Taylor, Karla Terese.
Comparative Literature 35 (1983): 1-20.
Argues for the influence of the Paolo and Francesca episode in "Inferno" 5 on TC, especially in shaping the reader's attitude toward stories of romantic, carnal love.
McGerr, Rosemarie Potz.
Comparative Literature 37 (1985): 97-113.
Like Augustine in his "Retractiones," Chaucer uses Ret to survey his literary career, embodying ideas on the function of memory, experience, literature, and truth.
Dean, James M.
Comparative Literature 41 (1989): 128-40.
Compares Chaucer's treatment of the Mars and Venus fables with Ovid's and with other medieval versions to demonstrate that Chaucer created Mars as a misguided commentator on his own story. Chaucer's audience, familiar with Jean de Meun's "Roman de…
Campbell, Emma.
Comparative Literature 55: 191-216, 2003.
Campbell applies Judith Butler's theories of performative gender identity and "cultural translation" to ClT and its sources in Petrarch and Boccaccio. In Chaucer's version, authority is translated to the vernacular and to oral discourse, challenging…
Mitchell, J. Allan.
Comparative Literature 57.2 (2005): 101-16.
Emmanuel Lévinas's "Time and the Other" indicates how Fortune or contingency is constitutive of ethics in Chaucer's TC. In contrast to Boethian readings of TC, a Lévinasian reading shows how Troilus's subjection to love and his passivity before…
Eckhardt, Caroline D.
Comparative Literature 58 (2006): 313-38.
Traces conceptualizations of Europe available to fourteenth-century English chroniclers and then explores the use of these by the chroniclers, especially Robert Mannyng and John Trevisa. TC and LGW reflect a tradition that sees Europe as a territory…
Eads, Martha Greene.
Comparative Literature 63.1 (2013): 75-87.
In discussing Denise Giardina's novels set in Appalachia, offers observations regarding the effective portrayal of life in the mountains of the South, and compares this understanding to how the original language of Chaucer enhances the reading and…
Schildgen, Brenda Deen.
Comparative Literature 65.1 (2013): 85-100.
Focuses on the episode of "wood-stripping" that occurs in Statius' :Thebaid" (6.84-117), Boccaccio's "Teseida" (11), and KnT (4.2919-62). While Statius' account is the major model for the others, all versions imply social-political criticism,…
Arner, Timothy.
Comparative Literature 69.2 (2017): 160-80.
Shows that Lucan's "Bellum civile," the medieval "accessus" tradition, and "vitae Lucani" together depict the Roman poet as a "violated female," victimized by his "tyrannical emperor," and abruptly silenced, arguing that this legacy influenced LGW…
Camargo, Martin.
Comparative Literature Studies 33 (1996): 173-86.
The ethos of the Canterbury preachers reveals Chaucer's distinctive self-consciousness about medieval rhetorical issues. The Pardoner's emphasis on pathos contrasts the Parson's emphasis on logos. NPT is an act of self-display in which the narrator…
Pinti, Daniel J.
Comparative Literature Studies 37: 277-97, 2000.
Medieval commentaries on the "Commedia" (Divine Comedy) inform our understanding of how Chaucer read Dante. In the Hugolino episode of MkT, with its reference to Dante, Chaucer simultaneously authorizes "Inferno" 33 and destabilizes it, exemplifying…
Raizis, M. Byron.
Comparative Literature Studies 6 (1969): 141-47.
Establishes Nikos Kazantzakis's familiarity with Chaucer, evident in his discussion in "England: A Travel Journal" (1941) of a passage from SumT; then suggests that the Tale may have influenced Kazantakis's depiction of a monk in his novel "The…
Schleiner, Winfried.
Comparative Literature Studies 9 (1972): 365-75.
Argues that the theme of testing female patience, found in ClT, Chretien's "Erec and Enide," and Robert Greene's "Friar Bacon and Friar Bongay," "demonstrates the interdependence of traditional motif, aesthetic sensibility, and societal structure."…
Lenaghan, R. T.
Comparative Studies in Society and History 12 (1970): 73-82.
Treats GP as a record of social history, focusing on the economic information available in the descriptions of the pilgrims, particularly as it is evident in the work they do and the status they hold in relation to land, the Church, and trade. Treats…
The tension between sensual love and orthodox truth in TC can be seen in nascent form in Boccaccio's "Filocolo," even though Chaucer depends for his plot on "Filostrato." The tension is rooted in Dante's "Comedy" and in the "Roman de la Rose," but…
Pouzet, Jean-Pascal.
Comptes-rendus de l'Académie des Inscriptions et Belles-lettres 1 (2004): 169-213
Pouzet surveys the late medieval activities of Augustinian canons in the production of Anglo-Norman and Middle English manuscripts and texts. Considers evidence of the commitment of members of the order to the transmission of Chaucer material.
Phelan, Walter S.
Computers and the Humanities 12 (1978): 61-69.
Computer studies of Chaucer's vocabulary can teach the modern philologist much about Chaucer's "logosphere" that earlier concordances or historical dictionaries could never do. Such proposed computerized projects would include the comparative…
Spencer, Matthew, Barbara Bordalejo, Li-San Wang, Adrian C. Barbrook, Linne R. Mooney, Peter Robinson, Tandy Warnow, and Christopher J. Howe
Computers and the Humanities 37 (2003): 97-109.
Construction of a stemma for CT based on gene-order analysis supports the idea that there was no established order when the first manuscripts were written. The resulting stemma shows relationships predicted by earlier scholars, reveals new…
Reeves traces the evolution of old wives' tales (including WBT) and assesses how such tales represent fancy and superstition in early scientific theories of the Copernican system. However, the tales also promote the theory of extraterrestrial life,…
Explores Chaucer's play "with the very concepts of finished and unfinished" in CT, surveying the ends of several tales and Ret. Suggests that Chaucer's sense of an ending distinguishes him from modern sensibility.
Steadman suggests "a possible connection between the fictional date of the poet's dream, its tripartite structure, the feast of Saint Lucy, and the Dantesque associations of Chaucer's eagle," discussing major images and motifs of the poem.
The influence of KnT on Conrad's "The Lagoon" is evident in several details, in narrative method, and, more distantly, in the fact that each is written in English that is "unfixed and de-centered."
McMillan, Ann.
Constance H. Berman, Charles W. Connell, and Judith Rice Rothschild, eds. The Worlds of Medieval Women (Morgantown: West Virginia University Press, 1985), pp. 122-29.
In LGW, Chaucer explodes "the notion that women are, or should be, self-ordained victims." Women in Cupid's Paradise wallow in an "orgy of self-congratulation" for having died for love. The pathos of women destroyed by passion is emphasized in the…
Hagen, Susan K.
Constance H. Berman, Charles W. Connell, and Judith Rice Rothschild, eds. The Worlds of Medieval Women. (Morgantown: West Virginia University Press, 1985), pp. 130-38.
From the perspective of feminist criticism Hagen opposes the Kittredge "Marriage Group," insisting that what the Wife implies in "who peyntede the leon" applies to critics' versions as well as to the clerks' versions of the Wife's behavior.
