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              <text>George, Michael W.</text>
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              <text>Essays in Medieval Studies 30 (2014): 67–81.</text>
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              <text>Background and General Criticism&#13;
General Prologue to the Canterbury Tales&#13;
Miller and His Tale&#13;
Book of the Duchess&#13;
Troilus and Criseyde</text>
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              <text>SAC 39:105&#13;
mea; 2/25/2018</text>
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                <text>Adversarial Relationships between Humans and Weather in Medieval English Literature</text>
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                <text>After examining weather patterns during the Middle Ages, suggests that the late fourteenth century experienced lower than normal temperatures and increased precipitation that would have affected harvests. Since inclement weather plays a role in BD, TC, and MilT, speculates that the trope of the idealized spring setting, particularly in GP, acts as a type of escapism, or perhaps is Chaucer's response to a year of unusually good weather.</text>
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              <text>Charles, Casey.</text>
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              <text>Assays 6 (1991): 55-71.</text>
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              <text>Wife of Bath and Her Tale.</text>
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                <text>Adversus Jerome: Liberation Theology in the Wife of Bath's Prologue</text>
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                <text>WBP, belonging to the genre of the French sermon joyeux, "a parodic homily by a woman that uses biblical exegesis to endorse worldly pleasure," had a "topical resonance" for Lollards, who, "championing female literacy and lay biblical exegesis, considered widows like Alice to be specialists in the intricacies of marriage practice." </text>
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                <text>  WBP is not just a "bawdy send-up of exegetical method but a subversion of it," exposing Jerome's "misogynous power grab."</text>
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              <text>Greenwood, Maria.</text>
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              <text>Colette Stévanovitch, ed. L'articulation langue-littérature dans les textes médiévaux anglais, IV. Actes des journées d'etude de juin 2005 et juin 2007 à l'Université de Nancy. Publications de l'Association des Médiévistes Anglicistes de l'Enseignement Supérieur. Collection GRENDEL, no. 9 (Nancy: AMAES, 2007), pp. 125-34.</text>
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              <text>L'articulation langue-littérature dans les textes médiévaux anglais, IV.</text>
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              <text>Merchant and His Tale.</text>
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              <text>Franklin and His Tale.</text>
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              <text>Tale of Melibee.</text>
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              <text>GRENDEL, no. 9.</text>
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              <text>vxl SAC 31:155</text>
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                <text>Advice of Friends and Emergence of Right Judgement in Three of Chaucer's Canterbury Tales: The Franklin's Tale, The Merchant's Tale, and The Tale of Melibee</text>
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                <text>Greenwood studies types of friendship, plus the positive and negative values attached to friendship, in FranT, MerT, and Mel.</text>
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              <text>Guidry, Marc.</text>
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              <text>Scott D. Troyan, ed. Medieval Rhetoric: A Casebook (New York and London: Routledge, 2004), pp. 127-45.</text>
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        <element elementId="114">
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              <text>2004</text>
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              <text>Medieval Rhetoric: A Casebook.</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Wife of Bath and Her Tale.</text>
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        <element elementId="109">
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              <text>vxl sac 28:196</text>
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                <text>Advice Without Consent in Troilus and Criseyde and The Canterbury Tales</text>
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                <text>In TC, "Chaucer explores the cultural function of counsel as a key mode of power distribution in chivalric society," examining Pandarus's advice, Criseyde's impersonations of him, and parallels between personal counsel and the Trojan Parliament.</text>
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                <text>In both TC and CT, Chaucer depicts the effects of male counsel on female agency, showing that both Criseyde and the Wife of Bath attempt to appropriate traditional discourse of counsel.</text>
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              <text>Baswell, Christopher.</text>
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              <text>New Medieval Literatures 5 : 8-58, 2002.</text>
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              <text>vxl sac 26:258</text>
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                <text>Aeneas in 1381</text>
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                <text>The calming of an "urban rabble" in Aeneid 1.148-56 was a topos in reports and rumors that surrounded the uprising of 1381 and in reports of similar conflicts at Lynn and London in 1377. Baswell explores the "anxieties, hopes, and tensions" of the medieval uprisings and examines their relationships with conceptual analogues in rememberings of Troy, Carthage, and Rome. NPT links the uprising with these cities briefly and provocatively, and memories of it haunt late-medieval English versions of the Aeneas story.</text>
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              <text>Knapp, Peggy A.</text>
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              <text>Chaucer Review 39 (2005): 241-58</text>
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              <text>Troilus and Criseyde.</text>
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              <text>Boece</text>
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              <text>Chaucer Review 39 (2005)</text>
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              <text>vxl</text>
