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                  <text>Chaucer Bibliography Online</text>
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              <text>McMillan, Ann Hunter.</text>
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              <text>Dissertation Abstracts International 40 (1980): 5437A.</text>
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              <text>1980</text>
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              <text>Legend of Good Women.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Franklin and His Tale.</text>
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              <text>Dissertation Abstracts International 40 (1980)</text>
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              <text>jules SAC 04 (158)</text>
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                <text>'Evere an Hundred Goode ageyn Oon Badde': Catalogues of Good Women in Medieval Literature</text>
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                <text>The labels "antifeminism" and "courtly love" misrepresent the medieval literary treatment of women.  Three types--the chaste wife, the "manly" virgin, and the martyr of love--dominate the catalogues through the Middle Ages. </text>
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                <text>Chaucer drew mainly upon the idea of love's martyrs from Ovid and Virgil, and the question of what makes a good woman becomes for him an aspect of the larger conflicts between men and women and between authority and experience.  In LGW and CT the catalogues reveal more about their tellers than about women.  Chaucer's development of characterization reaches its culmination in Dorigen and the Wife of Bath.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Clark, S. L.,and Julian N. Wasserman.</text>
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              <text>Publications of the Arkansas Philological Association 4.3 (1978): 11-17.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1978</text>
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              <text>Wasserman, Julian N.</text>
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            <elementText elementTextId="2729984">
              <text>Man of Law and His Tale.</text>
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            <elementText elementTextId="2729985">
              <text>Publications of the Arkansas Philological Association 04 (1978)</text>
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              <text>jules SAC 02 (131)</text>
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                <text>'Exempla' in 'The Man of Law's Tale': The Re-Casting of a Romance</text>
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                <text>Secular exempla evoke Fortune's rise and fall; religious ones, divine intervention for good.  They fit Constance's romance architectonically and thematically.</text>
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              <text>Patterson, Lee.</text>
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              <text>Peter G. Beidler, ed. Geoffrey Chaucer: "The Wife of Bath."  (Boston and New York: Bedford-St. Martin's, 1996), pp. 133-54.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1996</text>
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              <text>Geoffrey Chaucer: "The Wife of Bath": Complete Authoritative Text with Biographical and Historical Contexts, Critical History and Essays from Five Contemporary Critical Perspectives.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>jules SAC 20 (1998), 177</text>
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                <text>'Experience Woot Well It Is Noght So': Marriage and the Pursuit of Happiness in the Wie of Bath's Prologue and Tale</text>
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                <text>A new-historicist reading that focuses on the conditions of marriage depicted in WBPT to show how the Wife uses the late-medieval marital system for her own private, emotional advantage.  She capitalizes on the social and economic opportunities of wifedom and widowhood rather than seeking to challenge them.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2778685">
              <text>Collette, Carolyn P.</text>
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        <element elementId="98">
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            <elementText elementTextId="2778686">
              <text>Chaucer Review 42 (2008): 223- 43.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2778687">
              <text>2008</text>
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          <name>Physical Description</name>
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              <text>3 b&amp;w illus.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2778690">
              <text>Chaucer's Influence and Later Allusion</text>
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              <text>Knight and His Tale</text>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2778692">
              <text>Chaucer Review 42 (2008).</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2833750">
              <text>vxl SAC 32:49.</text>
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            <description>A name given to the resource</description>
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                <text>'Faire Emelye': Medievalism and the Moral Courage of Emily Wilding Davison</text>
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                <text>Considered in the light of key themes of Victorian medievalism and of her own early identification with Chaucer's Emily, Davison's actions--especially those leading to her untimely death--stand as expressions of her ethical commitment, rather than as deeds of the "wild enthusiast" for which historians have frequently taken her.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2727238">
              <text>Elliott, Ralph W. V.</text>
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        <element elementId="98">
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              <text>Parergon 13 (1975): 3-20.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1975</text>
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              <text>Language and Word Studies.</text>
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              <text>Style and Versification.</text>
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          <name>Journal by Volume Number</name>
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              <text>Parergon 13 (1975)</text>
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              <text>jules SAC 02 (21</text>
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                <text>'Faire Subtile Wordes': An Approach to Chaucer's Verbal Art</text>
