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              <text>Estelle Epinoux and Nathalie Martinière, eds. Rewriting in the 20th-21st Centuries: Aesthetic Choice or Political Act? (Paris: Michel Houdiard, 2015), pp. 105-18.</text>
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              <text>Epinoux, Estelle, ed.&#13;
Martinière, Nathalie, ed.</text>
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              <text>Rewriting in the 20th-21st Centuries: Aesthetic Choice or Political Act?</text>
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Canterbury Tales--General&#13;
Prioress and Her Tale</text>
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              <text>2015</text>
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                <text>Anti-Maternal Rewriting in Ryder: Djuna Barnes's Feminist Twist on Chaucer.</text>
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                <text>Argues that in her experimental novel "Ryder," Djuna Barnes wrote "under the influence of Chaucer by employing a similar style," that her "use of glosses" in Chapter 10 "demonstrates an intertextuality" with CT, and that in Chapter 22 she "rewrites a portion" of PrT, adding a "feminist twist."</text>
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              <text>Webb, Louise.</text>
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              <text>Bloomington: Xlibris, 2016.</text>
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Canterbury Tales--General</text>
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              <text>[166 pp.]</text>
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                <text>Item not seen. WorldCat records indicate that this is a fictional narrative that includes phallic parodies of various works of literature; CT is among them in a short account of a pilgrimage to the ketchup-bottle-shaped water tower in Ketchup City, Illinois.</text>
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                <text>"Dear Penis, My Love!": A Hilarious Study of a Penis Obsession.</text>
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              <text>Vernon, Matthew X.</text>
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              <text>The Black Middle Ages: Race and the Construction of the Middle Ages.</text>
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Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General</text>
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                <text>Explores ways that John Dryden's notions of congeniality and the value of the vernacular in his commentary on Chaucer help to clarify Gloria Naylor's adaptations of Dante's "Inferno" in "Linden Hills" and of CT in "Bailey's Café, "identifying in the two novels thematic and formal concerns with vernacularity, voice, community, subversion, and relations between "codified and unruly forms of literary production."</text>
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                <text>Other Families: Dryden's Theory of Congeniality in Dante, Chaucer, and Naylor.</text>
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              <text>Doyle, Laura.</text>
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              <text>Literature Compass 15.6 (2018): n.p.</text>
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              <text>Chaucer's Global Compaignye.</text>
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                <text>Rechanneling Chaucer, Decentering Circulation.</text>
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            <description>An account of the resource</description>
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                <text>Places the cluster of Chaucer essays in this special issue of "Literature Compass"--entitled "Chaucer's Global Compaignye"--in the context of the journal's "Global Circulation Project," and comments on each of the included essays. For individual essays included in the cluster, search for Literature Compass 15 (2018) under Journal by Volume Number.</text>
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              <text>Dalzell, Susan.</text>
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              <text>New York: Adams Media, 2018.</text>
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              <text>256 pp.; 17 color illus.</text>
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                <text>Poetry 101: From Shakespeare and Rupi Kaur to Iambic Pentameter and Blank Verse; Everything You Need to Know about Poetry.</text>
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            <description>An account of the resource</description>
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                <text>An introduction to poetry in English, its history, and its forms, arranged by author and topic. Includes a brief introduction to Chaucer that emphasizes his social mobility, CT, and his use of English.</text>
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              <text>Burger, Glenn D., and Holly A. Crocker, eds.</text>
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              <text>Cambridge: Cambridge University Press, 2019.</text>
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              <text>x, 249 pp.; illus.</text>
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              <text>Crocker, Holly A., ed.</text>
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                <text>Medieval Affect, Feeling, and Emotion.</text>
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                <text>Collection of essays charting new investigations of intersectionality of affects, feelings, and emotions in non-religious texts. Authors range from Chaucer to Gavin Douglas, and essays explore practices of witness to the "adoration of objects," and the co-existence of emotion and affect in late medieval representations of feeling. For essays pertaining to Chaucer, search for Medieval Affect, Feeling, and Emotion under Alternative Title.</text>
