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              <text>Lee, J. Seth.</text>
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              <text>In The Discourse of Exile in Early Modern English Literature (New York: Routledge, 2017), pp. 15-33. </text>
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              <text>The Discourse of Exile in Early Modern English Literature.</text>
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              <text>Man of Law and His Tale&#13;
Sources, analogues, and Literary Relations</text>
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              <text>mea; SAC 42:137</text>
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                <text>The Wretched Constance: Defining a "Mens exili."</text>
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                <text>Treats Nicholas Trevet's, John Gower's, and Chaucer's tales of Constance as seriatim clarifications of "mens exili" (the mind of exile) in preparation for discussing relations between "exilic experience" and "national formation and nationalistic subjectivity" in early modern English literature. In MLT, Custance has less agency, is more "wrecched," and is more a marginalized "stranger" than Gower's character or Trevet's, but she is a more powerful figure of religious transformation--perhaps Chaucer's comment on Wycliffite heterodoxy.</text>
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              <text>Cady, Diane.</text>
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              <text>New Medieval Literatures 17 (2017): 115-49.</text>
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Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 42:136</text>
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                <text>Damaged Goods: Merchandise, Stories and Gender in Chaucer's "Man of Law's Tale."</text>
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                <text>Explores medieval analogies between "storytelling and merchandizing" and how both relate to gender in MLT, clarifying connections between the travel narrative, its rhetoric, and the poverty prologue, and commenting on source and analogue relations. Also links the "aversion to incest" in MLP with "anxieties about poetic property," attributing the latter to Chaucer  rather than to the Man of Law.</text>
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              <text>Akbari, Suzanne Conklin.</text>
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              <text>Middle Eastern Literatures 20.1 (2017): 2-17.</text>
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              <text>Background and General Criticism&#13;
Man of Law and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 42:135</text>
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                <text>Modeling Medieval Literature.</text>
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                <text>Explores three "models" for considering medieval studies in the context of world literatures--"Mediterraneans," "distant reading," and "moving things"--using the last to compare MLT and the Ethiopian "Kebra nagast" and assess "Mandeville'sTravels" and the "Travels of Ibn Battuta." In each, someone or something (God's message in MLT) relocates, catalyzing the transformative effect" of leaving the initial location in the past and launching the new location "into a powerful present and a dynamic future."</text>
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              <text>Taylor, Joseph. </text>
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              <text>Chaucer Review 53.2 (2018): 178-93.</text>
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              <text>Chaucer Review 53 (2018)</text>
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              <text>Cook and His Tale</text>
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              <text>mea; SAC 42:134</text>
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                <text>Quiet Riot: A Politics of Noise in the "Cook'sTale."</text>
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                <text>Explores the urban management of sound as found in CkT as a reflection of Chaucer's attitudes toward popular noise in London.</text>
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              <text>Edwards, A. S. G. </text>
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              <text>Notes and Queries 262 (2017): 220-21.</text>
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              <text>Cook and His Tale&#13;
Manuscripts and Textual Studies</text>
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              <text>mea; SAC 42:132</text>
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                <text>Chaucer's "Cook's Tale," 4422.</text>
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                <text>Encourages editors to adopt the manuscript variant "his" (rather than "hir") at the end of the Cook's fragment (CkT 1.4422), which would indicate that the wife prostituted herself "not to make her own living, but in order to provide money for her husband."</text>
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              <text>Parsons, Ben.</text>
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              <text>Chaucer Review 53.1 (2018): 3-35.</text>
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              <text>Chaucer Review 53 (2018)</text>
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              <text>Miller and His Tale</text>
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              <text>mea; SAC 42:131</text>
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                <text>Trouble at the Mill: Madness, Merrymaking, and Milling.</text>
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            <description>An account of the resource</description>
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                <text>Examines the role of the mill in northern Europe as a site of merry-making and festival that newly informs Chaucer's Miller and MilT.</text>
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              <text>Brown, Alfie.</text>