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                <text>Chaucer's comments on language show him to be particularly sensitive to all aspects of English, which had become fully accepted as a literary language.  Along with other Middle English writers like the "Gawain"-poet and Langland, he manipulates levels of style with skill, and he displays great lexical variety.</text>
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              <text>Chiappelli, Carolyn.</text>
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              <text>Proceedings of the International Patristic, Mediaeval, &amp; Renaissance Conference 4 (1979): 1107-14.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1980</text>
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              <text>House of Fame</text>
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              <text>Proceedings of the International Patristic, Mediaeval and Renaissance Conference 04 (1979)</text>
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              <text>mea ̀ SAC 07 (219)</text>
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                <text>'Fals Apparences': Satan and Chaucer's 'House of Fame'</text>
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                <text>The motif of "fals apparences" is a unifying factor of HF.  The eagle as sophist or false philosopher, in seizing the narrator as prey, is reminiscent of Satan as fowler, or Dante's Gerione, emblem of fraud.</text>
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            <elementText elementTextId="2784702">
              <text>McMillan, Ann.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2784703">
              <text>Tulsa Studies in Women's Literature 1.1 (1982): 27-42.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2784704">
              <text>1982</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2784706">
              <text>Chaucerian Apocrypha</text>
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              <text>Legend of Good Women</text>
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              <text>Tulsa Studies in Women's Literature 01 (1982)</text>
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        <element elementId="109">
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              <text>mea No SAC</text>
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            <name>Title</name>
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              <elementText elementTextId="2784701">
                <text>'Fayre Sisters Al': 'The Flower and the Leaf' and 'The Assembly of Ladies'</text>
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              <elementText elementTextId="2784705">
                <text>Argues that "The Flower and the Leaf" and "The Assembly of Ladies" are both concerned with female chastity as a means to effective power, the first asserting this theme and the second expressing frustration with such assertions. Also surveys questions of authorship of the two poems, long attributed to Chaucer, and compares their "non-traditional uses" of dream-vision conventions with parallel ones in works by Christine de Pisan and Chaucer, particularly LGW.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2758616">
              <text>Snell, William.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2758617">
              <text>Geibun-Kenkyu (Keio University) 80: 124-41,   2001.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2758618">
              <text>2001</text>
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            <elementText elementTextId="2758620">
              <text>Canterbury Tales--General.</text>
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          <elementTextContainer>
            <elementText elementTextId="2758621">
              <text>Geibun-Kenkyu 80 (2001)</text>
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        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2758622">
              <text>jules SAC 25 (167)</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2758615">
                <text>'Feloun' and 'Felonye' : Violence and Violent Crime in Chaucer's Canterbury Tales</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2758619">
                <text>Examines felons and felony in Chaucer's works, focusing on CT and how such crimes reflect on the knightly class.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2787107">
              <text>Gastle, Brian W.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2787108">
              <text>Dissertation Abstracts International 59 (1999): 3446A.</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2787109">
              <text>1999</text>
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            <elementText elementTextId="2787111">
              <text>Wife of Bath and Her Tale</text>
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              <text>General Prologue to the Canterbury Tales</text>
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              <text>Merchant and His Tale</text>
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              <text>Shipman and His Tale</text>
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              <text>Pardoner and His Tale</text>
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            <elementText elementTextId="2787116">
              <text>Dissertation Abstracts International 59 (1999)</text>
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        <element elementId="109">
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            <elementText elementTextId="2787117">
              <text>mea 3/27/2013 No SAC</text>
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              <elementText elementTextId="2787106">
                <text>'Femme sole' and mercantile writing in late medieval England</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2787110">
                <text>Describes the social and economic status of the "femme sole" in late medieval England, and discusses the role of the figure in select Paston letters, the Book of Margery Kempe, and CT, particularly the Guildsmen, the WBPT, MerT, ShT, and the Host/Pardoner altercation at the end of PardT. Includes an appendix of texts that define the "femme sole."</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2807256">
              <text>King, Andy.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2807257">
              <text>Nottingham Medieval Studies 57 (2013): 89-100.</text>
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        <element elementId="114">
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            <elementText elementTextId="2807258">
              <text>2013</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2807260">
              <text>Reeve and His Tale</text>
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            <elementText elementTextId="2807261">
