Browse Items (16371 total)

Cherniss, Michael D.   Chaucer Review 6.4 (1972): 235-54.
Argues that the Clerk's Envoy "generates a unifying theme which runs through" MerT--the possibilities of "perfection and imperfection in marriage, expressed as paradise and purgatory"--an echo of the concern with "purgatory" in WBPT. Explores the…

Cherniss, Michael D.   Papers on Language and Literature 8 (1972): 115-26
Argues that the obtuse narrator's misreading of the Ovidian story of Ceyx and Alcyone in BD misleads him and underlies the poem's general encouragement that people must accept misfortune. The narrator within the dream is not obtuse, but he does not…

Cherniss, Michael D.   Chaucer Review 5.1 (1970): 9-21.
Contrasts the form of Anel with that of Mars and compares its form and themes with those of Chaucer's dream visions and its characterizations with those in KnT. Also hypothesizes what Chaucer may have intended to do further in Anel with the source…

Cherniss, Michael D.   Journal of English and Germanic Philology 68 (1969): 655-65.
Details way in which the dialogue between the Dreamer and Black Knight in BD "closely follows the pattern of the first two books" of Boethius's "Consolation of Philosophy," with the Dreamer paralleling Philosophy and the Knight the character…

Chessell, Del.   Critical Review 29 (1989): 77-89.
Outrage at Walter's treatment of Griselda, seeing Griselda's story as a religious allegory of patience, even seeing it as a folk tale rewritten--such responses indicate that ClT is a poem "divided against itself." One way to resolve these conflicts…

Chetwynd, Marvin Gaye, illus.   London: Four Corners, 2014.
Art edition of selections from CT: GP, MilT, RvT, FrT, MerT, WBT, SumT, and PardT, with collage-like illustrations that combine imagery from medieval and modern sources,

Chewning, Susannah M.   R. F. Yeager and Brian W. Gastle, eds. Approaches to Teaching the Poetry of John Gower (New York: Modern Language Association, 2011), pp. 188-93.
Addresses issues of teaching Gower and Chaucer in college survey classes.

Chewning, Susannah Mary, ed.   Cambridge: D. S. Brewer, 2020.
Fourteen essays by various authors, with an introduction and a "Personal Tribute" by the editor, offering accounts and analyses of Gower's works, influence, and reception. For three essays pertaining to Chaucer, search for Studies in the Age of Gower…

Chewning, Susannah Mary, Orietta DaRold, and Katharine Jager.   Year's Work in English Studies 89 (2010): 284-308.
A discursive bibliography of Chaucer studies for 2008, divided into four subcategories: general, CT, TC, and other works.

Chewning, Susannah Mary.   Robert S. Corrington and John Deely, eds. Semiotics 1993 (New York: Peter Lang, 1993), pp. 373-79.
Explores Emily's moments of speech and silence in KnT to argue that, at the end of the narrative, she is "the perfect example of the silent signifier," lacking any personal meaning beyond what is inscribed by the prevailing courtly attitudes.

Chewning, Susannah.   Cindy L. Vitto and Marcia Smith Marzec, eds. New Perspectives on Criseyde (Fairview, N.C.: Pegasus Press, 2004), pp. 165-80.
To alleviate disappointment at Criseyde's lack of agency, readers should appreciate her not as a "real" woman but as an embodiment of the medieval masculine imagination. Criseyde follows the pattern of many of Chaucer's female characters: caught in a…

Chiappelli, Carolyn Pace.   Dissertation Abstracts International 38 (1978): 4839A.
The opposition of knowledge in HF suggests the fourteenth-century reaction to the scholastic efforts of the thirteenth century to forge a synthesis between reason and faith. However, this dissertation does not argue that Chaucer was a reformer. The…

Chiappelli, Carolyn.   Proceedings of the International Patristic, Mediaeval, & Renaissance Conference 4 (1979): 1107-14.
The motif of "fals apparences" is a unifying factor of HF. The eagle as sophist or false philosopher, in seizing the narrator as prey, is reminiscent of Satan as fowler, or Dante's Gerione, emblem of fraud.

