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              <text>Windeatt, Barry.</text>
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              <text>Critical Survey 30.2 (2018): 74-93. </text>
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              <text>mea; SAC 42:106</text>
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                <text>Chaucer's Tears.</text>
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                <text>Considers tears in devotional contexts as a model for viewing tears "as a mode of discourse that is as potent as it is paradoxical: both outward and inward, involuntary and applied, and forming a distinctive voice between passive and active."</text>
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              <text>Friedrich, Jennie.</text>
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              <text>In James L. Smith, ed. The Passenger: Medieval Texts and Transits ([Santa Barbara, Calif.]: Punctum, 2017), pp. 35-52. </text>
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              <text>The Passenger: Medieval Texts and Transits.</text>
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              <text>Troilus and Criseyde&#13;
Style and Versification</text>
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              <text>mea; SAC 42:217</text>
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                <text>"Concordia discors": The Traveling Heart as Foreign Object in Chaucer's "Troilus and Criseyde."</text>
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                <text>Explores relations among imagery of hearts, transplanting, "bodily estrangement," and travel in TC, focusing on Criseyde, her brooch, her dream of the eagle, her departure from Troy, and how she "begins to embody foreignness by the end of the narrative."</text>
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              <text>Schneider, Thomas R.</text>
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              <text>In James L. Smith, ed. The Passenger: Medieval Texts and Transits ([Santa Barbara, Calif.]: Punctum, 2017), pp. 115-29. </text>
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              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 42:205</text>
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                <text>Chaucer's Physics: Motion in "The House of Fame." </text>
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                <text>Addresses "Chaucer's engagement with the concept of movement" in HF, exploring how three scenes of motion (the eagle's descent, the eagle's lecture on movement and sound, and the whirling House of Rumor) engage with William of Ockham's "Brevis summa libri physicorum" and his "Expositio in libros physicorum Aristotelis."</text>
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              <text>Wright, Sarah Breckenridge.</text>
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              <text>In James L. Smith, ed. The Passenger: Medieval Texts and Transits ([Santa Barbara, Calif.]: Punctum, 2017), pp. 93-114.</text>
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              <text>The Passenger: Medieval Texts and Transits.</text>
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              <text>Canterbury Tales--General</text>
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              <text>mea; SAC 42:120</text>
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                <text>Building Bridges in Canterbury.</text>
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            <description>An account of the resource</description>
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                <text>Combines ecocriticism and mobility studies to address the "medieval bridge as an icon of hybridity: a cultural artifact that commingles human/animal movement, architectural stasis, and the natural world (blood, stone, and water)." Then explores how the pilgrimage motif and the "literal and metaphorical bridges" in the frame narrative of CT suggest "an emerging category of geographically-determined identity in the fourteenth century" that is dialectical and "fundamentally hybrid."</text>
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              <text>Smith, James L., ed.</text>
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              <text>.[Santa Barbara, Calif.]: Punctum, 2017.</text>
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              <text>133 pp. b&amp;w illus.</text>
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              <text>mea; SAC 42:103</text>
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                <text>The Passenger: Medieval Texts and Transits.</text>
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            <description>An account of the resource</description>
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                <text>Offers six essays that treat medieval texts "as transit systems in which we can glimpse the mobility of objects, figures, mentalities, tropes and other 'matter' in vibrant intermediate networks." For three essays that pertain to Chaucer, search for The Passenger: Medieval Texts and Transits under Alternative Title.</text>
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              <text>Smilie, Ethan K., and Kipton D. Smilie.</text>
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              <text>Midwest Quarterly: A Journal of Contemporary Thought 58 (2017): 349-70. </text>
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              <text>Midwest Quarterly: A Journal of Contemporary Thought 58 (2017)&#13;
Midwest Quarterly 58 (2017)</text>
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              <text>Background and General Criticism&#13;
Clerk and His Tale&#13;
Prioress and Her Tale&#13;
Canon's Yeoman and His Tale</text>
