Browse Items (16472 total)

Davidson, Audrey.   Studies in Medieval Culture 4 (1974): 459-66.
The text of the "Alma Redemptoris Mater" in PrT may have been written by Hermannus Contractus. A reconstruction of its tune must depend on the Use of Sarum. This particular text and this tune are especially appropriate to the themes of the tale.

Davidson, Clare.   Chaucer Review 55, no. 2 (2020): 147-70.
Examines desire and intimacy in TC and "reinterprets the depiction of pleasure" in the poem, "particularly the bed scene in Book III, through an allegorical reading of medieval and modern concepts of desire."

Davidson, Clare.   Chaucer Review 56.4 (2021): 341-59.
Examines the trauma of sexual violence, focusing on Chaucer's rape of Cecily Chaumpaigne, contextualizing the study of trauma through contemporary theorists Cathy Caruth and Ruth Leys along with Astr. Considers "the relationship between Chaucer's…

Davidson, Clifford.   Washington, D.C.: University Press of America, 1981.
An edition of the Wycliffite "Treatise of Miraclis Pleying" with apparatus. This hostile tract is the most significant dramatic criticism in Middle English.

Davidson, Linda Kay, and Maryjane Dunn-Wood.   New York and London: Garland Press, 1993.
This annotated bibliography of 1,062 entries is analyzed in seven categories: history of pilgrimage, introduction to the study of pilgrimage, Jerusalem, Rome, Santiago de Compostela, other sites, and pilgriamge in the arts. Each category includes…

Davidson, Mary Catherine.   Neophilologus 87: 473-86, 2003.
Examples from "The Chronicle of Peter Langtoft," "Piers Plowman," and CT (WBP and PardP) indicate how patterns of mixed-language speech reflect the social motivations of the speakers, especially their efforts to construct authority and restrict…

Davidson, Mary Catherine.   New York: Palgrave Macmillan, 2010.
In late medieval England, "code-switching" among English, French, and Latin was linked to literacy and social prestige, not to aberrant or nonconformist behavior; code-switching was a means to articulate social identity. Chaucer distanced his…

Davidson, Susanna, Sarah Courtauld, Abigail Wheatley, Maria Surducan, and Ian McNee.   London: Usborne, 2015.
Adapts CT for a juvenile audience and provides facts about Chaucer's life.

Davies, Bryan Martin, trans.   Llandysul: Gwasg Gomer, 1983.
Translation of GP into modern Welsh verse, with notes.

Davies, Daniel.   New Medieval Literatures 20 (2020): 74-106.
Identifies connections among "war, narrative, and literary technique" in TC to show "how Chaucer constructs . . . siege as a dynamic space in which to imagine the forces that shape and determine human behaviour." Chaucer "reconfigures the idea of a…

Davies, Daniel.   Ph.D. dissertation (University of Pennsylvania, 2021), Dissertation Abstracts International A83.02(E). Freely accessible at https://repository.upenn.edu/entities/publication/59a38ac4-5b08-41e6-a701-26a6f3939e86 (accessed January 30, 2025).
Argues that "the nascent art of international relations . . . among England, Scotland, and France, creates a heightened awareness of the connections between literary and political mediation central to the distinct textures of medieval wartime."…

Davies, Joshua, and Caroline Bergvall, eds.   York: Arc Humanities, 2023.
Collects twenty-six critical essays about Caroline Bergvall's literary output and outlooks, accompanied by three interviews with her, a foreword by David Wallace, an afterword by Rachel Gilmore, and a comprehensive index. Several essays refer to…

Davies, R. T., ed.   London: Faber and Faber, 1963.
[Evanston, Illinois]: Northwestern University Press, 1964.
Anthologizes 187 English lyric poems and lyrical excerpts from the twelfth through the sixteenth centuries, arranged in chronological order, with an Introduction (pp. 13-49), on-page glosses, end-of-text notes, an appendix of Types and Titles of the…

