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              <text>Windeatt, Barry.</text>
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              <text>Charlotte Brewer and Barry Windeatt, eds. Traditions and Innovations in the Study of Middle English Literature: The Influence of  Derek  Brewer (Woodbridge: Boydell and Brewer, 2013), pp. 262-78.</text>
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              <text>2013</text>
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              <text>Traditions and Innovations in the Study of Middle English Literature: The Influence of Derek Brewer.</text>
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              <text>Knight and His Tale</text>
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              <text>Parliament of Fowls</text>
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              <text>Troilus and Criseyde</text>
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        <element elementId="109">
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              <text>mea; 2/15/2017 SAC 38:125</text>
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                <text>Afterlives: The Fabulous History of Venus</text>
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                <text>Explores the history and iconography of Venus and focuses on the theme of Venus in KnT, PF, and TC. Also maintains that "medieval  Venus" stories greatly impacted  Derek Brewer's  writing and scholarly interests.</text>
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              <text>Bronson, Bertrand H.</text>
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              <text>Studies in Philology 58 (1961): 583-96.</text>
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              <text>Studies in Philology 58 (1961)</text>
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              <text>Merchant and His Tale&#13;
Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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              <text>mea; 9/10/21</text>
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              <text>1961</text>
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                <text>Afterthoughts on the Merchant's Tale.</text>
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                <text>Argues that MerT "was composed before and independent of" MerP, initially addressed orally by Chaucer to a "courtly audience." Such listeners were familiar with the "humorous antifeministic tradition" into which the "senex amans" convention, January's sardonic "panegyric on marriage," the extravagant rhetoric of the wedding feast, and the Proserpina/Pluto debate fit without recourse to a narrating personality. WBP also fits into this tradition.</text>
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              <text>Gillespie, Vincent.</text>
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              <text>Mary Carr, K. P. Clarke, and Marco Nievergelt, eds. On Allegory: Some Medieval Aspects and Approaches (Newcastle: Cambridge Scholars, 2008), pp. 231-56.</text>
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              <text>2008</text>
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            <elementText elementTextId="2779326">
              <text>On Allegory: Some Medieval Aspects and Approaches.</text>
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              <text>House of Fame</text>
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              <text>Clerk and His Tale</text>
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              <text>Tale of Melibee</text>
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              <text>vxl SAC 32:116.</text>
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                <text>Afterword : On Allegory, Allegoresis, and the Erotics of Reading</text>
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                <text>Surveys distinctions between the restrictive "allegory of theologians" and the expansive "allegory of the poets," arguing that Chaucer's poetry is a radical form of the latter. Chaucer's works decenter the author and thereby pose "new kinds of imaginative syllogism" that prompt readers to various "wrong" readings and evoke parallels between political and readerly rebelliousness. Gillespie comments on HF, Mel, and the Host's response to ClT.</text>
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              <text>Cooper, Helen.</text>
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              <text>Yearbook of Langland Studies 32 (2018): 375-89.</text>
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              <text>Sources, Analogues, and Literary Relations</text>
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        <element elementId="109">
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              <text>SAC 43:32</text>
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        <element elementId="114">
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              <text>2018</text>
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              <elementText elementTextId="2836021">
                <text>Afterword [to "Chaucer's Langland"].</text>
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            <description>An account of the resource</description>
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                <text>Comments on the studies included in a cluster of essays entitled "Chaucer's Langland" (YLS 32 (2018) and, acknowledging the difficulties of establishing direct influence between Langland and Chaucer, describes a variety of dissimilarities between their works, explaining how differences in style, genre, attitude, and emphasis reflect and illuminate the poets' ethical, intellectual, social, and political worlds.</text>
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              <text>Rutter, Tom.</text>
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              <text>Comparative Drama 55 (2021): 404-13.</text>
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              <text>Comparative Drama 55 (2021)</text>
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              <text>Chaucer's Influence and Later Allusion</text>
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              <text>SAC 46:92</text>
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        <element elementId="114">
          <name>Date</name>
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            <elementText elementTextId="2847997">
              <text>2021</text>
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                <text>Afterword [to Special Issue}</text>
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            <name>Description</name>
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                <text>Explores how resonance with CT in '1 Henry IV, 1.2, "communicates the pre-Reformation otherness of the world" and raises questions about "cultural distance and appropriation" that circulate among the essays collected in this special issue of "Comparative Drama." Also comments on allusions to Chaucer in John Dryden's preface to his "Troilus and Cressida" and his "The Grounds of Criticism in Tragedy," as well as in Ben Jonson's "Entertainment at Bolsover."</text>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Carruthers, Mary (J.)</text>
