Browse Items (16472 total)

Dauby, Helene.   Danielle Buschinger, ed. Sammlung--Deutung--Wertung: Ergebnisse, Probleme, Tendenzen und Perspektiven philologischer Arbeit. Melanges de litterature medievale et de linguistique allemande offerts a Wolfgang Spiewok a l'occasion de son soixantieme anniversaire par ses collegues et amies (Amiens): Universite de Picardie, Centre d'Etudes Medievales, 1988), pp. 57-62.
Examines the pace of WBT as an example of the loathly hag story and reads in it echoes of several other Canterbury narratives.

Dauby, Helene.   Danielle Buschinger and Wolfgang Spiewok, eds. Etudes de linguistique et de litterature en l'honneur d'Andre Crepin. Greifswalder Beitrage zum Mittelalter, no. 5. WODAN ser., no. 20 (Greifswald: Reineke, 1993), pp. 107-12.
Mel capitalizes on a pattern of attention to women earlier in CT, reflecting Chaucer's own concern with female rights of speech and self-expression.

Dauby, Helene.   Danielle Buschinger and Wolfgang Spiewok, eds. Economie, politique, et culture au Moyen Age: Acte du Colloque, Paris 19 et 20 mai 1990. WODAN ser., no. 5 ([Amiens]: Universite de Picardie, 1991), pp. 55-63.
Compares Chaucer's WBT and Gower's "Tale of Florent" as indices to the authors' social and moral outlooks. Whereas Gower consistently emphasizes maintaining a hierarchical status quo, Chaucer's concern for the individual and his recurrent…

Dauby, Helene.   Amiens and Paris: Association des Médiéviestes Anglicistes de l'Enseignement Supérieur, 1997.
Two exercises deal with passages from CT (1.28-45 and 1.477-84)

Dauby, Helene.   Marcel Faure, ed. Felonie, trahison, reniements au moyen age. Actes du troiseme colloque international de Montpellier Universite Paul-Valery, 24-26 novembre 1995. Cahiers du CRISIMA (Centre de Recherche sur l'Imaginaire et la Societe au Moyen Age), no. 3 (Montpellier: Publications de l'Universite Paul-Valery, 1997), pp. 432-39.
Compares acts of treachery in the tales of Constance by Trevet, Gower, and Chaucer, showing that MLT has a feminist point of view and a religious stance. The liveliness of the debate scenes in MLT may result from the occupation of the teller.

Dauby, Helene.   Leo Carruthers, ed. La ronde des saisons: Les saisons dans la litterature et la societe anglaises au Moyen Age (Paris: Presses Universitaires de Paris-Sorbonne, 1998), pp. 101-10.
Examines the diet of the poor widows in CT and the extravagant menus of the Franklin, the numerous recipes in "Le menagier de Paris," and "The Boke of Nurture" by John Russell.

Dauby, Hélène.   Le sang au Moyen Âge. Cahiers du CRISIMA, vol. 3, no. 8. (Montpellier: Universit de Montpellier, 1999), pp. 227-35
Although the terms in the title are not the most frequently used in Chaucer's vocabulary, their collocations enable us to explore associations and meanings of colors, the gushing of blood from wounds, the physiology of emotions, devotion to Christ's…

Dauby, Hélène.   Colette Stévanovitch, ed. L'Articulation langue-littérature dans les textes médiévaux anglais, II. Actes du colloque des 25 et 26 juin 1999 á l'Université de Nancy II. Collection GRENDEL, no. 3. (Nancy: Publications de l'Association des Médiévistes Anglicistes de l'Enseignement Supérieur, 1999), pp. 133-42.
Alliteration, not infrequent in Chaucer, fulfils several functions. It is mimetic in the description of battles (KnT) and the harmony of the spheres (TC); metrical, when binding two parts of a line or several lines together (BD); and syntactic:…

Dauby, Hélène.   Anne Berthelot, ed. "Pur remembrance": Mélanges en mémoire de Wolfgang Spiewok. WODAN, no. 79; Greifswalder Beitrge zum Mittelalter, no. 66. (Greifswald: Reineke-Verlag, 2001), pp. 131-41.
TC illustrates the mechanisms of perception, memory, and imagination as defined by fourteenth-century scientific theories. The two protagonists are enmeshed in a net of gazes--their own as well as those of others--and the narrative unfolds as viewed…

Dauby, Helene.   André Crépin, ed. Angleterre et Orient au Moyen Age (Paris: Association des Médiévistes Anglicistes de l'Enseignement Supérieur, 2002.), pp. 79-95.
In TC, Chaucer attempts to recreate the Oriental atmosphere of Troy and its environment: the maze of walls hiding wealthy rooms and pleasant gardens, the secret corridor, the Greeks' tents, Sarpedon's entertainments, the wiles of Pandarus, and…

Dauby, Hélène.   Wendy Harding, ed. Drama, Narrative and Poetry in The Canterbury Tales (Toulouse: Presses Universitaires du Mirail, 2003), pp. 237-41.
Most of the pilgrims seem to be about the same age, but the problem of age is not ignored: e.g., old and young husbands (WBPT); the relationship between father and son (Knight and Squire, Franklin, Chauntecleer) or daughter (RvT); and the…