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              <text>mea; SAC 42:102</text>
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                <text>Pedagogical Perseverance Past and Present: Chaucer Grades Grit.</text>
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                <text>Assesses the "merits and drawbacks" of teaching "grit" (i.e., the "ability to work hard and diligently for long-term goals") as a pedagogical goal, comparing modern notions with Thomistic "studiositas" and "curiositas" and assessing three "gritty students" depicted in CT, their dedication to learning representing a moral range: the misguided Canon's Yeoman, the idealized clergeon of PrT, and the ambiguous Clerk. Maintains that modern pedagogical theorists are beginning to recognize a similar range.</text>
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              <text>Seki, Shogun.</text>
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                <text>One Century of Chaucer Study in Japan.</text>
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              <text>Saunders, Corrine.</text>
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              <text>In Stephanie M. Hilger, ed. New Directions in Literature and Medicine Studies (London: Palgrave Macmillan, 2017), pp. 119-41. </text>
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              <text>Book of the Duchess&#13;
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Legend of Good Women&#13;
Knight and His Tale&#13;
Man of Law and His Tale&#13;
Clerk and His Tale</text>
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                <text>Mind, Breath, and Voice in Chaucer's Romance Writing.</text>
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                <text>Identifies where "[a]cross his writings . . . Chaucer treats mind, body, and affect in sophisticated ways that go far beyond convention," focusing particularly on lovelorn knights in BD, KnT, and TC, and swooning women in ClT, MLT, and LGW. Argues that classical and medieval medical theory can "enrich current clinical understandings" of mind-body connections in medical humanities.</text>
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              <text>Salter, Elisabeth.</text>
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              <text>English: The Journal of the English Association 67 (2018): 163-80. </text>
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English 67 (2018)</text>
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                <text>Shows how Chaucer's oeuvre offers many glimpses of readers' and listeners' encounters with the written word, but that last wills and testaments offer more direct insights into "the ways the majority of people interacted with and interpreted 'English' (i.e. literature) in this era."</text>
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              <text>Salisbury, Eve.</text>
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              <text>The New Middle Ages</text>
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                <text>Chaucer and the Child.</text>
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                <text>Seeks to complicate--even replace--the figure of Father Chaucer with Child Chaucer, examining children in Chaucer's works, along with figures of childishness, playfulness, and childlikeness, exploring the poet's uses of and resistance to traditional categories and expectations of age in order to disclose the agency of children and their productive vitality. Considers motifs of speech, speechlessness, original sin, education, nascent erotic desire, and the "queer temporality" of wise children and childish adults in Chaucer's corpus, addressing an extensive variety of works, and attending to major and minor characters, allusions, literary relations, the portrait of Chaucer in MS Bodley 686, the "tumultuous age-conscious sociopolitical milieu" of Richard II, and medieval and modern notions of childhood.</text>
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              <text>Rayborn, Tim.</text>
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              <text>v, 249 pp. </text>
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              <text>England: The Turbulent 14th Century, and the Writings of Chaucer, Langland and Gower.</text>
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              <text>Friar and His Tale&#13;
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              <text>mea; SAC 42:96</text>
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              <text>2014</text>
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                <text>Against the Friars: Antifraternalism in Medieval France and England.</text>
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                <text>Describes the history and reception of friars in France and England from their inception to c. 1400, with a chapter on late fourteenth-century English literary responses: "England: The Turbulent 14th Century, and the Writings of Chaucer, Langland and Gower" (pp. 117-33). Includes discussion of the GP description of the Friar ("stops short of outright condemnation") and a summary paraphrase of SumT that emphasizes its satiric elements, wheel imagery, and concern with glossing.</text>
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                <text>Blushing, Paling, Turning Green: Hue and Its Metapoetic Function in "Troilus and Criseyde."</text>
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                <text>Argues that hue or skin tone "makes skin visible in texts that do not explicitly mention it" and serves to act as an indicator of narrative structure, emotional interactions, and generic conventions of romance in TC.</text>
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              <text>In Nicole Nyffenegger and Katrin Rupp, eds. Writing on Skin in the Age of Chaucer (Berlin: De Gruyter, 2918), pp. 221-49.</text>
