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'Ye' and 'Thou' among the Canterbury Pilgrims
Johnson, Judith A.
Michigan Academician 10 (1977): 71-76.
The pilgrims' decisions to address each other formally, as "you," or intimately, as "thou," reveal their attitudes about each other and their own social self-conceptions. Harry Bailly's central role, in terms both of the poem's structure and of…
Chaucer's Metrical Lines: Some Internal evidence
Biggins, Dennis.
Parergon 17 (1977): 17-24.
Though we cannot recover the facts of Chaucer's versification,his lines in CT are basically iambic pentameter. Of the first hundred lines of GP in the Ellesmere MS., eighty may be so scanned with little difficulty.
The Alliterative Lyric and Thirteenth-Century Devotional Prose
Osberg, Richard H.
Journal of English and Germanic Philology 76 (1977): 40-54.
The large amount of alliteration in narrative and lyric poetry of the courtly tradition, including Chaucer's poetry, is derived from certain veins of devotional prose of the thirteenth century.
Chaucer and the 'Breton' Lay
Yoder, Emily K.
Chaucer Review 12 (1977): 74-77.
Establishes that the "Breton" lay is a British lay composed by ancient Britons, not by minstrels of Brittany. The MED gives a British origin for most of its citations of "Britoun" and "Britaine." The validity of the sources for the other citations…
The Song of Songs as Literary Influence in Selected Works of the English Renaissance
Allingham, Anthony.
Dissertation Abstracts International 37 (1977): 5840A.
The "Song of Songs" has received little attention for its influence on other literary works. In two of CT tales, Chaucer exploits the allegorical interpretations of the "Song." The ambiguity of the interpretations in the Christian era made the…
Chaucer's Tartarye
Cornelia, Marie.
Dalhousie Review 57 (1977): 81-89.
Until mid-thirteenth century, the East was, in spite of some factual knowledge, the fabled land of Prester John. Then real travel in the Tartar empire gave Europe facts just as marvellous.
'Lollius'
East, W. G.
English Studies 58 (1977): 396-98.
The name "Lollius" (from "loll" "to hang out the tongue") is Chaucer's punning attempt to imitate Boccaccio's name in English ("boccaccio" "ugly mouth"), as well as to create a plausible sounding Latinate name for his supposed author.
Chaucer and the 'Decameron' Reconsidered
McGrady, Donald.
Chaucer Review 12 (1977): 1-26.
Hubertis M. Commings' dissertation (1914) denying that Chaucer knew the "Decameron" and an influential article by Willard Farnham (1924) positing that the work was not known in England until 1566 both are speciously reasoned. Chaucerian echoes of…
The Matter of Araby in Medieval England
Metzlitzki, Dorothee.
New Haven: Yale University Press, 1977.
English scholars played an important part in transmitting Arabic learning to Europe. The "matter of Araby" may be set alongside the matters of Troy and Britain as an impulse in medieval English literature. It appears in Chaucer's MLT, Th, and the…
Chaucer: Sources and Backgrounds
Miller, Robert P., ed.
New York: Oxford University Press, 1977.
An anthology of selections from Voragine, Augustine, Macrobius, Hugh of St. Victor, Vainsauf, Garland, Bury, Dante, Petrarch, Boccaccio, Cicero, Ovid, Deschamps, John of Salisbury, Ramon Lull, Saint-Amour, Boethius, Andreas Cappellanus, Walter Map,…
Chaucer and the Pagan Gods
Whitlark, James S.
Annuale Mediaevale 18 (1977): 65-75.
Pagan gods represent planetary influences, alchemic symbolism,psychological allegory of emotional states, and historical examples of virtues or vices. They also dramatize the worldliness of Chaucer's characters and relate it to the condition of…
Alexander Pope and Geoffrey Chaucer
Hunter, Michael.
The Warden's Meeting: A Tribute to John Sparrow. (Oxford: Oxford University Society of Bibliophiles, 1977), 9-32.
Hunter describes a copy of the 1602 edition of Chaucer in his possession signed "A. Pope." The volume is defective, lacking the first gathering. The signature comes at the beginning of gathering B. There are no marginalia. Presumably this was a…
Time Past and Time Present in Chaucer's Clerk's Tale and Gower's 'Confession Amantis'
Dean, James.
ELH 44 (1977): 401-18.