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                <text>Aesthetic Attention and the Chaucerian Text</text>
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                <text>Knapp argues that a historicized, aesthetic appreciation of Chaucer is possible, despite recent tendencies to focus on ideological issues only. The aesthetic theories of Kant and Gadamer help to explain the roles of subjectivity, universality, and genius in the perception of aesthetic value. The article comments on Bo, CT, and TC.</text>
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              <text>Ginsberg, Warren.</text>
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              <text>Troilus and Criseyde.</text>
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                <text>Examines "the way that gender, genre, form, and affect in late medieval devotion literatures, in the vernacular, provide varying degrees of access to spiritual reality for medieval women." Draws on "contemporary affect theory" and includes discussion of SNPT.</text>
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              <text>x, 246 pp.</text>
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                <text>Affections of the Mind: The Politics of Sacramental Marriage in Late Medieval English Literature</text>
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                <text>Depictions of marriage in a range of late Middle English texts engage concerns with lay and ecclesiastical authority and promote interests of "the lay middle strata." The book opens with a reading of how FranT expresses in its "discourse of mutuality" a "vocabulary for promoting civic values" appropriate to the Franklin's social position. Subsequent chapters consider Gower's "Traitié pour Essampler les Amantz Marietz," the N-Town Mary plays, and "The Book of Margery Kempe."</text>
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              <text>Johnson, Travis William.</text>
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              <text>Dissertation Abstracts International A75.01 (2014): n.p.</text>
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              <text>Dissertation Abstracts International 75 (2014)</text>
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              <text>Reeve and His Tale&#13;
Language and Word Studies</text>
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                <text>Affective Communities: Masculinity and the Discourse of Emotion in Middle English Literature.</text>
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                <text>Investigates the lexicons of emotion and "codes of masculinity" in a range of late medieval English literary texts, including RvT.</text>
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              <name>Title</name>
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                  <text>Chaucer Bibliography Online</text>
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              <text>Travis, Peter W.</text>
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              <text>Laurie A. Finke and Martin B. Shichtman, eds. Medieval Texts and Contemporary Readers (Ithaca, N.Y.: Cornell University Press, 1987), pp. 201-15.</text>
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        <element elementId="114">
          <name>Date</name>
          <description/>
          <elementTextContainer>
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              <text>Medieval Texts and Contemporary Readers.</text>
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                <text>Argues that modern theoretical discourse, in particular affective criticism--reader-response theory and "rezeptions-asthetik" (which "emphasizes the historicity and alterity of literary works from the past")--derives from and is applicable to medieval literary aesthetics.</text>
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                <text>In TC 3, Chaucer, recognizing that his text will "generate as many different readings as there are listeners in his audience," invites the reader to rewrite the story.  Chaucer's poetry is self-reflexive, and "the pilgrimage model can be shifted from literary protagonist to literary reader."</text>
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                <text>Though ManT is a "gross burlesque" of wisdom literature, its topics are appropriate to repentance:  "the power of words, vicious conduct, the effect of truth-telling, physical metamorphosis, poetry, rage, self-delusion."</text>
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            <elementText elementTextId="2836955">
              <text>Prendergast, Thomas A., and Stephanie Trigg.</text>
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              <text>154 pp.</text>
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              <text>Manchester Medieval Literature and Culture.</text>
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              <text>Background and General Criticism</text>
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                <text>Affective Medievalism: Love, Abjection and Discontent.</text>
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                <text>Investigates the relationship between medieval studies and medievalism and how "the history of the medieval" provides contemporary readers with "a model of how to relate to the past." Argues that medieval writers offer models for understanding how contemporary readers can connect with "the lost history of what may be called the 'medievalism of the medievals'."</text>
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              <text>SAC 29 (2007): 225-58.</text>
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                <text>By "acknowledging and exploiting the affections of [its] female characters," RvT "fashions a masculine collective." By excluding Symkyn from this collective, the Tale demonstrates that "cherl" identity after the uprising of 1381 was ethically and politically "limited." RvT "issues a call to confront the ethical consequences of affective appeals within their social contexts." Crocker considers gender relations of RvT in light of medieval conduct literature and encourages attention to "affect" in literary criticism.</text>
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              <text>Chaucer Review 51.1 (2016): 11-30.</text>
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              <text>Book of the Duchess&#13;
Troilus and Criseyde&#13;
Legend of Good Women&#13;
Knight and His Tale</text>
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                <text>Discusses "the power of affect on minds and bodies" and the "psychology of love and loss" in Chaucer's works. Explores relationship between women's literary culture and roles of women in BD, KnT, TC, and LGW.</text>
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              <text>Wood, Chauncey.</text>
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        <element elementId="98">
