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                  <text>Chaucer Bibliography Online</text>
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              <text>Brady, Lindy.</text>
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              <text>Notes and Queries 257 (2012): 163-66.</text>
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              <text>Wife of Bath and Her Tale</text>
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              <text>Notes and Queries 257 (2012)</text>
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              <text>mea SAC 36:152</text>
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                <text>Antifeminist Tradition in Arthur and Gorlagon and the Quest to Understand Women</text>
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                <text>"Arthur and Gorlagon" and WBPT share numerous misogynist topoi as well as the plot element of a mission to understand women. The Latin romance is thus "a more significant analogue for the combined Prologue and Tale . . . than has been recognized."</text>
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              <text>Borthwick, Sister Mary Charlotte.</text>
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              <text>Modern Language Quarterly 22 (1961): 227-35.</text>
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              <text>Modern Language Quarterly 22 (1961)</text>
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              <text>Troilus and Criseyde&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 9/10/21</text>
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              <text>1961</text>
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                <text>Antigone's Song as "Mirour" in Chaucer's "Troilus and Criseyde."</text>
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                <text>Reads Antigone's song (TC 2.827-75) as a "reply to Criseyde's objections to love" which precedes it in the narrative. Much of the song derives from Guillaume de Machaut's "Paradis d'Amour," but its sequence and several ideas mirror Criseyde's earlier ruminations, anticipate "the attitudes toward love which will govern the development of the whole poem," and reflect "the action and imagery of the passages preceding and following it."</text>
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              <text>Ladd, Roger A.</text>
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              <text>New York: Palgrave Macmillan, 2010.</text>
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              <text>2010</text>
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              <text>[xi], 218 pp.</text>
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              <text>"Deliberate Ambiguity of Chaucer's Anxious Merchants."</text>
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              <text>Chaucerian Apocrypha</text>
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              <text>The New Middle Ages.</text>
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              <text>vxl sac 34:234</text>
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                <text>Antimercantilism in Late Medieval English Literature</text>
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                <text>Studies the development of mercantile practice in the late Middle Ages and depictions of merchants in English literature, from early satires to greater acceptability. Includes sections on merchants in Langland's "Piers Plowman," Gower's "Mirour de l'Omme," the "Book of Margery Kempe," the "Libelle of Englyshe Polycye," the "Tale of Beryn," the York cycle, and Chaucer's CT. Chapter 4, "The Deliberate Ambiguity of Chaucer's Anxious Merchants" (pp. 77-100), assesses Chaucer's concern with the "efficacy of satire" as he offers both pro- and antimercantile treatments in the GP description of the "elusive" Merchant, the "unmercantile" MerT, and ShT, where mercantilism is displaced to France. Through this variety, Ladd traces what "Chaucer requires from his readers.".</text>
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              <text>Arrathoon, Leigh A.</text>
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        <element elementId="98">
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              <text>Language and Style 17:1 (1984): 92-120.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1984</text>
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            <elementText elementTextId="2717628">
              <text>Merchant and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2717630">
              <text>Language and Style 17 (1984)</text>
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        <element elementId="109">
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            <elementText elementTextId="2717631">
              <text>jules SAC 08 (162)</text>
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              <elementText elementTextId="2717623">
                <text>Antinomic Cluster Analysis and the Boethian Verbal Structure of Chaucer's 'Merchant's Tale'</text>
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                <text>Throughout MerT synonyms for the Boethian values of true bliss and sorrow are juxtaposed to develop the theme of the woe that is in marriage--parallel to the "contemptus mundi" theme of the "Consolation."  The protagonist of MerT uses Boethian synonyms but in his rejection of reason inverts the terms and their moral values in the "Consolation."</text>
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              <text>Braswell-Means, Laurel.</text>
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        <element elementId="98">
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            <elementText elementTextId="2735396">
              <text>Studies in Medievalism 4 (1992): 105-12.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1992</text>
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              <text>Chaucer's Retraction.</text>
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          <elementTextContainer>
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              <text>Studies in Medievalism 04 (1992)</text>
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              <text>jules SAC 18 (1996)- 250</text>
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                <text>Antiquarian or Bibliographer? The Dilemma of Thomas Frognall Dibdin</text>
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                <text>Cites Dibdin's views on the authenticity of Chaucer's Ret to illustrate the former's development as a critical bibliographer.</text>
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              <text>Boitani, Piero.</text>
