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Wikked Wyves and Blythe Bachelers: Secular Misogamy from Juvenal to Chaucer.
Wilson, Katharina Margit.
Ph.D. Dissertation. University of Illinois, Urbana-Champaign, 1980. Dissertation Abstracts International A41.11. Fully accessible via ProQuest Dissertations & Theses (accessed 3/13/2026).
Assesses secular misogamy as a topos "exploited in early Western literature for two fundamental purposes: propaganda and entertainment," dividing it into four categories: Pagan, Ascetic, Philosophic, and General. Discusses WBP in the latter category…
Wikipedia
[Wikimedia Foundation, 2001]. Updated recurrently.
User-generated online encyclopedia that includes a variety of links to information pertaining to Chaucer, his language, works, sources, influences, and social and literary contexts, composed by users both expert and amateur, but subject to…
Wifely Eye for the Manly Guy: Trading the Masculine Image in the Shipman's Tale
Crocker, Holly A.
T. L. Burton and John F. Plummer, eds. "Seyd in Forme and Reverence": Essays on Chaucer and Chaucerians in Memory of Emerson Brown, Jr. (Provo, Utah: Chaucer Studio Press, 2005), pp. 59-73.
The wife in ShT refuses to submit to the "comprehensive masculine dominance" of the competitive world of her husband and the monk. The two men understand their manliness in terms of the "image of potency"; like commerce, manliness is based on…
Wife's Prologue/Christine
Newman, Barbara.
Medieval Feminist Newsletter 9 (1990): 18.
Brief comments about "pairing" WBP and Christine de Pizan in the classroom; mentions the Wife's "deliberate misreading, invective, and outright mockery" of misogynistic writing, and Chaucer's irony that "slices Jerome and the Wife with a single…
Wife-Swapping in Medieval Literature
Mann, Jill.
Viator 32 : 92-112, 2001.
Contrasts FranT with analogous medieval accounts of wife exchange to argue that Chaucer's "unusual" version "testifies to Arveragus's regard for his wife and to Aurelius's regard for Averagus's regard for his wife." Other versions testify to male…
Wife of Bath, Pardoner and 'Sir Thopas': Pre-Texts and Para-Texts
Taylor, Paul Beekman.
Udo Fries, ed. The Structure of Texts (Tubingen: Narr, 1987), pp. 123-32.
Among the many "para-texts," or "refigurings" of material from other tales in CT, we find WBT, PardT, and Th, which refract, "correct," and refigure each other.
Wife of Bath and the Rhetoric of Enchantment; Or, How to Make a Hero See in the Dark.
Silverstein, Theodore.
Modern Philology 58 (1961): 153-73.
Characterizes the Wife of Bath through a sustained, appreciative summary of and commentary on WBP and, more extensively, WBT, showing that "Comic exaggeration is her forte, but tempered by delicate play and a fatal aim, the more precise for being…
Wife and Widow in Medieval England
Walker, Sue Sheridan.
Ann Arbor: University of Michigan Press, 1993.
Eight historical and legal essays by various hands, including two of potential value to Chaucer studies, especially treatments of WBPT: Barbara A. Hanawalt, "Remmarriage as an Option for Rural Widows in Late Medieval England"; and Richard M.…
Wie Lautet der Erste Vers der 'Canterbury Tales'?
Standop, Ewald.
Anglistik 8 (1997): 65-67.
Assesses the meter of line 1 of CT.
Widow-to-Be: May in Chaucer's 'The Merchant's Tale'
Hallissy, Margaret.
Studies in Short Fiction 26 (1989): 295-304.
During the Middle Ages, widowhood usually brought legal, social, and economic benefits. Although the Wife of Bath makes calculated use of these advantages, May in MerT foolishly jeopardizes her inheritance. Fertility lore indicates that she is…
Wicked Words.
Deary, Terry.
London: Scholastic, 1996.
Includes a brief comical introduction to Chaucer's poetry and a modernized selection from the conclusion to NPT, with b&w illustrations by Philip Reeve.
Why We Should Teach--and Our Students Perform--The Legend of Good Women
Tolhurst, Fiona.
Gail Ashton and Louise Sylvester, eds. Teaching Chaucer (New York and Basingstoke: Palgrave Macmillan, 2007), pp. 46-64.
Describes procedures for incorporating student performances of portions of LGW into classroom activities and using these performances to help students evaluate other Chaucerian texts.
Why We Can't Stop Fighting about Chaucer's Man of Law.
Erwin, Bonnie J.
Enarratio 20 (2016): 41-66.