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                <text>Compares the Wife's presentation of her conduct in WBPT to the conduct book" Le ménagier de Paris," and shows how the Wife's record of her activities and the presentation of negative emotions function as essentially a reversal of the "Ménagier." By using Sianne Ngai's concept of "ugly feelings" to contextualize this examination, offers the Wife's texts as a kind of alternative model of heterosexual and married identity to that depicted in "Ménagier."</text>
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                <text>Becoming One Flesh, Inhabiting Two Genders: Ugly Feelings and Blocked Emotion in the "Wife of Bath's Prologue and Tale."</text>
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              <text>Bryant, Brantley L.</text>
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                <text>Argues that RvT reworks its fabliau sources alongside then-contemporary texts about manorial control and operation such as "Walter of Henley," and traces this depiction of an "affective economy." Analysis helps to foreground how the Reeve's manorial background can help illuminate the affective workings of his tale.</text>
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                <text>Emphasizes how this essay collection presents "an intersectional approach to what medievals call affect and what moderns call emotions," and "speaks to the 'affective turn' in contemporary literary and cultural studies." Introduction provides a close reading of BD that allows authors to uncover how premodern texts grapple with the connections between&#13;
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              <text>Trigg, Stephanie.</text>
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              <text>Glenn D. Burger and Holly A. Crocker, eds. Medieval Affect, Feeling, and Emotion (Cambridge: Cambridge University Press, 2019), pp. 25-46.</text>
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                <text>Weeping like a Beaten Child: Figurative Language and the Emotions in Chaucer and Malory.</text>
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                <text>Highlights the connections between uses of the phrase "weeping like a beaten child" in both Chaucer and Malory, simultaneously exploring the semantic range of weeping elsewhere. These examinations offer further important lessons about the history of emotions and how one might read weeping in old texts.</text>
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              <text>Sugito, Hisashi.</text>
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              <text>Research Bulletin: Liberal Arts (Nihon University College of Economics) 84 (2017): 73-81.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>SAC 43:66</text>
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                <text>Chaucer and Literary Historiography in John Lydgate's "Siege of Thebes."</text>
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                <text>Points out that Chaucer develops the idea of interpretation through his works (especially CT), and demonstrates how Lydgate's "The Siege of Thebes," drawing on Chaucer, revolves around the ideas of truth and interpretation.</text>
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              <text>ix, 350 pp.</text>
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Book of the Duchess</text>
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                <text>Renaissance Texts, Medieval Subjectivities: Rethinking Petrarchan Desire from Wyatt to Shakespeare.</text>
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                <text>Chapter 2, "Chaucerian Melancholy in Renaissance England," explores how in "Astrophel and Stella" Sir Philip Sidney "reactivates: the melancholic and ambivalent "poetics of selfhood" of BD, as mediated in the "Petrarchan and anti-Petrarchan poetry" of Henry Howard, earl of Surrey. Attends to the "slippages of identity" in BD and links them with "melancholy theory from Aristotle to Kristeva."</text>
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              <text>Snell, Megan.</text>
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              <text>Shakespeare Quarterly 69.1 (2018): 35-56.</text>
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Knight and His Tale&#13;
Miller and His Tale&#13;
Reeve and His Tale</text>
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            <description>An account of the resource</description>
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                <text>Examines how the Jailer's Daughter of Shakespeare and Fletcher's play, a character not found in KnT, reflects a complex form of influence derived not only from KnT, but from MilT and RvT as well. Considers water imagery and liquidity, and "madness, secular village life, comic cruelty, and erotic, feminine desire" as manifestations of how the Daughter "quits" the play, as Chaucer's fabliaux quit his romance.</text>
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                <text>Chaucer's Jailer's Daughter: Character and Source in "The Two Noble Kinsmen."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Schlett, James.</text>
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              <text>xiv, 256 pp.; illus.</text>
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                <text>A Not Too Greatly Changed Eden: The Story of the Philosophers' Camp in the Adirondacks.</text>
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                <text>Recounts the history and events of the nineteenth-century American Philosophers' Camp. The chapter entitled "The Worthy Crew Chaucer Never Had" includes discussion of Ralph Waldo Emerson's notebook commentaries on similarities between the group of men attending the Camp and the pilgrims of the CT; the chapter title derives from a poem in Emerson's "Poetry Notebooks."</text>
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              <text>Andrew James Johnston, Margitta Rouse, and Wilhelm Schmidt-Biggemann, eds. Transforming Topoi: The Exigencies and Impositions of Tradition (Göttingen: V&amp;R, 2018), pp. 59-88.</text>