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              <text>Piero Boitani, ed.  The European Tragedy of Troilus (Oxford: Clarendon Press, 1989), pp. 1-19.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2705974">
              <text>1989</text>
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        <element elementId="108">
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          <elementTextContainer>
            <elementText elementTextId="2705975">
              <text>The European Tragedy of Troilus.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>jules SAC 13 (225)</text>
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                <text>Antiquity and Beyond: The Death of Troilus</text>
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              <elementText elementTextId="2705976">
                <text>In the earliest Troilus myths, Troilus is "not primarily a character but a 'function'":  his murder early in the Trojan War is an "omen" of Troy's impending fall.  In later works, Troilus's character is more fully developed, and his death--late in the war--is part of the fall.  Cressida and the heterosexual love interest do not appear until the twelfth century.</text>
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              <text>Background and General Criticism&#13;
Prioress and Her Tale&#13;
Canterbury Tales--General&#13;
Chaucer's Influence and Later Allusion</text>
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                <text>Antiracist Medievalisms: From "Yellow Peril" to Black Lives Matter. Leeds</text>
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                <text>Opens with an account of teaching PrT in comparison with Patience Agbabi's adaptation of it in "Telling Tales" (2015), helping to introduce the goal of the entire volume: promoting resistance to racist, xenophobic, and homophobic distortions and misuses of medieval culture and medievalisms. Chapter 6, "Pilgrimage: Chaucerian Poets of Color in Motion," examines the "relationship between race and transit in works by Chaucerian poets of color"--Agbabi, Jean "Binta" Breeze, Marilyn Nelson, Frank Mundo,&#13;
and Ouyang Yu--in their adaptations of CT.</text>
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        <element elementId="114">
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              <text>Prioress and Her Tale</text>
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              <text>mea; 2/22/2017 SAC 38:179</text>
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                <text>Antisemitism and the Purposes of Historicism: Chaucer's "Prioress's Tale."</text>
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            <description>An account of the resource</description>
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                <text>Responds to two critical analyses of PrT by Aranye Fradenburg and Lee Patterson, which highlight "methodological and ethical concerns" with historical analysis of the Tale. Promotes the need to "theorize  and historicize" in order to gain deeper understanding of the ethical issues of PrT within the context of medieval Jewish-Christian relations.</text>
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              <text>Kelley, Michael R.</text>
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        <element elementId="98">
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              <text>Chaucer Review 14 (1979): 61-73.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1979</text>
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              <text>Parliament of Fowls.</text>
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              <text>jules SAC 03 (198)</text>
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              <elementText elementTextId="2729138">
                <text>Antithesis as the Principle of Design in the 'Parlement of Foules'</text>
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              <elementText elementTextId="2729142">
                <text>Antithesis is the major source of PF's aesthetic unity.  It arranges the poem's structural levels in a pattern of oppositions:  antithetical word pairs are joined by antithetical arrangements of style, description, characterization, plot, narrative, presentation, tone, and theme.  PF's structure is not organic but governed by a design which requires the poem's antithetical meanings and themes.</text>
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              <text>Friedman, John Block.</text>
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        <element elementId="98">
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              <text>Emma Cayley and Susan Powell, eds. Manuscripts and Printed Books in Europe 1350-1550: Packaging, Presentation, and Consumption (Liverpool: Liverpool University Press, 2013), pp. 169-86..</text>
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            <elementText elementTextId="2806032">
              <text>Manuscripts and Printed Books in Europe 1350-1550: Packaging, Presentation, and Consumption.</text>
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              <text>Miller and His Tale</text>
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              <text>Reeve and His Tale</text>
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              <text>Merchant and His Tale</text>
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                <text>Anxieties at Table: Food and Drink in Chaucer's Fabliaux tales and Heinrich Wittenwiler's' Der Ring'</text>
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              <elementText elementTextId="2806033">
                <text>Analyzes Chaucer and Wittenwiler from the "perspective of anxiety at the table." Explores how "food- and drink-conveyed class anxieties are used as plot devices" to develop action in MlT, RvT, and "Der Ring." Also mentions possible connections between MerT and "Der Ring."</text>
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              <text>Brown, Alfie.</text>
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        <element elementId="98">
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              <text>Postmedieval 8 (2017): 463-78.</text>
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              <text>Postmedieval 08 (2017)</text>
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Language and Word Studies&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; SAC 42:130</text>
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        <element elementId="114">
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            <elementText elementTextId="2832817">