Dauby, Hélène.   Adrian Papahagi, ed. Métamorphoses (Paris: Association des Médiévistes Anglicistes de l'Enseignement Supérieur, 2003), pp. 183-95.
Dauby examines the transformations from living characters to artifacts and vice versa, the interplay between life and art. A comparative study of "Sir Degrevant," Lancelot, the Tristan legend, and poems by Chaucer leads to a typology of the…

Dauby, Hélène.   Marie-Francoise Alamichel, ed. La complementarité: Mélanges offerts à Josseline Bidard et Arlette Sancery à L'occasion de leur départ en retraite (Paris: AMAES, 2005), pp. 197-201
Though posed as a continuation of CT, the Prologue to the Tale of Beryn emphasizes a return from Canterbury to London, from the sacred to the profane. Sentence and solaas are reduced to the merely "glad and merry."

Dauby, Hélène.   Leo Carruthers and Adrian Papahagi, eds. Jeunesse et vieillesse: Images médéivales de l'age en littérature anglaise (Paris: Harmatten, 2005), pp. 103-15.
The Tale of Beryn shows that bargaining is essential in the mercantile world. It uses the "biter bit" pattern and--unusual in CT--reflects the moral growth of an individual. First shown misbehaving like the rioters in PardT, Beryn undergoes a true…

Dauby, Hélène.   Danielle Buschinger and Arlette Sancery, eds. Mélanges de langue, littérature et civilisation offerts à André Crépin à l'occasion de son quatre-vingtième anniversaire (Amiens: Presses du Centre d'Études Médiévales, Université de Picardie-Jules Verne, 2008), pp. 142-44.
Assesses invocations and formulas used to address divinities, characters,and sources in TC.

Dauby, Hélène.   Anglophonia 29 (2011): 79-89.
Chaucer and Gower both adapted the story of Constance from the Anglo-Norman chronicle of Trevet. A comparison of the proper names, institutional terms, and speeches shows that Gower closely follows Trevet while Chaucer modifies the story in MLT.

Dauby, Hélène.   Waël Rabadi and Isabelle Bernard, eds. Médiévales 51 (Amiens: Presses du Centre d'Etudes Médiévales, Université de Picardie--Jules Verne, 2012), pp. 151-62.
Focuses on the narrative systems in The Arabian Nights and CT.

Dauphant, Clothilde.   In Miren Lacassagne, ed. Le rayonnement de la cour des premiers Valois à l'époque d'Eustache Deschamps (Paris: Presses de l'Université Paris-Sorbonne, 2017), pp. 81-94.
Traces changes in the putatively fixed form of the balade as used by Eustache Deschamps, John Gower, Chaucer, and others, commenting on variations in number of stanzas, rhyme schemes, the inclusion of envoys, etc. Includes comments on Ven, For, Ros,…

Davenant, John.   Maledicta 5 (1981): 153-61.
Passages from ShT and MLT suggest that men have a right to beat their wives; furthermore, MilT and passages from Mel and WBT (in the wife's marriage to Jankin) seem to suggest masochism in female characters. MkP suggests that women are naturally…

Davenport, Tony.   Notes and Queries 246: 222-24, 2001.
Argues that the pilgrimage of HF 116 was to the medieval hermitage of St. Leonard, two miles west of Windsor Castle; the associated weariness evokes the use of pilgrimages for amorous trysts.

Davenport, Tony.   Helen Cooney, ed. Nation, Court and Culture: New Essays on Fifteenth-Century English Poetry (Dublin and Portland, Ore.: Four Courts Press, 2001), pp. 129-51.
Examines two mid-fifteenth-century complaints that reflect public distrust of Humphrey, duke of Gloucester, arguing that these complaints are more Lydgatian than Chaucerian, since Chaucer's own complaints had little influence at the time. An appendix…

Davenport, Tony.   Oxford : Oxford University Press, 2004.
Davenport describes several categories of medieval narrative, focusing on English literature, particularly Chaucer. Discusses didactic narratives (exempla and fables), historical accounts (chronicle, epic, romance), comic tales (fabliaux and…

Davenport, W. A.   Julia Boffey and Janet Cowen, eds. Chaucer and Fifteenth-Century Poetry. King's College London Medieval Studies, no. 5 (London: King's College Centre for Late Antique and Medieval Studies, 1991), pp. 66-83.
Davenport's survey articulates formal, thematic, and verbal influences of PF and HF on a wide variety of late-medieval English bird poems, also mentioning those in which Chaucer's influence is not apparent.

Davenport, W. A.   Cambridge: D. S. Brewer, 1988.
Complaints--courtly, religious, philosophical, moral--were an integral part of Chaucer's poetry, and different combinations of lyric and narrative led to experiments in literary structures. Davenport contends that Chaucer adapts the complaint…

Davenport, W. A.   Edward Donald Kennedy, Ronald Waldron, and Joseph S. Wittig, eds. Medieval Studies Presented to George Kane (Woodbridge, Suffolk, and Wolfeboro, N.H.: D.S. Brewer, 1988), pp. 127-45.
Discusses Middle English debate poems but touches on dialogue in CT, TC, and PF.
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