Browse Items (16472 total)

Freeman, Ray.   Chichester, Sussex: Phillimore,1990.
A social history of Dartmouth and the lower Dart river valley; includes the suggestion that William Smale was the model for Chaucer's GP description of the Shipman.

Morris, Max, ed.   Chichester, U. K.: Summersdale, 2010.
An anthology of lyrics and excerpts, including lines from KnT (1.1074-1122) in Middle English. Earlier versions of the volume were published in 1994, 2001, 2006, and 2008.

Echard, Siân, and Robert Allen Rouse, eds.   Chichester: John Wiley & Sons, 2017.
Presents over 600 entries on texts, critical debates, methodologies, cultural and historical contexts, and terminology on British literature from the fifth to the sixteenth century. Represents all medieval literatures, including Chaucer, and presents…

Buckingham, Peter.   Chichester: Summersdale, 2012.
An anthology of literary quotations from English writers, arranged by the days of the months, January through December. Includes GP 1-18 under April 15.

Brown, Peter, ed.   Chichester: Wiley Blackwell, 2019.
Revised edition of A Companion to Chaucer (2000) with thirty-six new and revised chapters: Candace Barrington and Jonathan Hsy, "Afterlives"; Andrew Galloway, "Auctorite"; Jane Griffiths, "Biography; Linda Ehrsam Voight, "Bodies"; Alfred Thomas,…

Turner, Marion, ed.   Chichester: Wiley, 2013.
Twenty-six chapters by various authors, with an Introduction by the editor in which she emphasizes diverse theoretical approaches to Middle English studies and observes that Chaucer's texts "foreground the idea that readers construct texts" (3).…

DeMaria, Robert, Jr., Heesok Chang, and Samantha Zacher, eds.   Chichester: Wiley, 2014.
lxix, 458 pp.
Includes twenty-six essays by individual authors that survey a range of issues in understanding the concept of "British literature" in the medieval period, considering history, politics, modes of production, literary forms, reception, religion,…

Brockman, Bennett A.   Children's Literature 2 (1973): 40-49.
Discusses the "sentimental reverence for the child's innocence" in a variety of medieval texts, including the account of Hugolino in MkT, compared with the version in Dante's "Inferno" 33, In both versions, the children have "precocious knowledge"…

Jambeck, Thomas J., and Karen K. Jambeck   Children's Literature 3 (1974): 177-22.
Praises the stylistic appropriateness of Astr to its youthful audience, showing how Chaucer adapts the lexicon, syntax, and rhetoric of Massahalla to be more suitable to his ten-year-old son, Lewis. Chaucer relies on native rather than Latinate…

Truscott, Yvonne J.   Children's Literature Association Quarterly 23 (1998): 29-34.
Refutes claims that children were ignored during the Middle Ages. Chaucer wrote Astr to his son. In Th, he adopts a "childish identity," complemented by the pedagogy of Mel. The narrators of HF, PF, and BD are childlike.

Eisner, Sigmund.   Children's Literature Association Quarterly 23 (1998): 35-39.
Suggests that Chaucer "creates a persona from his son (Lewis Chaucer) to be the initial audience" of Astr and argues that Chaucer's prose style is pedagogic, written to be easily understood by children.

Lee, Brian S.   Children's Literature Association Quarterly 23 (1998): 40-48.
Examines the diverse portrayals of children in medieval literature, commenting on how Chaucer questions the innocence of the "clergeoun" in PrT and how in LGW and MkT his pathos is more restrained than in his sources.

Ferris, Sumner.   Chivalric Literature: Essays on Relations Between Literature and Life in the Later Middle Ages. Studies in Medieval Culture, no. 14. (Kalamazoo, Mich.: Medieval Institute Publications, 1980), pp. 25-38.
Deals with the interrelations between the chivalry of literature and chivalric actualities, chronicles, biographical accounts.

Johnson, Ian.   Chris Given-Wilson, ed. An Illustrated History of Late Medieval England (Manchester and New York: Manchester University Press, 1996), pp. 127-51.
A survey of genres and topics in Middle English literature, including Chaucer's "diversity of literary forms and [the] strategies he took to negotiate literary authority."

