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              <text>Baghdikian, Sonia.</text>
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              <text>In Graham Nixon and John Honey, eds. An Historic Tongue: Studies in English Linguistics in Memory of Barbara Strang (New York: Routledge, 1988), pp. 41-48.</text>
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              <text>Nixon, Graham, ed.&#13;
Honey, John ed.</text>
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              <text>An Historic Tongue: Studies in English Linguistics in Memory of Barbara Strang.</text>
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              <text>Language and Word Studies&#13;
Boece</text>
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              <text>mea; 10/23/2022</text>
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                <text>Ambiguous Negations in Chaucer and Queen Elizabeth.</text>
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                <text>Draws examples from Bo and Elizabeth I's translation of Boethius ("noght," "nowt," "nothing," etc.) to show that the ambiguity of morphological negation disappears between Middle and Early Modern English while that of syntactical negation survives.</text>
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              <text>Levin, Carole, and Jeanie Watson, eds.</text>
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              <text>Detroit, Mich.: Wayne State University Press, 1987.</text>
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        <element elementId="114">
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              <text>1987</text>
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              <text>Watson, Jeanie, ed.</text>
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              <text>Background and General Criticism.</text>
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              <text>jules SAC 11 (103)</text>
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                <text>Ambiguous Realities: Women in the Middle Ages and Renaissance</text>
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                <text>Thirteen essays by various hands.  For two essays that pertain to Chaucer, search for Ambiguous Realities under Alternative Title.</text>
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              <text>Reiss, Edmund.</text>
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              <text>Julian N. Wasserman and Lois Roney, eds.  Sign, Sentence, Discourse: Language in Medieval Thought and Literature (Syracuse, N. Y.: Syracuse University Press, 1989), pp. 113-37.</text>
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              <text>1989</text>
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            <elementText elementTextId="2704591">
              <text>Sign, Sentence, Discourse: Language in Medieval Thought and Literature.</text>
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              <text>Background and General Criticism.</text>
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              <text>jules SAC 13 (78)</text>
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                <text>Ambiguous Signs an Authorial Deception in Fourteenth-Century Fictions</text>
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                <text>Dante, Boccaccio, Gower, Chaucer, and the Archpriest of Hita are aware that language is deceptive:  signs are ambiguous and may be misunderstood, or they are deliberately deceptive.  The author may serve as trickster and may demand reader "response and responsibility."</text>
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              <text>Bennett, Alastair.</text>
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              <text>Marginalia 2 (2005): n.p.</text>
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              <text>House of Fame.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Marginalia 02 (2005) [Electronic journal]</text>
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              <text>vxl sac 29:287</text>
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                <text>Ambition and Anxiety in The House of Fame and The Garlande of Laurell</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Compares the attitudes toward fame and poetic fame in HF and in Skelton's The Garlande of Laurell, arguing that Chaucer's willingness to accept the Boethian transience of fame contrasts a greater desire for certainty in Skelton.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Barrington, Candace.</text>
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        <element elementId="98">
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              <text>New York: Palgrave Macmillan, 2007.</text>
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            <elementText elementTextId="2775355">
              <text>2007</text>
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            <elementText elementTextId="2775356">
              <text>xiv, 224 pp.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Recordings and Films.</text>
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              <text>The New Middle Ages.</text>
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              <text>vxl SAC 31:50</text>
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                <text>American Chaucers</text>
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                <text>Barrington studies examples of "Chaucer's appearances in American popular culture over the past two hundred years": Percy MacKaye's play, pageant, and opera; James Norman Hall's WWI memoir "Flying with Chaucer" (1930), Anne Maurey's pageant "May Day in Canterbury" (1926); Katherine Gordon Brinley's performance piece "Chaucer Lives" (1921); and Brian Helgeland's movie "A Knight's Tale" (2000). She comments briefly on a wide variety of related texts that reflect reception of Chaucer in the United States.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Schlacks, Deborah Davis.</text>
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              <text>New York: Peter Lang, 1994.</text>
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          <name>Date</name>
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            <elementText elementTextId="2740799">
              <text>1994</text>
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            <elementText elementTextId="2740800">
              <text>x, 234 pp.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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        <element elementId="104">