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Language and Word Studies&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Argues that, rooted in "animality" that is "carefully performed and constructed," the humor of MilT "functions to erect a conception of humanity over and against the ostracized and inferior semi-human." The Miller performs his animality, and, abjecting Absolon through laughter, Alisoun and Nicholas establish a hierarchy and take the "position of superior 'human.'" Comments on suggestive language in the tale and connections with Boccaccio's "Decameron," 7.1, displaying ways that "laughter [is] always unequal."</text>
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              <text>mea; SAC 42:129</text>
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                <text>"They weren no thing ydel": Noblemen and Their Supporters in Chaucer's "Knights Tale."</text>
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                <text>Considers KnT alongside didactic texts of the period to clarify how chivalric loyalty controls and ties men together.</text>
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Nakao, Yoshiyuki&#13;
Kawano, Noriyuki&#13;
Satoh, Kenichi</text>
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Manuscripts and Textual Studies&#13;
Facsimiles, Editions, and Translations</text>
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              <text>mea; SAC 42:128</text>
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              <elementText elementTextId="2832792">
                <text>Textual Variations and Readings among the Manuscripts and Editions of "The Canterbury Tales": With Special Reference to "The Knight's Tale." </text>
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              <elementText elementTextId="2832793">
                <text>Examines linguistic features of Pynson's and de Worde's editions of KnT and discusses similarities to and difference from each other, Caxton's editions, and the Ellesmere and Hengwrt manuscripts.</text>
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              <name>Title</name>
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              <text>Matthews, Ricardo.</text>
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        <element elementId="98">
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              <text>Chaucer Review 53.2 (2018): 152-77.</text>
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              <text>Chaucer Review 53 (2018)</text>
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            <elementText elementTextId="2832789">
              <text>Knight and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Style and Versification</text>
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              <text>mea; SAC 42:127</text>
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        <element elementId="114">
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            <elementText elementTextId="2832791">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2832784">
                <text>Arcite's Overheard Song: "The Knight's Tale" and the Prosimetrum "Tristan en prose."</text>
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            <description>An account of the resource</description>
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                <text>Explores prosimetrum in the Arthurian "Tristan en prose" as a way to understand Palamon's actions after he overhears Arcite's "formally elegant rondeau" in KnT 1.1510ff.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <text>Maslanka, Christopher.</text>
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              <text>Journal of Religion &amp; Literature 49,3 (2017): 101-20.</text>
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              <text>Miller and His Tale&#13;
Wife of Bath and Her Tale</text>
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              <text>mea; SAC 42:125</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2832783">
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            <name>Title</name>
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              <elementText elementTextId="2832776">
                <text>"Ȝhat art þou?" Spiritual Identity and Category Confusion in the South English Legendary's Life of St. Christopher.</text>
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            <description>An account of the resource</description>
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                <text>Discusses the connection between physicality and personality in St. Christopher's hagiography in the "South English Legendary" and, in expanding this connection, uses Chaucer's descriptions of the Miller and the Wife of Bath in GP as additional examples.</text>
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              <name>Title</name>
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              <text>Hannis, Grant.</text>
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        <element elementId="98">
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              <text>In Sue Joseph and Richard Keeble, eds. Profile Pieces: Journalism and the "Human Interest" Bias (New York: Routledge, 2016), pp. 17-29. </text>
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              <text>Joseph, Sue, ed.&#13;
Keeble, Richard. ed.</text>
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              <text>Profile Pieces: Journalism and the "Human Interest" Bias.</text>
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              <text>General Prologue to the Canterbury Tales&#13;
Style and Versification&#13;
Knight and His Tale&#13;
Squire and His Tale&#13;
Prioress and His Tale</text>
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            <elementText elementTextId="2832774">
              <text>mea; SAC 42:124</text>
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                <text>The Pre-History of Proles, 1380-1800: Chaucer, News Ballads, the English Civil War and Boswell.</text>
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                <text>Opens a volume of essays on the journalistic practice of "painting a picture [of a person] in words," including discussion of the depiction of a "cross-section of Chaucer's contemporary English society" in CT--in GP and elsewhere--with particular attention to the "pen portraits" of the Knight, Miller, and Prioress as they reveal "the real-world mores and concerns" of Chaucer's time.</text>
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              <name>Title</name>
