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              <text>Chaganti, Seeta.</text>
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              <text>Exemplaria 29 (2017): 314-30.</text>
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              <text>Style and Versification&#13;
Nun's Priest and His Tale&#13;
Sources, Analogues, and Literary Relations&#13;
House of Fame&#13;
Adam Scriveyn</text>
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              <text>mea; SAC 42:171</text>
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                <text>Avian Provocation: Roosters and Rime Royal in Fifteenth-Century Fable.</text>
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            <description>An account of the resource</description>
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                <text>Analyzes the "quotidian vocality of the medieval chicken yard" in John Lydgate's and Robert Henryson's versions of the "cock and jewel" fable, focusing on how avian vocality draws attention to the pace and meaning of the rhyme-royal verse form of the poems. Includes comments on Chaucer's "careful onomatopoeic distinctions" among Chauntecleer's "different vocalizations" in NPT, the eagle's vocality in HF, and the rhyme-royal form of Adam.</text>
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              <text>Rentz, Ellen K.</text>
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              <text>Notes and Queries 263 (2018): 172-74.</text>
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              <text>Notes and Queries 263 (2018)</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Tale of Melibee</text>
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              <text>mea; SAC 42:169</text>
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                <text>Lines from Chaucer's Melibee in an English Book of Hours, c. 1425-50.</text>
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            <description>An account of the resource</description>
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                <text>Argues that San Marino, Huntington Library, MS HM 64538, a short Middle English defense of women attributed to Solomon, appears to derive from Chaucer's Mel, specifically Mel, 1103-9. Suggests that "scholars ought to continue thinking about the relationship between books of hours and literary culture."</text>
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              <text>Nakao, Yoshiyuki.</text>
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              <text>Hiroshima: Keisuisha, 2018.</text>
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              <text>248 pp.</text>
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              <text>Tale of Sir Thopas&#13;
</text>
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              <text>mea; SAC 42:168</text>
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            <elementText elementTextId="2833057">
              <text>2018</text>
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              <text>Chaucer's Language and Cognition: The Language of Sir Thopas and the Multidimensional Schematization of "Diminution."</text>
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                <text>Chōsā no gengo to ninchi:  topasu kyō no hanashi no gengo to sukīma no tajigen kōzō. [Chaucer's Language and Cognition: The Language of Sir Thopas and the Multidimensional Schematization of "Diminution." ]</text>
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                <text>Argues that the scheme of "diminution" penetrates every dimension of Th and discusses how the meanings are generated and complicated through combination of different dimensions. In Japanese.</text>
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              <text>Kao, Wan-Chuan.</text>
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              <text>Exemplaria 30 (2018): 147-71.</text>
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              <text>Exemplaria 30 (2018)</text>
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              <text>Tale of Sir Thopas&#13;
Manuscripts and Textual Studies</text>
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              <text>mea; SAC 42:167</text>
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            <elementText elementTextId="2833049">
              <text>2018</text>
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                <text>Cute Chaucer.</text>
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                <text>Drawing on the superflat movement in Japanese contemporary art, argues that cuteness in Th effects a compression of the text's narrative layers and semiotic networks. Mirroring the horizontal, non-linear organization of the poem's layout in medieval manuscripts, desire moves sideways across Th. Reading Th through cuteness shifts critical attention to questions of aesthetics and affect. Claims that features such as infantilization and feminization trigger both tender caretaking and sadistic aggression; the cute object is paradoxically held gently and squeezed violently.</text>
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              <text>Eckert, Kenneth.</text>
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              <text>Review of English Studies 68, no. 285 (2017): 471-87.</text>
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              <text>Review of English Studies 68 (2017)</text>
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              <text>Tale of Sir Thopas&#13;
Style and Versification&#13;
Manuscripts and Textual Studies</text>
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              <text>mea; SAC 42:166</text>
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                <text>Harry Bailly and Chaucer-Pilgrim's "Quiting" in the "Tale of Sir Thopas."</text>
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                <text>Reads Th as a "brilliant joke at the Host's expense": not a satire or parody of tail-rhyme romances but a repudiation of the Host's "crude homosocial bantering," his "puerile tastes," and his "pretensions" as a literary critic. Includes comments on stanza form; manuscript layout; and terms such as "satire," "parody," and "burlesque."</text>
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            <elementText elementTextId="2833027">
              <text>Weigel, Bjoern.</text>
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          <name>Published</name>
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            <elementText elementTextId="2833028">