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          <elementTextContainer>
            <elementText elementTextId="2740803">
              <text>Studies on Themes and Motifs in Literature, no. 5.</text>
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              <text>jules SAC 20 (1998), 48</text>
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                <text>American Dream Visions: Chaucer's Surprising Influence on F. Scott Fitzgerald</text>
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                <text>Argues from internal and external evidence that Fitzgerald's works were strongly influenced by Chaucer's dream poems.  In particular, Chaucerian themes, characterizations of females, and dream structures occur in Fitzgerald's early works, especially "The Great Gatsby," as do parallel concerns with creativity and the role of the artist.  The influence is less pervasive in later works by Fitzgerald, but his concern with the artist-protagonist continues.</text>
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          <elementTextContainer>
            <elementText elementTextId="2791466">
              <text>Pinsky, Robert, and Maggie Dietz, eds.</text>
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        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2791467">
              <text>New York: Norton, 2000.</text>
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          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2791468">
              <text>2000</text>
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          </elementTextContainer>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2791469">
              <text>xix, 327 pp.</text>
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          </elementTextContainer>
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        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2791470">
              <text>Dietz, Maggie, ed.</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2791472">
              <text>General Prologue to the Canterbury Tales</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2791473">
              <text>mea 6/5/2013 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2791465">
                <text>Americans' Favorite Poems: The Favorite Poem Project Anthology</text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2791471">
                <text>Anthologizes a large number of selections from responses to Robert Pinsky's request that Americans submit an example of their favorite poetry and "comment on the poem's personal significance." The volume includes GP, lines 1-18, and brief comments by two people--Fan Staunton Ogilvie, a writer,  and Sandy Stewart, a handyman.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2801240">
              <text>Fradenburg, Aranye.</text>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2801241">
              <text>Carolynn Van Dyke, ed. Rethinking Chaucerian Beasts (New York: Palgrave Macmillan, 2012), pp. 13-31.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2801242">
              <text>2012</text>
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          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2801243">
              <text>Rethinking Chaucerian Beasts.</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2801245">
              <text>Canterbury Tales--General</text>
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            <elementText elementTextId="2801246">
              <text>Parliament of Fowls</text>
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        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2801247">
              <text>mea SAC 36:120</text>
            </elementText>
          </elementTextContainer>
        </element>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2801239">
                <text>Among All Beasts: Affective Naturalism in Late Medieval England</text>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2801244">
                <text>In some modern views, and in John of Trevisa's "On the Properties of Things," animals have feelings and communicate. Similarly, CT and PF demonstrate "the value and pleasure of minds speaking to other minds," whether human or avian. Late medieval interest in encyclopedic listings of things, including animals, may be a cultural result of the plague.</text>
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  <item itemId="272470" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              </elementTextContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807265">
              <text>Legassie, Shayne Aaron.</text>
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          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807266">
              <text>John M. Ganim and Shayne Aaron Legassie, eds. Cosmopolitanism and the Middle Ages (New York: Palgrave Macmillan, 2013), pp. 181-205.</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807267">
              <text>2013</text>
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          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807268">
              <text>Cosmopolitanism and the Middle Ages.</text>
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        </element>
        <element elementId="112">
          <name>Contributor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807269">
              <text>Ganim, John M., ed.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807271">
              <text>Man of Law and His Tale</text>
            </elementText>
            <elementText elementTextId="2807272">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2807273">
              <text>mea SAC 16:106</text>
            </elementText>
          </elementTextContainer>
        </element>
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    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2807264">
                <text>Among Other Possible Things: The Cosmopolitanisms of Chaucer's 'Man of Law's Tale'</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2807270">
                <text>Compares cosmopolitanism in Trevet, Gower, and Chaucer's Constance legends.  Establishes that Chaucer's sultan in MLT represents more of an aesthetic cosmopolitan than do his analogues in Trevet and Gower, who portray cosmopolitanism as a means of "advanc[ing] the universal expansion of orthodox Christian belief." Suggests that Chaucer questioned the success of a cosmopolitan world.</text>
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            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
