Browse Items (16371 total)

Includes passim references to Chaucer's works and reprints as "Monks and Incubi in Chaucer" (pp. 51-55) a slightly revised version of "The Wife of Bath's Tale, D 878-81," (Chaucer Review 7 (1972): 113-17).

Traces common elements in narratives that include the pear-tree motif, including MerT and Decameron 7.9.

In TC, Chaucer's "greater vehemence," his increase in specificity, and his heightening of emotion characterize his adaptations of Boccaccio's "Filostrato."

Examines manuscript evidence and compares the verse of TC with that of Boccaccio's "Filostrato," arguing that Chaucer's decasyllabic lines, adapted to rhyme-royal stanzas, are characterized by greater flexibility of caesura than in English…

Surveys the availability of manuscripts of John of Salisbury's "Policraticus" and allusions to this work among theologians, jurists, and political writers of the twelfth through the fifteenth centuries. Comments on uses of the text by various…

An extended examination of Boccaccio's "Teseida," Chaucer's KnT, and their relations. After describing "Teseida" and its debts to Dante and the classics, Boitani surveys Chaucer's uses of the work in Anel, PF, TC, and, more extensively, KnT.…

Describes the development of the Renaissance novella, particularly the fourteenth-to-seventeenth century traditions in Italy, France, Spain, and England. Deeply influenced by the model of Boccaccio's "Decameron," the genre is distinct from the later…

Surveys opinions about Chaucer's diction from John Lydgate to G. K. Chesterton and explores the French elements in the vocabulary of his love poetry, along the way commenting on relations between Chaucerian and Chancery diction, the "texture of…

Identifies Walt Whitman's interest in Chaucer's use of French vocabulary, and suggests that this interest is "tied directly" to Whitman's self-conscious "role as 'Poet' in the tradition of Chaucer" and his desire to enrich American English.

A comprehensive edition of all of Chaucer's known works (including Equat and Rom), with glosses and notes at the bottom of the page and a text that relies on the collations of previous editors. Includes introductions for each of the works; additional…

Postulates a crucial division in Chaucer's poetic career, separated by a "courteous but thoughtful and decisive rejection of 'fine amour'," reflected in PF, TC, and LGWP. Acknowledges the impact of French and Italian models on Chaucer's changing idea…

Identifies parallels between Chaucer's dream visions and the one depicted in Osbern of Gloucester's "Liber derivationum" or "Panormania": the reading of a book inspires the central dream and there is a significant concern with Macrobius's concept of…

A reading of the CT as "Chaucer's aesthetic and metaphysical pilgrimage" in which his religious orthodoxy eventually supersedes "alternatives and legitimate philosophical doubts." Follows the Ellesmere order of the tales (defending it on thematic…

A verbal/visual social history of late-fourteenth-century England, particularly London and Canterbury, organized by topics drawn from Chaucer's life and works, especially CT. Topics include various social types, pilgrimage, plague, war with France,…

In a section called "Springtime in the Canterbury Tales: Chaucer's Inheritance of the Sacred and the Profane" (pp. 1-26), tallies a number of classical and medieval attitudes toward spring and comments on Chaucer's various allusions to and images of…

An edition of the fragments that survive from Thomas Alsop's Tudor adaptation of MLT, "The Breuyate and shorte Tragycall hystorie of the fayre Custance, the Emperours daughter of Rome." About 30 percent of the adaptation survives in British Library…

Designed for "graduate and advanced students," this selective bibliography includes 3215 citations (more than 800 added to 1st edition, 1968), arranged in fourteen categories and sub-divided in several subordinate categories, with separate sections…

In adapting the outdated motif of the medieval romance of dreaming of a fairy queen from Chaucer's Thop, Spenser blends naiveté and sophistication.

Disagrees with Carol Barthel's assertion that Spenser derived Prince Arthur's dream of the Fairy Queen from Chaucer's Thop, but argues that, in completing SqT in Book 4 of "The Faerie Queene," Spenser encourages his readers to seek allegorical…

Tabulates and analyzes analytic (more/most) and synthetic (-er/-est) forms of comparatives and superlatives in Chaucer's prose works (Bo, Astr, Mel, ParsT), correlating them with Old English and French derivations of the root words.

Surveys the nature and directness of Boccaccio's influence on English literature from Chaucer to the 1611 Authorized Version of the Bible, with emphasis on style.

Investigates Chaucer's biographical and literary "travels" to Italy, with chapters dedicated to 1) English travel to Italy; 2) Chaucer and the "Italian wedding" of Prince Lionel; 3) Chaucer and Petrarch; 4) Chaucer in Milan; and 5) the influence of…

Items not seen; reported in WorldCat, which indicates three interrelated items: 1) a cassette recording of GP and MilT (with projected images?), 2) written corrections and commentary (in German) on this recording, and 3) an introduction (in German)…

Adaptation of TC as an opera, with libretto by Christopher Hassell, originally composed in 1954. This revised version was released by EMI on CD (2 discs) in 1995, with a 43 pp. booklet that includes a production history, synopsis, and libretto. Also…

A novel with recurrent allusions to TC, including a five-book structure, epigraphs derived from Nevill Coghill's translation of TC, and overt references to the poem.