              <text>In Wolfgang Benz and Brigitte Mihok, eds. Handbuch des AntiSemitismus: Judenfeindshaft in Geschichte und Gegenwart, Vol. 7, Literatur, Film, Theater und Kunst (Boston, Mass.: De Gruyter, 2014), pp. 49-52. </text>
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              <text>Benz, Wolfgang, ed.&#13;
Mihok, Brigitte, ed.</text>
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          <name>Alternative Title</name>
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              <text>Handbuch des AntiSemitismus: Judenfeindshaft in Geschichte und Gegenwart.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2833031">
              <text>Prioress and Her Tale</text>
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        <element elementId="109">
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              <text>mesa; SAC 42:165</text>
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          <name>Date</name>
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            <elementText elementTextId="2833033">
              <text>2014</text>
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              <elementText elementTextId="2833025">
                <text>"The Canterbury Tales" (Geoffrey Chaucer, 14. Jahrhundert).</text>
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              <elementText elementTextId="2833026">
                <text>Describes the "religiös motivierte Xenophobien" (religiously motivated xenophobia) of PrT and comments on the degree to which it may be considered satirical.</text>
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              <text>Cambridge: Cambridge University Press, 2018.</text>
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              <text>xiii, 493 pp. </text>
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            <elementText elementTextId="2833022">
              <text>Background and General Criticism&#13;
Prioress and Her Tale</text>
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              <text>mea; SAC 42:164</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2833024">
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                <text>The Invention of Race in the European Middle Ages.</text>
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                <text>Provides a comprehensive view of how "race" is defined in the premodern world and addresses the process of "race-making" within and outside the European context. In particular, discusses how Jews in England were "racialized" and analyzes the "sensory character of race in the medieval period." Chapter 2 examines historical and governmental regulations against Jews, and looks at literary works, such as PrT.</text>
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              <text>Zarins, Kim.</text>
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            <elementText elementTextId="2833012">
              <text>Accessus: A Journal of Premodern Literature and New Media 4.1 (2017): 1-63.</text>
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              <text>Accessus: A Journal of Premodern Literature and New Media 04 (2017)&#13;
Accessus 04 (2017)</text>
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            <elementText elementTextId="2833014">
              <text>Pardoner and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 42:163</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2833016">
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                <text>Intersex and the Pardoner's Body.</text>
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                <text>Interprets the Pardoner as an intersex person, taking his sexuality literally rather than figuratively, a matter of variation rather than lack. Clarifies these concepts in the history of science and the history of Chaucer criticism, and compares the Pardoner, Death, and the Old Man of PardT with the family of Sin and Death in John Gower's "Mirour de l'omme." Includes concern with teaching PardPT, its motifs of shame and castration, modern-day intersexuality, and the term "hermaphrodite."</text>
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              <text>Ramírez-Arlandi, Juan.</text>
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        <element elementId="98">
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            <elementText elementTextId="2833003">
              <text>In Salvador Peña and Juan Jesús Zaro, eds. Traducir a los clásicos: Entornos y transformaciones (Granada: Comares, 2018), pp. 187-204.</text>
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              <text>Peña, Salvador, ed. &#13;
Zaro, Juan Jesús, ed. </text>
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          <name>Alternative Title</name>
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            <elementText elementTextId="2833005">
              <text>Traducir a los clásicos: Entornos y transformaciones.</text>
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        <element elementId="102">
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            <elementText elementTextId="2833006">
              <text>Pardoner and His Tale&#13;
Facsimiles, Editions, and Translations</text>
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        <element elementId="109">
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            <elementText elementTextId="2833007">
              <text>mea; SAC 42:161</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2833008">
              <text>2018</text>
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            <description>A name given to the resource</description>
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                <text>Reescritura y traducción de los clásicos medievales ingleses en Argentina: Patricio Gannon y "The Pardoner's Tale" de Geoffrey Chaucer.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2833001">
                <text>Analyzes the Spanish translation of PardT by Patricio Gannon published in 1944 in Argentina, a version that used as a source text John S. P. Tatlock's and Percy MacKaye's modernized version (1912). Studies the degree of rewriting in Gannon's version and the contextual aspects surrounding it through a "post-translation studies" lens.</text>
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              <name>Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2832994">
              <text>Lawrence, Tom.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2832995">
              <text>English Studies 98 (2017): 866-80.</text>
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            <elementText elementTextId="2832996">
              <text>English Studies 98 (2017)</text>
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              <text>Pardoner and His Tale</text>
