Argues that the use of Dante's "Paradiso" 53 in the initial presentation of faith in PrT reflects Chaucer's sophisticated engagement with the ways humans try to articulate transcendent truth.
Farrell, Thomas J.
Chaucer Review 52.4 (2017): 396-425.
Traces the use of the minuscule "a" in the Latin quotations of the Ellesmere manuscript to support the argument that these annotations derive from the ways Chaucer imagines the form of CT.
Barootes, B. S. W.
Chaucer Review 53.1 (2018): 102-11.
Examines the use of final -"e" in the fourth stanza of Book II of TC, and the ways in which early copyists paid attention to Chaucer's use of the letter.
Dutton, Marsha L.
Chaucer Review 53.1 (2018): 36-59.
Examines the word "cunning," omission of its sexual connotations in the MED, and the ways in which Chaucer puns on the word in previously unconsidered sexual contexts.
Explores prosimetrum in the Arthurian "Tristan en prose" as a way to understand Palamon's actions after he overhears Arcite's "formally elegant rondeau" in KnT 1.1510ff.
Argues that the right use of anger in proper, hierarchical social relationships in SumT affirms aristocratic authority while undermining the pretenses of Friar John and Jankyn the clerk.
Bjork, Robert E.
Chaucer Review 53.3 (2018): 336-49.
Surveys Chaucer's uses of terms for private parts, and argues that his use of "bele chos" (beautiful thing) instead of pudendum (shameful thing) suggests his celebration of the Wife's sexuality.
Uncovers the complex relationship between monumentality and print culture as it contributed to Chaucer's early modern reception in post-Reformation England.
Assesses the inclusion in the mid-1500s of "The Plowman's Tale" in Chaucer's "Workes" and its effects in reading reception and influence on beast fable throughout the sixteenth century.
Cherewatuk, Karen, and Carson Koepke.
Chaucer Review 53.4 (2018): 449-84.
Explores the cultural ties between the Anglican Church on the American frontier and the Church of England through Elizabeth Whipple's Chaucer portrait.
Compares Chaucer's and Gower's versions of the story of Virginia, her rape, and death, remarking upon their various similarities and differences. Building upon that comparison, offers correctives for how a narrator might be used for old texts in…
Examines the contexts of Criseyde's tears in an antifeminist tradition, to which Chaucer and TC respond, and engages with the revisions to depictions of Criseyde's weeping in TC. Uses insights from sociology and behavioral psychology to argue that…