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              <text>Studies in the Age of Chaucer 6 (1984): 21-40.</text>
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        <element elementId="114">
          <name>Date</name>
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              <text>1984</text>
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              <text>jules SAC 08 (33)</text>
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                <text>Affective Stylistics and the Study of Chaucer</text>
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                <text>Reading is a "two-way" process:  "texts affect us while we affect texts."  Chaucer typically "plays" with his readers, leading them to expect one meaning but giving them another. Any interpretation is influenced both by Chaucer's techniques and by what the reader "brings to the text."</text>
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          <elementTextContainer>
            <elementText elementTextId="2783190">
              <text>Birenbaum, Maija.</text>
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        <element elementId="98">
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              <text>Chaucer Review 43 (2009): 330-44.</text>
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        <element elementId="114">
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              <text>Prioress and Her Tale</text>
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              <text>Chaucer Review 43 (2009).</text>
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              <text>vxl sac 33:159</text>
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                <text>Affective Vengeance in 'Titus and Vespasian'</text>
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                <text>Its fierce anti-Semitism notwithstanding, "Titus and Vespasian" is an important document of cultural uses of the "fall-of-Jerusalem narrative" and of attitudes toward Jews and Judaism in late medieval England. Thus, it deserves scholarly attention alongside works such as the "Siege of Jerusalem" and PrT.</text>
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              <name>Title</name>
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              <text>Duncan, Edgar H.</text>
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        <element elementId="98">
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              <text>Jerome Mitchell and William Provost, eds. Chaucer the Love Poet (Athens: University of Georgia Press, 1973), pp. 107-11.</text>
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              <text>Chaucer the Love Poet.</text>
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              <text>Background and General Criticism</text>
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          <elementTextContainer>
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              <text>mea; 3/9/2015 No SAC</text>
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              <elementText elementTextId="2803129">
                <text>Summarizes the four papers included in this volume, with emphasis on how well they cohere.</text>
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              <text>Evans, Ruth.</text>
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        <element elementId="98">
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2024</text>
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                <text>Explores ways that "Jacques Lacan's radical account of sexual difference" as "the articulation of an impasse of language" can open ways to see beyond "normative views of sexual difference and femininity" in reading WBPT.</text>
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              <text>Cooper, Helen.</text>
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        <element elementId="98">
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              <text>Studies in the Age of Chaucer 25: 3-24,   2003.</text>
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              <text>Presidential Address, the New Chaucer Society, Thirteenth International Congress, 18-21 July 2002, University of Colorado at Boulder.</text>
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              <text>Chaucer's Influence and Later Allusion.</text>
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              <text>Sources, Analogues, and Literary Relations.</text>
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              <text>House of Fame.</text>
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              <text>Monk and His Tale.</text>
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              <text>Wife of Bath and Her Tale.</text>
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                <text>After Chaucer</text>
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                <text>Comments on Chaucer as a translator (especially his adaptations of Dante in HF and MkT) and on the reception of his works over time as a legacy of translating and adapting him. Cooper details Chaucer's influence and adaptations of his works in the 1590s. Includes a text of the ballad The Wanton Wife of Bath.</text>
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                <text>In patriarchal tradition, the Christian is defined as male and spiritual; the female, as Other, Hebrew, and carnal.  Lampert traces tensions in the parallel between women and Jews from Bernard de Clairvaux to Shakespeare's Shylock, including medieval drama and PrT.</text>
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                <text>With the linguistic turn from mimetic to generative properties of language, the traditional understanding of many aspects of literary and intellectual history has been denied. Jolliffe questions this extreme position in the light of writers such as Heloise, Chaucer, and modern authors.</text>
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              <text>House of Fame.</text>
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                <text>Davis discusses Alexander Pope's "The Temple of Fame," a translation of HF.</text>
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Wife of Bath and Her Tale&#13;
Sources, Analogues, and Literary Relations</text>
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                <text>Argues that MerT "was composed before and independent of" MerP, initially addressed orally by Chaucer to a "courtly audience." Such listeners were familiar with the "humorous antifeministic tradition" into which the "senex amans" convention, January's sardonic "panegyric on marriage," the extravagant rhetoric of the wedding feast, and the Proserpina/Pluto debate fit without recourse to a narrating personality. WBP also fits into this tradition.</text>
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