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              <text>Nowlin, Steele.</text>
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        <element elementId="98">
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              <text>Dissertation Abstracts International A79.04 (2018): n.p.</text>
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            <elementText elementTextId="2836099">
              <text>Dissertation Abstracts International 79 (2018)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2836100">
              <text>Sources, Analogues, and Literary Relations&#13;
Tale of Melibee&#13;
Monk and His Tale</text>
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              <text>SAC 43:36</text>
            </elementText>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2836102">
              <text>2018</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2836095">
                <text>Chaucer, Gower and the Invention of History.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Argues that the "creative potential of understanding invention at once as a textual and historical concept . . . receives its fullest treatment in the poetic exchanges of Chaucer and Gower," examining how in MLT and MkT Chaucer undercuts Gower's efforts to shape history and rejuvenate culture, "destabilizing Gower's model without offering a suitable replacement."</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2836088">
              <text>Magnani, Roberta, and Diane Watt.</text>
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        <element elementId="98">
          <name>Published</name>
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              <text>Postmedieval 9 (2018): 269-88.</text>
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              <text>Watt, Diane.</text>
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            <elementText elementTextId="2836091">
              <text>Postmedieval 09 (2018)</text>
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          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2836092">
              <text>Sources, Analogues, and Literary Relations&#13;
Manuscripts and Textual Studies&#13;
Man of Law and His Tale</text>
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              <text>SAC 43:35</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836094">
              <text>2018</text>
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            <name>Title</name>
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              <elementText elementTextId="2836086">
                <text>On the Edge: Chaucer and Gower's Queer Glosses.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2851220">
                <text>Examines glosses of John Gower's English text of "Confessio Amantis" and Chaucer's CT, especially MLT, and claims that Chaucer and Gower "are acutely aware of the risks, and sometimes the pleasures, of misprision or queer (mis)interpretation" as they develop "ideas of authority" in their poetry.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Johnson, Ian.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2836080">
              <text>Sabrina Corbellini, Giovanna Murano, and Giacomo Signore, eds. Collecting, Organizing and Transmitting Knowledge: Miscellanies in Late Medieval Europe (Turnhout: Brepols, 2018), pp. 23-38.</text>
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        <element elementId="112">
          <name>Contributor</name>
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            <elementText elementTextId="2836081">
              <text>Corbellini, Sabrina, ed. &#13;
Murano, Giovanna, ed. &#13;
Signore, Giacomo, ed.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
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          <elementTextContainer>
            <elementText elementTextId="2836082">
              <text>Collecting, Organizing and Transmitting Knowledge: Miscellanies in Late Medieval Europe.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836083">
              <text>Sources, Analogues, and Literary Relations&#13;
Canterbury Tales--General</text>
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        <element elementId="109">
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          <description/>
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              <text>SAC 43:34</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836085">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2836077">
                <text>A Sensibility of the Miscellaneous? The "Canterbury Tales" of Geoffrey Chaucer and the Works of Reginald Pecock.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851168">
                <text>Considers late medieval miscellanea and the "sensibility of the miscellaneous," using the concept of "heterarchy," and assessing Nicholas of Lyre's discussion of the Psalter, the :Biblically licensed diversity" of CT (evident in ParsT, Ret, and MelP), and Reginald Pecock's principle of "divine reason."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2836071">
              <text>Ensley, Mimi.</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2836072">
              <text>Yearbook of English Studies 32 (2018): 333-51.</text>
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            <elementText elementTextId="2836073">
              <text>Yearbook of English Studies 32 (2018)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2836074">
              <text>Chaucerian Apocrypha&#13;
Facsimiles, Editions, and Translations&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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            <elementText elementTextId="2836075">
              <text>SAC 43:271</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2836076">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2836069">
                <text>Framing Chaucer's Plowman.</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Argues that the scriptural glosses found in Thomas Godfray's 1535 publication of "The Ploughman's Tale" are similar to Langland's techniques in "Piers Plowman," as are the "poem's anticlericism and alliteration"; when Godfray republished the tale in William Thynne's "Works of Geoffrey Chaucer"(2nd ed., 1542), new paratextual apparatus aligned the poem with CT. Each of these paratextual frames helps "to protect the text from censors while cultivating the wide audience sought by financially savvy printers."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836063">