              <text>Nottingham Medieval Studies 57 (2013)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2807262">
              <text>mea sac 37:104</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2807255">
                <text>'Fer in the north, I kan nat telle where': Gentility and Provincialism in Chaucer's 'Reeve's Tale'</text>
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              <elementText elementTextId="2807259">
                <text>Argues that the name "Strother" in RvT is not a place name but a surname, and suggests a connection between the tale's fictional clerks, John and Aleyn, and two junior members of the prominent Strother family of Northumberland.</text>
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  <item itemId="269887" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2780183">
              <text>Epstein, Robert.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2780184">
              <text>SAC 30 (2008): 95-124.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2780185">
              <text>2008</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2780187">
              <text>Reeve and His Tale</text>
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            <elementText elementTextId="2780188">
              <text>Language and Word Studies</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2780189">
              <text>Studies in the Age of Chaucer 30 (2008).</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2833618">
              <text>vxl SAC 32:198.</text>
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                <text>'Fer in the north; I kan nat telle where': Dialect, Regionalism, and Philologism</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2780186">
                <text>Analogous to orientalism, the "philologism" of RvT is rooted in "North-South binaries" that partake of and help to constitute southern condescension to northerners in England, even before the rise of a Standard Written Dialect. Informed by  the theory of Pierre Bourdieu, the essay compares and contrasts the "regionalist generalizations" in RvT, The Second  Shepherd's Play, and elsewhere in Middle English.</text>
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  <item itemId="264932" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2729022">
              <text>Watanabe, Ikuo.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2729023">
              <text>Tenri Daigaku Gakuho 121 (1979): 77-94.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2729024">
              <text>1979</text>
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            <elementText elementTextId="2729026">
              <text>Troilus and Criseyde.</text>
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        <element elementId="100">
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            <elementText elementTextId="2729027">
              <text>Tenri Daigaku Gakuho (Tenri University Journal, Nara) 121 (1979)</text>
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        <element elementId="109">
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            <elementText elementTextId="2729028">
              <text>jules SAC 03 (186)</text>
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          <element elementId="50">
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              <elementText elementTextId="2729021">
                <text>'Fere' and 'Drede' in 'Troilus and Criseyde'</text>
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              <elementText elementTextId="2729025">
                <text>The main characters in TC are oppressed in various senses.  How to enhance and ennoble them despite their unfortunate situation is one of Chaucer's undertakings.  He cannot, however, free himself from the given conditions of the Trojan cycle.  Hence his own fear prevails in the whole narrative.</text>
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  <item itemId="264628" public="1" featured="0">
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2726101">
              <text>Newman, Barbara.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2726102">
              <text>Stephen A. Barney, ed.  Chaucer's Troilus: Essays in Criticism (Hamden, Conn.: Shoestring Press, 1980), pp. 257-75.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2726103">
              <text>1980</text>
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          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2726104">
              <text>Chaucer's Troilus: Essays in Criticism.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2726107">
              <text>Troilus and Criseyde.</text>
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        <element elementId="109">
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              <text>jules SAC 04 (125)</text>
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                <text>'Feynede Loves,' Feigned Love, and Faith in Trouthe</text>
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                <text>The dichotomy between "trouthe" (fidelity) and truth (actuality) marks TC from the outset.  "Trouthe" in love is linked to "routhe" and "kyndenesse," and on every level is compromised by the characters' feigning.</text>
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                <text>Moreover, the proverbs which are so much a part of the poem, are equivocal inasmuch as they are both prophetic and ironic.  The narrator, finally disillusioned with the feigned love and lore, arrives at his own version of "trouthe."</text>
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              <text>Means, Laurel.</text>
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              <text>Speculum 67 (1992).</text>
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                <text>'Ffor as moche as yche man may not haue the astrolabe': Popular Middle English Variations on the Computus</text>
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                <text>Mentions Astr in the context of a historical survey of knowledge of the Latin computus.</text>
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              <text>Wilson, Katharina M.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>jules SAC 09 (166)</text>
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                <text>'Figmenta vs Veritas': Dame Alice and the Medieval Literary Depiction of Women by Women</text>
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                <text>Examination of the Wife of Bath's hypothesis that if women wrote stories literature would be misandric; yet men are the ones who promote the one-sided ideal of feminine excellence. Hrotsvita of Gandersheim and Christine de Pizan show women who are catalysts of salvation for their men.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2716028">
              <text>Baswell, Christopher C.</text>
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        <element elementId="98">
