Collette, Carolyn P.
Chaucer Review 29 (1995): 416-33.
The concept of prudence was well known in the Middle Ages and was often seen as a specifically feminine virtue in medieval French texts. Drawing from those texts, Chaucer also underscores the feminine, making Mel a story for "real women living…
Collette, Carolyn P.
Chaucer Review 33: 350-62, 1999.
Although Chaucer's "circle" has generally been considered wholly masculine, it may well have included contemporary women such as Joan of Kent. Joan was a prosperous and powerful woman, an interceder and a mediator: a model for a character such as…
Collette, Carolyn P.
Jocelyn Wogan-Browne et al., eds. Medieval Women: Texts and Contexts in Late Medieval Britain: Essays for Felicity Riddy (Turnhout, Belgium: Brepols, 2000), pp. 151-68.
Defines the French literary topos of the good wife, wherein "female virtue grounded in prudence and self-control benefits the immediate domestic and also the wider public spheres." Reflected in Philippe's "Le livre de la vertu du sacrement de…
Collette, Carolyn P.
Christoph Huber and Henrike Lähnemann, eds. Courtly Literature and Clerical Culture / Höfische Literatur und Klerikerkultur / Littérature courtoise et culture cléricale. Selected Papers from the Tenth Triennial Congress of the International Courtly Literature Society, Universitat Tübingen, Deutschland, 28 Juli-3 August 2001 (Tübingen: Attempto, 2002), pp. 177-94.
Collette reads the end of CT against Philippe de Mézières' "Songe du vieil pelerin," indicating Chaucer's connections with contemporary Anglo-French literature and exploring the relations between politics and morality in four Tales: alchemy as a…
Collette, Carolyn P.
Studies in the Age of Chaucer 28 (2006): 243-48.
Collette offers Umberto Eco's notion of a "rhizome labyrinth's indefinite structure" as a heuristic tool for describing the relationship of a text to its "cultural matrix" rather than to specific sources. Focuses on CYT.
Collette, Carolyn P.
Turnhout, Belgium : Brepols, 2006.
Collette surveys literary and historical evidence that women in the Anglo-French tradition played the role of mediator, i.e., someone who "negotiates, bridges, and unites differences"--evidence of the "ideology and practice of women's agency" in the…
Collette, Carolyn P.
Chaucer Review 42 (2008): 223- 43.
Considered in the light of key themes of Victorian medievalism and of her own early identification with Chaucer's Emily, Davison's actions--especially those leading to her untimely death--stand as expressions of her ethical commitment, rather than as…
Collette, Carolyn P.
John M. Hill, Bonnie Wheeler, and R. F. Yeager, eds. Essays on Aesthetics and Medieval Literature in Honor of Howell Chickering (Toronto: Pontifical Institute of Medieval Studies, 2014), pp. 96-114.
Addresses shared tropes, themes, and language of LGW and TC. Presents LGW not as a "failed text" in its incompleteness, but as a work that is "grounded" in the tragedy of TC and that anticipates the "comedic narratives" of CT.
Collette, Carolyn P.
Woodbridge: York Medieval Press, 2014.
Examines LGW within the sociocultural and intellectual contexts of the late fourteenth century, paying especial attention to early humanist and late courtly traditions. LGWP may be juxtaposed with Richard de Bury's "Philobiblon"; and the legends…
Collette, Carolyn P.
Susanna Fein and David Raybin, eds. Chaucer: Visual Approaches (University Park: Pennsylvania State University Press, 2016), pp. 244-68.
Examines the British illustrator and sculptor Elisabeth Frink's 1972 illustrated version (with nineteen etchings on copper plates) of Nevill Coghill's 1951 translation of CT. Analyzes several engravings and provides modernist visual interpretation of…
Collette, Carolyn P., and Harold Garrett-Goodyear, eds.
New York: Palgrave Macmillan, 2011.
Anthology of documents pertaining to English literature from 1350-1500. Introduction details historical, social, and political movements of late Middle Ages. Includes annotations, timeline, and chronological listing of major medieval literary works.
The essays in this special issue (43.4) of the "The Chaucer Review" open new perspectives on Chaucer's works, placing them in the context of the "new impulses toward quantification and measurement" in and beyond late medieval England.
Collette, Carolyn P., and Vincent J. DiMarco.
Studies in the Age of Chaucer 23: 317-58, 2001.
Summarizes the political history of the fall of Armenia in 1375, surveying its impact on the court of Richard II and its status as a "haunting symbol" of catastrophe in Middle English literature. Discusses SqT, Anel, the description of the Knight in…
Collette, Carolyn P., ed.
Cambridge: D. S. Brewer, 2006.
Eight essays by various authors, with an index and an introduction by the editor, who argues that Alceste's mediation is central to LGW, a poem about the "public dimension of ideal female behavior." The poem is best understood in the context of late…
Collette, Carolyn.
Jocelyn Wogan-Browne and others, eds. Language and Culture in Medieval Britain: The French of England c.1100-c.1500 (Woodbridge, Suffolk; and Rochester, N.Y.: York Medieval Press, 2009), pp. 373-85.
Collette explores interest in "mediation and moderation" in vernacular texts, commenting on the vernacular as a way to make learning more broadly available, on "the mean" in such texts as Nicole Oresme's translations of Aristotle, and on Chaucer's…
Collette, Carolyn. P.
Ann Arbor : University of Michigan Press, 2001.
Medieval ideas of psychology and cognition underlie the concern with sight, imagination, and "fantasye" in select tales of Canterbury, wherein Chaucer demonstrates that the only certainty in human relations is uncertainty. The male characters of KnT…
Maintains that the silence of the pilgrims at the end of PrT signifies the Prioress's effectiveness in delivering a story of pathos that stuns the audience into silence. Explores how Chaucer uses PrT "to promote cautious, critical analysis" as a…
Colley, John.
Studies in the Age of Chaucer 43 (2021): 45-73.
Investigates the reference to the "Judeo-Roman historian Josephus" in HF, 1429–36, exploring how his authority varies in the Middle Ages "depending on the extent to which he is understood as a Christian or a Jew," and showing how, in Chaucer's…
Collins, Arthur.
Literature in North Queensland 8.1 (1980): 7-13.
Verse dialogue in iambic pentameter couplets in which the Wife of Bath recommends to a convalescent Chaucer the idea of writing CT and offers to tend him while he writes.
Collins, Billy, ed., with illustrations by David Allen Sibley.
New York: Columbia University Press, 2010.
Comprises an anthology of English-language poetry about birds and bird species, with accompanying color plates. In the section concerning hawks, includes a stanza from PF (lines 330-36).
Collins, David G.
Publications of the Arkansas Philological Association 7 (1981): 9-30.
As the figure of Briseida, Criseyd, Cressida moved from Benoit de Saint-Maure (ca. 1160) and Guido della Colonne (1287), through Boccaccio (1336) and Chaucer (ca. 1385), to Shakespeare (1601-1602) and Dryden (1679), her portrait becomes increasingly…
Collins, Marie.
Essays and Studies 38 (1985): 12-28.
Examines depictions of masculine attractiveness in medieval romances, including TC. Influenced by rhetorical and courtly traditions, such depictions (and parallel cautions against seduction) emphasize moral and social qualities rather than personal…