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Physician and His Tale</text>
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              <text>mea; SAC 42:157</text>
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                <text>Reconstructing the Pardoner: Transgender Skin Operations in Fragment VI.</text>
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            <description>An account of the resource</description>
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                <text>Uses Judith Butler's transgender theory to read the skin of the Pardoner as an example of cooperative agency resulting in a reconstructed identity, in contrast to the surgically enforced violence of cutting off Virginia's head in PhyT in order to maintain her gender identity as a virgin. Claims that both virgins and castrates have their identities shaped through "the co-operation of a person's agency with associations written within and on their skin."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Rhodes, Sharon E.</text>
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              <text>In Nicole Nyffenegger and Katrin Rupp, eds. Writing on Skin in the Age of Chaucer (Berlin: De Gruyter, 2918), pp. 77-94.</text>
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              <text>Writing on Skin in the Age of Chaucer.</text>
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              <text>Summoner and His Tale</text>
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            <elementText elementTextId="2832548">
              <text>mea; SAC 42:149</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2832549">
              <text>2018</text>
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            <name>Title</name>
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              <elementText elementTextId="2832542">
                <text>Legible Leprosy: Skin Disease in the "Testament of Cresseid," Chaucer's Summoner, and "Amis and Amiloun."</text>
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                <text>Argues that leprosy was seen in the later Middle Ages as a "broad category of skin diseases rooted in sin." Suggests that Robert Henryson's Cresseid, Chaucer's Summoner, and Amiloun were questionable characters whose diseased skins can be viewed as "texts" indicating their iniquities.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Magnani, Roberta.</text>
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            <elementText elementTextId="2832538">
              <text>In Nicole Nyffenegger and Katrin Rupp, eds. Writing on Skin in the Age of Chaucer (Berlin: De Gruyter, 2918), pp. 195-219.</text>
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              <text>Wife of Bath and Her Tale&#13;
Manuscripts and Textual Studies</text>
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            <elementText elementTextId="2832540">
              <text>mea; SAC 42:146</text>
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              <text>Writing on Skin in the Age of Chaucer.</text>
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                <text>Queer Skin in the Wife of Bath's Prologue and Its Manuscript Glosses.</text>
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                <text>Demonstrates how the Wife of Bath's resistance to "straight" clerical exegesis is reflected in her skin's rejection of violently enforced "cutaneous legibility" and the forced reading of her "seinte Venus seel" as an innate and legible marker of her corruption. Claims, rather, that Alisoun's skin is like a manuscript palimpsest, in that essentialist gender binary is overwritten with queer possibility.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Sweany, Erin E.</text>
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            <elementText elementTextId="2832530">
              <text>In Nicole Nyffenegger and Katrin Rupp, eds. Writing on Skin in the Age of Chaucer (Berlin: De Gruyter, 2918), pp. 119-44.</text>
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            <elementText elementTextId="2832531">
              <text>Writing on Skin in the Age of Chaucer.</text>
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              <text>Cook and His Tale</text>
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            <elementText elementTextId="2832533">
              <text>mea; SAC 42:133</text>
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              <elementText elementTextId="2832527">
                <text>The Cook's "Mormal": Reading Disease, Doubt, and Deviance on the Body of Chaucer's Cook.</text>
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                <text>Reads the Cook's ulcer as potential leprosy in an effort to show how such signs on the skin act as points of uncertainty that impact the relationships among the pilgrims.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Cox, Catherine S.</text>
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            <elementText elementTextId="2832523">
              <text>In Nicole Nyffenegger and Katrin Rupp, eds. Writing on Skin in the Age of Chaucer (Berlin: De Gruyter, 2918), pp. 97-118.</text>
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        <element elementId="102">
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            <elementText elementTextId="2832524">
              <text>General Prologue to the Canterbury Tales&#13;
Cook and His Tale&#13;
Wife of Bath and Her Tale&#13;
Summoner and His Tale</text>
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              <text>mea; SAC 42:122</text>
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              <text>Writing on Skin in the Age of Chaucer.</text>
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                <text>Chaucer's Ethical Palimpsest: Dermal Reflexivity in the "General Prologue."</text>