  <item itemId="276628" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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            </element>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845282">
              <text>Collins, Arthur.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845283">
              <text>Literature in North Queensland 8.1 (1980): 7-13.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845284">
              <text>Literature in North Queensland 08 (1980)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845285">
              <text>Chaucer's Influence and Later Allusion&#13;
Wife of Bath and Her Tale</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845286">
              <text>mea; 12/18/2023</text>
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          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2845287">
              <text>1980</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845280">
                <text>Amor Vincit Omnia (How the Tales came to be told).</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2845281">
                <text>Verse dialogue in iambic pentameter couplets in which the Wife of Bath recommends to a convalescent Chaucer the idea of writing CT and offers to tend him while he writes.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="268451" public="1" featured="0">
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="24">
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765346">
              <text>Watt, Diane</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765347">
              <text>Minneapolis and London: University of Minnesota Press, 2002.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765348">
              <text>2003</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765349">
              <text>xviii, 219 pp.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765351">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765352">
              <text>Medieval Cultures, no. 38.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2765353">
              <text>mea SAC 27:51</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2765345">
                <text>Amoral Gower: Language, Sex, and Politics</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2765350">
                <text>Reads John Gower's Confessio Amantis as a work that "encourages its audience to take risks in interpretation, to experiment with meaning, and to offer individualistic readings." The work pursues a "negative critique of ethical poetry" and enables important engagements with complexities of language, sex, and politics. Recurrent references to Chaucer indicate that the two poets shared a common audience, competed with each other, and explored "ethical ambiguities" in different ways.</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="269517" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
    </collection>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2776352">
              <text>Van Dyke, Carolynn.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2776353">
              <text>ChauR 41 (2007): 250-60.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2776354">
              <text>2007</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2776356">
              <text>Background and General Criticism.</text>
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          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2776357">
              <text>Chaucer Review 41 (2007)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2776358">
              <text>vxl SAC 31:141</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2776351">
                <text>Amorous Behavior: Sexism, Sin, and the Donaldson Persona</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2825890">
                <text>Exemplified by those of Carolyn Dinshaw and Elaine Tuttle Hansen, feminist critiques of E. Talbot Donaldson's scholarship are curiously similar to D. W. Robertson's critiques of that scholarship. These critiques find fault in its subjectivity and thus overlook Donaldson's authorial persona: a "fictional first person" who "models a way into the text for readers, who are, like him" --and like Chaucer-- "both gendered roles and personal facts."</text>
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            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="270049" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781809">
              <text>Ingham, Patricia Clare.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781810">
              <text>Elizabeth Scala and Sylvia Federico, eds. The Post-Historical Middle Ages ((New York: Palgrave Macmillan, 2009), pp. 13-35.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781811">
              <text>2009</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781812">
              <text>The Post-Historical Middle Ages.</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781814">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2781815">
              <text>vxl sac 33:26</text>
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          </elementTextContainer>
        </element>
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                <text>Amorous Dispossessions : Knowledge, Desire, and the Poet's Dead Body</text>
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                <text>Ingham considers evidence from the exhumation of Petrarch's skull and from Chaucer studies to demonstrate the role of "amorous dispossessions" in historicist pursuits. Lacan's comments on courtly love theorize such dispossessions and complicate notions of truth and knowledge. The author discusses the "problem" that Chaucer's knowledge of Petrarch causes for claims about historical periods and explores aspects of global study of Chaucer.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Dalrymple, Roger.</text>
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              <text>Phillipa Hardman, ed. The Matter of Identity in Medieval Romance (Woodbridge, Suffolk; and Rochester, N.Y.: D. S. Brewer, 2002), pp. 149-62.</text>
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        <element elementId="114">
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            <elementText elementTextId="2760797">
              <text>2002</text>
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              <text>The Matter of Identity in Medieval Romance.</text>
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              <text>Hardman, Phillipa, ed.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Troilus and Criseyde.</text>
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                <text>Amoryus and Cleopes: John Metham's Metamorphosis of Chaucer and Ovid</text>