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                <text>Apes and Japes: Laughter and Animality in the "Miller's Tale."</text>
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              <elementText elementTextId="2832810">
                <text>Argues that, rooted in "animality" that is "carefully performed and constructed," the humor of MilT "functions to erect a conception of humanity over and against the ostracized and inferior semi-human." The Miller performs his animality, and, abjecting Absolon through laughter, Alisoun and Nicholas establish a hierarchy and take the "position of superior 'human.'" Comments on suggestive language in the tale and connections with Boccaccio's "Decameron," 7.1, displaying ways that "laughter [is] always unequal."</text>
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          <elementTextContainer>
            <elementText elementTextId="2702453">
              <text>Weissman, Hope (Phyllis).</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Exemplaria 2 (1990): 89-125.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2702455">
              <text>1990</text>
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            <elementText elementTextId="2702457">
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            <elementText elementTextId="2702459">
              <text>Exemplaria 02 (1990).</text>
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                <text>Aphrodite/Artemis // Emilia/Alison : The Semiotics of Perception</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2702456">
                <text>The feminist film criticism theory of the "male gaze" articulates the "triangulated" male-female relationship of KnT and MilT as they arise in response to Boccaccio's elucidation of the gaze in his "Teseida" and in relation to two classical "archetypes of the inscribed female":  Aphrodite, signifying "male mastery," and Artemis, representing masculine "disempowerment."</text>
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          <elementTextContainer>
            <elementText elementTextId="2770158">
              <text>Long, Rebekah.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2770159">
              <text>Dissertation Abstracts International 66 (2005): 2206A</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2770160">
              <text>2005</text>
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            <elementText elementTextId="2770162">
              <text>Book of the Duchess.</text>
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              <text>Dissertation Abstracts International 66 (2005).</text>
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              <text>vxl sac 29:277</text>
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                <text>Apocalypse and Memory in Pearl</text>
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                <text>Considers BD and Pearl as case studies in the search for "an appropriate, adequate language of commemoration," as opposed to prior models of elegiac language.</text>
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              <text>Kang, Ji-Soo.</text>
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              <text>Medieval and Early Modern English Studies 11 (2006): 243-58.</text>
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              <text>Book of the Duchess.</text>
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              <text>Medieval and Early Modern English Studies 11 (2003)</text>
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              <text>vxl sac 30:251&#13;
Set to Private 2/10/22; link broken at Brother Anthony's site</text>
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                <text>Apocalyptic Imagination and Historical Text: A Study of The Divine Comedy, The Book of the Duchess and Pearl</text>
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            <description>An account of the resource</description>
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                <text>Considers relationships among apocalypse, history, and literary closure in Dante's Paradiso, Chaucer's BD, and Pearl. Dante brings apocalypse into history, while the other two poets use it to contrast human temporality.</text>
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                <text>In Korean, with English abstract.</text>
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              <text>Ph.D. Dissertation. Marquette University, 2014. ii, 245 pp. Dissertation Abstracts International 76.04(E). Fully accessible via ProQuest Dissertations &amp; Theses Global and at https://epublications.marquette.edu/dissertations_mu/411/.</text>
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              <text>ii, 245 pp.</text>
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              <text>Dissertation Abstracts International 76.04(E).</text>
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              <text>Background and General Criticism&#13;
Canterbury Tales--General&#13;
Pardoner and His Tale&#13;
Parson and His Tale&#13;
Chaucer's Retraction</text>
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                <text>Apocalyptic Mentalities in Late-Medieval England.</text>
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              <elementText elementTextId="2850226">
                <text>Argues that the "study of the apocalyptic in the English literature of the late fourteenth cannot boil down simply to the tracing of sources or to historicist (New and otherwise) readings of contemporary texts and artifacts," and pursues, instead, "the ways in which apocalyptic comes to be known" by assessing several related "fields of meaning": death, ecclesiastical authority, and confessional practice. Uses these as chapter-subjects, and surveys how their contingencies--and the unattainable "pretensions" of writing itself--help us to understand "the apocalyptic" in works such as CT (especially PardPT, ParsPT, and Ret), Gower's "Confessio Amantis," "Pearl," "Cleannesse," and a number of others.</text>
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              <text>Tournoy, Gilbert.</text>
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              <text>George Hugo Tucker, ed. Forms of the "Medieval" in the "Renaissance": A Multidisciplinary Exploration of a Cultural Continuum (Charlottesville, Va.: Rookwood, 2000), pp. 175-203.</text>
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            <elementText elementTextId="2771600">
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              <text>Forms of the "Medieval" in the "Renaissance": A Multidisciplinary Exploration of a Cultural Continuum.</text>
