Browse Items (16471 total)

Bennett, J. A. W.   J. A. W. Bennett. The Humane Medievalist (Rome: Edizioni di Storia e Letteratura; Wolfeboro, N.H.: Boydell & Brewer, 1982), pp. 13-29.
Diffident comparisons point out the "Englishness" of both Chaucer and Langland (though Chaucer gives us little of London city life, his limits being Dartmouth, Strother, Oxford, and Cambridge). Bennett discusses the down-to-earth tones, association…

Bennett, J. A. W.   J. A. W. Bennett. The Humane Medievalist (Rome: Edizioni di Storia e Letteratura; Wolfeboro, N.H.: Boydell & Brewer, 1982), pp. 49-66.
Defends Gower's "Confessio Amantis," with brief allusions to Chaucer's BD, ParsT, GP, and TC.

Bennett, J. A. W.
Boitani, Piero, ed.  
Wolfeboro, N.H.: Boydell & Brewer; Rome: Edizioni di Storia e Letteratura, 1982.
Fifteen essays, some reprinted from earlier publications, including essays on Langland, Chaucer (one reprinted essay on PF), Gower, James I of Scotland, Henryson, the vernacular, liturgy, and the "nosce te ipsum" theme. For five essays that pertain…

Bennett, J. A. W.   J. A. W. Bennett. The Humane Medievalist (Rome: Edizioni di Storia e Letteratura; Wolfeboro, N.H.: Boydell & Brewer, 1982), pp. 135-72.
Part 1 traces the classical and medieval tradition of the "know thyself" motif and Chaucer's uses in MkT, ClT, TC, and Rom.

Fischer, Steven R.   Berne and Frankfurt am Main: Peter Lang, 1982.
Collates dream interpretations from twenty-three manuscripts in Latin, Old English, Middle English, Old French, German. Sourcebook for medieval imagery, literature, and psychology.

Kanno, Masahiko.   Studies in Foreign Languages and Literatures 18 (Aichi University of Education, 1982): 99-112.
Discusses how "craft" is lexically related to the development of the story.

Hellstrom, Par.   Samlaren: Tidskrift for Svensk Litteraturvetenskaplig Forskning 103 (1982): 90-111.
Reviews criticism and scholarship on Chaucer in Sweden and England, treating backgrounds (social, religious and philosophical, and literary), general works, and new directions in scholarship.

Holley, Linda Tarte.   Studies in Medievalism 2:1 (1982): 19-33.
Compares Chaucer's use of the past to T. S. Eliot's; treats Chaucer's use of language.

Wetherbee, Winthrop.   Lawrence D. Roberts, ed. Approaches to Nature in the Middle Ages: Papers of the Tenth Annual Conference of the Center for Medieval and Early Renaissance Studies. Medieval and Renaissance Texts and Studies 16. (Binghamton, N.Y.: Center for Medieval and Early Renaissance Studies, 1982), pp. 47-62.
Discussion of nature and woman in twelfth-century latin works of Bernardus Silvestris ("Cosmographia") and Alain de Lisle ("De planctu naturae")l, with comments on PR and the Wife of Bath.

Phillips, Helen, ed.   Scotland: Universities of Durham and Saint Andrews, 1982.
Critical edition of BD with introduction, text and notes, and an appendix which includes selections from analogous French works by Machaut and Froissart.

Shigeo, Hisashi, trans.   Meiji Gaikun Ronso (Tokyo) 335 (1982): 1-32.
Translation into Japanese with notes.

Moorman, Charles.   Association for Literary and Linguistic Computing Journal 3 (1982): 15-35.
Computerized statistical approach to the Manly-Rickert text.

Miller, Lucien.   Tamkang Review: A Quarterly Journal of Comparative Studies between Chinese and Foreign Literature 13:1 (1982): 37-53.
Compares the themes of love in marriage in CT with those in "Mo-shang" and "K'ung-ch'ueh tung-nan."

Bradbrook, M. C.   The Artist and Society in Shakespeare's England: The Collected Papers of Muriel Bradbrook (Sussex: Harvester Press, 1982): 1:133-43.
Examines the Shakespearian play within the Troilus tradition, comparing it with Chaucer's TC.

Hudson, Anne.   Stuart Mews, ed. Religion and National Identity (Oxford: Blackwell, 1982), pp. 261-83.
Refers to a heresy trial of 1464 in which ownership of a copy of CT was used as evidence of Lollardy.

Rateliff, John D.   Notes and Queries 227 (1982): 349.
Tolkien's "errantry" parodies Th, esp. in arming of heroes and in "The Lord of the Rings."

Rudat, Wolfgang E. H.   American Notes and Queries 21 (1982): 7-8.
Compares "Rape" 1.67-70, with ParsT I, 944-45, to show that Pope uses the Parson's "remedie agayns Leccherie."

Ando, Shinsuke.   The Images of Women in English Renaissance Literature, ed. by Institute of Renaissance Studies. Renaissance Library, vol. 13 (Tokyo, 1982), pp. 51-75.
Examines descriptions and narratives of Chaucerian women and the developments of the poet's creative genius from the formal rhetorical representations of the stereotypes in his early works to the splendidly mature idiosyncratic women in CT. …

Davenport, W. A.   Cambridge:
Tragedy, comedy, debate, mask, and theatrical "epic" are found in fifteenth-century drama. Davenport explores factors to explain the scope, style, and variety.

Ikegami, Tadahiro.   Seijo Bungei (Tokyo) 99 (1982): 1-23.
Ikegami analyzes in OE and ME literature formal problems of verse and prose, narratives, manuscripts and incunabula, Latin and vernaculars, to explain the differences between medieval and modern English literature.

Lawton, David A., ed.   Woodbridge, Suffolk: Boydell & Brewer, 1982.
Essays by various hands on contexts for the alliterative revival, metrical and historical backgrounds, sources, manuscripts, audience, and the poems themselves.

Shikii, Kumiko.   The Fleur-de-Lis Review (Tokyo) 18 (1982): 112-37.
Chaucer's "Frere" is compared unfavorably with Saint Francis of Assisi to encourage reform.

Watanabe, Ikuo.   Tenri Daigaku Gakuho (Nara) 136 (1982): 52-70.
Discusses the use of alchemy in Chaucer, Donne, and Jonson.

Wasserman, Julian N.   Allegorica 7 (1982): 65-99.
WBT, FrT, and SumT exhibit a thematic unity through common concern of "championing one...of two antithetical ways of perceiving the world." Wife and Summoner tell tales from an Aristotelian perspective, the Friar from a Platonic perspective.

Saito, Isamu.   Main Current: Extra Number in Memory of Professor Toichiro Ohta (Kyoto, 1982): 220-36.
Examines to what extent Chaucer's promise in GP to describe each pilgrim "so as it semed" to him is fulfilled. Character portrayals are not illustrative, like Langland's, but representative.
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