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            <elementText elementTextId="2832998">
              <text>mea; SAC 42:160</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832999">
              <text>2017</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832992">
                <text>Infectious Fear: The Rhetoric of Pestilence in Middle English Didactic Texts on Death.</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832993">
                <text>Examines the "rhetoric of pestilence" as a "powerful contemplative tool" that urges readers to "self-examination, penitence, and a more active, strategic approach to death" in five texts: PardT, John Lydgate's "Danse Macabre," "The Castle of Perseverance," and "A Disputation between the Body and Worms." Argues that PardT is didactic; despite the Pardoner's questionable morality, the tale warns against immoral recklessness and encourages a "proactive, strategic approach to mortality."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <elementTextContainer>
            <elementText elementTextId="2832986">
              <text>Lee, Sun Young.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Feminist Studies in English Literature 25.3 (2017): 35-66. </text>
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            <elementText elementTextId="2832988">
              <text>Feminist Studies in English Literature 25 (2017)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2832989">
              <text>Physician and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          <name>Source</name>
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            <elementText elementTextId="2832990">
              <text>mea; SAC 42:158</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832991">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2832984">
                <text>"Is ther no remedye?" A Question of Battered Women's Agency in Chaucer's "Physician's Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2832985">
                <text>Considers how PhyT prompts attention to "issues of female victimization and women's agency in litigation process," exploring Chaucer's alterations of his source material in Livy and the "Roman de la Rose," and examining how his tale evokes late medieval legal process through the plea of Virginia, her father's "judicial discretion," and the response of the "peple" to the proceedings before the corrupt Apius. Includes attention to the terminology of "rape" and the 1382 Statute of Rapes.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
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                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832978">
              <text>Pugh, Tison.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2832979">
              <text>Studies in Philology 114 (2017): 473-96.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832980">
              <text>Studies in Philology 114 (2017)</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832981">
              <text>Merchant and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832982">
              <text>mea; SAC 42:154</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832983">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832976">
                <text>Gender, Vulgarity, and the Phantom Debates of Chaucer's "Merchant's Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2832977">
                <text>Argues that MerT is unified by its engagement with medieval debate tradition, evident in a series of five episodes that concern competing views on gender and marriage. Moreover, the "phantom debate" of the Merchant's "split consciousness" and the Host's reported conflicts with his wife evoke ongoing concerns with gender and matrimony, while leaving May to stand as a "parodic figure of female wisdom."</text>
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  <item itemId="275164" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832970">
              <text>Fyler, John M.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832971">
              <text>Critical Survey 30.2 (2018): 20-50.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832972">
              <text>Critical Survey 30 (2018)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832973">
              <text>Merchant and His Tale</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832974">
              <text>mea; SAC 42:153</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832975">
              <text>2018</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Hateful Contraries in "The Merchant's Tale." </text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2832969">
                <text>Argues that the narrator in MerT "augments the malignity of the tale itself by debunking all idealism and mocking its naiveté, but in his blindness and rhetorical ineptitude points to a sordid reality that he fails to gloss over." Yet, the tale reveals a "psychologically healthy middle ground outside the experience of the narrator or his characters, where body and soul, real and ideal, experience and innocence meet."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2832961">
              <text>Rose, Mary Beth.</text>
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        <element elementId="98">
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              <text>Cham: Palgrave Macmillan, 2017.</text>
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        <element elementId="99">
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              <text>xiii, 192 pp.; illus.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832964">
              <text>Maternal Abandonment, Maternal Deprivation: Tales of Griselda in Boccaccio, Petrarch, Chaucer, and Shakespeare.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2832965">
              <text>Clerk and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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        </element>
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          <name>Source</name>
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            <elementText elementTextId="2832966">
              <text>mea; SAC 42:151</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2832967">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2832959">
                <text>Plotting Motherhood in Medieval, Early Modern, and Modern Literature.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832960">