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        <element elementId="98">
          <name>Published</name>
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            <elementText elementTextId="2736261">
              <text>Ruth Evans and Lesley Johnson, eds.  Feminist Readings in Middle English Literature: The Wife of Bath and All Her Sect (London and New York: Routledge, 1994), pp. 39-44.</text>
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              <text>1994</text>
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            <elementText elementTextId="2736263">
              <text>Feminist Readings in Middle English Literature: The Wife of Bath and All Her Sect.</text>
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              <text>Wife of Bath and Her Tale.</text>
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              <text>jules SAC 18 (1996) - 183</text>
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                <text>Afterword to "The Wife of Bath and the Painting of Lions"</text>
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                <text>Comments on the rhetorical ontology of the Wife of Bath.  The character is a figure of power who "continues to bother" because she is not silenced in the text, compelling readers to wish to respond.</text>
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                <text>The original essay (without afterword) originally published in PMLA 094 (1979): 209-22.</text>
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              <text>Dinshaw, Carolyn.</text>
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                <text>Provides an afterword to the special issue on LGW, focusing on the theme of love's loss, and presents an argument that Prince's song "When You Were Mine" provides a foil for the women of LGW.</text>
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                <text>Against Order: Medieval, Modern, and Contemporary Critiques of Causality.</text>
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                <text>Argues that HF, like Virginia Woolf's "To the Lighthouse" and Lyn Hejinian's "My Life," rejects a "hermeneutic of linear causality." Both Chaucer and the postmedieval authors develop the potential of the dream-vision form to advance a "literary philosophy" that features "a resistant politics of accident and rupture" rather than an "organized andcausal providential universe."</text>
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              <text>v, 249 pp. </text>
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              <text>Friar and His Tale&#13;
Summoner and His Tale</text>
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              <text>mea; SAC 42:96</text>
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                <text>Against the Friars: Antifraternalism in Medieval France and England.</text>
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                <text>Describes the history and reception of friars in France and England from their inception to c. 1400, with a chapter on late fourteenth-century English literary responses: "England: The Turbulent 14th Century, and the Writings of Chaucer, Langland and Gower" (pp. 117-33). Includes discussion of the GP description of the Friar ("stops short of outright condemnation") and a summary paraphrase of SumT that emphasizes its satiric elements, wheel imagery, and concern with glossing.</text>
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              <text>Against Women Unconstant.</text>
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              <text>Boece.</text>
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                <text>Against Women Unconstant: The Case for Chaucer's Authorship</text>
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            <description>An account of the resource</description>
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                <text>A heretofore overlooked list of internal evidence for Chaucer's authorship of Wom Unc concerns the source of the mirror image--the latter used by Chaucer in his Bo.  Since Chaucer's lady is described in terms that smack of Boethius's Fortune, the author's dependence upon Boethius brings Wom Unc very close to his own translation.</text>
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              <text>Minnis, Alastair.</text>
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              <text>Medieval Translator/Traduire au Moyen Age 16 (2017): 357-76.</text>
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Traduire au Moyen Age 16 (2016)</text>
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House of Fame&#13;
Tale of Sir Thopas&#13;
Language and Word Studies</text>
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                <text>Aggressive Chaucer: Of Dolls, Drink and Dante.</text>
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                <text>Maintains that, despite the critical tradition of Chaucer's self-effacing persona, there are significant assertions of his own poetic authority in ThP and HF, and perhaps even challenges to Dante. Explores details of diction and imagery ("popet," "elvyssh," drinking one's own drink, etc.) to argue that, at times, "Chaucer's claims to poetic authority are aggressive" or "passive-aggressive."</text>
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              <text>Speculum 95 (2020)</text>
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                <text>Examines the fifteenth-century manuscript known as "On Husbondrie," compiled by Duke Humfrey of Gloucester, which contains information on farming, agriculture, and animal husbandry. Argues that the manuscript is not simply a practical guide for agricultural techniques, but a complex and affective text that reflects the emotional and spiritual aspects of medieval farming practices. Multiple references to Chaucer's works, including BD, RvT, Th, MilT, SqT, and MerT. Footnote 77 discusses the connection between "the physicality of meter" in Boethius's "Consolation of Philosophy" and the "sense-perceptible" effect of alliteration in Bo.</text>
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              <text>Sayers, William.</text>
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                <text>Ahoy! and Jury-Rigging: Etymologies</text>
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              <elementText elementTextId="2797484">
                <text>Chaucer's use of the interjection "Oo" in KnT (2533) is adduced as a stage in the history of "Ahoy" going back to the Anglo-French verb "oir" (to hear, listen).</text>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2849626">
              <text>Lewis, Sean Gordon.</text>
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        <element elementId="98">
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            <elementText elementTextId="2849627">
