Browse Items (16472 total)

Describes the conditions under which Chaucer developed his verse and prose styles, focusing on the former. Argues that English verse romances are the foundation of Chaucer's poetic style to which he "grafted" the continental traditions of "fin…

Describes Chaucer's rhetoric and style in CT, exploring his orchestration of narrative economy, climax, pace (especially in relation to rhyme and meter), and verisimilitude, Identifies "flaws" in SumT and PhyT, and admires the symbolic…

Describes and comments on the range and subtleties of Chaucer's prose styles, with recurrent comments on his stylistic adaptation of sources. Treats the "plain" style of Astr, the "heightened" homiletic style of ParsT, the "eloquent" style of Mel,…

Describes the limitations of the label "Scottish Chaucerians," and assesses Chaucer's influence on the works of Robert Henryson, William Dunbar, and Gavin Douglas, maintaining that they are chronologically "central" to the Middle Scots poetry of the…

Surveys the achievements, excellences, and limitations of English fifteenth-century "secular non-popular poetry," concentrating on works by Thomas Hoccleve, Stephen Hawes, John Skelton, and, especially, John Lydgate, along with other love allegories…

Surveys the reception of Chaucer as a poet, century by century, commenting recurrently on the understanding and appreciation of his rhetoric and meter, humor and moral seriousness, linguistic obscurity, relations with sources, characterization, and…

Addresses Chaucer's "narrative art" in BD, HF, PF, Anel, and Mars, exploring how a coterie audience may have responded to oral performance of the emphases, shifts, and turns in these poems. Also attends to prosodic features, and to the poet's…

Reads TC as a "romance in the tragic mode" that reflects the "mood of many Englishmen in the late fourteenth century." Focuses on the role of the narrator and the rhetorical strategies (with reference to the "Ad Herennium") that Chaucer uses to…

Describes and comments on Chaucer's characteristic style, explaining how "insouciance" and "naturalness" combine with forward narrative movement, mastery of meter, formal listings, etc. to demonstrate his "great technical range." Then explores how in…

Using "several translation theories," Botelho analyzes selected passages of his own 2013 translation of CT into Portuguese, describing choices made to mediate linguistic and historical distances between Chaucer's poem and Botelho's target audience.…

Analyzes "the literary and musical tools used by Ralph Vaughan Williams to aid in an informed performance" of songs composed by Vaughan to various texts; includes discussion of MercB, accompanied by musical score and commentary.

Includes analysis the "mise-en-page" of twenty-four Chaucer manuscripts, including assessment of "borders, initials, paraphs, rubrics, running titles, speaker markers, glosses and notes," and arguing that--like Gower and Hoccleve manuscripts--they…

Chaucer in the Platonic tradition of "philosophical poetry" where "poetry is a self-reflexive epistemological practice that interrogates the conditions of art in general." Includes chapters on the Pardoner's Old Man as a neo-Platonic Tithonus figure;…

A critical edition of the "Plowman's Tale," with notes, glossary, and extensive critical commentary, including discussion of it as an example of Chaucerian apocrypha. Also includes discussion of its relation to "Piers Plowman," the "Pilgrim's Tale,"…

Traces "the afterlife of the 'Romance of the Rose' in fourteenth-century England, arguing that the RR "exercised its influence on fourteenth-century English literature in two principal ways": 1) "the development of a self-reflexive focus on how…

Summarizes medieval attitudes toward dreams and traces their roots in the Bible and classical tradition, emphasizing their prophetic qualities. Then discusses dream vision conventions and their uses in "Pearl," "Piers Plowman," and several shorter…

Spanish translation of Delany's essay entitled "Chaucer's Prioress, the Jews, and the Muslims" (see SAC 23 [2001], no. 194).

Describes the tradition of the rhetorical topos of the abandoned lover's apostrophe to the bed, considering the "gendered" fetishism of Ariadne's address in LGW, the description of Alceste in LGWP, Troilus's address to the empty house in TC, and Dido…

E-book designed as a classroom anthology, downloadable as a PDF, with Learning Outcomes and introductory backgrounds for each chronological period, and introductions to selected works and authors from "The Dream of the Rood" to Olaudah Equiano. The…

Provides "a critical text and close textual study" of BD, based on Fairfax MS 16, and accompanied by full apparatus.

Discusses garden imagery in "The Phoenix," "Roman de la Rose," "Pearl," and MerT, focusing in the latter on the theme of lust and its relation to the ideal of spiritual salvation.

Treats KnT as a traditional, conservative work, elevated in tone and style and dependent on "French and Italian traditions of eloquence." Conversely GP is the "most original of Chaucer's poems," innovative in its "mingling" of "praise and blame"…

Treats Mel as a "consolatio," not an allegory, of the same genre as Boethius's "Consolation of Philosophy" and "designed to cure an excess of wrath" and to promote "forgiveness." Identifies ways that Mel engages thematically with the other tales in…

Describes the "typological" uses of time in the mystery cycles, the "biological time" of the heroes' actions in most romances, and the much more complex concern with time in TC, where "all action and characters" are placed in time and are given…

Studies Chaucer's similes and metaphors to trace the "development of imagery in each of [his] works" from BD through CT, suggesting that Chaucer shows a "progressive awareness of the image as an essential tool of his art." Results of statistical…