              <text>Strakhov, Elizaveta.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836064">
              <text>Yearbook of Langland Studies 32 (2018): 289-313.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2836065">
              <text>Yearbook of Langland Studies 32 (2018)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836066">
              <text>Nun's Priest and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2836067">
              <text>SAC 43:214</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836068">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2836061">
                <text>Political Animals: Form and the Animal Fable in Langland's Rodent Parliament and Chaucer's "Nun's Priest's Tale."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2836062">
                <text>Identifies food-chain predation and ecosystemic competition as formal elements of animal fables; then examines these dynamics in NPT, the Rat Parliament of Langland's "Piers Plowman," and their respective allusions to the Uprising of 1381 and to the English Parliaments of 1376 and 1377. Though varied, the two narratives capitalize on their animal-fable genre to critique hierarchical power, assert the value of laboring commons, and advocate political counsel rather than rebellion.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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            <elementText elementTextId="2836055">
              <text>Cannon, Christopher.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2836056">
              <text>Yearbook of Langland Studies 32 (2018): 315-31.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2836057">
              <text>Yearbook of Langland Studies 32 (2018)</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836058">
              <text>Tale of Melibee&#13;
Sources, Analogues, and Literary Relations</text>
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          </elementTextContainer>
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        <element elementId="109">
          <name>Source</name>
          <description/>
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            <elementText elementTextId="2836059">
              <text>SAC 43:208</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2836060">
              <text>2018</text>
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              <elementText elementTextId="2836053">
                <text>The Ploughman's Tale.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="2836054">
                <text>Argues that Mel and Langland's "Piers Plowman" share common features that derive from medieval school texts: axioms and proverbs, recurrent attention to the "Distiches of Cato," and citational and translational practices grounded in school exercises. In these ways, Mel is Chaucer's most "Langlandian" text and, though Chaucer lends it credibility by assigning it to his Canterbury persona, he might well have assigned it to his Plowman.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>Yearbook of Langland Studies 32 (2018): 245-70.</text>
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              <text>General Prologue to the Canterbury Tales&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Of Poets and Prologues.</text>
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                <text>Assesses speech and silence in the characterizations and functions of the narrators of GP and the Prologue to "Piers Plowman." Both narrator-figures are introduced "through tropological silencing," but the "muted contact" of the GP narrator with the other pilgrims "ushers in negotiations of interpersonal interactions" and anticipates "questions of social order" and "communal identity" in CT, while the "unvoiced aurality" of Langland's narrator becomes "part of [his] poem's pervasive concern over what constitutes virtuous speaking" and poetry.</text>
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                <text>Reviews critical studies that offer, accept, or defend arguments that Chaucer knew and was influenced by William Langland's "Piers Plowman," challenging them on the grounds of weak logic, uncertain assumptions, lack of evidence, and/or the commonplace or spurious nature of claimed connections.</text>
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                <text>Chaucer's Non-Debt to Langland.</text>
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              <text>Grady, Frank.</text>
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              <text>Yearbook of Langland Studies 32 (2018)</text>
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                <text>Identifies various ways Boethius's "Consolation of Philosophy" influenced Langland's "Piers Plowman" formally and thematically, and suggests in conclusion that, unlike other late medieval English writers, Langland and Chaucer "are interested in subjecting the wisdom of the 'Consolation' to the pressures of the world as it can be represented in fiction." Also suggests that Langland's work may have been the "catalyst" of Chaucer in this regard.</text>
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              <text>Cooper, Helen.</text>
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              <text>Yearbook of Langland Studies 32 (2018): 375-89.</text>
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            <elementText elementTextId="2836028">
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              <elementText elementTextId="2836021">
                <text>Afterword [to "Chaucer's Langland"].</text>
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              <elementText elementTextId="2851017">
                <text>Comments on the studies included in a cluster of essays entitled "Chaucer's Langland" (YLS 32 (2018) and, acknowledging the difficulties of establishing direct influence between Langland and Chaucer, describes a variety of dissimilarities between their works, explaining how differences in style, genre, attitude, and emphasis reflect and illuminate the poets' ethical, intellectual, social, and political worlds.</text>