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            <elementText elementTextId="2716029">
              <text>Dissertation Abstracts International 44 (1984): 2761A.</text>
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        <element elementId="114">
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              <text>1984</text>
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            <elementText elementTextId="2716032">
              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>House of Fame.</text>
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              <text>Legend of Good Women.</text>
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            <elementText elementTextId="2716035">
              <text>Dissertation Abstracts International 44 (1984)</text>
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        <element elementId="109">
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              <text>jules SAC 08 (14)</text>
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              <elementText elementTextId="2716027">
                <text>'Figures of Olde Werk': Visions of Virgil in Later Medieval England</text>
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              <elementText elementTextId="2716031">
                <text>Virgil elicits "humanizing," "allegorical," romance responses in LGW and HF.</text>
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        <element elementId="110">
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            <elementText elementTextId="2813376">
              <text>Whearly, Bridget Ruth.</text>
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            <elementText elementTextId="2813377">
              <text>DAI A74.11 (2014): n.p.</text>
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        <element elementId="114">
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              <text>2014</text>
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            <elementText elementTextId="2813380">
              <text>Chaucer's Influence and Later Allusion</text>
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            <elementText elementTextId="2813381">
              <text>Dissertation Abstracts International 74 (2014)</text>
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            <elementText elementTextId="2813382">
              <text>mea; 2/17/2017 sac 38:52</text>
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                <text>'For All Is Good that Hath Good End': Death Culture, Literary Form, and the 'Ends' of Writing in Fifteenth-Century English Literature</text>
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              <elementText elementTextId="2813379">
                <text>Looks at writers, including Hoccleve and Lydgate, as responding to and shaping a post-Chaucerian literary era, examining both the "end"  of Chaucer's era and the "end" or purpose of their own work.</text>
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              <text>Utz, Richard J.</text>
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              <text>Arbeiten aus Anglistik und Amerikanistik 21 (1996): 29-32.</text>
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              <text>Troilus and Criseyde.</text>
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            <elementText elementTextId="2743074">
              <text>Arbeiten aus Anglistik und Amerikanistik 21 (1996)</text>
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              <elementText elementTextId="2743068">
                <text>'For All That Comth, Comth by Necessitee': Chaucer's Critique of Fourteenth-Century Boethianism in 'Troilus and Criseyde' IV, 957-58</text>
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              <elementText elementTextId="2743072">
                <text>In TC, Chaucer adapts Boethian thought to expose the dangers of the radical determinism of John Wyclif.  Such determinism fails to remedy Troilus's loss of Criseyde, posing dangers to society as well as to the individual.</text>
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              <text>Arrathoon, Leigh A.</text>
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              <text>Merchant and His Tale.</text>
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              <text>jules SAC 10 (174)</text>
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                <text>'For Craft Is Al, Whoso That Do It Kan': The Genre of 'The Merchant's Tale'</text>
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                <text>MerT is an ethical narrative in which the aenigmalogue (puzzling narrative surface) is blended with the apologue (Augustinian "oversense"), thus revealing the Merchant as a Manichean and January as a parody of Jovinian.  The apologue is signaled by allusion, irony, undercutting, and disputational structure.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2720043">
              <text>Meindl, Robert J.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2720044">
              <text>Studia Mystica 6 (1983): 45-58.</text>
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        <element elementId="114">
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            <elementText elementTextId="2720045">
              <text>1983</text>
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        <element elementId="102">
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              <text>Squire and His Tale.</text>
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              <text>Studia Mystica 06 (1983)</text>
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              <text>jules SAC 07 (173)</text>
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                <text>'For Drye as Whit as Chalk': Allegory in Chaucer and Malory</text>
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                <text>Analyzes the Canacee episode in SqT through "poetic and biblical exegesis" and compares it to similar materials in Malory's "Morte Darthur."</text>
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                  <text>Chaucer Bibliography Online</text>
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          <elementTextContainer>
            <elementText elementTextId="2801829">
              <text>Arner, Timothy D.</text>
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            <elementText elementTextId="2801830">
              <text>ChauR 46.4 (2012): 439-60.</text>
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          <name>Date</name>
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            <elementText elementTextId="2801831">
              <text>2012</text>
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              <text>Troilus and Criseyde</text>
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              <text>Language and Word Studies</text>