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                <text>Although based on Ovid's tale of Pyramus and Thisbe, "Amoryus and Cleopes" (1449) was clearly influenced by TC in diction and style. Metham's amelioration of tragedy simplifies Chaucer's complex and ambiguous combination of de casibus tragedy and Ovidian unfortunate love.</text>
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              <text>Cigman, Gloria.</text>
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              <text>Etudes Anglaises: Grande-Bretagne, Etats-Unis 42 (1989): 385-400.</text>
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        <element elementId="114">
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            <elementText elementTextId="2706022">
              <text>1989</text>
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              <text>Troilus and Criseyde.</text>
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        <element elementId="109">
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                <text>Amphibologies and Heresy: 'Troilus and Criseyde'</text>
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                <text>TC reflects heterodox or heretical outlooks and religious division in its depiction of love as religion, its prescribing a morality based on love, its metaphors of preaching, its celebration of love's power, and its notion of false felicity.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>McKinley, Kathryn.</text>
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              <text>Brian Gastle and Erick Kelemen, eds. Later Middle English Literature, Materiality, and Culture: Essays in Honor of James M. Dean (Newark: University of Delaware Press, 2018.), pp. 107-21.</text>
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              <text>Later Middle English Literature, Materiality, and Culture.</text>
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          <name>Chaucer Subject</name>
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              <text>Background and General Criticism&#13;
Canterbury Tales--General&#13;
Sources, Analogues, and Literary Relations</text>
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        <element elementId="114">
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            <elementText elementTextId="2836591">
              <text>2018</text>
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            <description>A name given to the resource</description>
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              <elementText elementTextId="2836584">
                <text>Ampullae and Badges: Pilgrim Paraphernalia in Late Medieval England.</text>
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            <elementTextContainer>
              <elementText elementTextId="2836585">
                <text>Describes (with illustrations) the "material remainders of late medieval English practices of pilgrimage," discussing them "in the context of Chaucer's and Langland's portraits of pilgrim attire," and commenting on relations between extant badges and flasks and the literary descriptions in CT and "Piers Plowman," satirical and otherwise.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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              <text>Coleman, Joyce.</text>
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              <text>Joyce Coleman.  Public Reading and the Reading Public in Late Medieval England and France (Cambridge: Cambridge University Press, 1996), pp. 148-78.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2741048">
              <text>1996</text>
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          <elementTextContainer>
            <elementText elementTextId="2741049">
              <text>Public Reading and the Reading Public in Late Medieval England    and France.</text>
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              <text>Background and General Criticism.</text>
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        <element elementId="109">
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            <elementText elementTextId="2741052">
              <text>jules SAC 20 (1998), 71</text>
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            <description>A name given to the resource</description>
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                <text>An 'Ethnography of Reading' in Chaucer</text>
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            <description>An account of the resource</description>
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                <text>Internal evidence in Chaucer's works indicates that he expected his works to be read aloud--both by himself and to an immediate, first audience and by prelectors to later audiences.  Chaucer's references to the reception of his work, his references to the reception of others' works, and his depictions of receptions indicate the community of hearers assumed in his literature.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2722909">
              <text>David, Alfred.</text>
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        <element elementId="98">
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              <text>Mary J. Carruthers and Elizabeth D. Kirk, eds.  Acts of Interpretation (Norman, Okla.: Pilgrim Books, 1982), pp. 147-57.</text>
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        <element elementId="114">
          <name>Date</name>
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          <elementTextContainer>
            <elementText elementTextId="2722911">
              <text>1982</text>
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          <elementTextContainer>
            <elementText elementTextId="2722912">
              <text>Acts of Interpretation.</text>
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              <text>Prioress and Her Tale.</text>
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        <element elementId="109">
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              <text>mea SAC 06 (182)</text>
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                <text>An ABC to the Style of the Prioress</text>
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                <text>Although the format (alphabetical) of ABC limits it somewhat, it follows the style of fourteenth-century religious courtly lyrics with a heightened sense of emotionalism.  The struggle of the Virgin with the devil in ABC can be equated with the struggle between the child and the Jews in PrT.</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Von Kreisler, Nicholai.</text>