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              <text>Batkie, Stephanie L., and Eric Weiskott.</text>
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              <text>Weiskott, Eric.</text>
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            <elementText elementTextId="2836017">
              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="114">
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            <elementText elementTextId="2836019">
              <text>2018</text>
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              <text>Yearbook of Langland Studies 32 (2018): 237-44.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851018">
                <text>Tallies several differences and similarities between Chaucer's and Langland's works and worlds, comments on the relative prominence of Chaucer studies, and introduces the seven essays in a special section of YLS entitled "Chaucer's Langland." For these essays, search for Yearbook of Langland Studies 32 (2018) under Journal by Volume Number.</text>
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                <text>Introduction [to "Chaucer's Langland"].</text>
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              <name>Title</name>
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            <elementText elementTextId="2836007">
              <text>Kraebel, Andrew.</text>
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        <element elementId="98">
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            <elementText elementTextId="2836008">
              <text>Speculum 94.4 (2019): 959-1005.</text>
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            <elementText elementTextId="2836009">
              <text>Speculum 94 (2019)</text>
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            <elementText elementTextId="2836010">
              <text>Manuscripts and Textual Studies&#13;
Lyrics and Short Poems&#13;
Adam Scriveyn</text>
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              <text>SAC 43:29</text>
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        <element elementId="114">
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            <elementText elementTextId="2836012">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2836005">
                <text>Rolle Reassembled: Booklet Production, Single-Author&#13;
Anthologies, and the Making of Bodley 861.</text>
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            </elementTextContainer>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851020">
                <text>Explores connections between authority and production/distribution in Bodley 861. Briefly compares the Bodley scribe and scribe B in the Hengwrt CT, discusses Chaucer's shorter poems and their dependence on external evidence, and discusses John Shirley as the copyist of Adam.</text>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <elementTextContainer>
            <elementText elementTextId="2835998">
              <text>Pratt, Karen, Bart Besamusca, Matthias Meyer, and Ad Putter, eds.</text>
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          <elementTextContainer>
            <elementText elementTextId="2835999">
              <text>Göttingen: V&amp;R Academic, 2017. </text>
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              <text>399 pp.; 22 illus.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2836001">
              <text>Background and General Criticism</text>
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            <elementText elementTextId="2836002">
              <text>SAC 43:115</text>
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            <elementText elementTextId="2836003">
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            <elementText elementTextId="2836004">
              <text>Besamusca, Bart, ed.&#13;
Meyer, Matthias, ed. &#13;
Putter, Ad, ed.</text>
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              <elementText elementTextId="2835996">
                <text>The Dynamics of the Medieval Manuscript: Text Collections from a European Perspective.</text>
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            <description>An account of the resource</description>
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                <text>Twenty-three essays by various authors and an introduction by the editors, all of which pertain to the study of medieval short narratives as they appear in multi-text manuscripts, addressing concerns such as "miscellaneity," paratexts, genres, co-texts, reception, and ownership. The volume contains an index of manuscripts, but no general subject index. For four essays that pertain to Chaucer, search for The Dynamics of the Medieval Manuscript under Alternative Title.</text>
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          <description/>
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              <text>Connolly, Margaret.</text>
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              <text>Karen Pratt, Bart Besamusca, Matthias Meyer, and Ad Putter, eds. The Dynamics of the Medieval Manuscript (Göttingen: V&amp;R Academic, 2017), pp. 81-100.</text>
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        <element elementId="108">
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          <elementTextContainer>
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        <element elementId="102">
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          <description/>
          <elementTextContainer>
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              <text>Manuscripts and Textual Studies&#13;
Adam Scriveyn</text>
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        </element>
        <element elementId="109">
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          <description/>
          <elementTextContainer>
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              <text>SAC 43:261</text>
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        <element elementId="114">
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                <text>What John Shirley Said about Adam: Authorship and Attribution in Cambridge, Trinity College, MS R.3.20.</text>
