Browse Items (16472 total)

Examines the varying degrees and uses of multilingualism among the Canterbury pilgrims and the characters in their tales, commenting on the facile "linguistic posing" of several speakers (Pardoner, Parson, Wife of Bath, Summoner and his characters)…

Reconsiders Laura Hibbard Loomis's method for gauging Chaucer's familiarity with the Auchinleck manuscript--a method based on collocations shared by Auchinleck and Th--arguing that the method does not prove his familiarity with Auchinleck, but does…

Focuses on how Chaucer was perceived in Scotland in the fifteenth century, and how deliberate misattributions of Chaucer's writings created a "vehicle for 'Scottish' culture, identity, and nationalism."

Aristotelian and Augustinian concepts of moral virtue illuminate Walter's and Griselda's behaviors in terms of habit and its relation to place.

Chaucer's translations of key phrases in the Griselda story reveal his use of the Boccaccio source material as a way to underscore the "complexity" of the story and the varied authorial voices involved in translation.

Chaucer's modification of Petrarch's Griselda material return ClT closer to Boccaccio's original version of the story. By working with multiple versions of the story, Chaucer places himself in the pantheon of Italian writers.

Variant treatments of ClT 4.507-8 reflect editorial practices as well as scribal power, specifically Adam Pinkhurst's, in shaping Chaucer's texts.

In light of the abuses of power in the medieval forest industry, the forest as backdrop to romance tales, and the hunt as an aristocratic privilege, FrT critiques administrative bureaucracy through a re-working of the "devil-and-advocate" fable.

Examines the connotations of "man," "manly," and "manhood" and discusses concept of "real" manhood for these three authors.

Introduces a special issue on manuscript studies and history of the book in relation to critical theory; also, summarizes the issue's articles. Discusses CT, TC, and Th.

Focusing on the MerE-SqH, argues that what has been seen as evidence of authorial revision in the manuscripts may simply be reflecting problem areas encountered by the scribes, including problems in accessing exemplars and linking passages, which…

Looks at "late medieval texts in which writing functions both verbally and pictorially," such as texts of the Passion, in which red ink in the manuscript creates a picture of Christ's blood, mentioned in ABC. TC similarly describes tearful verses,…

Observes that the tail-rhyme meter's layout on the manuscript page alludes not to romance but to a range of other forms, including liturgical hymns, vernacular lyrics, and drama. Examining Th in these contexts suggests that the text perhaps parodies…

Examines what is lost when we look at a digitized manuscript instead of the material book, which invokes the senses of touch, smell, and taste and the habits of the medieval reader. Mentions the graphic tail-rhyme in Th as a type of habit that…

Addresses the "existence of a tradition that attributes 'Piers Plowman' to Chaucer." Surveys notes and items that contribute to Chaucer's and Langland's "reception histories."

Argues that the Wife of Bath "employs the courtroom pleading techniques of 'excepcion' and 'confession' and 'avoidance' to challenge the misogynist teachings of clerical authority." Demonstrates how Alisoun's discourse in WBP reveals her familiarity…

Examines how song and sound create narrative meaning within PrT. Chaucer's choice of using the antiphon, "Alma redemptoris mater," reveals the "transformative force that sound bears." Discusses issues of performance, voice, and silences; aural…

Focuses on how CT influences English science fiction authors such as Margaret Atwood, James Gunn, and Dan Simmons. Also analyzes the "pilgrimage motif"; refers to HF, LGW, and TC; and discusses "Chaucerian science fiction" in South America.

Reflects on the importance of incorporating the "professional and popular" representations of CT to enhance classroom teaching of Chaucer. Films, including Brian Helgeland's "A Knight's Tale," Jonathan Myerson's animated "Canterbury Tales" trilogy,…

Focuses on themes of gender, sexuality, and melancholy, through analysis of "productive potential" of idleness in BD.

Examines scholarship that traces Chaucer's "subtle" influence on Shakespeare, by drawing connections between MerT and "A Midsummer Night's Dream."

Addresses how "manipulations of time" affect the narrative structure of KnT, and "recreate instabilities inherent to fourteenth-century chivalric ideas." Views Theseus, Palamon, and Arcite as the "walking dead," since they only "exist in literature…

Discusses the reception of Chaucer's poetry by nineteenth-century French critics who focused on CT, read Chaucer as a "European" rather than an English writer, discussed the accessibility of his language, and examined Chaucer's national literary and…

Combines literary history with linguistic and statistical analysis to demonstrate how Chaucer's pentameter verse is closer to the Italian "endecasillabo" than to the French "vers de dix."

Argues that Chaucer's interpretation of Boethius, as shown in two key passages in TC, his translation of Bo, and a significant Bo manuscript, "enables him to present Troilus as a genuinely Boethian hero who channels philosophical insight into…