Davies, W. Beynon, ed.   Cardiff: Gwasg Prifysgol Cymru, 1976.
An edition of the Welsh verse drama "Troelus a Chresyd" (c. 1600), with introduction and commentary that explore the play's debt to Chaucer's TC and Henryson's "Testament of Cresseid." Includes a table of correspondences (pp.143-61) between the play…

Davis N[orman].   Derek Brewer, ed. Geoffrey Chaucer. Writers and their Background (London: G. Bell, 1974), pp. 58-84.
Comments on the limited impact of Chaucer's prose on later tradition, and explores the stylistic dexterity of his verse in light of contemporary linguistic features: his use of open and close vowels in rhyme and the impact of rhyme on his diction;…

Davis Todd F., and Kenneth Womack.   Todd F. Davis and Kenneth Womack. Formalist Criticism and Reader-Response Theory (New York: Palgrave, 2002), pp. 123-35.
In in order to demonstrate the utility of reader-response criticism, Davis and Womack analyze ClT in light of Gérard Genette's theory of narratology and TC, Linda Hutcheon's theory of parody. In ClT, Chaucer controls tempo and reaction through…

Davis-Brown, Kris.   South Central Review 5.2 (1988): 15-34.
Shakespeare's play, though derived from Chaucer, differs from its source in many ways. Shakespeare's Pandarus is a less tender, more hardened figure; his Cressida is psychologically and socially more vulnerable; his Troilus is more openly sexual. …

Davis, Adam Brooke.   Chaucer Review 28 (1993): 54-66.
In TC, as in CT, Chaucer plays with genre, first postulating it and then blurring the reader's expectations of what it will do. Readers are forced to question the value of "Art as an interpreter of Life."

Davis, Alex.   Medium Aevum 85.1 (2016): 97-117.
Explores multiple meanings of "game"--as transgression, violent activity, pleasure, source of food--in "Gamelyn " (which takes the place of CkT in several texts of CT). Identifies idea of boundaries (legal and social) and punning on the name of…

Davis, Alex.   Oxford: Oxford University Press, 2020.
Explores ho inheritance was imagined between the lifetimes of Chaucer and Shakespeare. Examines medieval writings, including CT and TC, and Renaissance writings, such as Edmund Spenser's "Faerie Queene" and William Shakespeare's "As You Like It,"…

Davis, Annie S.   DAI A70.08 (2010): n.p.
Davis examines ramifications of the interplay between graphic design and text in William Morris's Kelmscott edition of Chaucer, arguing that the consequent mediation is a precursor to Walter Benjamin's theorized divorce of mechanically reproduced art…

Davis, Carmel Brendon.   Estela Valverde, ed. A Universal Argentine: Jorge Luis Borges, English Literature and Other Inquisitions (Sydney: Southern Highlands Press, 2009), pp. 105-14.
Investigates the validity of Jorge Louis Borges' claim (1949) that Chaucer effected or recorded the "definitive shift from allegory to novel" when translating a line from Boccaccio's "Teseida" in his KnT. Davis focuses on the "slipperiness of…

Davis, Craig R.   ChauR 37 : 129-44, 2002.
In its concerns with social rank and professional distractions, the marriage of Arveragus and Dorigen in FranT mirrors that of Chaucer and Philippa. The theme of the Tale (that true love cannot be maintained without outside considerations) might…

Davis, Daryl Richard.   DAI 31.05 (1970): 2379A.
Identifies a "significant continuity of thought" in BD, HF, and PF: "their shared concern" with Nature and Fortune as principles of order and fertility, on the one hand, and disorder on the other. Traces the roots of these concerns in Boethius, Alain…

Davis, Deborah Ann.   Ph.D. Dissertation. Texas Women's University, 1984. Fully Accessible at https://twu-ir.tdl.org/items/668fcba6-645b-4fcf-a8e3-1ef1c6f4ff36; accessed November 14, 2023.
Argues from internal and external evidence "that there is the strong possibility" that Chaucer's dream visions (BD, HF, PF, and LGWP) influenced five early works by F. Scott Fitzgerald: "The Offshore Pirate" (1920), "The Ice Palace (1920), "The…
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