Browse Items (16381 total)

Reads MLT as a satire on its narrator whose volatile comments on the action of the poem contrast sharply with Constance's own patient acceptance, and characterize him as "anti-Boethian, anti-humanistic, [and] anti-religious," a man interested in…

Suggests that the three books of HF reflect the three medieval "linguistic arts," or trivium, focusing on how book 3 reflects the techniques of logic or dialectic, depicting the pros and cons of fame and "refining it into a philosophic idea." The…

Comments on the tripartite structure of PF, its shifting tone and three styles (religious/philosophical, romantic, realistic), the sad plight of the narrator who is left without love, and the predominance of Nature, the poem's "heroine" who fails to…

Reads Mel as a "moral allegory," identifying where (in relative degrees) Chaucer and his sources encourage peaceable Christian humility and reliance upon on God's aid rather than self-assertive militancy in resisting the world, the flesh, and the…

Explores MkT as a revelation of its narrator, positing a structural arrangement among the individual tragedies and their various depictions of Fortune and interpreting this arrangement as a reflection of the Monk's character and psychology: he…

Studies Chaucer's uses of "gan" and "do" with infinitive forms, tracing the history of the usage in English and providing statistics about Chaucer's uses and their relative chronologies. In Chaucer's works, "gan" is generally periphrastic and used…

Identifies several medieval visual images of a sow playing bagpipes and suggests that the iconography underlies the reference to bagpipes and the two references to a female pig in the GP description of the Miller, helping to characterize him as…

Identifies and transcribes an extended praise of Chaucer as a "pierles poet" (cast as a description of his burial site) found in Oxford, Bodleian Library, Douce MS 290 (90 (Bodl. SC 21864).

Inculdes comments on the "somnium animale" in classical and medieval literature, particularly Chaucer's dream poetry. Explores the possibility that the dream in PF influenced Mercutio's dream of Mab in Shakespeare's "Romeo and Juliet."

Suggests that FranT is an exposé of "bourgeois sentimentality," and argues that its "central theme" is the "difficulty of perceiving truth in a world of illusions." Self-deceived, the Franklin mistakes his own desires for reality. He projects a…

Explores the imagery, action, and word-plays of SNPT to show that they are "concerned with the interplay" between the dark, mundane world and the bright heavenly one. In their "werk," both the Second Nun and Cecilia help others to achieve "their full…

Explores the female protagonists of the legends in LGW and Chaucer's adaptations of his sources in these legends to sketch Chaucer's "psychograph of the Good Woman," emphasizing rejection of authority and active pursuit of love and sex, "a human…

Considers CYPT to be "highly moralistic," a poem that addresses the "nature and the consequences of man's transgression against the will of God." Signaled by juxtaposition with SNPT and appropriate to placement near the end of CT, CYPT is anagogical,…

Argues that the reference to ale and cake in PardP (6.321-22) is a "device operating on three levels": 1) creating cohesion in PardPT; 2) introducing the theme of gluttony; and 3) reinforcing the irony of the portrait of the Pardoner through a…

Shows that NPT was the "principal source" for Henryson's "Tale of the Cock and Fox," listing and discussing eight shared features that are found in "no other extant version of the fable."

Argues that the glosses from Pope Innocent III's "De Miseria" in manuscripts of MLT "were written either by Chaucer from his own manuscript of the 'De Miseria' or by a scribe copying from that same manuscript, either under Chaucer's supervision or…

Describes the "ironic reversal" of the roles of the husband and the monk in ShT, exploring the equation of sex and commerce in the Tale, and the wife's use of them both. The Tale presents commercialization of sex and a sexualization of commerce.

Tallies books and articles pertaining to Chaucer--ones in progress, completed, and/or published in 1966.

Compiles more than 100 maps and images that illustrate the Chaucer's world and the imagery therein, arranged loosely around the GP descriptions of Chaucer's pilgrims, with additional topics. The accompanying text includes appreciation of Chaucer's…

Analyzes Chaucer's use and adaptation of the allusion to Jephthah and his daughter in PhyT, arguing that it helps to explain why the Physician's study is "but litel on the Bible" (GP 438), why Chaucer placed PhyT after FranT in the order of the CT (a…

Interprets the eagle's descent on the narrator in HF in light of medieval medical theory, contending that it is "actually an apoplectic seizure in 'visionary' form--a 'stroke'." Also, the eagle's oration on sound evinces Chaucer's familiarity with…

Concentrates on the links between the Tales in Part 7 of CT, arguing that this "Literature Group" is concerned primarily with the "art of storytelling," particularly the responsibilities of audience and author as dramatized in the directions and…

Translates "Pamphilus" into modern English prose (lineated as verse) and describes its influence on late medieval literature, including discussion of Chaucer's references to it in Mel and FranT and its role as a secondary source of the first three…

Examines animal, costume, and color imagery in RvT to show that Chaucer adapted his source by increasing and specifying such imagery, lending moral dimension to the fabliau plot and offering an exemplary illustration of the "sins of pride, wrath and…

Traces the iconographical motif of "Maria Misericordia" as it developed from its early roots into the satire of friars found in SumP. Originally found in treatise by Caesarius of Heisterbach, the motif was adapted by Dominican and Franciscan friars…