Argues that MLT and MLE are "fundamentally concerned with the transmission of affect." The tale "dramatizes how affect operates as a physical force that realigns individual and collective identities," while the narrator's style, combined with…
Why the Prioress's Gauds are Green
Rex, Richard.
University of Mississippi Studies in English 6 (1988): 17-28.
By the choice of the colors coral and green, Chaucer has turned a respected religious ritual into one of earthly desire.
Why the Prioress Sings Through Her Nose
Rex, Richard.
Richard Rex. "The Sins of Madame Eglentyne" and Other Essays on Chaucer (Newark, N.J.: University of Delaware Press; London: Associated University Presses, 1995), pp. 69-77.
Identifies a medieval tradition in which singing through the nose is a "sign of weak faith and lack of devotion," contributing to the satire of the Prioress in her GP sketch.
Why the Monk?
Wenzel, Siegfried.
Peter S. Baker and Nicholas Howe, eds. Words and Works: Studies in Medieval English Language and Literature in Honour of Fred C. Robinson (Toronto, Buffalo, and New York: University of Toronto Press, 1998), pp. 261-69.
Surveys attempts to explain how MkT is appropriate to the Monk as teller, and cites examples from monastic preaching of associations of "the monastic profession and an interest in historical examples of misfortune."
Why the Devil Wears Green.
Robertson, D. W., Jr.
Modern Language Notes 69 (1954): 470-72.
Suggests that Pierre Bersuire's account--"or one like it"--of a hunter-devil dressed in green may account for Chaucer's similar description in FrT 3.1382ff.
Why Stay at the Tabard? Public Inns and Their Amenities c. 1400.
Carlin, Martha.
Studies in the Age of Chaucer 40 (2018): 413–21.
Distinguishes among taverns, alehouses, and public inns, providing historical evidence that the latter were in Chaucer's day a "new institution," and maintaining that his setting of the opening of GP in an inn engages an emergent social culture,…
Why Not 'This Criseyde'?
Takahashi, Hisashi.
Michio Kawai, ed. Language and Style in English Literature: Essays in Honour of Michio Masui. The English Association of Hiroshima (Tokyo: Eihosha, 1991), pp. 374-91.
Examines why the expression "this Criseyde" never occurs in TC, from the viewpoints of accent, stress, syllable, rhyme, spelling, and form. Statistically compares lines containing the words "Criseyde," "Troilus," and "this."
Why Men Cry "Seynt Barbara."
Bennett, J. A. W.
Review of English Studies 13.51 (1962): 283.
Suggests that "gonne" rather than "goune" is the correct reading in "O mosy Quince," a lyric ascribed to Chaucer in Cambridge, Trinity College MS 3.19 (no. 49); supports the reading by identifying St. Barbara, cited in the poem, as "patron saint of…
Why Marquis Walter Treats His Wife So Badly
Green, Richard Firth.
ChauR 47.1 (2012): 48-62.
Presents a version of the Griselda story from Thomas III, Marquis of Saluzzo (c. 1355-1416) in "Le chevalier errant," and analyzes how fourteenth-century audiences would have reacted to Chaucer's version in ClT. Includes a translation of Thomas's…
Why Is It the Tale of 'The Wife of Bath'?
Miyoshi, Yoko.
Hisashi Shigeo, et al., eds. The Wife of Bath (Tokyo: Gaku Shobo, 1985), pp. 30-47.
From the viewpoint of a history of social economics, Miyoshi explains why the poet chooses Bath as the Wife's place and shows that it was not unusual to to marry five times.
Why is Dona Endrina a Widow? : Traditional Culture and Textuality in the 'Libro de Buen Amor'
Vasvari, Louise.
Louise Mirrer, ed. Upon My Husband's Death: Widows in Literature and Histories of Medieval Europe (Ann Arbor: University of Michigan, 1992), pp. 259-87.
Acknowledges the Wife of Bath and Criseyde as different kinds of widows in the tradition of literary widowhood that underlies the Dona Endrina episode in Juan Ruiz's Libro de Buen Amor.
Why Does the Miller's Tale Take Place on Monday?
Hirsh, John C.
English Language Notes 13 (1975): 89-90.
In forecasting Monday as the date of the flood, Nicholas seized on John's belief in current superstitions of the day's ill reputation, due both to its etymological association with the unstable moon and to the tradition of certain "perilous Mondays,"…
Why Does Chaucer's Manciple Tell a Tale About a Crow?
Phillips, Helen.
Nottingham Medieval Studies 54 (2010): 113-19.
Phillips explores the proverbial and biblical background to ManT, identifying links between its plot and its teller, an untrustworthy servant. In popular tradition, crows were regarded as unfaithful servants and unreliable messengers, an association…