Carruthers, Mary [J.]   Chris Humphrey and W. M. Ormrod, eds. Time in the Medieval World (Suffolk: York Medieval Press, 2001), pp. 137-55.
Like tense-switching and first-person point of view, the use of the "historical present" by Chaucer and the Gawain poet illustrates how medieval authors could convincingly remember and authenticate the stories they told. The past is the time of…

Edwards, A. S. G.   Christa Jansohn and Bodo Plachta, eds. Varianten - Variants - Variantes. (Tubingen: Max Niemeyer, 2005), pp. 79-90.
Edwards comments on the conceptualizations and uses of variants in textual studies of CT and "Piers Plowman," particularly those by Manly and Rickert and by Kane and Donaldson, arguing that some manuscripts are better regarded as separate versions of…

Mehl, Dieter.   Christa Jansohn, ed. Old Age and Ageing in British and American Culture and Literature. Studien zur englischen Literatur, no 16 (Münster: LIT Verlag, 2004), pp. 29-38.
Explores the representation of old age in WBPT, MerT, PardT, Piers Plowman, Sir Gawain and the Green Knight, Confessio Amantis, and the Book of Margery Kempe, arguing that the motif of old age falls into three distinct categories: "the comical figure…

Gorlach, Manfred.   Christa Jansohn, ed. Problems of Editing. Beihefte zu Editio, no. 14. (Tübingen: Niemeyer, 1999)
Görlach surveys a selection of textual cruxes (Old English to Modern) that reflect the importance of linguistic evidence in editorial decisions, including two from Chaucer ("armee," GP 1.60; "Aueryll," GP 1.1) and one "quasi-Chaucerian" example…

Kane, George.   Christian J. Kay and Louise M. Sylvester, eds. Lexis and Texts in Early English: Studies Presented to Jane Roberts. Costerus New Series, no. 133. (Amsterdam and Atlanta: Rodopi, 2001), pp. 161-71.
Argues for "literary" rather than "historicist" analysis, examining the tone and rhetoric of the reference to the uprising of 1381 in NPT and arguing that Chaucer was "distancing" himself from the events.

Hamilton, Christopher T.   Christian Scholar's Review 23 (1993): 145-58.
Chaucer's and Langland's depictions of clergy are rooted in the "biblical topos of contrastive portraits for emulation and rejection," reflecting the medieval belief that church reform depended on the renewal of the clergy. Chaucer's Parson and…

Stigall, Joshua J.   Christian Scholar's Review 42.3 (2013): 245-60.
Considers the Physician's misreading and misapplication of his source material (the Sermon on the Mount and Jean de Meun) to be key to proper understanding that he is "untrustworthy" and that PhyT reveals his lack of "spiritual sensitivity." Reads…

James, Max H.   Christian Scholars' Review 18 (1988): 118-35.
Although many of Chaucer's works are bawdy, modern readers can find contemporary ethical and moral issues resolved or discussed according to Christian values. "Christlike" faithfulness, steadfastness, and truth underlie TC, WBT, ClT, MerT, and…

Fleming, John V.   Christianity & Literature 28.4 (1979): 19-26.
Chaucer is the rule for vernacular poets rather than the exception. His appropriation of monastic patterns of thought and ascetic ideas and imagery were a tradition already becoming a classic in his time. In CT, the Summoner's portrait, the…

Hanks, D. Thomas (Jr.)   Christianity & Literature 33 (1984): 7-12.
The pun on "pryvetee," meaning in ME "private affairs" and "private parts," mocks the orderly piety of KnT and becomes part of a series of sacred-profane juxtapositions which heighten the bawdiness and comic effect of MilT.

Benson, C. David.   Christianity & Literature 37 (1988): 7-22.
Benson urges that Chaucer be returned from merely professional scholarship to the mainstream of English literature and finds that structuralist, poststructuralist, Marxist, and feminist theories give new perspectives on Chaucer's work. Equally,…
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