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              <elementText elementTextId="2832521">
                <text>Reasons that just as a parchment leaf bears traces of its animal origins and can bear evidence of writing and rewriting, Chaucer writes the Summoner, the Cook, and the Wife of Bath with attention to their skins and the ways in which they communicate "traces and residual echoes" of their complex behaviors and preoccupations.</text>
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              <text>Nyffenegger, Nicole, and Katrin Rupp, eds.</text>
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              <text>Berlin: De Gruyter, 2018.</text>
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              <text>vii, 273 pp.</text>
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              <text>Rupp, Katrin, eds.&#13;
Robertson, Elizabeth.</text>
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              <text>Background and General Criticism&#13;
Manuscripts and Textual Studies</text>
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                <text>Writing on Skin in the Age of Chaucer.</text>
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                <text>Includes nine essays based on presentations at the 2014 New Chaucer Society Nineteenth International Congress in Reykjavík. Sets up a theoretical framework for the exploration of "the textuality of human skin" and "the relations between text, parchment, and skin," which includes parallels between parchment-making and skin transformations, parchment as an intersection of the human and the animal, and parchment and human skin as sites of identity production. The volume is organized into three parts: "Reading Diseased Skin," "Textual Skins," and "Writing Dermal Identities." In the Afterword, Elizabeth Robertson focuses attention on the materiality of skin and connects the essays to thematic concerns in cultural and theological studies such as the abject, death, queer and transgendered identities, and the theological linking of the "word" and flesh. For six essays that pertain to Chaucer, search under Writing on the Skin in the Age of Chaucer under Alternative Title.</text>
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              <text>Tagaya, Yuko.</text>
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              <text>In Yuko Tagaya, ed. Chaucer, Arthur, and Medieval Roman III (Koshigaya: Hon-no-Shiro, 2018), pp. 127-75.</text>
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              <text>Chaucer, Arthur, and Medieval Roman III.</text>
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Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 42:162</text>
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                <text>The "Pardoner's Tale" in Chaucer's "Canterbury Tales": An Examination of Its Analogues in Japan.</text>
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                <text>Introduces Japanese analogues of PardT dating from the seventeenth or eighteenth century, and compares them with their Chinese and Indian ancestors, in order both to hypothesize the genealogies and to trace the change of motifs through transmission. In Japanese.</text>
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Troilus and Criseyde&#13;
Legend of Good Women&#13;
Wife of Bath and Her Tale&#13;
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                <text>Includes essays exploring connections among Chaucer's works, courtly life, and Arthuriana. For two essays that pertain to Chaucer, search for Chaucer, Arthur, and Medieval Roman III under Alternative Title. In Japanese, except for Chapters 1-3.</text>
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                <text>Notes that the canonizing of Chaucer can have the effect of making him less challenging, blunting the force of his concern for the all-importance of "trouthe" and compassion, issues that "every person in every age" must face.</text>
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              <text>Mestheneou, Katerina.</text>
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Chaucer's Life</text>
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              <text>Geoffrey Chaucer, Writer of the First Great Works in English.</text>
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                <text>Item not seen. WorldCat records indicate that the volume is intended for a juvenile audience and includes narrative accounts of the lives and works of Chaucer, Shakespeare, Charles Dickens, Victor Hugo, Leo Tolstoy, and Rudyard Kipling. The Chaucer section (pp. 7–19) is entitled "Geoffrey Chaucer, Writer of the First Great Works in English."</text>
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              <text>In Alison Langdon, ed. Animal Languages in the Middle Ages: Representations of Interspecies Communication (New York: Palgrave Macmillan, 2017), pp. 217-34.</text>
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                <text>Departs from purely functional or allegorical approaches to the whelp in BD by situating the narrative's portrayal of canine-human relations within the field of critical animal studies. Establishes the role of the whelp in rectifying human dysfunction by focusing on problems of identity and communication and drawing on literary, as well as sociological, frameworks (e.g., modern prison rehabilitation programs). The uncanny communicative bond between whelp and dreamer reveals a "motion away from subhuman singularity and toward humane community."</text>
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Squire and His Tale</text>
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                <text>Analyzes the speech of Chaucer's birds and claims that Chaucer "endows the avian world with a series of communicative strategies as diverse as--and profoundly linked to--his own poetic strategies." Looks at SqT, GP, and PF.</text>
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