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              <text>Tucker, George Hugo, ed.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>vxl sac 29:313.</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>Apollo and Admetus : The Forms of Classical Myth Through the Middle Ages and the Renaissance</text>
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                <text>Traces the developments and distortions of the classical myth of Apollo's service to Admetus and its association with love; includes discussion of the allusion in TC 1.659-65.</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759325">
              <text>Kensak, Michael.</text>
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        <element elementId="98">
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          <elementTextContainer>
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              <text>Studies in Philology 98: 143-57,   2001.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2759327">
              <text>2001</text>
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              <text>Manciple and His Tale.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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          <elementTextContainer>
            <elementText elementTextId="2759331">
              <text>Studies in Philology 98 (2001)</text>
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        <element elementId="109">
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              <text>jules SAC 25 (249)</text>
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                <text>Apollo Exterminans : The God of Poetry in Chaucer's Manciple's Tale</text>
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            <description>An account of the resource</description>
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                <text>Parallels between Chaucer's treatment of Phebus [Apollo] and the treatments in Dante's "Paradiso" and Alain de Lille suggest that ManT reflects the literary tradition of Apollonian ineptitude and prepares the way for the Parson's Christian reinvocation.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2790209">
              <text>Lee, B. S.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790210">
              <text>Journal of Medieval Religious Cultures 36 (2010): 47-67.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790211">
              <text>2010</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
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              <text>Franklin and His Tale</text>
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              <text>Squire and His Tale</text>
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              <text>Complaint of Mars</text>
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            <elementText elementTextId="2790216">
              <text>ABC</text>
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              <text>Chaucerian Apocrypha</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2790218">
              <text>Journal of Medieval Religious Cultures 36 (2010).</text>
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        <element elementId="109">
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              <text>vxl sac 34:240</text>
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                <text>Apollo's Chariot and the Christian Subtext of The Franklin's Tale</text>
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            <description>An account of the resource</description>
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                <text>Lee assesses FranT as a "sequel" to SqT that repudiates its magic, replaces its stasis with moral development in the idea of "gentilesse," and provides a missing Christian subtext--a "Christmas miniature" that precedes the apparent disappearance of the rocks. The tales of Fragment 5 are also fused by references to Apollo, which Lee explains in light of Chaucer's Mars, his ABC, and the apocryphal "Flower and the Leaf."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2774711">
              <text>Ransom, Daniel J.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2774712">
              <text>Chaucer Review 41 (2006): 206-12.</text>
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        <element elementId="114">
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          <elementTextContainer>
            <elementText elementTextId="2774713">
              <text>2006</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
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              <text>Troilus and Criseyde.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2774716">
              <text>Chaucer Review 41 (2006)</text>
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          <element elementId="50">
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              <elementText elementTextId="2774710">
                <text>Apollo's Holy Laurel: Troilus and Criseyde III, 542-43</text>
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          </element>
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            <name>Description</name>
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                <text>Troilus's reference to Apollo speaking "out of a tree" (TC 3.543) is likely not a reflection of Chaucer's misunderstanding Ovid. Numerous authors Chaucer may have read, including Bartholomaeus Anglicus, provide grounds for the conclusion that the oracle of Apollo was expressed through a laurel tree.</text>
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                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694488">
              <text>Archibald, Elizabeth.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
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              <text>Cambridge: D. S. Brewer, 1991.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694490">
              <text>1991</text>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
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              <text>xiii, 250 pp.</text>
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              <text>Man of Law and His Tale.</text>
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          <name>Source</name>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2694487">
                <text>Apollonius of Tyre: Medieval and Renaissance Themes and Variation, Including the Text of the Historia Apollonii Regis Tyri with an English Translation</text>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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    <itemType itemTypeId="24">
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746268">
              <text>Valentine, Virginia Walker.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746269">