                <text>Assesses "maternal authority" in literary works from Augustine's "Confessions" to Tony Kushner's "Angels in America," including a chapter entitled "Maternal Abandonment, Maternal Deprivation: Tales of Griselda in Boccaccio, Petrarch, Chaucer, and Shakespeare" (pp. 43-71) that focuses on motherhood (rather than wifehood) and on the ways in which Griselda's obedience to Walter is "belied" by triple "assertions of her individual will in relation to her children"--responses to his "attacks" on maternal authority and aligned with concerns about legitimacy and fidelity. Treats Shakespeare's "The Winter's Tale" in similar terms.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832952">
              <text>Fesko, J. V.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832953">
              <text>In Ronald S. Baines, ed. By Common Confession: Essays in Honor of James M. Renihan (Palmdale, Calif.: Reformed Baptist Academic Press, 2015), pp. 17-37. </text>
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          </elementTextContainer>
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        <element elementId="112">
          <name>Contributor</name>
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            <elementText elementTextId="2832954">
              <text>Baines, Ronald S., ed.</text>
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        </element>
        <element elementId="108">
          <name>Alternative Title</name>
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            <elementText elementTextId="2832955">
              <text>By Common Confession: Essays in Honor of James M. Renihan.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2832956">
              <text>Clerk and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832957">
              <text>mea; SAC 42:150</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832958">
              <text>2015</text>
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        </element>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832950">
                <text>Chaucer, the Medieval Nominalist Doctrine of Justification, and the Reformation.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832951">
                <text>Argues that ClT allegorically "reveals key elements of a medieval doctrine of justification," reading Walter as God and Griselda as a "reformed sinner." The tale also "provides a window into how a number of key scriptural texts figured into this doctrine," and changing interpretations of these texts clarify how medieval and Reformation views on justification differ.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832944">
              <text>Cels, Marc B.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2832945">
              <text>Chaucer Review 53.3 (2018): 308-35.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2832946">
              <text>Chaucer Review 53 (2018)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2832947">
              <text>Summoner and His Tale</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832948">
              <text>mea; SAC 42:148</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832949">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832942">
                <text>"An irous man": Anger and Authority in the "Summoner's Tale." </text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832943">
                <text>Argues that the right use of anger in proper, hierarchical social relationships in SumT affirms aristocratic authority while undermining the pretenses of Friar John and Jankyn the clerk.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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  <item itemId="275160" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832935">
              <text>Štrmelj, Lidija.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832936">
              <text>In Gert Hofmann and Snježana Zorić, eds. Presence of the Body: Awareness in and beyond Experience (Boston, Mass.: Brill Rodopi, 2017), pp. 77-91. </text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
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            <elementText elementTextId="2832937">
              <text>Hofmann, Gert, ed.&#13;
Zorić, Snježana, ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832938">
              <text>Presence of the Body: Awareness in and beyond Experience.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832939">
              <text>Wife of Bath and Her Tale</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832940">
              <text>mea; SAC 42:147</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832941">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832933">
                <text>Body and Awareness as Reflected in the Wife of Bath: A Historical Study Based on "Chaucer's Canterbury Tales."</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832934">
                <text>Characterizes the Wife of Bath as "full of life and energy," with a "material" rather than a "romantic" view of marriage, based in her "sexual instincts." Summarizes the GP description of the Wife as well as that in WBP, offers a Freudian analysis modeled on Herbert Marcuse, and concludes that the character "possessed and boldly expressed bodily awareness."</text>
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  <item itemId="275159" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832926">
              <text>Gordić Petković, Vladislava.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832927">
              <text>Sarajevo Notebook 51 (2017): n.p. Available at http://sveske.ba/en/content/astrologija-i-knjizevnost (accessed January 20, 2020). </text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832928">
              <text>Il SoleLuna presso gli slavi meridionali.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832929">
              <text>Sarajevo Notebook 51 (2017)</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832930">
              <text>Wife of Bath and Her Tale</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832931">
              <text>mea; SAC 42:145</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832932">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832924">
                <text>Astrologija i književnost" [Astrology and Literature]</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832925">
                <text>A shortened version of an essay from a two-volume work not seen: Ljiljana Banjanin, Persida Lazarević Di Giacomo, Sanja Roić, and Svetlana Šeatović, eds. Il SoleLuna presso gli slavi meridionali, 2 vols. (Alessandria: Edizioni dell'Orso, 2017). Includes comments on the Wife of Bath's use of her horoscope as justification for her claims to sovereignty in marriage.</text>
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  <item itemId="275158" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              </elementTextContainer>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832917">