              <text>Enarratio: Publications of the Medieval Association of the Midwest 23 (2022): 52-68.</text>
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              <text>Enarratio: Publications of the Medieval Association of the Midwest 23 (2022)</text>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2849629">
              <text>House of Fame&#13;
Sources, Analogues, and Literary Relations&#13;
Manuscripts and Textual Studies&#13;
Facsimiles, Editions, and Translations</text>
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        <element elementId="109">
          <name>Source</name>
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          <elementTextContainer>
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              <text>SAC 46:302</text>
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        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
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              <text>2022</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="2849624">
                <text>Airy Bodies and Knowledge in Chaucer's "House of Fame."</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="2849625">
                <text>Examines the "embodiment of language" in HF and argues that it displays epistemological "confidence in the ability of the textual word/body to communicate accurately to the reader's imagination in a synesthetic experience." Focuses on how Chaucer (following Dante's Thomistic hylomorphism) "portrays audible speech as visible shades of the speakers" and "calls attention to the spoken word embodied in writing." Also comments on the textual history of HF in manuscripts and early print.</text>
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  <item itemId="261443" public="1" featured="0">
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695052">
              <text>McLeod, Glenda.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695053">
              <text>Glenda McLeod, Virtue and Venom: Catalogs of Women from Antiquity to the Renaissance.  Women and Culture Series.  (Ann Arbor: University of Michigan Press, 1991), pp. 81-109.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695054">
              <text>1991</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695055">
              <text>Virtue and Venom: Catalogs of Women from Antiquity to the Renaissance.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695057">
              <text>Legend of Good Women.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="104">
          <name>Series</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695058">
              <text>Women and Culture Series.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2695059">
              <text>mea</text>
            </elementText>
          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2695051">
                <text>Al of Another Tonne</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2695056">
                <text>Contrary to critical tradition, Chaucer did not necessarily abandon LGW in boredom.  A reading with attention to the discrepancies between LGWP and the legends, and to their ordering and their figurative language, reveals a careful and purposeful structure as well as structural, thematic, and aesthetic completeness.</text>
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  <item itemId="263053" public="1" featured="0">
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              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
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        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711022">
              <text>Spearing, A. C.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711023">
              <text>John V. Fleming and Thomas J. Heffernan, eds.  Studies in the Age of Chaucer, Proceedings, No. 2, 1986 (Knoxville, Tenn.: New Chaucer Society, 1987), pp. 169-77.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711024">
              <text>1987</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711025">
              <text>Studies in the Age of Chaucer, Proceedings, No. 2 (1986)</text>
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          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711027">
              <text>Parliament of Fowls.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2711028">
              <text>jules SAC 11 (251)</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2711021">
                <text>Al This Mene I Be Love</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2711026">
                <text>Examines the pervasiveness of love iconography and tradition in PF.  Reviews various interpretations, political and social, and sees the "center" of the poem in the central line on the treacherous lapwing, a model for Chaucer's method with its many contradictions.  PF is a structure without a center.  Chaucer delights in the "irresolvable diversity of the birds' ideas about love."  Love in PF consists in "yearning for a center and a meaning that are absent."</text>
              </elementText>
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    </elementSetContainer>
  </item>
  <item itemId="266293" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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      <elementContainer>
        <element elementId="110">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742924">
              <text>Kiser, Lisa J.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742925">
              <text>Piero Boitani and Anna Torti, eds.  Mediaevalitas: Reading the    Middle Ages (Cambridge:  D. S. Brewer, 1996), pp. 1-14.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742926">
              <text>1995</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742927">
              <text>Mediaevalitas: Reading the Middle Ages.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742929">
              <text>Parliament of Fowls.</text>
            </elementText>
            <elementText elementTextId="2742930">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2742931">
              <text>jules SAC 20 (1998), 260</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2742923">
                <text>Alain de Lille, Jean de Meun, and Chaucer: Ecofeminism and Some Medieval Lady Natures</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2742928">
                <text>Assesses the depiction of female-gendered Nature in Brunetto Latini's "Il Tesoretto," Alain de Lille's "De planctu naturae," Jean de Meun's "Roman de la Rose," and Chaucer's PF.  A modern ecofeminst approach to these depictions helps disclose the binary thinking that underlies them and reveals a surprising variety in the way they reflect power relations between classes and genders.</text>
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            </elementTextContainer>
          </element>
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  </item>
  <item itemId="270884" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790591">
              <text>Powrie, Sarah.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790592">
              <text>Chaucer Review 44 (2010): 246-67.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790593">
              <text>2010</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790595">
