexterously from the danger of really being clear and…
Donaldson, E. Talbot
Ventures: Magazine of the Yale Graduate School 5 (1965): 16-23. Reprinted in "Speaking of Chaucer," pp. 154-63.
Challenges the idea that adultery in inherent to courtly love and attributes the notion to critics' failure to recognize the humor of Andrea Capellanus. Cites various examples of courtly love in medieval literature, and includes comments on Absolon…
Donaldson, E. Talbot, and Judith J. Kollmann,eds.
Ann Arbor: Michigan Consortium for Medieval and Early Modern Studies, 1983.
An introduction by Donaldson and essays by eight authors explore Shakespeare's use of Chaucer and the ways both treat similar themes. Contains a bibliography. For the eight essays that pertain to Chaucer, search for Chaucerian Shakespeare under…
Donaldson, E. Talbot.
Michigan Quarterly Review 14 (1975): 282-301.
Pandarus, the Pardoner, and the Poet Chaucer are all three creative artists and experience the frustations of the unloved. The Poet created Pandarus and the Pardoner as representation of deep impulses within himself.
Donaldson, E. Talbot.
Michael Benskin and M. L. Samuels, eds. So Meny People, Longages and Tonges: Philological Essays in Scots and Mediaeval English Presented to Angus McIntosh (Edinburgh: Authors, 1981), pp. 355-66.
On Chaucer's use in GP of the adversative conjunction "but."
Donaldson, E. Talbot.
Douglas Gray and E. G. Stanley, eds. Middle English Studies Presented to Norman Davis in Honour of His Seventieth Birthday (Oxford: Clarendon Press, 1983), pp. 65-67.
The traditional reading is that Arcite's horse pitches him to the ground so that Arcite, falling on his head, has his chest shattered by the saddlebow. The words "pomel" and "pighte," however, show that Arcite is not thrown from his horse but is…
Donaldson, E. Talbot.
Studies in the Age of Chaucer 2 (1980): 7-13.
In this first presidential address to the New Chaucer Society, Professer Donaldson wittily summarizes the 20th-century conflict of opinion regarding Chaucer's work to conclude that Chaucer is partly to blame for the confusion. Like all great poets…
Donaldson, E. Talbot.
Chaucer Review 14 (1980): 313-18.
J. E. Hankins' view of the "Pervigilium Veneris" as a source for PF has not caught on because no one has yet found a persuasive verbal echo. Such an echo appears in the list of persons love has destroyed: PF, 286-92 has a counterpart in…