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              <text>Johnston, Andrew James, ed.&#13;
Rouse, Margitta, ed.&#13;
Schmidt-Biggemann, Wilhelm, ed.</text>
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House of Fame&#13;
Troilus and Criseyde</text>
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            <elementText elementTextId="2836407">
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                <text>Argues that Shakespeare's exploration of the "nature of literary adaptation-as-innovation" in "The Rape of Lucrece"--conducted by means of "competing versions of the Troy story"--engages with the "Chaucerian poetics" of HF and TC, particularly "Chaucer's thoughts on veiled and veiling authorities" evident in the ekphrastic account of Troy in HF.</text>
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                <text>(Un)veiling the Veil: Trojan Temporalities, Chaucerian Ekphrasis and Literary Innovation in Shakespeare's "Rape of Lucrece."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Rogal, Stan.</text>
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              <text>Toronto: Guernica, 2018. </text>
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              <text>vii, 209 pp.</text>
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Canterbury Tales--General</text>
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              <text>SAC 43:61</text>
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            <elementText elementTextId="2836398">
              <text>2018</text>
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                <text>A Rogue's Decameron.</text>
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            <description>An account of the resource</description>
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              <elementText elementTextId="2851825">
                <text>Includes ten short stories, plus a Prologue and an Epilogue, all overtly modeled in topic and tone on CT and Boccaccio's "Decameron," both works referred to in the Prologue and alluded to in titles such as "The Reeve's Sister's Tale."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Robinson, James.</text>
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              <text>Neil Roberts, Mark Wormald, and Terry Gifford, eds. Ted Hughes, Nature and Culture (Cham: Palgrave Macmillan, 2018), pp. 143–59.</text>
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              <text>Roberts, Neil, ed.&#13;
Wormald, Mark, ed.&#13;
Gifford, Terry, ed. </text>
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              <text>Ted Hughes, Nature and Culture.</text>
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Wife of Bath and Her Tale</text>
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            <elementText elementTextId="2836390">
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            <description>An account of the resource</description>
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                <text>Assesses the lifelong development of Ted Hughes's attitudes toward Chaucer in published and archival materials, including comments on Hughes's view of Chaucer as the "perfect model of a public poet" and as a "presiding presence" in his relationship with Sylvia Plath. Also assesses Plath's appreciation of Chaucer's works, especially the character of the Wife of Bath.</text>
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                <text>"Our Chaucer": Ted Hughes, Sylvia Plath and the Politics of Medieval Reading.</text>
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              <text>Robinson, James.</text>
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              <text>Ted Hughes in Context.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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                <text>Describes aspects of Hughes's "imaginative encounter with the Middle Ages," particularly his reading of "Sir Gawain and the Green Knight," Chaucer's works, and those of Dante, exploring how these works influenced his poetry and thoughts on literature.</text>
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              <text>Renaissance Quarterly 72.2 (2019): 537-81.</text>
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Legend of Good Women</text>
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              <elementText elementTextId="2836365">
                <text>Translating Ovid's "Metamorphoses" in Tudor Balladry.</text>
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                <text>Analyzes Ovid's "Metamorphoses" in Renaissance poetry, with some attention to how Chaucer, in LGW, and Gower, in "Confessio Amantis," may have influenced sixteenth-century Tudor England's Ovidian poetry.</text>
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              <text>Reid, Lindsay Ann.</text>
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              <text> xiv, 271 pp.</text>
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Book of the Duchess&#13;
Legend of Good Women&#13;
Troilus and Criseyde</text>
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                <text>Shakespeare's Ovid and the Spectre of the Medieval.</text>
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                <text>Argues that Shakespeare's uses of Ovid in his plays and poems was largely mediated by medieval works, specifically ones by Chaucer and John Gower. Shows that the dream frame of BD influenced "The Taming of the Shrew" and "Cymbeline," that Chaucer's (LGW) and Gower's versions of Ariadne underlie Julia of "The Two Gentlemen of Verona," that the dawn-songs in TC and those in Gower influence "The Rape of Lucrece" and "Romeo and Juliet," and that Gower's Narcissus of "Confessio Amantis" influenced "Twelfth Night" and other early modern works. Also discusses the seventeenth-century "Chaucers Ghoast" as an amalgamation of Gowerian versions of Ovidian material, presented in faux Middle English.</text>