              <text>House of Fame.</text>
            </elementText>
            <elementText elementTextId="2790596">
              <text>Sources, Analogues, and Literary Relations</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790597">
              <text>Chaucer Review 44 (2010).</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2790598">
              <text>vxl sac 34:283</text>
            </elementText>
          </elementTextContainer>
        </element>
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    </itemType>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2790590">
                <text>Alan of Lille's 'Anticlaudianus' as Intertext in Chaucer's 'House of Fame'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2790594">
                <text>In playing on Alan's "theological epic" in HF, Chaucer projects a view of readerly interpretation as a key component of literary production, thus challenging the notions that poetry springs solely from inspiration and "that textual meaning could be securely sealed by an author."</text>
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  </item>
  <item itemId="265874" public="1" featured="0">
    <collection collectionId="8">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738623">
              <text>Donabeita Fernandez, Maria Louisa.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738624">
              <text>Teresa Fanego Lema, ed.  Papers from the IVth International Conference of the Spanish Society for Medieval Language and Literature  (Santiago de Compostela: Universidad de Santiago de Compostela, 1993), pp. 43-53.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738625">
              <text>1993</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738626">
              <text>Papers from the IVth International Conference of the Spanish Society for Medieval Language and Literature.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738628">
              <text>Wife of Bath and Her Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738629">
              <text>jules SAC 19 (1997) - 193</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2738622">
                <text>Alas! Alas! Unhappy Wife of Bath: A Close Reading of the Wife of Bath's Prologue.:</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2738627">
                <text>A deconstructive-psychoanalytical reading of WBP that examines the gaps left in the Wife's discourse, exploring implications of rape, sexual economics, and prostitution.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
  </item>
  <item itemId="266386" public="1" featured="0">
    <collection collectionId="8">
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        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      <name>ChaucerItem2</name>
      <description>Items for the Chaucer Database</description>
      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743900">
              <text>Molencki, Rafał.</text>
            </elementText>
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        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743901">
              <text>Studia Anglica Posnaniensia 31 (1997): 163-77.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743902">
              <text>1997</text>
            </elementText>
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        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743904">
              <text>Language and Word Studies.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743905">
              <text>Studia Anglica Posnaniensia 31 (1997)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2743906">
              <text>jules SAC 21 - 74</text>
            </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2743899">
                <text>Albeit a Conjunction, Yet It Is a Clause: A Counterexample to the Unidirectionality Hypothesis?</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2743903">
                <text>Traces the history of the phrase "al be it" from its late-medieval "heyday" through its reduction to a single-word conjunction to its current status as a marker of "concessivity" or contradiction.  Most medieval instances are cited from Chaucer.</text>
              </elementText>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
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          </elementContainer>
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      <description>Items for the Chaucer Database</description>
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          <name>Author / Editor</name>
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          <elementTextContainer>
            <elementText elementTextId="2728397">
              <text>Pratt, Robert A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2728398">
              <text>Philological Quarterly 57 (1978): 267-68.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2728399">
              <text>1978</text>
            </elementText>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2728401">
              <text>Summoner and His Tale.</text>
            </elementText>
            <elementText elementTextId="2728402">
              <text>Sources, Analogues, and Literary Relations.</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2728403">
              <text>Philological Quarterly 57 (1978)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
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            <elementText elementTextId="2728404">
              <text>jules SAC 03 (114)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2728396">
                <text>Albertus Magnus and the Problem of Sound and Odor in the Summoner's Tale</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2728400">
                <text>Jankyn's theories of the dissemination of sound and odor coincide precisely with those of medieval science as presented by Albertus Magnus in his "Liber de sensu et sensato."  Chaucer draws upon these widely disseminated medieval views rather than upon the opinions of classical writers such as Euclid, Ptolemy, Vitruvius, or Boethius.</text>
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              <description>A name given to the resource</description>
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                  <text>Chaucer Bibliography Online</text>
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            <elementText elementTextId="2763259">
              <text>Ackroyd, Peter.</text>
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        <element elementId="98">
          <name>Published</name>
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          <elementTextContainer>
            <elementText elementTextId="2763260">
              <text>London : Chatto &amp; Windus, 2002.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763261">
              <text>2002</text>
            </elementText>
          </elementTextContainer>
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        <element elementId="99">
          <name>Physical Description</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763262">
              <text>xxii, 516 pp.</text>
            </elementText>