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        <element elementId="98">
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          <elementTextContainer>
            <elementText elementTextId="2808079">
              <text>Chaucer Review 6.1 (1971): 30-37.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2808080">
              <text>1971</text>
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        <element elementId="102">
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              <text>Merchant and His Tale</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="100">
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          <elementTextContainer>
            <elementText elementTextId="2808084">
              <text>Chaucer Review 06 (1971)</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2808085">
              <text>mea; 2/23/2016 No SAC</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="2808077">
                <text>An Aesopic Allusion in the 'Merchant's Tale'</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2808081">
                <text>Traces the allusion to a "panyer ful of herbes" in MerT (4.1568) to an oral version of the apocryphal "Life of Aesop," commenting on the implications of this source for the tale.</text>
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  <item itemId="268914" public="1" featured="0">
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              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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              <text>Horowitz, Deborah.</text>
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              <text>Book of the Duchess.</text>
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                <text>An Aesthetic of Permeability : Three Transcapes of the Book of the Duchess</text>
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                <text>Horowitz assesses the aesthetic value of BD by focusing on three "transcapes" (through visions): that of the narrator as a literary medium; that of the work's interwoven sources and time spans; and that of the gendered landscape, which is both unstable and constant. The transcapes constitute a closely woven (but simultaneously open) work that is always open to interpretation and in a constant state of flux.</text>
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              <text>Evans, Ruth.</text>
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              <text>Jocelyn Wogan-Browne, Nicholas Watson, Andrew Taylor, and Ruth Evans, eds. The Idea of the Vernacular: An Anthology of Middle English Literary Theory, 1280-1520 (University Park : Pennsylvania State University Press; Exeter: University of Exeter Press 1999), pp. 331-52, pp. 371-78.</text>
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Wife of Bath and Her Tale&#13;
Clerk and His Tale</text>
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        <element elementId="114">
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                <text>An Afterword on the Prologue.</text>
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                <text>Assesses the functions of prologues in Middle English literature, commenting on nuances of "prohemye," "prefacyon," "preamble," etc., and exploring how prefatory works "disorganiz[e] the categories of center and periphery, 'theoria' and 'praxis'." Includes recurrent comments on GP, WBP, and ClP.</text>
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              <text>Notes and Queries 266 (2021): 164-65.</text>
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Canon's Yeoman and His Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Claims that Chaucer may have been aware of a fourteenth-century alchemical work prescribing an "elixir" of "a grain of wheat soaked in wine" that prolongs life long enough for someone whose death is imminent to "speak, make their will, and confess." Chaucer's interest in alchemy, evinced in CYT, suggests the possibility of his awareness of this recipe.</text>
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                <text>An Alchemical Analogue to the Virgin's 'Greyn': "The Prioress's Tale," ll. 662-72.</text>
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              <text>Weil, Eric.</text>
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              <text>Medieval Perspectives 6 (1991): 162-70.</text>
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        <element elementId="114">
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              <text>1991</text>
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              <text>mea</text>
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                <text>An Alchemical Freedom Flight: Linking the Manciple's Tale to the Second Nun's and Canon's Yeoman's Tales</text>
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                <text>Fragments VIII and IX are connected by opposed images of sight and blindness, idleness and work.  Themes of alchemical transformation and restraints on freedom (food, mates, language) also link the fragments.</text>
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              <text>Morel, W.</text>
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        <element elementId="98">
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              <text>Notes and Queries 202 (1957): 238-39.</text>
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Troilus and Criseyde</text>
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                <text>Suggests that Chaucer's citations of Lollius as a source for Trojan history may be attributable to his misreading of Horace's "Epistles" I 2,1.</text>
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              <text>Nakao, Yoshiyuki.</text>
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              <text>Hisao Tsuru, ed. Fiction and Truth: Essays on Fourteenth-Century English Literature (Tokyo: Kirihara Shoten, 2000), pp. 133-44.</text>
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              <text>jules SAC 24 (388)</text>
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                <text>Assessing the punctuation in editions by Baugh, Donaldson, Fisher, Howard, Pollard, Robinson, Root, Skeat, and Windeatt, Nakao suggests that editorial punctuation of TC obscures another voice of Crisyede.</text>
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                <text>In Japanese.</text>
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