Chiappelli, Carolyn.   Comitatus 2 (1971): 91-92.
Comments on how uses of the term "solas" help to establish character in TC and Tho.

Chickering, Howell D.   Nicolay Yakovlev, ed. Lecture Series (St. Petersburg: Linguistic Society of St. Petersburg, 2003), pp. 20-37. Rpt. from Yazyk i rechevaya deyatet'nost' (Language and Language Behavior) 4 (2001): Supplement.
Close reading of several GP descriptions (including the Knight, Monk, Clerk, Sergeant at Law, and Summoner) shows how Chaucer's shifting tones produce ironic implications.

Chickering, Howell.   Chaucer Review 25 (1990): 96-109.
Since Chaucer did not indicate any punctuation, unpuctuating Chaucer can help us read Chaucer's poetry more flexibly and vivaciously.

Chickering, Howell.   Chaucer Yearbook 2 (1995): 17-47.
Surveys critical commentary on Chaucer's prosody, noting its subordination to commentary on his narrative art.

Chickering, Howell.   Chaucer Review 29 (1995): 352-72.
A close reading of the Envoy to ClT underscores Chaucer's brilliant ambiguity and makes the assigning of it to a single speaker impossible.

Chickering, Howell.   David Sofield and Herbert F. Tucker, eds. Under Criticism: Essays for William H. Pritchard. (Athens: Ohio University Press, 1998), pp. 91-108.
Considers the pedagogical value of memorizing verse and comments on exercises in retention for students of Chaucer's poetry. Includes close reading of several stanzas of PF.

Chickering, Howell.   Chaucer Review 34: 243-68, 2000.
Close reading of three passages on Troilus's suffering (5.218-38, 540-53, 1674-1722) reveals an intensification of emotion through "rhetorical figures of compression and repetition and by cascades of rhyme sounds within the rhyme royal forms." The…

Chickering, Howell.   T. L. Burton and John F. Plummer, eds. "Seyd in Forme and Reverence": Essays on Chaucer and Chaucerians in Memory of Emerson Brown, Jr. (Provo, Utah: Chaucer Studio Press, 2005), pp. 3-18.
Close reading of the GP description of the Monk shows how a "complex interaction of the reader with Chaucer's text" produces a more satisfactory reading than does the positing of a naive narrator.

Chickering, Howell.   Susan Yager and Elise E. Morse-Gagné, eds. Interpretation and Performance: Essays for Alan Gaylord (Provo, UT: Chaucer Studio Press, 2013), pp. 49-63.
Chaucer's poetry should be declaimed or at least heard with the "mind's ear." His decasyllabic couplets, once dismissed by critics as "riding rhyme" and even confused with the doggerel of Th, are "eminently playable," offering a variety of…

Chickering, Howell.   Jenny Adams and Nancy Mason Bradbury, eds. Medieval Women and Their Objects (Ann Arbor: University of Michigan Press, 2017), pp. 56-68.
Focuses on materiality and objects in PrT, specifically the corpse, the antiphon, and the "greyn," and their "transcendence of the miraculous object." Claims that these objects illustrate Carolyn Bynum's notion of material objects involved in…

Chicote, Gloria B.   Lillian von der Walde Moheno, ed. Propuestas teórico-metodológicas para el estudio de la literatura hispnica medieva. (Mexico: Universidaad Nacional AutÑnoma de Mxico, 2003), pp. 165-89.
Three features characterize the collections of tales of Don Juan Manuel, Boccaccio, and Chaucer, especially as they relate to cultural context: marks of realism or authentication, thematic concern with unity and diversity, and the presence of the…

Chidora, Tanaka.   Because Sadness Is Beautiful (Chitungwiza, Zimbabwe: Mwanaka, 2019), p. 78.
Twenty-seven-line poem in which the appearance of Chaucer in a classroom triggers an epiphany.
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