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        </element>
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          <name>Chaucer Subject</name>
          <description/>
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            <elementText elementTextId="2763264">
              <text>Background and General Criticism.</text>
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        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2763265">
              <text>vxl SAC 27: 88</text>
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          </elementTextContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2763258">
                <text>Albion: The Origins of the English Imagination</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2763263">
                <text>Ackroyd discusses Chaucer within the larger context of describing and defining the distinctive qualities of English imagination, focusing on Chaucer's themes of remembrance, science, and truth as part of the process of becoming English. Considers HF, LGW, PF, TC, BD, CT, and RvT. Includes a bibliography and index.</text>
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          </element>
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      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="262518" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
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        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705798">
              <text>Carlson, Paula J.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705799">
              <text>Mediaevalia 11 (1989, for 1985): 139-50.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705800">
              <text>1989</text>
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          </elementTextContainer>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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            <elementText elementTextId="2705802">
              <text>Legend of Good Women.</text>
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          </elementTextContainer>
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        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705803">
              <text>Mediaevalia 11 (1989, for 1985).</text>
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          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705804">
              <text>jules SAC 13 (208).</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2705797">
                <text>Alceste and Chaucer's View of Poetry in the 'Legend of Good Women'</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2705801">
                <text>In LGWP, Alceste is a more complicated character than is suggested by references to her in TC:  "Alceste's truth, goodness, and faithfulness are offset in the Prologue by her obstinance, petulance, and fickleness."  Critical readings ignore the "multiplicity of her roles" in LGWP as "protector and patron of the poet and as audience and literary critic of his work."</text>
              </elementText>
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          </element>
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  <item itemId="265884" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738725">
              <text>Higgins, Anne.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738726">
              <text>Teresa Tavormina and R. F. Yeager, eds.  The Endless Knot: Essays on Old and Middle English in Honor of Marie Borroff (Cambridge: D.S. Brewer, 1995), pp. 113-27.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738727">
              <text>1995</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="108">
          <name>Alternative Title</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738728">
              <text>The Endless Knot: Essays on Old and Middle English in Honor of Marie Borroff.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Chaucer Subject</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738731">
              <text>Legend of Good Women.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2738732">
              <text>jules SAC 19 (1997) - 295</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2738724">
                <text>Alceste the Washerwoman</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2738729">
                <text>One key to recognizing the parody of hagiography in LGW is the identification of Alceste as Alice de Cestre in LGWP.</text>
              </elementText>
              <elementText elementTextId="2738730">
                <text>  Alice was a washerwoman of the royal household--perhaps a prostitute--and the double identity of Alceste-Alice establishes a "flexible morality" for the poem, "a model of moral relativism and tolerance."</text>
              </elementText>
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          </element>
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  </item>
  <item itemId="262497" public="1" featured="0">
    <collection collectionId="8">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="521447">
                  <text>Chaucer Bibliography Online</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
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      </elementSetContainer>
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      <elementContainer>
        <element elementId="110">
          <name>Author / Editor</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705598">
              <text>Hitchcox, Kathryn Langford.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Published</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705599">
              <text>Dissertation Abstracts International 49 (1989): 3033A.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705600">
              <text>1989</text>
            </elementText>
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        <element elementId="102">
          <name>Chaucer Subject</name>
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          <elementTextContainer>
            <elementText elementTextId="2705602">
              <text>Second Nun and Her Tale.</text>
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            <elementText elementTextId="2705603">
              <text>Canon's Yeoman and His Tale.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Journal by Volume Number</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705604">
              <text>Dissertation Abstracts International 49 (1989)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Source</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="2705605">
              <text>jules SAC 13 (186)</text>
            </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2705597">
                <text>Alchemical Discourse in the 'Canterbury Tales'</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2705601">
                <text>Most scholarly treatments of Chaucer and alchemy deal with whether Chaucer believed in alchemy or whether he condemned it, but Chaucer's primary concern with alchemy was to use it as "symbolic language," especially in SNT and CYT.  This salvific language links the spiritual and the physical, God and humanity.</text>
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