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The term "Scottish Chaucerians," evolving from Henryson's "Testament of Criseyde," proves inaccurate, overly limited, and unfortunate, since the fifteenth-century Scottish poets,superior to their English contemporaries, initiated their nations great…

The Introduction is a survey of trends in Chaucer criticism 1964-71. Robertson's 'Preface to Chaucer' and Jordan's 'Chaucer and the Shape of Creation' are found especially influential. The second part is an annotated bibliography of 1218 items,…

Explores Chaucer's depiction in CT of human vitality "in an unending variety of circumstances," framed by the "revelatory power of symbolism" latent in his details and styles. Separates Chaucer's techniques from Dante's allegory and from modern…

This collection of critical essays by Cousins includes a discussion of Shakespeare's "Lucrece," part of which is entitled "Versions of the Lucretia Story by Ovid, Livy, Boccaccio, Chaucer and Gower" (pp. 48-58), a survey of the various accounts which…

Argues that in his reworking of HF as "The Temple of Fame," Alexander Pope "comprehensively repudiates the inconclusiveness" of Chaucer's work. Where Chaucer suggests "the contradictions and confusions" of literary tradition and authority, Pope…

Gauges the "literary probability" that the Envoy to ClT (and the preceding stanza), 4.1170-1212, was intended by Chaucer to be voiced by the Clerk, suggesting that either the Host or the Wife of Bath may be considered the speaker, adducing manuscript…

Considers the tone and attitude of the seventeen-stanza "Epilogue" of TC (5.1751-1869), observing a shift between the first five stanzas and the last twelve and suggesting that the latter are addressed to a reading audience rather than the original,…

Examines Chaucer's various engagements with the commonplace notion that "wordes moote be cosyn to the dede" (GP, 742), focusing on CT, which initially presents literature as unconstrained by norms, and later counters this flexibility to show that…

Examines the lexicographical records of "child" in Middle English and suggests that like Thopas, Absolon may be a Narcissistic figure, influenced by the "Roman de la Rose."

The handwritten collations in the British Library 643.M.1 copy of Urry's "Chaucer" are in the hand of Samuel Pegge the elder, antiquary and vicar in Kent, 1730-51. The collations are from British Library MS Add. 9832, which Pegge evidently owned.

The wording of these lines closely resembles the phraseology found in an Italian translation of Ovid's "Heroides." The line "Youre anker which ye in oure haven leyde" (line 2501) may be a sexual pun. Treats Boccaccio's "De genealogia deorum" as…

Discusses exemplary use of Medea in classical and medieval traditions, suggesting connections with Boccaccio's De claris mulieribus and Christine de Pisan's Book of the City of Ladies. Also notes comparisons among LGW, Lydgate's versions of the…

In editing Chaucer, the problem of the final "-e" can be resolved "in a conservative edition by retaining the spelling of the base manuscript and in a modernised edition by regularising it." Cowen and George Kane, editors of LGW (in progress), treat…

In LGW, Chaucer uses the narrative approaches of hagiography (brevity, narrative selection, and focus for commemorative and edificational purpose) to achieve variations in tone and perspective. The heroines, however, are exempla of human, not…

British Libreary NMS Additional 12524 was owned successively by Samuel Smith, Ralph Thoresby, and Horace Walpole. British Library MS Additional 9832, owned by Morell Thurston and them by Joseph Haselwood, was used by Urry for his edition. Both…

An edition of LGW that provides variants and textual commentary.

Unlike the homogeneous portrayal of the two clerks in its two closest analogues--De Gombert et les II clercs and Le Meunier et les II clercs--RvT not only differentiates Aleyn from John but also suggests that John dominates their relationship,…

The tournament described in Part IV is archaic. Chaucer's purpose is to dissociate the Knight from the ideals of his age and thus align the tale with its narrator's portrait in the GP as an implicit reproval of the Hundred Years' War.

Chaucer's unifying theme in PF is political rather than otherworldly. It involves the contrast between an orderly world governed by natural law (the gate's first inscription and Scipio's "commune profit") and a chaotic world controlled by selfish…

With comic irony Chaucer contrasts Harry Bailly with the Monk and with Dante's Virgil. The Host is a failed spiritual guide and a burlesque Christ-mass priest.

By emphasizing the contrast between excessive sweat in CYT and its absence in SNT, Chaucer indicates the disjunction between carnal and spiritual.

Mel, MkT, and NPT are related by their concern with spiritual perception or its lack: Mel deals with the failure to listen to Prudence and the return of Sophia; MkT shows "the consequence of sacrificing both prudence and sapientia"; NPT reasserts the…

Reads PF in light of its sources as an allegory of aristocratic responsibility for maintaining natural law and a just society; KnT as an exploration of lawlessness set against the background of Status's "Thebaid," focusing on the tournament; and the…

Like MLT, SNT, ClT, and WBT, Mel employs a feminine style of persuasion. Prudence "demonstrates" the values she counsels her husband to abide by, thus adding actions to arguments as means of persuasion and subverting the male hierarchy. ParsT, by…

As in late-medieval lyrics and drama, the suffering of mothers and children in Chaucer's works is presented as analogous to the suffering of Mary and Jesus. Surveys the presence and absence of references to children in Chaucer's works.