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            <elementTextContainer>
              <elementText elementTextId="2851642">
                <text>Assesses the value of John Shirley's attribution of Adam Scriveyn to Chaucer in the only manuscript where it appears, arguing on the grounds of Shirley's "other statements about Chaucer" that the attribution is reliable and, on more general external evidence, that Shirley "might have known scribes who had worked for Chaucer," including Adam Pinkhurst.</text>
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              <name>Title</name>
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              <text>Pratt, Karen.</text>
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          <elementTextContainer>
            <elementText elementTextId="2835984">
              <text>Karen Pratt, Bart Besamusca, Matthias Meyer, and Ad Putter, eds. The Dynamics of the Medieval Manuscript (Göttingen: V&amp;R Academic, 2017), pp. 257-85.</text>
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        <element elementId="108">
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          <elementTextContainer>
            <elementText elementTextId="2835985">
              <text>The Dynamics of the Medieval Manuscript.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="102">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835986">
              <text>Legend of Good Women&#13;
Manuscripts and Textual Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835987">
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              <elementText elementTextId="2835981">
                <text>The Dynamics of the European Short Narrative in Its Manuscript Context: The Case of Pyramus and Thisbe.</text>
              </elementText>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2835982">
                <text>Traces the emphases and manuscript contexts of Latin and vernacular versions of the Pyramus and Thisbe story from Ovidian origins to Chaucer's narrative in LGW, with emphasis on the comic or bathetic elements of Chaucer's account and on its place in the Findern manuscript (Cambridge University Library, MS Ff.1.6).</text>
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              <description>A name given to the resource</description>
              <elementTextContainer>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835975">
              <text>Pérez-Fernández, Tamara.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835976">
              <text>Karen Pratt, Bart Besamusca, Matthias Meyer, and Ad Putter, eds. The Dynamics of the Medieval Manuscript (Göttingen: V&amp;R Academic, 2017), pp. 242-56.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835977">
              <text>The Dynamics of the Medieval Manuscript.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
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          <elementTextContainer>
            <elementText elementTextId="2835978">
              <text>Manuscripts and Textual Studies&#13;
Troilus and Criseyde</text>
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        </element>
        <element elementId="109">
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              <text>SAC 43:30</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835980">
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          <element elementId="50">
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              <elementText elementTextId="2835973">
                <text>Shared Exemplars and the Creation of Miscellanies in the Manuscripts of "Troilus and Criseyde."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851170">
                <text>Summarizes and extends recent scholarship on Guildhall scribe Richard Osbarn, and assesses his work, focusing on two TC manuscripts to which he contributed: San Marino, Huntington Library, MS HM 114, and London, British Library, MS Harley 3943. Examines paratextual aspects of the two--particularly their marginal glosses--and what they may imply about Osbarn's exemplar(s) and the text of TC.</text>
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          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835967">
              <text>Koppy, Kate.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835968">
              <text>Karen Pratt, Bart Besamusca, Matthias Meyer, and Ad Putter, eds. The Dynamics of the Medieval Manuscript (Göttingen: V&amp;R Academic, 2017), pp. 147-64.</text>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835969">
              <text>The Dynamics of the Medieval Manuscript.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835970">
              <text>Manuscripts and Textual Studies&#13;
Legend of Good Women&#13;
Anelida and Arcite&#13;
Complaint of Venus</text>
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          </elementTextContainer>
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        <element elementId="109">
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              <text>SAC 43:28</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835972">
              <text>2017</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2835965">
                <text>The Findern Codex and the Blog In the Middle: Understanding Middle English Vernacular Manuscripts Through the Lens of Social Media in the Twenty-First&#13;
Century.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851171">
                <text>Examines the arrangement and composition of two of the booklets of the Findern manuscript (Cambridge University Library, MS Ff.1.6) for the ways they may be seen as "the record of interactions within the community of readers and scribes who had access to it" (161), suggesting similarities with internet blogging. Includes comments on the location and presentation of several works by Chaucer: the legend of Thisbe from LGW, Anelida's Complaint from Anel, and The Complaint of Venus.</text>
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          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835959">
              <text>Drimmer, Sonja.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