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              <text>Clark, Roy Peter.</text>
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            <elementText elementTextId="2832762">
              <text>In The Art of X-Ray Reading: How the Secrets of 25 Great Works of Literature Will Improve Your Writing (New York: Little, Brown, 2016), pp. 149-59.</text>
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              <text>General Prologue to the Canterbury Tales&#13;
Style and Versification</text>
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              <text>mea; SAC 42:122</text>
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          <name>Date</name>
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            <elementText elementTextId="2832766">
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                <text>X-Raying Chaucer: Pointing the Way.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2832760">
                <text>Reads the opening of GP (lines 1–18) as a periodic sentence that "builds to a main clause near its end," describes its thematic concern with rebirth and regeneration, and explores the possibility of regarding weather as character or as a metaphor in GP 1–18 and in the opening of Dickens's "Bleak House." Closes with several "Lessons" for creative writers derived from the reading.</text>
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              <text>Carlin, Martha.</text>
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              <text>Studies in the Age of Chaucer 40 (2018): 413–21.</text>
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              <text>mea; SAC 42:121</text>
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                <text>Why Stay at the Tabard? Public Inns and Their Amenities c. 1400.</text>
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                <text>Distinguishes among taverns, alehouses, and public inns, providing historical evidence that the latter were in Chaucer's day a "new institution," and maintaining that his setting of the opening of GP in an inn engages an emergent social culture, innovative in its amenities and diversity.</text>
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              <text>Williams, Tara.</text>
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              <text>University Park: Penn State University Press, 2018.&#13;
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              <text>viii, 176 pp.</text>
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Wife of Bath and Her Tale&#13;
Squire and His Tale</text>
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                <text>Middle English Marvels: Magic, Spectacle, and Morality in the Fourteenth Century.</text>
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                <text>Presents a multidisciplinary "theory of the marvelous" in Middle English literature. Focuses on how fourteenth-century texts, including CT, "represent a coherent and previously unrecognized theory of the marvelous, one focused on the intersection of the magical, the spectacular, and the moral." Discusses how Chaucer's focus on morality in CT, with special emphasis in WBT and SqT, also represents his "spectacles of language."</text>
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Sources, Analogues, and Literary Relations&#13;
</text>
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                <text>Mimesis on Trial: Legal and Literary Verisimilitude in Boccaccio's "Decameron." </text>
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                <text>Makes the case that Boccaccio responds in the many trial scenes of the "Decameron" to contemporary concerns about verisimilitude in judicial proceedings. Claims that Boccaccio shifts in the role of judicial figures from mediators to determiners of fact in an inquisitorial model, providing a pattern that Chaucer follows in CT.</text>
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              <text>Peck, Russell A.</text>
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              <text>In Craig M. Nakashian and Daniel P. Franke, eds. Prowess, Piety, and Public Order in Medieval Society: Studies in Honor of Richard W. Kaeuper (Boston, Mass.: Brill, 2017), pp. 344-67.</text>
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              <text>Nakashian, Craig M., ed.&#13;
Frankem Daniel P., ed.</text>
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              <text>Troilus and Criseyde&#13;
Canterbury Tales--General&#13;
Man of Law and His Tale&#13;
Parson and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
Manuscripts and Textual Studies</text>
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              <text>mea; SAC 42:116</text>
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        <element elementId="114">
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                <text>Chivalry and the Wise Watchman: A Study of Patience, Penance, and the Homeward Journey in Chaucer's "Canterbury Tales" and "Troilus and Criseyde." </text>
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                <text>Analyzes imagery of worthiness in TC and CT, compared with John Gower's "Mirour de l'omme," "Piers Plowman," and Geffroi de Charny's "Book of Chivalry." Focuses on patience, penance, pilgrimage, and the "timing for one's acts," exploring uses of Dante's "Paradiso" in TC, and analyzing Harry Bailly as time-keeper in CT (especially MLP), a role in which the Parson eventually replaces him (in ParsP), signaled by references to the biblically auspicious tenth hour. Rejects editorial emendation of "Ten" to "Foure" at ParsP 10.5.</text>
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              <text>Kallas, Piotr.</text>
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              <text>In Magdalena Grabowska, Grzegorz Grzegorczyk, and Piotr Kallas, eds. Narrativity in Action (Frankfurt am Main: Peter Lang, 2017), pp. 77-100.</text>
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              <text>Grabowska,Magdalena, ed.&#13;
Grzegorczyk, Grzegorz, ed.&#13;
Kallas, Piotr, ed.</text>
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              <text>Narrativity in Action.</text>
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Chaucer's Influence and Later Allusion</text>
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              <text>mea; SAC 42:114</text>
