Browse Items (16371 total)

Farrell, Thomas J.   Chaucer Review 47.3 (2013): 300-22.
Variant treatments of ClT 4.507-8 reflect editorial practices as well as scribal power, specifically Adam Pinkhurst's, in shaping Chaucer's texts.

Weiskott, Eric.   Chaucer Review 47.3 (2013): 323-36.
In light of the abuses of power in the medieval forest industry, the forest as backdrop to romance tales, and the hunt as an aristocratic privilege, FrT critiques administrative bureaucracy through a re-working of the "devil-and-advocate" fable.

Burrow, J. A.   Chaucer Review 47.3 (2013): 337-42.
Examines the connotations of "man," "manly," and "manhood" and discusses concept of "real" manhood for these three authors.

Bahr, Arthur, and Alexandra Gillespie.   Chaucer Review 47.4 (2013): 346-60.
Introduces a special issue on manuscript studies and history of the book in relation to critical theory; also, summarizes the issue's articles. Discusses CT, TC, and Th.

Horobin, Simon.   Chaucer Review 47.4 (2013): 372-89.
Focusing on the MerE-SqH, argues that what has been seen as evidence of authorial revision in the manuscripts may simply be reflecting problem areas encountered by the scribes, including problems in accessing exemplars and linking passages, which…

Rust, Martha.   Chaucer Review 47.4 (2013): 390-415.
Looks at "late medieval texts in which writing functions both verbally and pictorially," such as texts of the Passion, in which red ink in the manuscript creates a picture of Christ's blood, mentioned in ABC. TC similarly describes tearful verses,…

Brantley, Jessica.   Chaucer Review 47.4 (2013): 416-38.
Observes that the tail-rhyme meter's layout on the manuscript page alludes not to romance but to a range of other forms, including liturgical hymns, vernacular lyrics, and drama. Examining Th in these contexts suggests that the text perhaps parodies…

Nolan, Maura.   Chaucer Review 47.4 (2013): 465-76.
Examines what is lost when we look at a digitized manuscript instead of the material book, which invokes the senses of touch, smell, and taste and the habits of the medieval reader. Mentions the graphic tail-rhyme in Th as a type of habit that…

Warner, Lawrence.   Chaucer Review 48.1 (2013): 113-28.
Addresses the "existence of a tradition that attributes 'Piers Plowman' to Chaucer." Surveys notes and items that contribute to Chaucer's and Langland's "reception histories."

Houser, Richard McCormick.   Chaucer Review 48.1 (2013): 66-90.
Argues that the Wife of Bath "employs the courtroom pleading techniques of 'excepcion' and 'confession' and 'avoidance' to challenge the misogynist teachings of clerical authority." Demonstrates how Alisoun's discourse in WBP reveals her familiarity…

Albin, Andrew.   Chaucer Review 48.1 (2013): 91-112.
Examines how song and sound create narrative meaning within PrT. Chaucer's choice of using the antiphon, "Alma redemptoris mater," reveals the "transformative force that sound bears." Discusses issues of performance, voice, and silences; aural…

Miller, T. S.   Chaucer Review 48.2 (2013): 129-65.
Focuses on how CT influences English science fiction authors such as Margaret Atwood, James Gunn, and Dan Simmons. Also analyzes the "pilgrimage motif"; refers to HF, LGW, and TC; and discusses "Chaucerian science fiction" in South America.

Forni, Kathleen.   Chaucer Review 48.2 (2013): 190-204.
Reflects on the importance of incorporating the "professional and popular" representations of CT to enhance classroom teaching of Chaucer. Films, including Brian Helgeland's "A Knight's Tale," Jonathan Myerson's animated "Canterbury Tales" trilogy,…

Lears, Adin Esther.   Chaucer Review 48.2 (2013): 205-21.
Focuses on themes of gender, sexuality, and melancholy, through analysis of "productive potential" of idleness in BD.

Brown, Peter.   Chaucer Review 48.2 (2013): 222-37.
Examines scholarship that traces Chaucer's "subtle" influence on Shakespeare, by drawing connections between MerT and "A Midsummer Night's Dream."

Shimomura, Sachi.   Chaucer Review 48.2 (2013): 390-415.
Addresses how "manipulations of time" affect the narrative structure of KnT, and "recreate instabilities inherent to fourteenth-century chivalric ideas." Views Theseus, Palamon, and Arcite as the "walking dead," since they only "exist in literature…

Downes, Stephanie.   Chaucer Review 49, no. 3 (2015): 352-70.
Discusses the reception of Chaucer's poetry by nineteenth-century French critics who focused on CT, read Chaucer as a "European" rather than an English writer, discussed the accessibility of his language, and examined Chaucer's national literary and…

Duffell, Martin J.   Chaucer Review 49.02 (2014): 139-60.
Combines literary history with linguistic and statistical analysis to demonstrate how Chaucer's pentameter verse is closer to the Italian "endecasillabo" than to the French "vers de dix."

Murton, Megan.   Chaucer Review 49.3 (2015): 294-319.
Argues that Chaucer's interpretation of Boethius, as shown in two key passages in TC, his translation of Bo, and a significant Bo manuscript, "enables him to present Troilus as a genuinely Boethian hero who channels philosophical insight into…

Garrison, Jennifer.   Chaucer Review 49.3 (2015): 320-43.
Contends that masculine obsession with interiority, especially that marked by courtly love, enables "powerful men to ignore the destructive public consequences of their political" actions. Yet, TC reveals "that such separation between the public and…

Besserman, Lawrence.   Chaucer Review 49.3 (2015): 344-51.
Notes that the visual imagery of falling rocks and millstones Pandarus uses to convince Troilus of his future success is associated with death and destruction in the Bible, which actually undermines Pandarus's argument in TC.

Murchison, Krista A.   Chaucer Review 49.3 (2015): 371–75.
Argues that the word pair "gent and smal," used in the description of Alisoun in MilT, meant "well-built," with connotations of noble looks and behavior.

Edwards, A. S. G.   Chaucer Review 49.3 (2015): 376–77.
Argues that WBP 3.21 should be emended from "fifthe" to "sixte."

Hamilton, David.   Chaucer Review 49.3 (2015): 378-86.
Contends that the opening of Elizabeth Bishop's "The Moose" contains several echoes of GP.

Carlin, Martha.   Chaucer Review 49.4 (2015): 387-401.
Thomas Spencer, a scrivener, purportedly owned a copy of TC in 1394. Presents the historical record regarding Spencer's life, since if this claim is true, it represents the only recorded instance of one of Chaucer's works circulating during his…
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