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              <text>Philadelphia: University of Pennsylvania Press, 2019.</text>
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              <text>352 pp.; b&amp;w and color illus.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835962">
              <text>Manuscripts and Textual Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835963">
              <text>SAC 43:27</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835964">
              <text>2019</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2835957">
                <text>The Art of Allusion: Illuminators and the Making of English Literature, 1403-1476.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851021">
                <text>Examines the importance of visual images in late medieval manuscripts, and the significance of manuscript illuminators in the development and spread of English literary culture. Discusses illuminated manuscripts of Chaucer's CT, and illustrated works of Gower and Lydgate.</text>
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  </item>
  <item itemId="275486" public="1" featured="0">
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835951">
              <text>Bychowski, M. W.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835952">
              <text>Postmedieval 9 (2018): 318-33.</text>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
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          <elementTextContainer>
            <elementText elementTextId="2835953">
              <text>Postmedieval 09 (2018)</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835954">
              <text>Manuscripts and Textual Studies</text>
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          </elementTextContainer>
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        <element elementId="109">
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          <description/>
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            <elementText elementTextId="2835955">
              <text>SAC 43:26</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835956">
              <text>2018</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2835949">
                <text>Trans Textuality: Dysphoria in the Depths of Medieval Skin.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851817">
                <text>Wonders how the transgender experience allows a "trans textuality" and offers an example of this proposed theoretical approach to manuscripts via a consideration of the Ellesmere manuscript.</text>
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          </element>
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  <item itemId="275485" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835944">
              <text>Brooks, Freya Elizabeth Paintin.</text>
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          </elementTextContainer>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835945">
              <text>Open access Ph.D. dissertation. University of Leicester, 2018. Available at EThOS: E-Theses Online Service (registration required). Accessed February 5, 2021.</text>
            </elementText>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835946">
              <text>Manuscripts and Textual Studies&#13;
Canterbury Tales--General</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
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              <text>SAC 43:25</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835948">
              <text>2018</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2835942">
                <text>The Female Audience of the Manuscripts of Chaucer's "Canterbury Tales."</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2835943">
                <text>"[R]evisits" the manuscripts of CT "in order to piece together the evidence of women's involvement in the consumption and circulation of this work," using "visualisations to map the social networks of women connected to the manuscripts and explore the localisation of each book in the select corpus to investigate how it affects these networks."</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          <name>Author / Editor</name>
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            <elementText elementTextId="2835936">
              <text>Besamusca, Bart.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2835937">
              <text>Amsterdamer Beiträge zur älteren Germanistik 76 (2016): 89-122.</text>
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        </element>
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          <name>Journal by Volume Number</name>
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            <elementText elementTextId="2835938">
              <text>Amsterdamer Beiträge zur älteren Germanistik 76 (2016)</text>
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        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2835939">
              <text>Manuscripts and Textual Studies&#13;
Troilus and Criseyde</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2835940">
              <text>SAC 43:24</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
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            <elementText elementTextId="2835941">
              <text>2016</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2835934">
                <text>Author Attributions in Medieval Text Collections: An Exploration.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851816">
                <text>Offers six case studies of multi-text manuscripts to investigate "medieval concepts of authorship and . . . constructions of authority." Shows that Oxford, Bodleian Library, MS Arch. Selden B.24 (including TC, PF, Truth, Mars, Venus, LGW, and nineteen works by other writers) is an "attempt to create an anthology coherent in theme(s) and . . . poetic form," inaugurated by TC. Paratextual references to Chaucer as author is "a key means" to achieve coherence</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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            <elementText elementTextId="2835928">
              <text>Allen-Goss, Lucy.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835929">
              <text>Postmedieval 9 (2018): 334-48.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835930">