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                <text>Distant Mirrors: Medieval London in the Narratives of Geoffrey Chaucer and Peter Ackroyd.</text>
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                <text>Describes (and reiterates) appreciation of Ricardian culture, exploring ways that Chaucer evokes a strong sense of contemporary London in CT and how, in "The Clerkenwell Tales," Peter Ackroyd evokes a similar sense of reality.</text>
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              <name>Title</name>
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              <text>Halbrooks, John.</text>
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        <element elementId="98">
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              <text>Essays in Medieval Studies 33 (2018): 1-9. </text>
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            <elementText elementTextId="2832713">
              <text>Essays in Medieval Studies 33 (2018)</text>
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              <text>Canterbury Tales--General&#13;
General Prologue to the Canterbury Tales&#13;
Manciple and His Tale</text>
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              <text>mea; SAC 42:113</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2832716">
              <text>2018</text>
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                <text>Bird Sounds and the Framing of "The Canterbury Tales." </text>
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            <description>An account of the resource</description>
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                <text>Argues that the birdsong of GP, line 9, and the silencing of the crow in ManT indicate "the permeable animal/human boundary" in CT, evidence of a mutual "soundscape" or a shared "acoustic community." Includes comments on avian and human communication elsewhere in CT.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Gillespie, Alexandra.</text>
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        <element elementId="98">
          <name>Published</name>
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                <text>Are the "Canterbury Tales" a Book?</text>
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                <text>Argues that in their ordering of Chaucer's text and in their various and dynamic forms, manuscripts of CT successfully instantiate Chaucer's dynamic idea of his text, the complex conditions for pre-print book production, and the disaggregated forms of the medieval codex. CT is thus shaped as an answer to the question posted by the title--Are the Canterbury Tales a book?--and to some of Chaucer's broader questions, about experience, authority, and the limits to human modes of knowing.</text>
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                <text>Uses CT and PF, among other texts, to examine the development and contemporary understanding of the concept of English Parliament.</text>
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              <text> A History of Food in Literature: From the Fourteenth Century to the Present.</text>
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                <text>Pilgrims and Partridges (1350-1550).</text>
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              <elementText elementTextId="2832685">
                <text>Includes discussion of food, drink, abstinence, feasting, gluttony, hunting, etc. in CT (pp. 35-52), observing Chaucer's consistent attention to moral and social implications, and comparing his depictions with those found in "Piers Plowman," "Sir Gawain and the Green Knight," and "The Book of Margery Kempe."</text>
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              <text>xi, 249 pp.</text>
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General Prologue to the Canterbury Tales&#13;
Franklin and His Tale</text>
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                <text>Chaucer's Gifts: Exchange and Value in the "Canterbury Tales." </text>
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                <text>Explores the "gift economy" and commercial culture of CT, and applies gift theory and economic anthropology to medieval literary criticism. Examines "gender of the gift," exchange of women, and gifts in GP. Chapter 6 focuses on the Franklin's gifts in FranT.</text>
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              <text>Website (2017). Available at https://opencanterburytales.dsl.lsu.edu/ (accessed March 7, 2020). Relocated 2025 at https://opencanterburytales.lsusites.org/</text>
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Godden, Richard H., ed. &#13;
Kline, Daniel T., ed.&#13;
Seaman, Myra, ed. </text>
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Bibliographies, Reports, and Reference</text>
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                <text>The Open Access Companion to the Canterbury Tales.</text>
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            <description>An account of the resource</description>
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                <text>Comprises thirty-six "introductory essays for first-time, university-level readers" of CT, written by more than thirty "professional scholars," covering GP and each of the tales (two each for KnT, WBPT, and MerT), the Host and frame, Chaucer's language, his life, social conditions of his time (two chapters), the manuscripts of CT, together with a symposium that includes twelve responses to reading Chaucer. Each essay is PDF-downloadable, with study questions and bibliography; many include hyperlinks to related online material. The website is searchable and freely accessible, includes a "User's Guide" and a site menu on each page, and promises to add materials in the future. For the individual essays, search for The Open Access Companion to the Canterbury Tales under Alternative Title.</text>
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Facsimiles, Editions, and Translations</text>
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                <text>Examines translations of Chaucer's name in light of Chinese traditions, specifically with regard to a family's values and wishes revealed through name choice.</text>
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