              <text>Dyches, Jeanne, and Brandon L. Sams.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832918">
              <text>Changing English: Studies in Culture and Education 25 (2018): 370-83.</text>
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        <element elementId="112">
          <name>Contributor</name>
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            <elementText elementTextId="2832919">
              <text>Sams, Brandon L.</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2832920">
              <text>Changing English: Studies in Culture and Education 25 (2018)&#13;
Changing English 25 (2018)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832921">
              <text>Wife of Bath and Her Tale</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
            <elementText elementTextId="2832922">
              <text>mea; SAC 42:144</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2832923">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2832915">
                <text>Reconciling Competing Missions of English Education: A Story of Pedagogical Realism.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Offers "pedagogical realism" as an approach to reconciling the "goals of social justice" with canonical "curricula standards" in English instruction, illustrating how to use the motif of rape in teaching WBT.</text>
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              <text>Coghen, Monika.</text>
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              <text>Wife of Bath and Her Tale&#13;
Facsimiles, Editions, and Translations&#13;
Chaucer's Influence and Later Allusion</text>
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                <text>Rewriting Chaucer's "Wife of Bath's Tale" from Dryden, through Voltaire, to Niemcewicz: Medievalism or Modernisation?"</text>
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                <text>Describes the transmission of WBT, through John Dryden's modernized English version in "Fables: Ancient and Modern" and Voltaire's French in "Ce qui plait aux dames" to Julian Ursyn Niemcewicz's Polish "Co sie damom podoba" in "Pisma rózne wierszem i proza," exploring questions of adapting for taste.</text>
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              <text>Bowden, Betsy.</text>
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Chaucer's Influence and Later Allusion</text>
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              <text>mea; SAC 42:142</text>
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                <text>The Wife of Bath in Afterlife: Ballads to Blake.</text>
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                <text>Analyzes manifestations of the Wife of Bath throughout 1660-1810, in seven chapters on primarily verbal art and seven on primarily visual art. Melds methodologies from the disciplines of literature, art history, musicology, education, folklore, print marketing, equitation, and especially theater, both in London and on the Continent.</text>
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              <text>Wife of Bath and Her Tale&#13;
Language and Word Studies</text>
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              <text>mea; SAC 42:141</text>
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            <elementText elementTextId="2832898">
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                <text>The Wife of Bath's "Bele Chose." </text>
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                <text>Surveys Chaucer's uses of terms for private parts, and argues that his use of "bele chos" (beautiful thing) instead of pudendum (shameful thing) suggests his celebration of the Wife's sexuality.</text>
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              <text>Ballesteros-González, Antonio.</text>
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              <text>In Antonio R. de Toro Santos and Eduardo Barros Grela, eds. Looking Out on the Fields: Reimagining Irish Literature and Culture (Rennes: TIR, 2018), pp. 922. </text>
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Barros Grela, Eduardo, ed. </text>
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Sources, Analogues, and Literary Relations</text>
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                <text>Assertive Women, Oral Confessions: The Wife of Bath and Molly Bloom.</text>
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                <text>Presents Chaucer's Wife of Bath and James Joyce's Molly Bloom as counter-cultural figures, from the perspective of their characters, their views of man-woman relationships, and their sexuality. Contrasts the different forms of expression of their assertiveness and confessions.</text>
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Sources, Analogues, and LIterary Relations</text>
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                <text>The Homeland of the "doghter of hooly chirche"? The Representation of Rome in Chaucer's "Man of Law's Tale."</text>
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                <text>Compares MLT and the stories of Constance by Nicholas Trevet and John Gower. Argues that MLT points to the uncertainty of Rome as the center of ecclesiastical authority in the later fourteenth century.</text>
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              <text>McClellan, William.</text>
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Clerk and His Tale&#13;
Prioress and Her Tale,</text>
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              <text>mea; SAC 42:138</text>
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            <elementText elementTextId="2832873">
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                <text>Reading Chaucer after Auschwitz: Sovereign Power and Bare Life. </text>
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            <description>An account of the resource</description>
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                <text>Applies a "New Paradigm for Reading" to MLT based on the "new ethics" of Giorgio Agamben's analysis of Levi Primo's testimony of Auschwitz, combined with Walter Benjamin's concept of "constellations" of images that fuse past and present. Focuses on relations between sovereign power and the subjectification and "desubjectification" of subjects, particularly how the multiple sovereigns of MLT impose power on Custance and abandon her, conveying "various permutations" of the "painful experience of exile" and the intrinsic culpability of the sovereign. Presents MLT as Chaucer's most negative view of sovereignty, and examines parallel concerns in PrT and ClT.</text>
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