              <text>Postmedieval 09 (2018)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835931">
              <text>Manuscripts and Textual Studies&#13;
Parliament of Fowls&#13;
Legend of Good Women</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835932">
              <text>SAC 43:23</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835933">
              <text>2018</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2835926">
                <text>Queerly Productive: Women and Collaboration in Cambridge, University Library, MS Ff.1.6.</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2835927">
                <text>Examines Cambridge University Library, MS Ff. 1.6 (the Findern manuscript), which includes extracts from PF and part of LGW, and considers its "taste for writings relating to female desire." Argues that "expression of female same-sex desires must be fundamental to theorizations of collaborative practices in medieval manuscript culture."</text>
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            </elementTextContainer>
          </element>
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    </elementSetContainer>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835920">
              <text>Stewart, Vaughn.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835921">
              <text>Dissertation Abstracts International A77.11 (2017): n.p.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835922">
              <text>Dissertation Abstracts International 77 (2017)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835923">
              <text>Facsimiles, Editions, and Translations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835924">
              <text>SAC 43:22</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835925">
              <text>2017</text>
            </elementText>
          </elementTextContainer>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2835918">
                <text>Reading Nobility: Authority and Early English Print.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2835919">
                <text>Examines "the paratextual, literary, historical, and physical ways print books serve as brokers of authority," including discussion of how William Caxton, in his editions of Chaucer, "inaugurates the printer as a necessary intermediary between the reader and a spiritually authentic Chaucer" and "instantiates printers as necessary mediators who provide readers an authentic, vivid, and accessible Chaucer."</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="275481" public="1" featured="0">
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835911">
              <text>Robinson, Bonnie J., and Laura J. Getty, eds.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835912">
              <text>Dahlonega: University of North Georgia Press, 2018.</text>
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          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835913">
              <text>2971 pp.; illus.</text>
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          </elementTextContainer>
        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
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            <elementText elementTextId="2835914">
              <text>Getty, Laura J., ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835915">
              <text>Facsimiles, Editions, and Translations&#13;
Parliament of Fowls&#13;
General Prologue to the Canterbury Tales&#13;
Miller and His Tale&#13;
Wife of Bath and Her Tale&#13;
Franklin and His Tale&#13;
Pardoner and His Tale&#13;
Chaucer's Retraction</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835916">
              <text>SAC 43:21</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835917">
              <text>2018</text>
            </elementText>
          </elementTextContainer>
        </element>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2835909">
                <text>British Literature I: Middle Ages to the Eighteenth Century and Neoclassicism.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851022">
                <text>E-book designed as a classroom anthology, downloadable as a PDF, with Learning Outcomes and introductory backgrounds for each chronological period, and introductions to selected works and authors from "The Dream of the Rood" to Olaudah Equiano. The section on Chaucer includes an introduction that focuses on Chaucer's middle-class background and CT, claiming that Chaucer's "influence on later British literature is difficult to overstate"; selections in normalized Middle English spelling (without notes, commentary, or line numbers) include PF (titled "The Parliament of Birds"), GP, MilPT, WBPT, FranPT, PardPT, and Ret.</text>
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          </element>
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  </item>
  <item itemId="275480" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835903">
              <text>Ransom, Daniel J.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835904">
              <text>Journal of English and Germanic Philology 118 (2019): 517-43.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835905">
              <text>Journal of English and Germanic Philology 118 (2019)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835906">
              <text>Facsimiles, Editions, and Translations&#13;
Language and Word Studies</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835907">
              <text>SAC 43:20</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2835908">
              <text>2019</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851172">
                <text>Speght's "Jape": A Word History and an Editor at Work.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2851815">
                <text>Observes that the glossary of Speght's 1598 edition of Chaucer's works lists "yape" for "jape"/"iape," meaning "trick," "joke," or sexual activity, but the 1602 edition does not; historical and contemporary word lists do not include "yape" unless influenced by Speght. Argues that Speght possibly ordered this orthographic change because by the late sixteenth century "jape" was becoming an obscenity.</text>
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