Both Chaucer and Gower expressed the sentiment that the world had grown old and cast the passing of time in moral terms. But they also ultimately relied on personal sensibilty to render the feeling or experience of time passing because they were not…
The Boke of Cupide Reopened
Rutherford, Charles S.
Neuphilologische Mitteilungen 78 (1977): 350-58.
Clanvowe uses Chaucerian themes and conventions with deftness. He recognizes irony based on logic, characterizes through rhetoric, and employs all three conventional endings of debate form.
Chaucer and Spenser Allusions Not in Spurgeon and Wells
Boswell, Jackson C.
Analytical and Enumerative Bibliography 1 (1977): 30-32.
In the prefatory note to the 1592 "A Declaration of the True Causes" (STC 10005), there is an allusion to the pseudo-Chaucerian verses "Chaucer's Prophesie."
Chaucer Allusions: Addenda to Spurgeon
Boswell, Jackson C.
Notes and Queries 222 (1977): 493-95.
Unnoted allusions to Chaucer (and pseudo-Chaucer) in thirteen sixteenth-century works.
The Isle of Ladies: A Fifteenth-Century English Chaucerian Poem
Conroy, Anne Rosemarie.
Dissertation Abstracts International 38 (1977): 253A-54A.
"The Isle of Ladies" was attributed to Chaucer until 1878. It is primarily a lover's complaint to his lady. The characters are based on Chaucerian models (like Criseyde) but play somewhat different roles.
Other Senses of Ending
Crampton, Georgia Ronan.
David A. Richardson, ed. Spenser: Classical, Medieval, Renaissance, and Modern (Cleveland State University, 1977), pp. 132-34. [Microfiche available from the Department of English.]
Spenser and Chaucer both composed subtle, complex closures, spreading out before the audience several endings, like sections of a fan. Many medieval poems ended almost interchangeably in a formulaic prayer for salvation.
Lydgate's Views on Poetry
Ebin, Lois (A.)
Annuale Mediaevale 18 (1977): 76-105.
Lydgate's introduction of new critical terms and definitions--"enlumyn," "adourne," "enbelissche," "aureate," "goldyn," "sugrid," "rhetorik," and "elloquence"--shift poetry's emphasis from the variety and pleasure found in Chaucer's writings, to…
Chaucer's Prosody and the Non-Pentameter Line in John Heywood's Comic Debates
Fox, Allan B.
Language and Style 10 (1977): 27-41.
Although Heywood's comic debates are dismissed as negligible in metrical skill, once we realize that Chaucer's line is a non-pentameter, more dependent on alliterative accentual native verse than most metrists allow, then we can see that the debates…
'Swich fyn...swych fyn': Senses of Ending in Chaucer and Spenser
Holahan, Michael.
David A. Richardson, ed. Spenser: Classical, Medieval, Renaissance, and Modern (Cleveland State University, 1977), pp. 116-31. [Microfiche available from the Department of English.]
Both Chaucer and Spenser make use of the qualified or unresolved ending. The outer limit of Chaucer's work is doctrine. Spenser seems to hold out hope for absolute vision.
Who 'Really' Is the Advocate of Equality in the Marriage Group?
Berggren, Ruth.
Massachusetts Studies in English 6 (1977): 25-36.
Contrary to received opinion, the Wife of Bath argues implicitly for equality in marriage; she and the loathly lady in her tale gain dominance only to relinquish it. On the other hand, the Clerk, Merchant, and Franklin present views of women which…
Les Contes de Cantorbery, Iere partie
Dor, Juliette de Caluwe-, trans.
Ghent: Editions Scientifiques E. Story-Scientia, 1977.
French translation of GP, KnT, MilT, and NPT, the first part of a projected complete translation of CT.
The Meeting at the Gate: Hagiography and Symbol in the Shipman's Tale
Coletti, Theresa.
Studies in Iconography 3 (1977): 47-56.
The image of the merchant's wife waiting for him at the gate at the end of ShT (7.673-76) may be a reflection of a popular iconographic motif, the meeting of Anne and Joachim,parents of the Virgin Mary, at the Golden Gate of Jerusalem.
Chaucerian Fiction
Burlin, Robert B.
Princeton: Princeton University Press, 1977.
Chaucer's fictions show a logical development. The first are the "poetic fictions." In exploring the idea of authorial experience, the dream visions speculate on the poet's reaction to his audience and on the value of poetic activity. The second…
