Cruz Cabanillas, Isabel de la.
María Dolores Fernández de la Torre Madueño, Antonia Mara Medina Guerra, and Lidia Taillefer de Haya, eds. El Sexismo en el lenguaje. 2 vols. (Málaga: Disputacíon Provincial de Málaga, 1999), vol. 1, pp. 261-70.
Describes female sexual stereotyping in Chaucer's depictions of the Wife of Bath, Griselda (ClT), Custance (MLT), Dorigen (FranT), and the Prioress (GP).
Crystal, David.
Oxford: Oxford University Press, 2013.
Examines the heritage of English from locations throughout Britain. Chapter 20, "Talbot Yard, London SE1: Chaucer and Middle English," comments on Chaucer's influence on the English language.
Cuddington, Richard, trans.
Brighton: Book Guild, 2008.
Verse retelling of selections from CT (all but Mel, SNPT, CYPT, ManPT, and ParsPT) with reduced plots, simplified rhetoric, and modernized English in ballad stanzas. Cuddington adapts the links to unify the selections, which are arranged in the…
Cullen, Dolores (L.)
Santa Barbara, Calif. : Fithian, 2000.
Cullen's third volume on CT claims the work is an allegory reflecting Chaucer's preoccupation with astronomy/astrology. The Pilgrims, who congregate at sunset, correspond to the constellations and planets-celestial "pilgrims" traveling across the…
Following the contention that the name "Pertelote" means "one who confuses someone's lot or fate" (R. A. Pratt, "Three Old French Sources of NPT," Speculum 47 (1972): 655), the author suggests that Pertelote tries to effect a change in Chauntecleer's…
Cullen, Dolores L.
Santa Barbara, Calif.: Fithian Press, 1998.
Allegorical reading of the CT Host as an image of Christ, a figure of the Eucharist associated with joy, heroism, and omnipotence. The Host is a guide of others and the only pilgrim not in need of penance. His name, his language, and his leadership…
Cullen, Dolores L.
Santa Barbara, Calif. : Fithian Press, 1999.
Reads CT as a drama-with Chaucer as "director/producer" (158) and leading player-focusing on Th and Mel as psychological and moral extensions of Chaucer. Thopas and the father are one, with Thopas representing the phallus. Melibee is "the elevated…
Cullen, Dolores L.
McKinleyville, Calif.: Fithian, 2008.
Narrative autobiography of the author's fascination with Chaucer, recounting the writing and publishing of three books on allegory in CT. Includes Cullen's thoughts about the reception of Chaucer among academic and popular audiences.
Cullen, Mairi Ann.
Studies in Scottish Literature 20 (1985): 137-59.
Henryson's preface to the "Testament of Cresseid" is to be taken seriously. Having read Chaucer, he picked up "an euther quair" that portrays Cresseid as a whore. His poem therefore accurately reflects a contemporary apologia for his heroine.
Cullum, P. H.
D. M. Hadley, ed. Masculinity in Medieval Europe (London and New York: Longman, 1999), pp. 178-96.
Uses several case studies to assess medieval male clerical behavior and its transgressions. Briefly discusses Nicholas and Absolon of MilT as an illumination of the dilemma of young medieval clerics, caught between their vows of celibacy and their…
Argues that Chaucer's representation of the widow in FrT anticipates the "cursing hag" of Early Modern tradition, especially in responding to the summoner's refusal of her request for charity. The curse and the summoner's refusal to repent help to…
Culver, Jennifer.
In The Open Access Companion to the Canterbury Tales. https://opencanterburytales.dsl.lsu.edu, 2017. Relocated 2025 at https://opencanterburytales.lsusites.org/
Encourages readers to keep track of the money in ShT, assessing the coded actions of gifting, receiving, and reciprocating in the Tale, analyzing the merchant's response to Don John's request for 100 franks (7.281-96), and suggesting that the readers…
Culver, T. D.
Yearbook of English Studies 2 (1972): 13-20.
Traces the artistic development of the Constance story from its roots in the accused queen legend through Trevet's adaptation, Gower's version, and MLT, arguing that only in Chaucer does the narrative achieve "comprehensive artistic unity" of…
Cummings, Brian, and James Simpson, eds.
New York: Oxford University Press, 2010.
Thirty-two essays by various individuals and the introduction by the editors exemplify the porous nature of the traditional boundary between medieval and Renaissance in literary history and demonstrate the interpenetration of literature and history.…
Cummins, Patricia W., Patrick W. Conner, and Charles W. Connell, eds.
Morgantown: West Virginia University Press, 1982.
Essays by various hands. For two essays that pertain to Chaucer, search for Literary and Historical Perspectives of the Middle Ages under Alternative Title.
Defines ClT as an example of "Ideal Fiction," generally unpalatable to modern taste, identifying the presence of a manipulator in the plot (Walter), the narrative "distance" achieved through its combination of "ordinariness" and fantasy, the…
Cunningham, John E.
Linda Cookson and Bryan Loughrey, ed. Critical Essays on The General Prologue to The Canterbury Tales (Harlow: Longman, 1989), pp. 29-37.
Explicates numerous details of GP to demonstrate Chaucer's techniques of characterization. Includes significant attention to the Wife of Bath, the Physician, the Host, and others.
Cunningham, John E.
Linda Cookson and Bryan Loughrey, ed. Critical Essays on The Pardoner's Prologue and Tale (Harlow: Longman, 1990), pp. 104-12.
Identifies three "sections" of PardT (the "pulpit-thumping," the "story-telling," and the "sales talk," arguing that their apparent disunity is resolved by the character and purpose of the Pardoner.
Cunningham, John E., ed.
Harmondsworth, Middlesex: Penguin, 1985.
Classroom text of MilT, with study-guide Introduction, notes, brief glossary and bibliography. The Introduction includes commentary on Chaucer's life, the "Framework and Origin" of CT, "how to read" Chaucer, the "Miller and his Language," and…
Cunningham, John E., ed.
Middlesex: Penguin, 1985.
Classroom text of GP in Middle English with facing-page notes, study-guide Introduction, a brief glossary, and brief bibliography. The Introduction includes commentary on Chaucer's life, the "Framework" of CT, "how to read" Chaucer, and "Further…
Cureton, Kevin K.
Studies in Bibliography 42 (1989): 153-84.
R. K. Root's theory of how the text of TC underwent authorial revision, thus resulting in a number of significant variants between the manuscript groups, has been challenged by Barry A. Windeatt (1984) and Ralph Hanna (1986).