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              <text>Chaucer Review 46 (2012)</text>
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              <text>mea sac 36:214</text>
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                <text>'For Goddes Love': Rhetorical Expression in 'Troilus and Criseyde'</text>
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                <text>Focuses on how the idiomatic phrase "for goddes love" is used in TC as "an expression of power" and how the phrase "appeals to a divine system of mercy and justice" when used by Troilus, Criseyde, and Pandarus.</text>
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            <elementText elementTextId="2800909">
              <text>Smallwood, T. M.</text>
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              <text>ChauR 46.4 (2012): 461-71.</text>
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              <text>2012</text>
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              <text>Miller and His Tale</text>
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              <text>Language and Word Studies</text>
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              <text>Chaucer Review 46 (2012)</text>
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              <text>mea sac 36:78</text>
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              <elementText elementTextId="2800908">
                <text>'For gode' in Chaucer and the 'Gawain' Poet</text>
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            <description>An account of the resource</description>
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                <text>Argues that the phrase "for gode" in MilT (I.3526) is not, as is often assumed, a misspelling meaning "by God," but rather an intentional use of a phrase appearing in unsophisticated texts of the period. The phrase has similarly been misunderstood in "Sir Gawain and the Green Knight," lines 965 and 1822.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2781541">
              <text>Parsons, Ben.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2781542">
              <text>Modern Language Review 103 (2008): 940-51.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2781543">
              <text>2008</text>
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              <text>Chaucerian Apocrypha</text>
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              <text>Clerk and His Tale</text>
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          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781547">
              <text>Modern Language Review 103 (2008).</text>
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          </elementTextContainer>
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          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2833484">
              <text>vxl SAC 32:337.</text>
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            <name>Title</name>
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                <text>'For my synne and for my yong delite': Chaucer, the 'Tale of Beryn,' and the Problem of Adolescentia</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2781544">
                <text>Not just a continuation of CT, the "Tale of Beryn" engages Chaucer's work critically. Assigned, in the anonymous Interlude, to the Merchant on the return journey, "Beryn" challenges the Clerk's notion of male adolescence as a stage of pre-identity that will lead to maturity. The sense of adolescence as a force to be controlled in "Beryn" may connect with efforts to stem Lollardy by focusing on the young and their education.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2773890">
              <text>Scheitzeneder, Franziska.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>PhiN: Philologie im Netz 36 (2006): 44-59.</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2773892">
              <text>2006</text>
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          <name>Chaucer Subject</name>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>Clerk and His Tale.</text>
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              <text>PhiN: Philologie im Netz 36 (2006)</text>
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              <text>vxl sac 30:207</text>
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                <text>'For myn entente nys but for to pleye': On the Playground with the Wife of Bath, the Clerk of Oxford, and Jacques Derrida</text>
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                <text>Reads the opposition between the Clerk and the Wife of Bath in light of Derrida's opposition between the structuralist desire to decipher signs and the poststructuralist impulse to play with the "instability of signs." The Wife is an "anachronistic allegory of Derrida's play of structure, whose only truth is that there is not a single truth." In his Envoy, the Clerk transgresses his own efforts to specify meaning.</text>
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                <text>Reprinted in Winfried Rudolf, Thomas Honegger, and Andrew James Johnston, eds. Clerks, Wives, and Historians: Essays on Medieval Language and Literature. Variations, no. 8 (New York: Peter Lang, 2007), pp. 47-68.</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2764756">
              <text>Hines, John.</text>
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        <element elementId="98">
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              <text>SAC 25: 299-308,   2003.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2764758">
              <text>2003</text>
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        <element elementId="108">
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              <text>Colloquium: The Manciple's Tale.</text>
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              <text>Manciple and His Tale.</text>
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          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2764762">
              <text>Studies in the Age of Chaucer 25 (2003)</text>
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            <elementText elementTextId="2764763">
              <text>vxl SAC 27:260</text>
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                <text>'For sorwe of which he brak his minstralcye': The Demise of the 'Sweete Noyse' of Verse in the Canterbury Tales</text>
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              <elementText elementTextId="2764760">
                <text>ManT and the depiction of the Manciple reflect Chaucer's effort to undermine bourgeois threats to court culture, his critique of practical "wit," and, simultaneously, his affirmation of the destructive power of adultery.</text>
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