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              <text>Raybin, David.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Merchant and His Tale</text>
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                <text>Chaucer on the Hearth.</text>
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                <text>Identifies a series of "parallels in plot and language" between Charles Dickens's "The Cricket on the Hearth" and MerT, arguing for Chaucer's influence on "Cricket," on the Strong subplot of "David Copperfield," and on Dickens's "Chaucerian aesthetic that mixes pathos, comedy, and social observation."</text>
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              <text>Mounter, Norman.</text>
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              <text>London: Austin Macauley, 2016.</text>
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              <text>356 pp.</text>
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Canterbury Tales--General</text>
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              <text>SAC 43:54</text>
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            <elementText elementTextId="2836340">
              <text>2016</text>
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                <text>Bitching Bits of Bone.</text>
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                <text>Historical novel about Chaucer's reasons for the writing of the CT; also includes versions of several characters and tales derived from CT.</text>
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              <text>Mann, Rachel.</text>
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              <text>Michael Schmidt, ed. New Poetries VII: An Anthology (Manchester: Carcanet, 2018), p. 98</text>
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              <text>Schmidt, Michael, ed.</text>
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              <text>New Poetries VII: An Anthology.</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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        <element elementId="114">
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                <text>Chaucer on Eccles New Road.</text>
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            <description>An account of the resource</description>
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                <text>Contemplative lyric poem (eighteen lines in threes) that refers to four of Chaucer's pilgrims (Knight, Miller, Reeve, and Pardoner) and includes six brief quotations from CT.</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Langdell, Sebastian J.</text>
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              <text>Liverpool: Liverpool University Press, 2018.</text>
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          <elementTextContainer>
            <elementText elementTextId="2836319">
              <text>x, 224 pp.</text>
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        <element elementId="104">
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              <text>Exeter Medieval Texts and Studies.</text>
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          <name>Chaucer Subject</name>
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            <elementText elementTextId="2836321">
              <text>Chaucer's Influence and Later Allusion</text>
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              <text>SAC 43:52</text>
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            <elementText elementTextId="2836323">
              <text>2018</text>
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                <text>Thomas Hoccleve: Religious Reform, Transnational Poetics, and the Invention of Chaucer.</text>
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          <element elementId="41">
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                <text>Focuses on Hoccleve's engagement "with contemporary religious reform movements and religious debate," arguing that he was interested in the "spiritual health of English society" rather than "earthly fame," and exploring how Hoccleve invented Chaucer as a "poetic 'father' figure who might plausibly be seen as acceptable under the heightened scrutiny of the English church." Includes discussion of the impact of many of Chaucer's works, with attention also to Hoccleve's uses of other poetic predecessors, English and continental.</text>
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              <name>Title</name>
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              <text>Herd, David, ed.&#13;
Pincus, Anna, ed.</text>
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              <text>[Manchester]: Comma Press, 2016-21.</text>
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              <text>x, 150pp. [2016]; 137 pp. [2017]; 208 pp. [2019]; ix, 161 pp.</text>
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              <text>Chaucer's Influence and Later Allusion&#13;
Canterbury Tales--General</text>
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              <text>SAC 43:50</text>
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            <elementText elementTextId="2836314">
              <text>2016&#13;
2017&#13;
2019&#13;
2021</text>
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              <elementText elementTextId="2836307">
                <text>Refugee Tales [I–IV].</text>
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            <description>An account of the resource</description>
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                <text>Anthologizes in four volumes oral accounts by asylum seekers and immigrants detained in Britain and elsewhere, recorded by various poets and novelists, and modelled on the CT, with an opening Prologue in each volume, followed by narratives with titles that emulate Chaucer's tales (e.g., "The Migrant's Tale," "The Detainee's Tale," etc.).</text>
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