              <text>Virginia Walker Valentine. Chaucer's Knight: A Man Ther Was (Tampa, Fla.: Axelrod, 1994), pp. 25-33.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746270">
              <text>1994</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746271">
              <text>Chaucer's Knight: A Man Ther Was.</text>
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        </element>
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          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746273">
              <text>Troilus and Criseyde.</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2746274">
              <text>jules SAC 21 - 304</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2746267">
                <text>Apologia pro Criseyde: 'Of Harmes Two, the Lesse Is for to Chese</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2746272">
                <text>Though there are elements of courtly love in TC, the poem does not evaluate Criseyde by courtly standards.  Instead, it shows her choosing the "lesser harm" of being unfaithful rather than endangered.</text>
              </elementText>
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  <item itemId="265140" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
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      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731042">
              <text>Paul, James Allen.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731043">
              <text>Dissertation Abstracts International 38 (1977): 3476A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731044">
              <text>1977</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731046">
              <text>Book of the Duchess.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731047">
              <text>Dissertation Abstracts International 38 (1977)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2731048">
              <text>jules SAC 02 (246)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2731041">
                <text>Aporia and Pearl: Medieval Narrative Irony</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2731045">
                <text>In medieval narrative theory, "aporia" is set forth as a way of examining the moment when the ironic process begins.  BD relies on a withdrawal from literal statement which brings the author's intention to the reader through the process of irony.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823154">
              <text>Fenn, Jessica.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823155">
              <text>Studies in Philology 110.3 (2013): 432-58.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823156">
              <text>Studies in Philology 110 (2013)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823157">
              <text>Prioress and Her Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823158">
              <text>SAC 40:261</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2823159">
              <text>2013</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823152">
                <text>Apostrophe, Devotion, and Anti-Semitism: Rhetorical Community in the "Prioress's Prologue and Tale."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2823153">
                <text>Considers "shared speech" to be a theme and a device in PrPT, focusing on apostrophe, prayer, Christian devotion, and anti-Semitic sentiment as means to and expressions of rhetorical community. Describes the place of apostrophe in medieval rhetorical theory, and argues that PrT "illustrates the potential dangers" posed by excited, pathos-ridden recitation of shared communal values, whether expressed orally or in writing.</text>
              </elementText>
            </elementTextContainer>
          </element>
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  <item itemId="261385" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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          </elementContainer>
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      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694497">
              <text>Astell, Ann W.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694498">
              <text>Studies in the Age of Chaucer 13 (1991): 81-97.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694499">
              <text>1991</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694501">
              <text>Man of Law and His Tale.</text>
            </elementText>
            <elementText elementTextId="2694502">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694503">
              <text>Studies in the Age of Chaucer 13 (1991).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2694504">
              <text>mea</text>
            </elementText>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2694496">
                <text>Apostrophe, Prayer, and the Structure of Satire in The Man of Law's Tale</text>
              </elementText>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2694500">
                <text>Chaucer's additions to Trevet's tale of Constance consist chiefly of rhetorical additions by the narrator and prayers by Custance, converting the tale to a satire of the narrator's long-winded fatalistic views.  Apostrophe and prayer, "converse" forms of address in rhetorical tradition, here pit Custance's providential outlook against that of her narrator rather than that of her persecutors in the plot.</text>
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  <item itemId="261880" public="1" featured="0">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699370">
              <text>Julius, Patricia Ward.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699371">
              <text>Dissertation Abstracts International 37 (1976): 3606A-07A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699372">
              <text>1976</text>
            </elementText>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699374">
              <text>Book of the Duchess.</text>
            </elementText>
            <elementText elementTextId="2699375">
              <text>House of Fame.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699376">
              <text>Dissertation Abstracts International 37 (1976)</text>
            </elementText>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2699377">
              <text>jules - 23/9/94 SAC 1 (80)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2699369">
                <text>Appearance and Reality in Chaucer's Early Dream Visions</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2699373">
                <text>BD and HF show thematic unity of conflict between appearance (attractive externals) and reality (the authority of books). Replacing reality with worship for the artificial, mutable object is error.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
</itemContainer>
